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sharon_case_main.jpgPoor Sharon Newman Abbott! It’s been a series of devastating events that have led one of Genoa City’s heroines to begin acting out in ways we have not seen before.

I mean, what would you do? The love of your life rekindles your relationship with a night of passion, only to go back to the woman who stole him from you in the first place. Your best friend professes his love for you and you send him away into a snowstorm. He ends up dead by saving your son who has fallen through the ice and almost dies, too. Your second marriage has fallen apart through a series of lies and manipulations and you realize everything you touch… you lose.

Well, Daytime Emmy Award winning actress Sharon Case, tells me what’s behind Sharon’s emotional turmoil. As many “Y&R” fans know, just this past week she spent a drunken night of passion
with Billy Abbott and has begun to steal
items and put them in her purse. Hmmm…


Many fans were overjoyed that Nick and Sharon finally reconnected and made love in the cabin! What are your feelings on the story?


I loved the storyline because it has so much conflict in it. I can speak for the actors that nobody wanted to see Nick and Sharon get back together and live happily ever after in one episode. Our audience wants to see them together, and so do we, but not all in one episode. It misses the point. I love that Nick and Sharon slept together and they are playing Sharon and Nick’s feelings for each other. Because for years, where was Sharon and Nick’s feelings for each other? Why weren’t they ever in the same room with each other? What happened? Well, we are back, and that does not mean Sharon and Nick should get together tomorrow, but we should be in the same room together, because there is conflict. In my opinion, this is what should have been playing out all along.


They have their son, Noah, but it seemed like over the past few years the show was not playing those storyline beats as parents. Not until recently, however.


We have a son! Where has this storyline been for the past two years? Thank God, we are back and Nick and Sharon had sex together. One of my favorite scenes was when we ran into each other in the office and Nick told me he wants to stay with Phyllis. Oh, my word, after everything we have been through and Sharon’s hopes were high, this was tragic! She has already filed for divorce from Jack and she is thinking, this is it. Once again, he says he is going to stay with Phyllis. He cheated, and now to hear this, how do you ever get past this?


Obviously, Phyllis’s manipulations made an impact on Nick.


When Sharon spoke with Nick in the office, he did not come out and say it. Sharon dragged it out of him, and pressure-cooked him into talking, and he was wondering what is going on, and not saying anything. So, I don’t know how you overcome that. I don’t know how any one gets over that. I guess you get over it by doing exactly what Sharon is doing… having a nervous breakdown and acting very unlike her.


She is acting so bizarre!


It’s stress that causes her to do weird things and panic. These are really extreme circumstances, where people can blank out or do things unlike themselves, or freak out. They even could go blind, temporarily.


Yes, hysterical blindness!


I heard someone who was having a nervous breakdown got hysterical blindness in real life. I know of people who have gone blind from stress or illness, and things can happen temporarily to you. With Sharon, she does not remember moments of time, here and there.


I remember after my major back-surgery and the stress of the recovery, I was forgetting things and I didn’t know why, but I think it was because of the stress it put on my mind and body.


People think it’s the illness or surgery, and it’s really the stress that’s connected to the illness or surgery or personal loss, or things like that.


So, it makes perfect sense. Sharon had lossed so much. Here she slept with Nick. He does not go back to her. Noah almost died, and Brad’s dead!


Can you imagine? Her child is saved and Brad dies, and she had sent Brad away! She was not that nice to him leading up to that day. She had to stop him from having any hope, but that does not matter now because he is dead. She feels bad about that. It’s awful! Jack was another horrible loss, a tragic loss. She tried everything she could possibly do to make her marriage work. She said, “Jack you are a liar, and I am going to have to adjust myself to live with that.” She tried to deal with Jack’s broken promises again and again. One thing is for sure; a promise from Jack doesn’t mean anything. How do you live with that in a marriage? It’s so disheartening.


And, Phyllis is just so mean to her!


She is a mean girl and she does not like Sharon, and she is mean to her.


Do you think Sharon can handle Phyllis’s machinations?


Look at the things that Sharon has handled in her life. Of course she can!


So, with all of this heartbreak the time was ripe to break her to pieces. It’s very interesting how they are taking apart Sharon’s spirit and mental stability.


I am interested in how they are doing it, too. One thing about Maria Arena Bell’s (co head-writer, “Y&R”) writing is that when you have a breakdown, it’s not only for an hour in a day you have a breakdown, and then life goes on. This is something that happens here and there a little bit each day, over periods of time, and over weeks. That’s how breakdowns happen. I think when people talk about a nervous breakdown they say, “I had a nervous breakdown between 12 noon and one, and now I am all better.” (She laughs) It does not also mean you are in a straightjacket full time. It just means you are going to act bizarre and you are going to have panic attacks at different intervals. It will be hard to deal with.


So, what is going on in Sharon’s mind? How are you playing this?


It’s a loss. This is the second marriage she has lost. She has almost lost her second child, which reminds her and reactivates Cassie’s death for her. Then, Nick does not want her and her friend has died. So, every time she thinks, ”Now I have my life together and now I can see a vision of where my future will lie.” You can see the future and it gives you hope. Every time Sharon has mapped it out it has been torn to pieces. She has to overcome it, restart it, and redraw it, not only with her first marriage, but her second, and also with her child, Cassie. That’s why Sharon is in this place right now. It makes you so fearful that you are going to be alone for the rest of your life; that no matter what you go out in life to create, it’s going to be ruined anyway.


Will there be a ‘night in shining armor’ along the way?


Isn’t that the hope in life that we all have? I hope so, and I don’t know who it will be.




What you hope is that Nick will come around and be a good man. What you want to have happen is Nick to snap out of it one day and be the man he needs to be, and who Sharon wants him to be, so they can live happily ever after.


As the character of Sharon, what would you still love to do with her, or get a chance to play that you haven’t had in all of your time here at “Y&R”? I mean, Sharon has been through almost every soap storyline imaginable.


You know what I wanted to do? This will probably never happen, but before I knew Brad’s character was dying I did not know where they were going with Sharon and Brad’s storyline. Recently before he died, it looked like they might put us together again because Jack and Sharon were getting a divorce, and Brad was sneaking into my world with Phyllis’s assistance. I thought, “Huh, maybe they are putting us back together. If we were a couple, what kind of couple would we be?” I had this idea that Brad is this dual personality, or dual person assassin guy. What if we had this very cool, “Mr. and Mrs. Smith” relationship, and I get involved as an action hero. If you ask me, anything I would like to do with the character that I haven’t done? It would be “Sharon Action Hero”. I would have this matrix and dominatrix outfit and I would be really good at firing weapons!
(She laughs)


Have you noticed a difference in the writing, now that Maria Arena Bell is heading up the team?


Absolutely, and stories are better. Maria is just amazing. It’s got a bit of the old days in it, and every one of the actors feels like it’s the old days and everyone is happy. It’s so nice, and we deserved this. The cast and the show have been through a lot, and I am so happy for everyone here now that we have Maria. It’s what we needed and what we are looking for, someone who is a talented writer and knows the backbone of the show.


I know many of your cast mates who I have interviewed and posed this question to have responded the same way. Tell me a few words about working with Joshua Morrow (Nick).


I feel most comfortable when I am working with him. We have worked together for so many years, and even if I have not worked with him in a long time, I go right back into a groove with him that’s familiar and easy.


How about working with Peter Bergman, as Jack?


Peter is great to work with. He is very professional and always prepared. He has brought a lot to the scenes. He had a lot of great creative ideas, and a lot of what he brought to it was what that marriage was about. I feel like that marriage was really an awesome representation of modern marriage today. You don’t see a lot of that on soaps; it was not that thunderstorm marriage where kids were dying and house burning down. These were representing every day real problems that marriages have, such as dishonesty and how that whittles away at the marriage, and what that does to two people. It was a different story of marriage, and I really liked that. I liked that Sharon ran into Jack after her marriage to Nick fell apart. She lost her entire identity after that happened, and needed a new one.


How is working with your on-screen SORAS’d son, Kevin Schmidt as Noah?


He is a very talented actor. As a guy, he is silly and funny. When I look at him, I can’t believe I have an older son now on the show. I guess in reality, I could have a son that age, I think. No! I could have a son Noah’s age, but not like the actor’s age. He is so great and with Camyrn Grimes (Ex-Cassie) we did not age her. She was a very talented actress and we just watched her grow up. I have been lucky with the casting of my on-screen kids.


How was seeing your friend Don Diamont (Brad) depart the show? Have you spoken with him since he left?


No, I haven’t, not since his going away party here. It was hard for me. Everyone was sad. Don was great through it. He went through every different kind of emotion at the party, and he gave a very moving speech.

Days Of Our Lives

Watch the Replay: GH, DAYS, Y&R, B&B & OLTL Stars at Michael Fairman’s Virtual Birthday Party for SAG-AFTRA Foundation Covid-19 Relief Fund

Earlier this week on Monday night, several of the stars of General Hospital, Days of our Lives, The Young and the Restless, The Bold and the Beautiful, and One Life to Live, took part in a virtual livestream “party” for Michael Fairman’s 60th birthday.

The event was held virtually to help performers in need who have been deeply affected by the Covid-19 pandemic by letting viewers know where to make a donation to the SAG-AFTRA Foundation’s Covid-19 Relief Fund.

Photo: ABC, NBC, CBS

Participating throughout the 90 minute livestream were: The Young and the Restless, Jason Thompson, Sharon Case, and Christian LeBlanc, General Hospital’s Maurice Benard, Laura Wright, Wes Ramsey, and Chloe Lanier, The Bold and the Beautiful’s Katherine Kelly Lang, Days of our Lives’ Rob Scott Wilson, Eric Martsolf, Galen Gering, Arianne Zucker, Shawn Christian, Santa Barbara favorite, A Martinez, One Life to Live’s Kristen Alderson and Eddie Alderson, and Studio City’s Sean Kanan.

You can catch the replay of the birthday benefit event below or on The Michael Fairman Channel on You Tube.

Throughout the evening, the actors shared stories of how they got their SAG card, played a game of Michael’s trivia, and revealed stories about themselves and other “party” guests in a wonderful display of community and camaraderie at all went down live!

Since March of 2o2o, the SAG-AFTRA Foundation has given out more than $6.2 million in emergency aid to over 6,500 SAG-AFTRA performers and their families facing hardship and uncertainty during this pandemic. Thousands of SAG-AFTRA artists have found themselves in dire need of assistance to help pay their rent, buy groceries, cover health care premiums and other bills.  You can still make a donation of any dollar amount to the SAG-AFTRA Foundation Covid-19 relief fund here. 

Now, check it out below, and let us know if you enjoyed the virtual birthday party livestream via the comment section.

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General Hospital

GH Co-Head Writers Chris Van Etten and Dan O’ Connor Interview – “Soapmakers of the Year” Honors 2020

In a year which saw production of your favorite soaps shutdown for several months due to the coronavirus pandemic, everyone in daytime had to pivot.  As original episodes aired, they eventually ran out, giving way to rebroadcasts, while the audience eagerly awaited the return of the current stories.

At General Hospital, once production resumed over the summer, head writers, Chris Van Etten and Dan O’ Connor had teed-up: surprising homecomings (Dante, Britt) shocking twists and revelations, the conclusion of what will become an all-time soap classic, the Alzheimer’s storyline, dipping into the rich 57-year history of the iconic soap to tie story to the present (Laura, Cyrus, Martin), and crafting stories for its A-list cast which gave 2020 some of its finest on-screen moments.  GH became can’t-miss television again, coming back even stronger than its pre-pandemic self; which also kicked the year off in high-style with the reveal of Nikolas to his family, alive and well, and the long-awaited truth about baby Wiley.

Chris and Dan’s depiction of Mike’s heartbreaking battle with Alzheimer’s gave viewers many tears through its unrelenting and realistic storytelling, plus their commitment to air the standalone episode to honor the passing of the 19th amendment of the women’s right to vote in November.  Both were noteworthy, and illustrated what daytime can do best.


Each year, Michael Fairman TV gives our highest honor to a creative or creatives who most delivered to its audience and whose quality of work continues to keep us engaged, on the edge of our seats, or reaching for the hankies. That is why this year’s Soapmkers of the Year honor goes to GH scribes: Chris Van Etten and Dan O’Connor.  Shortly after receiving their acknowledgement, the duo spoke to us about some of the 2020 highlights in Port Charles, and how they work so well together to bring their stories to life.  Here’s what they shared.


First, and foremost, I want to commend you for the Alzheimer’s storyline  As I’ve shared publicly, my mother died of Alzheimer’s, and I have seen the progression of this disease and the effects it has on a family and loved ones, and the person afflicted with it.  You did a beautiful job of telling every beat of the story within the context of what you could do within a soap opera.  What can you tell me about crafting that and seeing it through to the end?  You never abandoned the story, which at times, can happen on daytime.

CHRISNo, we didn’t abandon it.  Soap operas have a power that I am sure we have acknowledged before, to allow audiences to really get to know characters in a deeper and more profound way than I think most other mediums do.  We get to see characters’ lives day in and day out.  For us to tell a story about Alzheimer’s, which is a disease that is devastating in so many ways, not the least of which is the fact that it can take years to develop and years to finally claim a life, we felt that among our audience, there had to be many people who had experienced this in an up-close and personal way.  So that to tell the story too expeditiously would really deny their experience and would take away from their appreciation of the show as a reflection of reality.  Of course, soap operas don’t do that in every sense on every episode, but when you’re telling a story about a disease that people experience every day, you have an obligation to reflect the real-world experience.  So, by bringing it to a close too fast and by doing it in a way that didn’t honor what at times is the horror of the disease, felt like it would be a cop-out.  We wanted to do our best within the constrictions of the medium to depict that; while at the same time, of course, not wanting to leave people so depressed as to not want to tune back in.  It was a really delicate dance.  We are very grateful to have had the support of the network and Frank Valentini’s (executive producer, GH) ingenious production team as well as a great repertory of actors who were willing and able to give their all to this story.


Maurice Benard (Sonny) did some of his finest work of his career in this story, and you gave him the ball to do it, and Max Gail (Mike) was amazing.  Two standout episodes included: when Mike passed and was taken to heaven by Courtney (Alicia Leigh Willis) and Mike’s funeral episode.  Did you realize when you were writing it, the impact it would have on the audience?

DANAs for the funeral, I’d say that we knew as we were writing it that not only did we want to give the characters and the audience a chance to say goodbye to Mike, but we also wanted to give the performers a chance to say a goodbye to their relationship with the actor, Max Gail as well.  Max is a fantastic, phenomenal actor, and he formed close relationships with many of our performers.  So, when we wrote the episode, yes, we did want to give the audience a chance to say goodbye to the character, but we also knew that because of the close relationships that these performers have made with each other that the actors were going to bring their all, and it was going to provide the audience with some powerhouse performances.

Did you get emotional seeing it? 

CHRIS:  Oh, personally, I cried.


I know you both love and appreciate the soap genre and understand that the audience often wants a good cry and is invested in these characters.  So because of that; what’s it like for you when you see these emotional moments play out that start in your mind, go to the page, then to the stage, and now are out in the world for people to see and experience?

CHRIS:  I can’t speak for any of the other writers, but I’m not crying when I’m writing it, but I’m crying when I see it realized and how the actors, and the producers, and the directors realize it.  I personally am always surprised by the nuance and the beats that they find that we, in our first draft kind-of-lifestyle that we have as soap opera writers; where we are writing six or seven episodes per week, we don’t have the time or the luxury to really sit with an episode and mine it for every single beat and every emotion. That’s why we have great directors and great actors who take these scripts and find these extra moments.  So, it is really gratifying to watch – yes, to see something that we’ve imagined be produced and personified, but then to see how the production then takes it in other directions, that’s the best.  I think that’s the most gratifying part of writing for a show, not seeing what you’ve written produced, but seeing how it was parented into life.  When you have a baby, I think you have all sorts of ideas about what the baby will be, and then the baby becomes something else as the result of its environment and of the people who are influencing and guiding it along and that may be a bit of a stretched metaphor, but it kind of feels relative.

As co-head writers of General Hospital, how do you work together to come up with long-term story?  What is your process?

DAN:  Chris and I will meet regularly and discuss the long-term stories that we are telling, and plan to tell, and maybe some adjustments that we have to make along the way.  We get to meet with our writers several days every week as we figure out the best way to tell that story in the form of however many episodes we write a week.  Chris and I also write episodes along with our great breakdown script team, and every week we figure out the best way to either stay on the path of the story we are intending to tell, or find new opportunities or new twists and turns we can take along the way.

Photo: ABC

Do you get into friendly, creative disagreements? Is one of you more protective of a certain character than the other? 

DAN:  Chris and I have known each other for close to 15 years at this point, and we are not just colleagues, we are also friends.  There is a certain amount of shorthand that we have with each other which is just invaluable in telling story.  What’s great is that we sometimes come at the story from different angles or we have a different point of view, much like any two fans of the show wouldn’t agree on necessarily everything, but in our discussions about the show’s needs, wants, and haves, and the story trajectory, we ultimately get somewhere better than where either of us could have come up with on our own.  At the same time, there are those moments where we both come to the same idea at the same moment, and that’s definitely when we go, “Okay, we’re onto something good.”

CHRIS:  I can add as a partial translation that I can get really snippy, and Dan has the patience of a saint.  So, often times, I need 24 hours to go away, and sleep on something, and wake up, and say, “Oh Dan, you were totally right about that.  I’m so sorry I was snippy the other day,” and he doesn’t seem to hold it against me.

Do you ever get a writer’s block; as has to happen often with scribes in the unrelenting medium of daytime drama, and if so, I would think having a writing partner would be an asset during those times?

DAN:  I think it’s the nature of the beast.  At a certain point, you might hit a roadblock somewhere, but that’s why having a partner is so valuable that there is somebody else that you can bounce ideas along with, and just as, if not more importantly, our team of writers are always there to sometimes give us even better ideas than what we would have come up with on our own.


This year you utilized and delved back into a lot of GH history.  How did the idea come about to bring back the character of Jackie Templeton and have former All My Children and NYPD Blue favorite, Kim Delaney, take on the role?

DAN:  Jackie Templeton is a character who has been an Easter egg on the show for many years now.  Whenever we needed to namedrop a famous journalist, she was always our go-to.  It always felt like the character was in the ether of Port Charles for awhile, and we were excited to bring this take-no-prisoners character back and explore her history with Robert (Tristan Rogers), and at the same time, we were finally teed up to tell the story of Finn’s (Michael Easton) falling out with his father and step-mother, and we realized we had a great opportunity to have the character serve both stories and collide with not just Anna (Finola Hughes) and Finn, but Robert as well. Those three played wonderfully with each other. When we heard that Kim Delaney was interested in playing with us, we were just over the moon.  .


You have also been delving back into Laura’s childhood past and her history. I love that you brought up the death of David Hamilton and her teenage years, which hasn’t been discussed for a very long time on the show while tying it into the present.

DAN:  We were always aware of the story just because we love General Hospital and we love the character of Laura, and there is nothing else like daytime drama, and one of the great things about it is that you can reach decades into the past and expand on stories and themes that the audience actually witnessed. Long reaching history is a tool in our toolbox that not many other series have.  Chris and I love honoring and using our characters’ histories to propel the show into the future with some serious momentum.

Photo: ABC

You created and brought the character of  Cyrus Renault (Jeff Kober) on to the canvas. Was it originally a case of, “We need an uber-villain to come and shake things up,” and then you decided to connect him to Laura?  It’s been an intriguing shocker for viewers.  Jeff is playing the multi-levels of Cyrus with great finesse, and whenever you give Genie something, the fans go nuts, and she, in turn, delivers every time.

CHRIS:  The story of Cyrus has a couple of phases to it.  We wanted to bring on a villain who would not only be an adversary to Sonny, but someone who we could use to really test Jordan (Briana Nicole Henry) and Curtis (Donnell Turner), and we knew going in that the first phase of this story would really hit the Corinthos family and also the Ashfords, and as we developed it, we thought about what the act two would be, and we knew that we had an opportunity to really engage Genie Francis and to expand her sphere and expand her footprint on the show, and by connecting her to Cyrus, who is not your typical face or presence for a soap, but is also not your typical person who I think Laura would encounter in her daily life.  So, we knew, as we really developed Cyrus as a villain, that for Laura to find out that this man is her brother, would really allow us to play with Laura in a different context and in a different light and really give Genie a new kind of challenge.

Speaking of Genie, what did you think when you watched back her performance in the episode where you wrote that Laura has to say goodbye to her comatose daughter, Lulu (Emme Rylan), before she was sent off the canvas to a long-term care facility?

CHRIS:  I mean to me, that’s vintage Laura.  I came to General Hospital personally in the late 80s to early 90s, so my experience of Laura really only begins with her, and Luke (Tony Geary), and Lucky (Jonathan Jackson) at the Triple L Diner.  I think that what we’ve gotten to see with Genie is really reflective of the high emotion that she is capable of delivering.  At the same time as the high emotion, you’re also seeing really small human moments that she really breathes a lot of life into.  I can speak for Dan and myself when we say that we are just really thrilled with what she has been able to bring to the screen.  Thrilled, but I guess not surprised.


Nelle (Chloe Lanier) was such a great interloper and threat throughout the year in story; whether it’s hatching plots to gain custody of baby Wiley, or her “death” scene and confrontations with Carly (Laura Wright).  However, through all of this, when was it decided to make Nina (Cynthia Watros), Nelle’s biological mother?

DAN:  There are very few things that are as exciting on a soap as a character that makes you wonder what they are going to do next, and Chloe and Nelle provided that role with just gusto.  The truth is, the idea that Nelle was Nina’s daughter has been a part of the conception of that character, and over the last few years, the story evolved, and we ultimately got to reveal the truth to the audience.


As writers, there has to be characters that are just so delicious and treacherous to write for that you have to get a kick out of it! Chloe Lanier is so good that she makes the audience want to slap Nelle when she takes the dialog and then brings it to the screen.  

CHRIS:  It is tremendous fun.  Yes, yes, we love writing for these characters who are willing to do and say anything to get what they want.  We are constrained when writing for characters who have morality.  It takes a moral character a lot of really difficult circumstances for them to make a decision that might go against the grain, but when you have a character like Nelle, who is not shackled by certain societal norms, then you really get to live out the worst impulses that a person could have, and it’s really fun, especially when you take a really great performer like Chloe and see her as Nelle unleash all of the poison that she’s capable of.  At the same time, she can turn on a dime and rip your heart out a little bit when she turns on the water works.

Photo :ABC

Ava Jerome’s (Maura West) story this year had her moving into a relationship with Nikolas (Marcus Coloma).  We, the audience, didn’t know how that was going to go – if they were just going to use each other, or ultimately fall in love.  Was that the plan all along … that they would develop deep feelings for each other, or did you want to see how it progressed and played out on-screen, and then make that determination?

CHRIS:  I think that once we saw the chemistry between the two actors, we knew we had gold. So, we wanted to take our time, especially the way that it was constructed.  These were two people who had little use for each other emotionally, and in fact, probably wanted to see one another’s downfall, and that’s what makes it so great to write – that these are people who, in a similar vein as Nelle, don’t live by the same rules as most of the rest of us, and therefore, they might do things to each other that the rest of us would not do to anyone let alone whether we like them or not.  That’s what makes Ava and Nikolas so delicious is that from one moment to the next, you don’t know if they’re going to hatch a plot against each other or fall into bed and ravish each other. That’s what I think we hope to continue to play as we go forward because they certainly have very strong, passionate feelings for one another.  When you’re talking about Ava and Nikolas, these are two people who do not have a lot of fans necessarily in Port Charles, and there are a lot of people who don’t necessarily want to see them achieve happily ever after.  Knowing that there was so much initial mistrust and suspicion between the two of them could really provide the foundation for their own undoing or their undoing from someone who does not want to see them happy.

Photo: ABC

Back in November, GH made good use of a standalone episode spotlighting the history of the women’s right to vote and the suffrage movement; just as the presidential election was happening.  What made you decide to write this special show, and how do you feel it turned out as it also spotlighted the female cast?

CHRIS:  We had long intended to honor the one hundred years of American women’s suffrage with a special episode to air on the anniversary of the 19th amendment’s passage, but we missed the date due to the pause in production.  We realized we had a second chance as the election neared.  Going forward was a no-brainer. The biggest challenge was in distilling such an epic story into one episode. We think ABC would do well to consider a spinoff: “Port Charles, 1920”


You have such a powerhouse cast to write for.  It’s loaded.  It’s got to be a challenge for you to construct the story for GH when you’ve got to front burner people and back burner people, and then you’ve got these huge daytime stars all in one show.

DAN:  It’s an embarrassment of riches to have a cast as talented as we do quite frankly.  We are fortunate enough that we know that we have these amazing performers that we can trust with whatever stories that we throw their way.

CHRIS:  I will say that we do have a great cast.  They’re all wonderful, and when you have a show that is only approximately 35 minutes of airtime on any day, it’s a real balancing act to make sure that everybody gets a story that really is worthy of their talents, and we’ve got one for everybody.  Sometimes it’s just a matter of which story takes precedence in which moment, which is why occasionally some characters aren’t featured on a daily basis, but you can bet your bottom dollar that they will be.  If you were to ask me, “Who are the standouts?”  I would say all of them.  You saw this year: Maurice Benard, Nancy Lee Grahn (Alexis), Maura West, Genie Francis, and Laura Wright (Carly) to name but just a few.  They’ve all done such fantastic work, and we can’t wait to give them more material to give them more moments to shine.

DAN:  A priority of ours is every week, we meet up and look (well, it’s virtual now during Covid-19) at the big board of our cast photos and we go through each character and always make sure that they have some story percolating even if it’s not on the air at the moment.

Photo: ABC

As we close out 2020, and look forward to 2021, any parting thoughts, and perhaps a tease of what GH fans can look forward to in the New Year?

CHRIS:  In general, I would just say that despite all of the challenges of the year, we are really grateful to our cast and the crew back in Los Angeles for realizing and improving the show that we imagined, and we are so excited for everything that is coming in 2021.  We hope to continue to throw a lot of surprises at the audience, and at the same time give them a lot of moments and stories of heart and love and excitement.

So, what did you think of the year in story on General Hospital in 2020? Share your thoughts on Chris and Dan’s comments and their year-end honors via the comment section below.

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Days Of Our Lives

DAYS Stephen Nichols and Lucas Adams Talk Salem Longevity, Tripp’s Predicament and Their Co-Stars

Days of our Lives stars Stephen Nichols (Steve “Patch” Johnson) and his on-screen son, Lucas Adams (Tripp Dalton) are in the middle of plenty of drama on the long-running NBC daytime drama, which recently celebrated its 55th anniversary in November and its 14,000 episode milestone in December.

In a new chat with Michael Fairman on the Michael Fairman Channel, Stephen reveals his surprise at still being with the iconic show. while Lucas talks about how his first run on DAYS came to an abrupt end, but now he is deep in-story involving Allie (Lindsay Arnold) and the brother he is yet-to-know he has, Charlie (Mike Manning), who is Allie’s actual rapist.

Both Stephen and Lucas discuss having the opportunity to work with Daytime Emmy winner Tamara Braun (Ava) again, as well as James Lastovic (Joey) in recently aired scenes. In story, Ava has returned back-from-the-dead and realizes she has major trouble brewing with her two sons, Tripp and Charlie.  How will it all play itself out?


Check out what Stephen and Lucas shared below.  Then, be on the lookout beginning this week, as Steve and John (Drake Hogestyn) work together to figure out who is responsible for Allie’s rape and just who is the biological father to her child, when it is not Tripp!

Share your thoughts on the sentiments shared by Stephen and Lucas in the interview via the comment section.

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