Interviews
THE SHARON CASE INTERVIEW – THE YOUNG AND THE RESTLESS
Poor Sharon Newman Abbott! It’s been a series of devastating events that have led one of Genoa City’s heroines to begin acting out in ways we have not seen before.
I mean, what would you do? The love of your life rekindles your relationship with a night of passion, only to go back to the woman who stole him from you in the first place. Your best friend professes his love for you and you send him away into a snowstorm. He ends up dead by saving your son who has fallen through the ice and almost dies, too. Your second marriage has fallen apart through a series of lies and manipulations and you realize everything you touch… you lose.
Well, Daytime Emmy Award winning actress Sharon Case, tells me what’s behind Sharon’s emotional turmoil. As many “Y&R” fans know, just this past week she spent a drunken night of passion
with Billy Abbott and has begun to steal
items and put them in her purse. Hmmm…
MICHAEL:
Many fans were overjoyed that Nick and Sharon finally reconnected and made love in the cabin! What are your feelings on the story?
SHARON:
I loved the storyline because it has so much conflict in it. I can speak for the actors that nobody wanted to see Nick and Sharon get back together and live happily ever after in one episode. Our audience wants to see them together, and so do we, but not all in one episode. It misses the point. I love that Nick and Sharon slept together and they are playing Sharon and Nick’s feelings for each other. Because for years, where was Sharon and Nick’s feelings for each other? Why weren’t they ever in the same room with each other? What happened? Well, we are back, and that does not mean Sharon and Nick should get together tomorrow, but we should be in the same room together, because there is conflict. In my opinion, this is what should have been playing out all along.
MICHAEL:
They have their son, Noah, but it seemed like over the past few years the show was not playing those storyline beats as parents. Not until recently, however.
SHARON:
We have a son! Where has this storyline been for the past two years? Thank God, we are back and Nick and Sharon had sex together. One of my favorite scenes was when we ran into each other in the office and Nick told me he wants to stay with Phyllis. Oh, my word, after everything we have been through and Sharon’s hopes were high, this was tragic! She has already filed for divorce from Jack and she is thinking, this is it. Once again, he says he is going to stay with Phyllis. He cheated, and now to hear this, how do you ever get past this?
MICHAEL:
Obviously, Phyllis’s manipulations made an impact on Nick.
SHARON:
When Sharon spoke with Nick in the office, he did not come out and say it. Sharon dragged it out of him, and pressure-cooked him into talking, and he was wondering what is going on, and not saying anything. So, I don’t know how you overcome that. I don’t know how any one gets over that. I guess you get over it by doing exactly what Sharon is doing… having a nervous breakdown and acting very unlike her.
MICHAEL:
She is acting so bizarre!
SHARON:
It’s stress that causes her to do weird things and panic. These are really extreme circumstances, where people can blank out or do things unlike themselves, or freak out. They even could go blind, temporarily.
MICHAEL:
Yes, hysterical blindness!
SHARON:
I heard someone who was having a nervous breakdown got hysterical blindness in real life. I know of people who have gone blind from stress or illness, and things can happen temporarily to you. With Sharon, she does not remember moments of time, here and there.
MICHAEL:
I remember after my major back-surgery and the stress of the recovery, I was forgetting things and I didn’t know why, but I think it was because of the stress it put on my mind and body.
SHARON:
People think it’s the illness or surgery, and it’s really the stress that’s connected to the illness or surgery or personal loss, or things like that.
MICHAEL:
So, it makes perfect sense. Sharon had lossed so much. Here she slept with Nick. He does not go back to her. Noah almost died, and Brad’s dead!
SHARON:
Can you imagine? Her child is saved and Brad dies, and she had sent Brad away! She was not that nice to him leading up to that day. She had to stop him from having any hope, but that does not matter now because he is dead. She feels bad about that. It’s awful! Jack was another horrible loss, a tragic loss. She tried everything she could possibly do to make her marriage work. She said, “Jack you are a liar, and I am going to have to adjust myself to live with that.” She tried to deal with Jack’s broken promises again and again. One thing is for sure; a promise from Jack doesn’t mean anything. How do you live with that in a marriage? It’s so disheartening.
MICHAEL:
And, Phyllis is just so mean to her!
SHARON:
She is a mean girl and she does not like Sharon, and she is mean to her.
MICHAEL:
Do you think Sharon can handle Phyllis’s machinations?
SHARON:
Look at the things that Sharon has handled in her life. Of course she can!
MICHAEL:
So, with all of this heartbreak the time was ripe to break her to pieces. It’s very interesting how they are taking apart Sharon’s spirit and mental stability.
SHARON:
I am interested in how they are doing it, too. One thing about Maria Arena Bell’s (co head-writer, “Y&R”) writing is that when you have a breakdown, it’s not only for an hour in a day you have a breakdown, and then life goes on. This is something that happens here and there a little bit each day, over periods of time, and over weeks. That’s how breakdowns happen. I think when people talk about a nervous breakdown they say, “I had a nervous breakdown between 12 noon and one, and now I am all better.” (She laughs) It does not also mean you are in a straightjacket full time. It just means you are going to act bizarre and you are going to have panic attacks at different intervals. It will be hard to deal with.
MICHAEL:
So, what is going on in Sharon’s mind? How are you playing this?
SHARON:
It’s a loss. This is the second marriage she has lost. She has almost lost her second child, which reminds her and reactivates Cassie’s death for her. Then, Nick does not want her and her friend has died. So, every time she thinks, ”Now I have my life together and now I can see a vision of where my future will lie.” You can see the future and it gives you hope. Every time Sharon has mapped it out it has been torn to pieces. She has to overcome it, restart it, and redraw it, not only with her first marriage, but her second, and also with her child, Cassie. That’s why Sharon is in this place right now. It makes you so fearful that you are going to be alone for the rest of your life; that no matter what you go out in life to create, it’s going to be ruined anyway.
MICHAEL:
Will there be a ‘night in shining armor’ along the way?
SHARON:
Isn’t that the hope in life that we all have? I hope so, and I don’t know who it will be.
MICHAEL:
Nick!
SHARON:
What you hope is that Nick will come around and be a good man. What you want to have happen is Nick to snap out of it one day and be the man he needs to be, and who Sharon wants him to be, so they can live happily ever after.
MICHAEL:
As the character of Sharon, what would you still love to do with her, or get a chance to play that you haven’t had in all of your time here at “Y&R”? I mean, Sharon has been through almost every soap storyline imaginable.
SHARON:
You know what I wanted to do? This will probably never happen, but before I knew Brad’s character was dying I did not know where they were going with Sharon and Brad’s storyline. Recently before he died, it looked like they might put us together again because Jack and Sharon were getting a divorce, and Brad was sneaking into my world with Phyllis’s assistance. I thought, “Huh, maybe they are putting us back together. If we were a couple, what kind of couple would we be?” I had this idea that Brad is this dual personality, or dual person assassin guy. What if we had this very cool, “Mr. and Mrs. Smith” relationship, and I get involved as an action hero. If you ask me, anything I would like to do with the character that I haven’t done? It would be “Sharon Action Hero”. I would have this matrix and dominatrix outfit and I would be really good at firing weapons!
(She laughs)MICHAEL:
Have you noticed a difference in the writing, now that Maria Arena Bell is heading up the team?
SHARON:
Absolutely, and stories are better. Maria is just amazing. It’s got a bit of the old days in it, and every one of the actors feels like it’s the old days and everyone is happy. It’s so nice, and we deserved this. The cast and the show have been through a lot, and I am so happy for everyone here now that we have Maria. It’s what we needed and what we are looking for, someone who is a talented writer and knows the backbone of the show.
MICHAEL:
I know many of your cast mates who I have interviewed and posed this question to have responded the same way. Tell me a few words about working with Joshua Morrow (Nick).
SHARON:
I feel most comfortable when I am working with him. We have worked together for so many years, and even if I have not worked with him in a long time, I go right back into a groove with him that’s familiar and easy.
MICHAEL:
How about working with Peter Bergman, as Jack?
SHARON:
Peter is great to work with. He is very professional and always prepared. He has brought a lot to the scenes. He had a lot of great creative ideas, and a lot of what he brought to it was what that marriage was about. I feel like that marriage was really an awesome representation of modern marriage today. You don’t see a lot of that on soaps; it was not that thunderstorm marriage where kids were dying and house burning down. These were representing every day real problems that marriages have, such as dishonesty and how that whittles away at the marriage, and what that does to two people. It was a different story of marriage, and I really liked that. I liked that Sharon ran into Jack after her marriage to Nick fell apart. She lost her entire identity after that happened, and needed a new one.
MICHAEL:
How is working with your on-screen SORAS’d son, Kevin Schmidt as Noah?
SHARON:
He is a very talented actor. As a guy, he is silly and funny. When I look at him, I can’t believe I have an older son now on the show. I guess in reality, I could have a son that age, I think. No! I could have a son Noah’s age, but not like the actor’s age. He is so great and with Camyrn Grimes (Ex-Cassie) we did not age her. She was a very talented actress and we just watched her grow up. I have been lucky with the casting of my on-screen kids.
MICHAEL:
How was seeing your friend Don Diamont (Brad) depart the show? Have you spoken with him since he left?
SHARON:
No, I haven’t, not since his going away party here. It was hard for me. Everyone was sad. Don was great through it. He went through every different kind of emotion at the party, and he gave a very moving speech.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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