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The Stacy Haiduk Interview – The Young and the Restless

© JPI Studios

© JPI Studios

Who has been consistently captivating soap opera audiences with her mesmerizing performances of Patty Williams and Emily Peterson, and let’s not forget, when Patty was pretending to be a woman named Mary Jane Benson?  Who kept us on the edge of our seats through most of 2009, and into 2010, not knowing whether we were going to scream in horror, or cry for her sad existence?   Who got snubbed for an Outstanding Supporting Actress nomination for the 37th Annual Daytime Emmy Awards?  And finally, who is really the cat’s meow?  Well, the answer is quite simply, actress Stacy Haiduk from The Young and the Restless.

Now, with Patty locked up and regressed to a little girl, and Emily falling apart at the seams trying to get her own life back, and Adam’s “murder” still not close to being solved, Stacy Haiduk is still turning out riveting performances.  On-Air On-Soaps caught up with Stacy to talk about: Kitties, Emmy reels, competition, the heartbreak of playing Patty, working with her co-stars, Doug Davidson (Paul) and Peter Bergman (Jack), and how her actor husband, Bradford Tatum, was a calming and steady force during some of Stacy’s most traumatic on-set days.

And in the end, find out who does Stacy think is truly the better psychologist, Emily or the deranged Patty?  Her answer may surprise you.  It’s always great to speak with the emotionally raw and edgy Ms. Haiduk, and I hope you will enjoy her even more after reading her revealing comments below.

MICHAEL:

Ok, Stacy let’s get right to this.  Your Emmy snub is probably one of the most talked about in the history of the Daytime Emmy nominations.  Everyone was certain that you were a lock for your performance as Emily/Patty/Mary Jane this past year, and unfortunately it did not happen.  How are you feeling at this moment?  It has to be extremely, extremely disappointing for you.

STACY:

© JPI Studios

It was shocking, and I was really disappointed.  I was excited about it because I really wanted to be a part of this group this year.  And you have to also know it is what it is.  I always have to say that I still won in my own mind because of the people I got to work with, and it’s continuing, and that is a success right now.  I know that is not the disappointing part of how I am feeling, but I try not to go into that part of it.  It’s hard.  You sit there and go, “Was my tape not good enough?  Or, what happened?”

MICHAEL:

What reel did you decide to submit for Emmy contention?

STACY:

I submitted the remote with Eric Braeden as Victor, and Peter Bergman as Jack, and I had the gun   Patty was getting upset with Jack for not seeing her as his wife and loving her, and feeling how could he do that?  I thought it had enough emotional levels to show where I could go as an actress.  It sucks that you can’t have two shows to show your work.  One show is not easy to do to choose from.  You have the build up in one, and the finale in the other, which is why I like the idea of two tapes.  However, I thought this is enough to get me in.  I am working with two leading actors, and I thought it would be a good enough tape to show people.  You just kind of go, “OK.  Or, maybe the wig scared them!”  You know, the blonde wig! (Laughs)

MICHAEL:

This whole Emmy judging process is as much of a game as about the performance itself.  Do you think it hurt you that perhaps the blue ribbon panel could not follow the story, as it is taken out of context?  They do not know what happened before or after those scenes.

STACY:

© JPI Studios

Right.  No, they don’t see the arc, and don’t see what is going on.  A lot of times you have your friends who have been working to be nominees for so long, and they finally get in, and it’s like, you know what?  They deserve it.  Maybe next year, it will work for me.

MICHAEL:

I think you have received more emails, letters, and have certainly become talked about more than anyone ever online, about someone not getting a nod.  Somehow, the Emmy snub got you more publicity than someone who was nominated for Lead Actress!

STACY:

The publicity has been more than if I got a nomination.  It’s crazy, isn’t it?  You know what I love?  It’s when I went on facebook and just read so many people’s thoughts, and how they love the character, and you can’t beat that.  I have to go back to why I do this and the process of it all.  Yes, it would have been fun to get all dressed up, and hope you can win one of the most beautiful awards.  It’s one of my favorites, actually.  But, I have had a really good time and it continues again.  The fans see that, and that is really what this is about.

MICHAEL:

If you were to have been nominated, would Mr. Kitty have accompanied you to Vegas?  Last year, you wore him as a shoulder bag to the red carpet.

STACY:

Yes.  I would have come with Mr. Kitty, and we could put him on wheels.  It would have been awesome.

MICHAEL:

© JPI Studios

But, let’s talk about these recent amazing scenes that aired.  Did you like how they resolved the end of the Patty/Emily final switcheroo?

STACY:

I finally ended up watching it.  Usually, I don’t because I am very critical of myself.  I finally watched it because somebody said to me, “Have you seen your scenes?”  And I said, “No, I haven’t,” and so I did.  And I was sad!  I was sad the last time Patty went to an insane asylum. I like Patty, even though she is crazy and whacked-out. The wig was scary. (Laughs)

MICHAEL:

Patty regressed back into her little childhood self.

STACY:

Didn’t it just break your heart?  Me, too.  It did also when Mr. Kitty died.  You have to understand, when they told me Mr. Kitty, in my script, gets chewed up by Zapato, I went like, “You’ve got to be joking with me?”  I mean, I literally went through withdrawals because I had been working with that cat for so long.  I know that sounds silly.  But, I get heart to heart with my co-stars, and here it was again.  I love working with Doug Davidson. He is such a joy, and Peter, also.  And, when I got to look at him in the end, my hair looked like crap, and it was all going to one side, but there was this look.  When you are in it, you don’t see what other people are seeing.  So, when I was able to see it from the audience’s perspective, I went “Oh, my God!  That poor thing, and what she went through.”  All she wanted was that man to love her, and how desperate and sad she is at the same time.  I got weepy.

MICHAEL:

© JPI Studios

I said to Doug Davidson recently, that if you were to take your story with him, as a brother and sister, as an isolated story, you could see that as a motion picture.  It is such a beautiful story.

STACY:

I think that is why they continued it.  It taps into so many people’s relationships with family.  I look at his eyes when we work, and there is that love… that brotherly and sisterly love…and we root for each other.  So if one makes a mistake in the line, the other one of us tries to figure out what the person is going to say.  It’s wonderful!

MICHAEL:

And now on-air, Emily is having all sorts of psychological problems!  Is this now just an adjustment issue for her?  I mean, she is so pissed off that Jack can’t tell the difference between her and Patty in bed, which I think is great!

STACY:

I know, it’s so crazy.  Thank God.  I am so glad they brought that up.  I mean, how can you not?   Even Patty says it in my Emmy tape; she says to Jack, “How could you not know I was your ex-wife?  Are you that blind?” And then here, Emily says pretty much the same thing to him, “How could you not know that was not me?   How could you do that?”  Emily now has to take some time and figure this out.  She gets screwed from every which way, from all the stuff that Patty did.  She is trying to hold it together, and she is not one to just emote, while Patty is the most emotional and runs with it.  Emily is stoic and trying to hold it together.

MICHAEL:

Do you think Emily is even a good psychiatrist?  Or, is Patty a better one? (Laughs)

STACY:

I think Patty was. “Go to your Happy Place!” (Laughs)  The woman playing opposite me, who was one of Emily’s patients says to Patty, “What do you mean? Go to my Happy Place?  As Stacy, “I went, yeah; go to your Happy Place. What else do you want to do?”  That is what a therapist would say, except, maybe, “I understand.”  (Laughs)

MICHAEL:

© JPI Studios

Will we see Patty again, perhaps more and more?  Is the doppelganger story really over?

STACY:

Maybe.  All I can say is that I love Patty, and doppelganger may not be over. We shall see.

MICHAEL:

You must have gone home to your family completely exhausted some days, after the emotional toll it takes on an actress to play very complex dual roles that border on insanity or the edge of insanity.

STACY:

When I was going through all the stuff with Patty and Emily at the end, and the whole knife thing, that was the first time Peter and I were going to get off work early.  I am referring to the scene where Patty stabs the portrait of Emily.  She goes to town. We were jamming through the scenes, and the last part where I open the dang cutter I cut my hand!  So, I had to go get stitches.  So, Peter and I are at the doctor’s office.  Even the stage manager said, “And, you didn’t stop the scene?  You kept going with it?”  And I go, “I can’t stop.”   But now the stitches are out and healing and I am fine.  But, that was the first time I had to call my husband and say, “I just want you to know, I won’t be home by ten today.  I am going to the hospital to get stitches.”  And, he is like, “What?”  I said, “Well, they had this box cutter, and you know me with props.”  I have this thing where I go with it.  And even before they gave me the prop on set, they said to me, “Are you going to be OK with this?”  You see, I have a tendency to go overboard, like when I was stabbing the little picture with the baby scissors in the hospital scene.  That time, I ended up stabbing the baby scissors into my hands.  The prop guys were like, “Um, Stace. You’ve got to know…”   I am going to be so conscious of it, but it’s hard when your adrenaline is going.  I get done with the scenes, and then I go, “Oh, God.”

MICHAEL:

© JPI Studios

What did your husband, actor Bradford Tatum, think of all this?  Was he a big support to you during the emotionally draining material?

STACY:

He has been a big support.  I come home, and yeah, we don’t have long, long evenings because of the emotional dynamics of these two characters, Emily and Patty, and because when I come home I have to work on my script for the next day.  I mean, I would literally call home and say, “Honey, I need cuddly.  I need you to be tender with me because I am so fragile.”  But I love going to these places, and sometimes it’s really difficult, but it’s a good challenge, and I am sure you do this, too, Michael.  You like to see how far you can push yourself.

MICHAEL:

Yes, I do push myself.  But you are super competitive, right?

STACY:

Your body and your mind want to work well, and so yeah, I am competitive.  And my husband laughs at me about it.  But, I think that’s what keeps me going, and doing what I do.

MICHAEL:

Will you be on-air as Emily for a while?   Many fans are concerned of where the Y&R writing team will go next with all of this.  Could that spell the end for Stacy Haiduk on Y&R?

STACY:

Courtesy/Luis Martinez

No, you are not losing me as Emily.  I think it touches people.  It’s this beautiful balance of creating something from the writer’s point of view, the actor’s point of view, and it’s all-creative, and that is what is so amazing.  I think people feel that from the outside, too.  It’s not just watching something and going, “Yeah, that was a great performance”.  These are daily performances and I think people love to watch Emily or Patty and what she will do next.  It’s very complex.

MICHAEL:

OK, so if I was producing a Stacy Haiduk tribute reel of the best moments of your performance last year on Y&R, and I had three and half minutes to feature you, tell me what would be on that?  What would you choose?

STACY:

You have to start out with Mr. Kitty, and having that performance with a dead stuffed cat was pretty fabulous.  I really like that kind of material.  I would go in to this January with shows where Patty goes back to the switcheroo, when she puts Emily into the nut house and then looks in the mirror and dyes her hair. And still one of my other favorite scenes is the remote with Kitty Kitty.  It was with Paul and Patty.  She is turning herself in and she has to give up Kitty Kitty.  I know they are silly scenes, but they get to me sometimes.

MICHAEL:

What about the great Patty and Adam scenes?  There were so many great ones towards the end before his “murder”.  And, we still never know if Patty has something more to reveal about what went on the night Adam was “killed”.

STACY:

© JPI Studios

Everything’s a possibility, and you just never know.  I like working with Michael Muhney (Adam).  We have a good time. Michael and I click with each other, because we were both new to the show.  I was thrilled to have scenes with him in the potting shed, and those were fun.  I even liked when I go to Adam in the hospital and Patty is pretending to be Emily and she pinches him in the hospital and says, “You know, I just want to see if you are faking it or not.” I love those scenes. I love the way Michael plays right off of me. I have a soft spot for Michael because of that.

MICHAEL:

As we end this little chat, tell me what can I relate back to the many, many fans and admirers of your work, day in and day out.  Are you really doing OK?  We all want to give you a giant hug!  So, since I am here with you now, here is a hug representing everyone’s embrace of your outstanding performance this past year.

STACY:

I am doing great.  I got through my disappointment.  I am here to support The Young and the Restless. I am thrilled that the actors I work with on a daily basis both got nominated. (Laughs).  No, really I am.  So, maybe we will see what happens next year with that, but right now when I work, I am happy.

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waldo doe
waldo doe

Thanks for another great interview MF! I got to see a side of SH that we never get a glimpse of. She really seems like a nice, down to earth, funny and all around cool person. I’m STEAMING about her Emmy snub too! Ridiculous!.

Kalamaty
Kalamaty

Brava for so, so many brilliant performances this past year, Stacy. You have become the one to watch on The Young and the Restless and I’m horrified that you didn’t get the Emmy nom. Shame to the academy for this outrageous snub!!!! You are a brilliant, beautiful actress!

Doe
Doe

Well, the Emmy pople blew it again. Stacy has been mesmerizing. To pull of dual roles is so demanding and exhausting, it’s a wonder the actress doesn’t go bonkers. I hope she gets the satisfaction next year at least. I don’t know how she can even top this role. An actor dies for such a role! Kudos to Stacy for convincing us she was mentally ill and then believing she was this pschiatrist who treated ill patients. I have been enthralled when she is on the screen and couldn’t take my eyes off her. So, congratulations, Stacy, for your great performances

Darogr
Darogr

Love, LOVE, LOVE her.
She certainly did deserve the Emmy nomination and the Emmy. Patty/Emily/Mary Jo has been one of the few reasons to stick with Y&R with all the silliness going on there.
I hope Emily and Patty are around for a while and we get to see more from Stacy.
Thanks for the great interview! It’s really interesting to hear the actor’s thoughts on the characters and the scenes and some of the behind the scenes chemistry.

Heather
Heather

Love her! Glad to hear she will be sticking around Y&R. She definitely should have been nominated. I think a lot of these award shows are more about politics than who actually deserves the award.

shelia
shelia

love her !!!!!!!!!!!!!! glad she coming back

Interviews

B&B’s Matthew Atkinson Talks On Thomas’ Vendetta With Brooke & Playing The Manipulative Bad Boy Of The Forrester Clan

Since coming to The Bold and the Beautiful earlier this year, Matthew Atkinson is making his mark in the role of Taylor (Hunter Tylo) and Ridge’s (Thorsten Kaye) son, Thomas Forrester.  But while Matthew was a recast for his predecessor Pierson Fodé, his Thomas is quite different.  The new Thomas is a bad boy capable of horrific manipulations to get what he wants, and a young man who has caused so much suffering already for the Logans, Spencers, and the Forresters  But is there a heart underneath that often volatile exterior?

After all, Thomas went to great lengths to keep Hope (Annika Noelle) in a relationship with him and for her to be a “mother” to his son, following the death of Caroline.  So, what did he do? He covered-up and blackmailed many people to keep their mouths shut to the truth – that his sister Steffy’s (Jacqueline MacInnes Wood) little girl, Phoebe, was actually baby Beth, the child Hope and Liam (Scott Clifton) believed had died at birth!

Following the big reveal, and getting a bit of comeuppance, Thomas landed in the hospital with a questionable push from Brooke (Katherine Kelly Lang) after a fall.  After promising to change his ways, looks like Thomas is back to scheming and conniving – this time to make sure Brooke gets payback and that her marriage to his father blows up to smithereens.  Meanwhile, Thomas needs to be a better father to his little boy, Douglas (Henry Joseph Samiri), but will the Logans and the Spencers come between father and son?

Michael Fairman TV chatted with Matthew Atkinson to get his take on: the emotional make-up of his incarnation of Thomas Forrester, what his ultimate takedown of Brooke would be, and how he thinks Thomas can find a way back into the family good graces, and more.  Here’s what Matthew had to say about it all.

Photo: JPI

Thomas really has a vendetta with Brooke.  The scene where Brooke slaps him illustrated just how deep-rooted his issues apparently are with her. What did you think about what Thomas said to Brooke that came to a boiling point with the slap, and what was it like performing the material with Katherine Kelly Lang?

MATTHEW:  Katherine rocks every chance I get to be around her.  She is such a sweet human being and so fun to work with and takes her job seriously and puts a lot of work in, and I think it shows.  As far as the scene goes, every chance that I get to work with her is fun.  She’s just a great actress.  Brooke basically had this vendetta against Thomas for a while now, and she was the one who unjustifiably went a little crazy about Thomas before anybody knew Thomas was off the rails.  So, it’s kind of this interesting culmination of having that where she has built herself up to hating Thomas at this point, and she is just scared of him and what he could possibly do.  Then you have Thomas, who has hated Brooke ever since she came in and destroyed his family.  There is so much emotion there and so many levels to it.  It’s just so much fun to play around with, and in those scenes especially, it is kind of like neither one of them really has a filter.  They are both just going at each other.

He is punctuating his plan by telling Brooke that she may, “Have his father tied around her slutty little finger, but her reign of terror ends with him!”  I was just like, “Uh-oh.” (Laughs)

MATTHEW:  Yeah, and that’s how Thomas sees Brooke.  He sees her as this slutty woman who came in and kind of giggles her way into his dad’s life and flirted with him and destroyed his entire family.  Thomas sees her and all of her sisters as these air-headed women who are kind of just family-destroying kind of people.  They come in, they do whatever they can to get what they want, and he doesn’t care about them at all.  I think he has kind of gotten to this point, especially with Brooke … considering what happened with Hope and that he has this genuine love for Hope.  Brooke won’t even accept that, or think about that as a possibility with how she views him.   It’s that crazy dynamic and those scenes were definitely an emotional peak for both of them.

Photo: JPI

Thomas seems to become obsessed, and laser-focused on people like Hope, and now Brooke.  What has happened to him?  How are you playing this behavior pattern of his that we are seeing established?

MATTHEW:  Some of the most successful people in the world are people who obsess over things.  I think Thomas is like that, but I think that since Caroline’s death, his obsessive nature has been so focused on things other than fashion.  They aren’t his job and what his talents are, which is where he should focus all of that energy, but instead it’s been on his son needing a mother.  So, getting Hope in his life was key to him, and with Brooke, it’s a woman who has destroyed his entire family.  He wants his dad to be better off.  He wants his entire family to be better off.  He honestly feels that they would be better off without Brooke in their lives, and so that is what he is focused on.  I don’t think it’s necessarily a bad attribute to have when it is focused in the right direction, but for Thomas, since the death of Caroline, his focus has been on things that are a little abstract and are not necessarily objectively sound decisions.

Photo: JPI

What was interesting was that I did not know how they were going to be able to save the character of Thomas on the B&B canvas after all that he has perpetrated.  But then, there were scenes in the hospital where he is recovering from his “fall”, and Thomas is having big emotional scenes with Ridge and Steffy.  In those moments as the viewer, you say to yourself: “Oh, they’re going to redeem him,” but then they don’t.  He goes right back to a new vendetta.  What did you think of those plot twists?

MATTHEW:  The interesting thing about this character is that I don’t think this guy is a bad guy.  I think he is a guy who is doing a lot of bad things, but I think a lot of people can relate to him and the struggles that he is dealing with: being a single father and having a rough childhood with his family being broken up.  This is a guy who wants his father to approve of him and respect him and he has never really felt that way.  I think a lot of people out there know what it’s like to have a parent who they just want approval from but can’t get it … couple that with the fact that he let his sister down.  Everybody knows what it is like to think that they are making the right decision and end up making the wrong decision and possibly hurting someone in the process … and the kind of shame that you feel from doing something like that.  I think this makes Thomas an interesting character where viewers could say, “Well, he is doing bad things, and I don’t agree with anything that he is doing, but I can relate to him, and I want him to be better, and I want him to get better and become the good person we all know he can be.”  Yet, Thomas just keeps making all of the wrong decisions.

Photo: JPI

I predict that in short order, Thomas will be in cahoots with Shauna (Denise Richards)!

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MATTHEW:  Okay, we shall see.  (Laughs)  They have aligned interests; especially at the moment, when it comes to removing Brooke from that situation.  I think with Shauna, it’s fun that Denise Richards has come into this role and what she has done with this character.

Denise Richards is doing a great job in the role.

MATTHEW:  She’s amazing, but I think that behind the thought process she has is this woman, Shauna, who is not so dissimilar from Thomas, and is willing to blur the lines of what is acceptable and morally sound to make sure that she gets what she wants.

Photo: JPI

When you were taping those emotional hospital scenes where Thomas admits he has lost his way, and reaching out to his dad to try to find forgiveness, how were playing those scenes with Thorsten Kaye?

MATTHEW:  I respect Thorsten a lot as an actor.  I just love having scenes with him because I feel like we play off of each together so well.  When we enter a scene together, we are both in it.  When you are both in it, something real happens from that, and those real moments are kind of magical in a way, and it makes you feel great about the work that you do.  Thorsten shows up, and he’s prepared, he knows what he is doing, and at the same time, there is this connection between father and son.   I think Thorsten and I have definitely done that as father and son, and Jacqui and I have done that as brother and sister.

Since the show usually has you shirtless or sneering in scenes (laughs), I was so happy that they finally let you have some crying scenes.  It was at the point that the audience was able to see you bring another emotional level and dimension to the character.

MATTHEW:  I think he is not a guy who breaks down and cries very often.  It takes something very serious (especially for him) to get to that point.  For Thomas, the most important thing in the world is family, and he has kind of destroyed his relationship with his own family with what he has done, and I think that from the inside out is what breaks him.

Photo: JPI

Speaking of shirtless scenes; in a short amount of time you have been with the show, I think you may have set a record there.

MATTHEW:  (Laughs) Yep.  It’s all the time because the wardrobe sends me mostly pants – no shirts (Laughs).

Obviously, there is the issue of Thomas’s son, Douglas … and will he lose him because Hope and Liam want to gain custody of him. Brooke wants Thomas out of Douglas’ life for good.   This poses a major obstacle for Thomas moving forward. Agree?

MATTHEW:  Sure.  However, Brooke has no legal right to stand on.  You can’t just take a guy’s son.  There’s no legal way to do that, but they can try their hardest to either sign adoption papers or sign over custody, or something like that, but there’s not a legal way they can go and just take his son.  There are a lot of people who I understandably think Douglas would be better off with being raised by Hope and Liam, but I think Thomas has a point of view too, and just because he is going through a bad part of his life at this time, doesn’t mean that he is unfit to be a father.  I think Thomas will prove that he is fit to be father and all the while, a great force to be reckoned with,

Photo JPI

But, Thomas hasn’t been so great to Douglas, either.  Hasn’t he yelled at his son, manipulated him for his own gain, etc?

MATTHEW: Right, this was kind of right before the truth about Beth came out, and Thomas was on this massive downward swirl where he wasn’t thinking clearly; he wasn’t himself. I  think in reality, you have a person who went off the rails, he wasn’t being himself, he found the person he wasn’t, and I think that the “accident” of Brooke pushing him off a cliff, the slip, kind of clarified his intention in life to be a good, standup person from here on out.  So, I think his priorities are straight now, and I think he is thinking clearly.  I don’t think he is in the same mental state that he was before, but that doesn’t necessarily mean that he won’t be manipulative and that he won’t get what he wants, because he will.  There was a time that he went through a headspace when nothing was really clear for a minute, and he didn’t really have any moral backbone, but I don’t think that moving forward you’re going to see a Thomas Forrester that would hurt his son.  You’re going to see a Thomas Forrester who will stop at nothing to protect his son.

How does Thomas feel about Hope now, especially since Hope wants to raise Douglas? 

MATTHEW:  Well, here is what I will say; I think that Thomas has always had a love for Hope. I think he respects her as a person, I think he has seen her be a mother to his child, and that is undeniable … how much of a connection that she has to Douglas, and she is incredibly important to him.  Thomas can basically discard any Logan except Hope.  Hope is kind of his kryptonite.  So, going forward, I think you’ll maybe see a guy who wants to discard Hope as a person who he cares for (her and the rest of the Logans), but he may not be able to do that, because she has got a place in his heart that he can’t compartmentalize and leave behind.

Photo: JPI

What can you say about working with Annika Noelle, because you as Thomas had been terrorizing Hope for many months?

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MATTHEW:  Well, she’s a sweetheart, but also, secondly, she is a badass.  She could kick my butt any day of the week.  So, I just had to make sure that in between takes I said, “You understand that I wouldn’t do this to you.”  She’s so sweet, and she was actually one of the first people to talk to me about taking over a role on the show, because she had been one of the most recent people to take over a role, and that was something that was really hard for me.  Coming into a character that has already been there for 30 years, you have a lot to live up to.  She was amazing from the beginning just helping me through that process.

On that note, what did you think of the epic fight scene on the rooftop opposite Scott Clifton; right before all the truth came out to Hope that Beth is alive and Thomas was lying to Hope and up to no good?

MATTHEW:  So much fun.  The shots they got were incredible.  Shooting those fight scenes was so much fun and I love Scott to death.  So, every time we get to work together it’s fun, but just getting outside and literally pretending to beat the crap out of each other is a blast.  We got to go out to Malibu, and I got to fall over a cliff.  What else can you say about that? (Laughs)

Photo: JPI

There is another interesting relationship Thomas has on B&B, and that is with his friend, Vinny.  How has it been creating the on-screen dynamic with Joe LoCicero (Vinny) as these two scheming dudes?

MATTHEW:  I like it, and I love Joe.  This dynamic between these two guys is really funny because you have this shrewd, alpha male, Thomas Forrester, who is extremely driven, and insanely smart, but also very manipulative and he has got a thousand things going on.  On the flipside, you’ve got Vinny, who is just this guy who he has been friends with for a really, really long time, who just kind of lives life.  He is living in his apartment in Venice, he sells some not so legal substances just to his friends, and he’s a decent guy.  It’s just fun when we have these scenes together, because essentially you’ve got him looking at me like I’m an alien creature, and thinking, “I don’t understand this guy.  I don’t know why he is acting this way, but who cares; I’m going to eat my Chinese food.”  (Laughs) I think it kind of grounds some of those scenes especially when you see Thomas going off that rails, and his friend doesn’t even seem to notice. (Laughs)

I know! (Laughs) Thomas has got his own sidekick.

MATTHEW: I think Vinny wants to give sound advice, but he gives all the worst advice.  He’s like, “Well, the way you described it Thomas, it sounds like a good idea, so yeah, go ahead with that,” but maybe doing a little behavioral cognitive therapy and questioning would be good for Vinny.  He just kind of goes, “okay,” (laughs) but I think that’s what makes those scenes so much fun.

Photo: JPI

Having appeared on The Young and the Restless previously you know how soaps go.  There is always this fear of: “Will they kill me off if my character has gone too far?” Did at any point in Thomas’ storyline, and as you got the scripts and read all the terrible things Thomas was doing, that the character might get murdered, kicking off a murder mystery, and you’d have to make an exit?

MATTHEW:  I’d had discussions with Brad Bell (executive producer and head writer, B&B) and I kind of knew where the character was going, so I kind of knew that he was going down a rabbit hole, but that Thomas wasn’t a lost cause.  I knew that he would at least be present for the upcoming short future that I know of, that Thomas wasn’t going to find his demise, which was very nice of Brad to give me that insight into the character to not only know what was coming up, but also know where his head is at by this point.  It helps me with the character work that I do for each scene and prep for each day; because I know where Thomas’ head is going to be at two weeks from now.

Photo: JPI

Have you had any interactions with fans, or are you checking out on social media what the viewers are saying about Thomas?  Do they love him?  Hate him?  Is there a great debate going on?  What is your take on where Thomas sits with the audience?

MATTHEW:  Oh, yeah.  I definitely pay attention.  The fans are the reason I have the job that I have.  All the feedback that I have seen is positive, and by positive, I mean that it is emotionally effective.  Now, that doesn’t necessarily mean that people are happy with Thomas because most people are not happy with Thomas.  They don’t like what he is doing, and that obviously gets them angry or sad or whatever, but that is kind of the point of the show.  If you’re watching a bunch of characters who are all great people and who all do nice things, then it wouldn’t be that much fun to watch.  You’d be watching 40 Liam’s talk to each other, and it would be like, “Yeah, it’s just another day in Happy World.”  (Laughs)  I think that Thomas especially has been such a driving force in the last couple of months and caused a lot of drama.  I think there are a lot of storylines that people have connected to in the past that are really making people enjoy the drama happening now. You have the people who hated Ridge getting together with Brooke in the beginning that are happy with what Thomas is doing now.  You have the people who are pro – Liam and Steffy.  Thomas has been a big advocate of that since the beginning.  There are some people who just can’t stand Thomas and don’t like him, and he makes them mad, but the reality of it is that there is a thin line between love and hate.  So, as long as they love me or hate me, I’m happy.

So, have you been enjoying Matthew’s portrayal of Thomas? Do you think he will rip Brooke and Ridge apart for good and succeed in his plans? Do you think he should somehow pay for his manipulations? Share your thoughts on the current B&B storyline involving Thomas via the comment section below.

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Interviews

Eileen Davidson & Vincent Van Patten Talk ‘7 Days to Vegas’, Their Relationship and Y&R, DAYS & RHOBH

Today’s the day for the highly-anticipated film, 7 Days to Vegas which bows in selected theaters. The motion picture which stars Vincent Van Patten and his real-life wife, two-time Daytime Emmy winning actress Eileen Davidson (Y&R’s Ashley and former Kristen/Susan Banks, Days) is a comedic gambling romp, centering around the character of Duke (Van Patten), an out-of-work actor turned poker player who makes a prop bet that he walk from the San Fernando Valley in California to Sin City, Las Vegas in 7 days.

There are some catches to this bet that make it even more challenging  … Duke has to wear a suit the entire time in scorching heat.  The events in the movie are loosely based on Van Patten’s Hollywood Poker game nights.  7 Days to Vegas features a fictional gang of betting entertainment industry bigwigs, who are hardcore gamblers and of course, jealousy strikes.  Davidson plays Duke’s wife, KC.

Michael Fairman sat down with Eileen and Vincent at their home, and at their famed poker table for the Michael Fairman Channel, to chat about the making of the movie, their relationship and some intriguing tidbits for fans of Eileen’s work on The Young and the Restless, Days of our Lives and her time on Bravo’s hit reality franchise, The Real Housewives of Beverly Hills.

In 7 Days to Vegas, Eileen says that Vincent fashioned her role of KC after their real-life relationship adding, “They are in it together. This is a lifestyle that they both enjoy.  That is what somebody does when there is a home game; you call people up, and make sure who is going to be there.  Van Patten said, “There is a host of the game, and that is her role in the movie.”

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As to the scenes where Duke is walking to Vegas, Van Patten shared, “We shot the film in Santa Clarita, California in the hills and the mountains and all of that, and then we out five days after with a second unit shoot and shot with drones in the desert.  So, I must have walked 10 miles a day, shooting, sweating, but you don’t feel it, because when it’s your baby, it’s a labor of love.”

When asked if she would go back to daytime, Eileen shared she would be back for more Ashley on Y&R: “I am supposed to go back to Y&R in a couple of more weeks. So I am popping in and out at this point.”  Davidson also shared she wishes nothing but the best to Stacy Haiduk who inherited her roles on Days of our Lives as Kristen DiMera and Susan Banks. Eileen said she does not watch the episodes of the show anymore, because it makes her feel sad.  The roles of Kristen and Susan were so close to Davidson’s heart.

In speaking of her time on RHOBH, Van Patten shared, “I think she (Eileen) did a great job. It went by real quick. I think she did like three years on it.  I was in the background carrying her purse, going, ‘Yes, yes, here I come.”  (Laughs)  Davidson expressed: “Listen, reality TV … it’s a crazy, wild, Wild West.”  When Michael asked about the time a drink was thrown in her face, Eileen explained:  “I think Brandi (Granville) felt she needed to be relevant to be on the show, and her role was to be a troublemaker. I understand more of it now.  At the time, I was a deer in the headlights for the first couple of years.”  Vincent shared, “People always ask if this stuff is scripted, and it’s actually not, but you can spice it up”   As to if ‘Housewives’ makes up the drama, Davidson elaborated, “Before the season starts they will ask, ‘What is going on in your life?’, and maybe there is some of that behind-the-scenes stuff.  It didn’t happen with me.  I’m not saying it doesn’t happen, but it is a reality show, but it is also entertainment, and if all we did was sit around, how fun would that be?”

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Watch the full interview below with Eileen and Vincent and make sure to “subscribe” to The Michael Fairman Channel for more celebrity interview features.

Now let us know, will you be checking out 7 Days to Vegas, which will also be available on iTunes and VOD come September 24th? Do you hope there will be more Ashley on Y&R? Share your thoughts via the comment section.

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Interviews

Sharon Case Celebrates 25 Years On The Young and the Restless; Shares With Fans: “Thanks For Going On The Ride With Me”

Over the weekend, The Young and the Restless Sharon Case reached her 25-year milestone in Genoa City! For Case, who was the third actress to take on the role of Sharon Collins, and once believed she would only last six months on the top-rated CBS Daytime drama, has become an integral part throughout the years to the drama and the romance that happens on the canvas on Y&R.

To mark the occasion, Case sat-down with Michael Fairman on the set of Crimson Lights at CBS Television City where Y&R is taped; to take a stroll down memory lane, and to share her thoughts with her legions of fans on the life and times of Sharon Collins Newman.

Photo: CBS

From her character’s wrong-side-of-the-tracks beginning, to meeting Nick Newman, to many of the memorable storylines and moments that were among her very favorites including: when Nikki, Phyllis, Sharon and Victoria buried J.T., and of course, to her leading men through the years, Sharon reveals some backstage and on-camera Intel.   As viewers know, Sharon Newman had also had her share of catfights through the years in longstanding conflicts with both Phyllis (Michelle Stafford) and of course, Nikki (Melody Thomas Scott), and Sharon discusses those moments too.

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Sharon and Michael also relive when Cassie’s death, was first aired on the show, and the impact that story has had for decades on everyone who worked on and has watched Y&R over the years.  In addition, Sharon discusses how she felt the night she won the Daytime Emmy as Outstanding Supporting Actress in a Drama Series back in 1999.

At the end of the interview Sharon relates this message to the fans of Y&R: “I have always felt like these 25 years wasn’t just working here and playing Sharon … or working here with all the wonderful people … it’s just as much about going through it with all of you, especially because of social media, but even when we didn’t have it, we always knew that you were there and we were partners with you … because it really is sort of a partnership.  I really have felt like we have been in this together the whole time.  We don’t have a studio audience, but we know you’re there, and we love hearing from you.  It really was just as much about you – this journey I have gone on, than it was anything else, so ‘thank you’ for being there and watching the show, and being faithful to the show, and thanks for going on the ride with me.”

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Now below, watch Sharon’s 25th anniversary from the Michael Fairman Channel on You Tube.  For more feature interviews on the channel make sure to “subscribe”.

Then, let us know what has been your favorite storyline of Sharon’s through the years?  Comment below.

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Y&&’s Eileen Davidson and her husband Vincent Van Patten chat with Michael Fairman about their new film “7 Days to Vegas”, her time on Y&R, DAYS, The Real Housewives of Beverly Hills and their relationship. Leave A Comment

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