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The Stacy Haiduk Interview – The Young and the Restless

© JPI Studios

© JPI Studios

Who has been consistently captivating soap opera audiences with her mesmerizing performances of Patty Williams and Emily Peterson, and let’s not forget, when Patty was pretending to be a woman named Mary Jane Benson?  Who kept us on the edge of our seats through most of 2009, and into 2010, not knowing whether we were going to scream in horror, or cry for her sad existence?   Who got snubbed for an Outstanding Supporting Actress nomination for the 37th Annual Daytime Emmy Awards?  And finally, who is really the cat’s meow?  Well, the answer is quite simply, actress Stacy Haiduk from The Young and the Restless.

Now, with Patty locked up and regressed to a little girl, and Emily falling apart at the seams trying to get her own life back, and Adam’s “murder” still not close to being solved, Stacy Haiduk is still turning out riveting performances.  On-Air On-Soaps caught up with Stacy to talk about: Kitties, Emmy reels, competition, the heartbreak of playing Patty, working with her co-stars, Doug Davidson (Paul) and Peter Bergman (Jack), and how her actor husband, Bradford Tatum, was a calming and steady force during some of Stacy’s most traumatic on-set days.

And in the end, find out who does Stacy think is truly the better psychologist, Emily or the deranged Patty?  Her answer may surprise you.  It’s always great to speak with the emotionally raw and edgy Ms. Haiduk, and I hope you will enjoy her even more after reading her revealing comments below.

MICHAEL:

Ok, Stacy let’s get right to this.  Your Emmy snub is probably one of the most talked about in the history of the Daytime Emmy nominations.  Everyone was certain that you were a lock for your performance as Emily/Patty/Mary Jane this past year, and unfortunately it did not happen.  How are you feeling at this moment?  It has to be extremely, extremely disappointing for you.

STACY:

© JPI Studios

It was shocking, and I was really disappointed.  I was excited about it because I really wanted to be a part of this group this year.  And you have to also know it is what it is.  I always have to say that I still won in my own mind because of the people I got to work with, and it’s continuing, and that is a success right now.  I know that is not the disappointing part of how I am feeling, but I try not to go into that part of it.  It’s hard.  You sit there and go, “Was my tape not good enough?  Or, what happened?”

MICHAEL:

What reel did you decide to submit for Emmy contention?

STACY:

I submitted the remote with Eric Braeden as Victor, and Peter Bergman as Jack, and I had the gun   Patty was getting upset with Jack for not seeing her as his wife and loving her, and feeling how could he do that?  I thought it had enough emotional levels to show where I could go as an actress.  It sucks that you can’t have two shows to show your work.  One show is not easy to do to choose from.  You have the build up in one, and the finale in the other, which is why I like the idea of two tapes.  However, I thought this is enough to get me in.  I am working with two leading actors, and I thought it would be a good enough tape to show people.  You just kind of go, “OK.  Or, maybe the wig scared them!”  You know, the blonde wig! (Laughs)

MICHAEL:

This whole Emmy judging process is as much of a game as about the performance itself.  Do you think it hurt you that perhaps the blue ribbon panel could not follow the story, as it is taken out of context?  They do not know what happened before or after those scenes.

STACY:

© JPI Studios

Right.  No, they don’t see the arc, and don’t see what is going on.  A lot of times you have your friends who have been working to be nominees for so long, and they finally get in, and it’s like, you know what?  They deserve it.  Maybe next year, it will work for me.

MICHAEL:

I think you have received more emails, letters, and have certainly become talked about more than anyone ever online, about someone not getting a nod.  Somehow, the Emmy snub got you more publicity than someone who was nominated for Lead Actress!

STACY:

The publicity has been more than if I got a nomination.  It’s crazy, isn’t it?  You know what I love?  It’s when I went on facebook and just read so many people’s thoughts, and how they love the character, and you can’t beat that.  I have to go back to why I do this and the process of it all.  Yes, it would have been fun to get all dressed up, and hope you can win one of the most beautiful awards.  It’s one of my favorites, actually.  But, I have had a really good time and it continues again.  The fans see that, and that is really what this is about.

MICHAEL:

If you were to have been nominated, would Mr. Kitty have accompanied you to Vegas?  Last year, you wore him as a shoulder bag to the red carpet.

STACY:

Yes.  I would have come with Mr. Kitty, and we could put him on wheels.  It would have been awesome.

MICHAEL:

© JPI Studios

But, let’s talk about these recent amazing scenes that aired.  Did you like how they resolved the end of the Patty/Emily final switcheroo?

STACY:

I finally ended up watching it.  Usually, I don’t because I am very critical of myself.  I finally watched it because somebody said to me, “Have you seen your scenes?”  And I said, “No, I haven’t,” and so I did.  And I was sad!  I was sad the last time Patty went to an insane asylum. I like Patty, even though she is crazy and whacked-out. The wig was scary. (Laughs)

MICHAEL:

Patty regressed back into her little childhood self.

STACY:

Didn’t it just break your heart?  Me, too.  It did also when Mr. Kitty died.  You have to understand, when they told me Mr. Kitty, in my script, gets chewed up by Zapato, I went like, “You’ve got to be joking with me?”  I mean, I literally went through withdrawals because I had been working with that cat for so long.  I know that sounds silly.  But, I get heart to heart with my co-stars, and here it was again.  I love working with Doug Davidson. He is such a joy, and Peter, also.  And, when I got to look at him in the end, my hair looked like crap, and it was all going to one side, but there was this look.  When you are in it, you don’t see what other people are seeing.  So, when I was able to see it from the audience’s perspective, I went “Oh, my God!  That poor thing, and what she went through.”  All she wanted was that man to love her, and how desperate and sad she is at the same time.  I got weepy.

MICHAEL:

© JPI Studios

I said to Doug Davidson recently, that if you were to take your story with him, as a brother and sister, as an isolated story, you could see that as a motion picture.  It is such a beautiful story.

STACY:

I think that is why they continued it.  It taps into so many people’s relationships with family.  I look at his eyes when we work, and there is that love… that brotherly and sisterly love…and we root for each other.  So if one makes a mistake in the line, the other one of us tries to figure out what the person is going to say.  It’s wonderful!

MICHAEL:

And now on-air, Emily is having all sorts of psychological problems!  Is this now just an adjustment issue for her?  I mean, she is so pissed off that Jack can’t tell the difference between her and Patty in bed, which I think is great!

STACY:

I know, it’s so crazy.  Thank God.  I am so glad they brought that up.  I mean, how can you not?   Even Patty says it in my Emmy tape; she says to Jack, “How could you not know I was your ex-wife?  Are you that blind?” And then here, Emily says pretty much the same thing to him, “How could you not know that was not me?   How could you do that?”  Emily now has to take some time and figure this out.  She gets screwed from every which way, from all the stuff that Patty did.  She is trying to hold it together, and she is not one to just emote, while Patty is the most emotional and runs with it.  Emily is stoic and trying to hold it together.

MICHAEL:

Do you think Emily is even a good psychiatrist?  Or, is Patty a better one? (Laughs)

STACY:

I think Patty was. “Go to your Happy Place!” (Laughs)  The woman playing opposite me, who was one of Emily’s patients says to Patty, “What do you mean? Go to my Happy Place?  As Stacy, “I went, yeah; go to your Happy Place. What else do you want to do?”  That is what a therapist would say, except, maybe, “I understand.”  (Laughs)

MICHAEL:

© JPI Studios

Will we see Patty again, perhaps more and more?  Is the doppelganger story really over?

STACY:

Maybe.  All I can say is that I love Patty, and doppelganger may not be over. We shall see.

MICHAEL:

You must have gone home to your family completely exhausted some days, after the emotional toll it takes on an actress to play very complex dual roles that border on insanity or the edge of insanity.

STACY:

When I was going through all the stuff with Patty and Emily at the end, and the whole knife thing, that was the first time Peter and I were going to get off work early.  I am referring to the scene where Patty stabs the portrait of Emily.  She goes to town. We were jamming through the scenes, and the last part where I open the dang cutter I cut my hand!  So, I had to go get stitches.  So, Peter and I are at the doctor’s office.  Even the stage manager said, “And, you didn’t stop the scene?  You kept going with it?”  And I go, “I can’t stop.”   But now the stitches are out and healing and I am fine.  But, that was the first time I had to call my husband and say, “I just want you to know, I won’t be home by ten today.  I am going to the hospital to get stitches.”  And, he is like, “What?”  I said, “Well, they had this box cutter, and you know me with props.”  I have this thing where I go with it.  And even before they gave me the prop on set, they said to me, “Are you going to be OK with this?”  You see, I have a tendency to go overboard, like when I was stabbing the little picture with the baby scissors in the hospital scene.  That time, I ended up stabbing the baby scissors into my hands.  The prop guys were like, “Um, Stace. You’ve got to know…”   I am going to be so conscious of it, but it’s hard when your adrenaline is going.  I get done with the scenes, and then I go, “Oh, God.”

MICHAEL:

© JPI Studios

What did your husband, actor Bradford Tatum, think of all this?  Was he a big support to you during the emotionally draining material?

STACY:

He has been a big support.  I come home, and yeah, we don’t have long, long evenings because of the emotional dynamics of these two characters, Emily and Patty, and because when I come home I have to work on my script for the next day.  I mean, I would literally call home and say, “Honey, I need cuddly.  I need you to be tender with me because I am so fragile.”  But I love going to these places, and sometimes it’s really difficult, but it’s a good challenge, and I am sure you do this, too, Michael.  You like to see how far you can push yourself.

MICHAEL:

Yes, I do push myself.  But you are super competitive, right?

STACY:

Your body and your mind want to work well, and so yeah, I am competitive.  And my husband laughs at me about it.  But, I think that’s what keeps me going, and doing what I do.

MICHAEL:

Will you be on-air as Emily for a while?   Many fans are concerned of where the Y&R writing team will go next with all of this.  Could that spell the end for Stacy Haiduk on Y&R?

STACY:

Courtesy/Luis Martinez

No, you are not losing me as Emily.  I think it touches people.  It’s this beautiful balance of creating something from the writer’s point of view, the actor’s point of view, and it’s all-creative, and that is what is so amazing.  I think people feel that from the outside, too.  It’s not just watching something and going, “Yeah, that was a great performance”.  These are daily performances and I think people love to watch Emily or Patty and what she will do next.  It’s very complex.

MICHAEL:

OK, so if I was producing a Stacy Haiduk tribute reel of the best moments of your performance last year on Y&R, and I had three and half minutes to feature you, tell me what would be on that?  What would you choose?

STACY:

You have to start out with Mr. Kitty, and having that performance with a dead stuffed cat was pretty fabulous.  I really like that kind of material.  I would go in to this January with shows where Patty goes back to the switcheroo, when she puts Emily into the nut house and then looks in the mirror and dyes her hair. And still one of my other favorite scenes is the remote with Kitty Kitty.  It was with Paul and Patty.  She is turning herself in and she has to give up Kitty Kitty.  I know they are silly scenes, but they get to me sometimes.

MICHAEL:

What about the great Patty and Adam scenes?  There were so many great ones towards the end before his “murder”.  And, we still never know if Patty has something more to reveal about what went on the night Adam was “killed”.

STACY:

© JPI Studios

Everything’s a possibility, and you just never know.  I like working with Michael Muhney (Adam).  We have a good time. Michael and I click with each other, because we were both new to the show.  I was thrilled to have scenes with him in the potting shed, and those were fun.  I even liked when I go to Adam in the hospital and Patty is pretending to be Emily and she pinches him in the hospital and says, “You know, I just want to see if you are faking it or not.” I love those scenes. I love the way Michael plays right off of me. I have a soft spot for Michael because of that.

MICHAEL:

As we end this little chat, tell me what can I relate back to the many, many fans and admirers of your work, day in and day out.  Are you really doing OK?  We all want to give you a giant hug!  So, since I am here with you now, here is a hug representing everyone’s embrace of your outstanding performance this past year.

STACY:

I am doing great.  I got through my disappointment.  I am here to support The Young and the Restless. I am thrilled that the actors I work with on a daily basis both got nominated. (Laughs).  No, really I am.  So, maybe we will see what happens next year with that, but right now when I work, I am happy.

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waldo doe
waldo doe

Thanks for another great interview MF! I got to see a side of SH that we never get a glimpse of. She really seems like a nice, down to earth, funny and all around cool person. I’m STEAMING about her Emmy snub too! Ridiculous!.

Kalamaty
Kalamaty

Brava for so, so many brilliant performances this past year, Stacy. You have become the one to watch on The Young and the Restless and I’m horrified that you didn’t get the Emmy nom. Shame to the academy for this outrageous snub!!!! You are a brilliant, beautiful actress!

Doe
Doe

Well, the Emmy pople blew it again. Stacy has been mesmerizing. To pull of dual roles is so demanding and exhausting, it’s a wonder the actress doesn’t go bonkers. I hope she gets the satisfaction next year at least. I don’t know how she can even top this role. An actor dies for such a role! Kudos to Stacy for convincing us she was mentally ill and then believing she was this pschiatrist who treated ill patients. I have been enthralled when she is on the screen and couldn’t take my eyes off her. So, congratulations, Stacy, for your great performances

Darogr
Darogr

Love, LOVE, LOVE her.
She certainly did deserve the Emmy nomination and the Emmy. Patty/Emily/Mary Jo has been one of the few reasons to stick with Y&R with all the silliness going on there.
I hope Emily and Patty are around for a while and we get to see more from Stacy.
Thanks for the great interview! It’s really interesting to hear the actor’s thoughts on the characters and the scenes and some of the behind the scenes chemistry.

Heather
Heather

Love her! Glad to hear she will be sticking around Y&R. She definitely should have been nominated. I think a lot of these award shows are more about politics than who actually deserves the award.

shelia
shelia

love her !!!!!!!!!!!!!! glad she coming back

Interviews

Executive Producers David Michaels & David Parks Chat On The Moments That Made The 46th Annual Daytime Emmy Awards Ceremony

The 46th annual Daytime Emmy Awards are in the record books, and with it came surprising victories, emotional tearjerker moments, and a show that ended up with more heart than the fluff we often see within many entertainment award shows.

Michael Fairman TV chatted with Daytime Emmy show executive producers, David Michaels (who also serves as the SR. VP Daytime Emmy Awards for NATAS) and David Parks to gain some insight on how they pulled off some of the major moments of the evening including: a surprise appearance by Amy Poehler, Kathie Lee Gifford’s daytime TV send-off, Shemar Moore’s touching tribute to the late Kristoff St. John, and of course, that Emmy-winning acceptance speech from Jeopardy’s Alex Trebek, who is currently battling stage four pancreatic cancer.

On the soap opera side, there was the long overdue win by GH’s Maurice Benard (Sonny), former GH star Hayley Erin (Ex-Kiki) receiving her Younger Actress award from her idol, none other than Alex Trebek, and B&B’s Jacqueline MacInnes Wood (Steffy) receiving the Lead Actress trophy in a tough category of industry heavyweights.

In a year that was tumultuous for the producers and for NATAS with a threatened boycott by the network soaps, requests for more rule regulations and transparency, and the ongoing situation where the Daytime Emmys have not returned to be televised on cable or network TV, but have found success on streaming and social media platforms, we checked-in with Michaels and Parks for a Daytime Emmy post-mortem, and to get the lowdown of their thoughts on daytime’s biggest night of the year. Here’s what they shared.

Photo: NATAS/Getty

Let’s talk about some of the big moments that happened throughout the Emmy ceremony and how you pulled them off.  One, of course, is the Amy Poehler surprise as the presenter of the Lifetime Achievement Award to Judge Judy that nobody knew about.  How did you find out that Amy was a Judge Judy fan, and how did you keep her appearance a secret?

DAVID MICHAELS:  I want to just say that what a great job our co-host, Sheryl Underwood did in announcing it, because she saw the name on the teleprompter for the first time during the live show.  I was going to tell her that morning, but as she said, “If I was a bucket, I couldn’t hold water.”   So, very, very, very few people knew.   All through the scripts in the rundown, Amy was listed as “Presenter X.”   What happened was, the day after the press release about Judge Judy came out, Harlan Boll (NATAS publicist) forwarded me an email from a publicist that I didn’t know saying that he wanted to talk about his client presenting on the Emmys.   I called him, and he claimed to be Amy Poehler’s publicist, and I didn’t know him.  He said, “Amy Poehler is Judge Judy’s biggest fan.  She wants to present the award.”  The only stipulation is that it has to be a surprise.  Then, I went on IMDB-Pro, and checked him out, and he was indeed Amy’s publicist and for a lot of other celebrities, as well.   I called Judy’s people, and I said, “You’re not going to believe this,” and they went to Judy, and she just loved it.  I don’t even know why Amy wanted it to be a surprise, but we had to honor it.  It obviously would have done us more good pre-publicity-wise if it wasn’t a surprise, but we honored it.   We actually kept a secret in Hollywood!  I mean, David Parks knew, and maybe four other people.  I think that maybe what I am proudest of … keeping the secret.

Photo: NATAS

David Parks, did you think it would really happen?

DAVID PARKS:  You know, I am often a naysayer about things, but I actually did.  There was something legitimate about it once David vetted the manager.  There was really never any scare or anything that was like, “Oh, all of the sudden she’s busy.  All of the sudden she’s been offered this other thing.”   It was kind of like, it got arranged, and we didn’t have to do anything until that week, and then, we had to figure out the best place to drop her off and how to get Amy inside the venue with as few people as possible seeing her.   She could not have been nicer about it all too.  I mean, we got her to the closest spot, and nobody on my team knew.  Like David said, it was “Presenter X.”  Everybody kept asking.   I was like, “Not going to tell you.  Then, you don’t have to worry about keeping the secret.”

DAVID MICHAELS:  I was just very taken with how gentle and kind Amy was.  She looked me in the eye and actually thanked me for letting her do this.  She was so gracious and sweet.  The whole thing was just a great experience.

Courtesy/NATAS/Getty

Another memorable moment occurred at the end of the night, when Shemar Moore (Ex-Malcolm, Y&R and now S.W.A.T.) honored his dear friend and former on-screen Y&R brother, the late Kristoff St. John (Ex-Neil Winters) before announcing the winner in the Outstanding Drama Series category. Were you aware that Shemar was going to go off-script and talk about his love and respect for St. John?

DAVID MICHAELS:  Obviously, to this daytime community, Kristoff was very special.   I made him last in the In-Memoriam segment, which obviously was the most I could do as a producer, because there were over 30 other people who passed as well. Before he took the stage, Shemar came to the producers table and he said, “Are you sure?”  This was in regard to him saying a few words about Kristoff.  I said, “Shemar, as long as you say that you’re going off the script,” because he was.  There was nothing in the script.  I just said, “If you go out there and speak from the heart, I will have no problem with it, and I think that everybody will have no problem with it.”  He went out there, and he just killed it.  He was brilliant. I was sitting there at the producer’s table crying.  He destroyed me.  I think everybody really appreciated it, and I thought it was the perfect way to go into the final award.

DAVID PARKS:  I thought it was very genuine.  You can still feel his pain.

Photo Credit: JPI Studios

Next, you were able to get Kathie Lee Gifford to attend the Daytime Emmys to honor her.  How did that come together?  I assume she did not have a speech written when she addressed the crowd.  Kathie Lee is all about being “authentic”.

DAVID MICHAELS:  Correct, she actually had no speech written.  I saw her right before she went on, and she said, “Well, I’m not sure what I’m supposed to do.”  I said, “You’re supposed to go out there and be Kathie Lee.  You’re supposed to tell the community what you think of them.”  I also added, “I doubt this is the first time you’ve improvised,” and she laughed.  The result is what you saw, because she had not seen the tribute video before we played it, and the ladies of The Talk had actually asked to introduce Kathie Lee, because they adore her.

DAVID PARKS:  It really did come off well, because there was this concern about it not being a Lifetime Achievement Award(Not that she doesn’t deserve one, but that just wasn’t what it was this year.)  We were figuring out, how do you make this moment that is special without overshadowing the Lifetime Achievement Awards?  Kathie managed to do that.  I think it was her then winning in the Outstanding Informative Talk Show host category along with Hoda Kotb that really made it one of the most talked about moments of the show.

That award was positioned after Kathie Lee’s tribute, correct?

DAVID PARKS:  Yes, and on purpose, because in the case that she doesn’t win, you don’t want her out there kind of bumming out about it.  In all of these moments you have mentioned, the serendipity of it worked out really nicely for us.  Judy got honored, and unfortunately for her she didn’t win, but it didn’t destroy the moment.  In Kathie Lee’s case, it elevated the moment.

Courtesy/NATAS

Talking about serendipity, with Amy, Kathie Lee, Shemar, and Alex, it was almost like an organic perfect storm, and the next day people were talking about the Daytime Emmys in the mainstream press more than they had in recent years.

DAVID PARKS:  You picked up on this inclination that you have to fight sometimes to entertain, entertain, and entertain.  I think this year kind of proved that you don’t have to throw out the dog and pony show. It kind of works that you honor people, and they come out and they give these heartfelt speeches, and those mean more than those extra segments – whether it’s song or dance, or jokes, and you can tell the things that we cut out this year.  I think what it’s all about is …  getting awards, giving awards, and honoring people for their achievements.

How do you feel your co-hosts, Sheryl Underwood (The Talk) and Mario Lopez (EXTRA) did this year?  You seem to like this pairing as you have had them back multiple times now.

DAVID MICHAELS:  I thought it was Sheryl’s best year.  We didn’t give Sheryl big comedy moments, but everything she did felt so heartfelt and right.  They were there throughout the show.  They got their moments.  They got their beginning, middle, and they got their end.

DAVID PARKS:  I think as producers there was a little bit of a gift in watching what happened with the Oscars this year because it actually showed, (I mean, I’m sure it’s not what they wanted initially) not having a host kind of stream-lined that show.  People were like, “Yeah, the Oscars were pretty good this year.”  We talked about that a lot.  We don’t need to over think this.  It’s already been proven what happens if we don’t give as much to our hosts.

Photo: NATAS

Let’s talk about Alex Trebek.  That was such a huge moment when he accepted his award; winning Outstanding Game Show Host, and when he took the stage to present the Outstanding Younger Actress in a Drama Series award.  I heard he wasn’t not feeling well at all at the ceremonies, as we all knew he is battling stage four pancreatic cancer.

DAVID MICHAELS:  I know Alex pretty well.  So, I could tell he wasn’t feeling well; even though that wasn’t what he was putting forth.  It’s interesting though because Alex originally told us he wanted to stay backstage the whole time, but once he got to the ceremony that was not what he wanted to do.  So, Alex was in the audience, and he actually surprised me.  In a similar way to what I said to Shemar.  I said, “When Alex gets out there, he’s going to get a standing ovation,” which he did, and that was the moment when I said, “Alex, if you want to say something, go ahead,” and he didn’t.  I was shocked.  He just came out and presented the Younger Actress award.  So, if Alex had not won, he never would have said anything because that’s when he got the emotion in and all of that.  He definitely took a chance.

So, Alex presents ‘Younger Actress’ and made Hayley Erin’s (Ex-GH) life, because when I did my interview with her backstage, all she talked about is what this meant to have her idol, Alex Trebek hand her the award.  Talk about serendipity!  Now, when Alex accepted his award for Outstanding Game Show Host, did you have any idea what he was going to say, because coming out of the Emmys, people were buzzing about what he shared on-stage.

DAVID MICHAELS:  No, and quite honestly, I got scared when he started that speech when he was saying he didn’t want a sympathy vote, but that’s Alex.  He will totally bring it, and then turn it around.

Photo: NATAS

DAVID PARKS:  There was a side thing that you probably didn’t know about.  We got approached by a guy looking to buy fan tickets, but they had a group who needed ADA (Americans with Disabilities) seating.   It turned out be a group of cancer patients who were terminal.  The group was SayYEStoHOPE.org.  They weren’t asking for anything.  They just wanted to be able to sit together. So, we comped them all.  I’m at the red carpet, and this group is coming up the stairs, and one of the guys from the venue says to me, “This is the ‘Say Yes to Life’ group.”  So, I start talking to them, and one of the women just had chemo that day, and they were so excited to be at the Daytime Emmys, but what they were really excited about was to see Alex Trebek.  I wish there had been a way to either acknowledge them, or to let Alex know,  because they are big Daytime television fans,  but Alex meant so much to them in terms of being a cancer survivor, and a cancer patient, just like them.

Were you worried about Alex on Emmy night?

DAVID PARKS:  I thought he looked pretty good considering what I knew he had been going through.  It was actually this past week when I read about how on Jeopardy, he was doubled over in pain on the floor.

DAVID MICHAELS:  Yeah, if you saw that CBS Sunday Morning interview, it was pretty extreme, and they showed a clip from our show, by the way.  Similar to what David described with Judge Judy and Amy, Alex stood by the monitor to see if Jeopardy was going to win, which it didn’t, and Alex was just like, “Okay,” and off he went, and I got a big hug.  Just knowing him, I think he put out a lot of energy to be there, but I think he was glad to do it.

Courtesy/NATAS

Let’s move on to another amazing moment which was General Hospital’s Maurice Benard (Sonny) finally winning his second Daytime Emmy for Outstanding Lead Actor.  The crowd went crazy!  What did you think about how that happened . … and the fact that Maurice didn’t have a speech prepared?

DAVID MICHAELS:  I honestly believe Maurice that he didn’t think he was going to win.  It’s been many years since he had, and I also didn’t think that any of the other nominees could complain about losing an award to Maurice, because he’s the king.  He kept saying he couldn’t cry up there, and then, he cried up on-stage.  It really was about doing the Alzheimer’s storyline with Max Gail (Mike, GH) who totally reminds Maurice of his real father, and then, to have Max win as well, I just think it was a very emotional moment for him, and it was beautiful.

DAVID PARKS:  What impressed me is that often times you think actors should be so good at giving speeches, and they’re horrible at it because it’s not scripted.  So, when somebody does give one, and it’s really heartfelt and all of that, it’s really refreshing.  It’s kind of nice, especially on such a big award.

Photo: NATAS

DAVID MICHAELS:  In addition, Kyler Pettis (Ex-Theo, Days) win for Younger Actor in a Drama Series, was one of the most emotional things I have ever seen.  For years, I have been impressed with his portrayal of the high-functioning autistic young man.  It was always very moving to me.  If you watched the show and the close-up on him when they called his name, Kyler immediately was crying.  It really moved me.  I spoke to him the next day at The Talk, and he was completely blown away.  I just don’t think he thought this was going to happen.

What went into the decision to make the opening number “Sing!”?  Obviously, a big part of that was you were celebrating the 50th anniversary of Sesame Street.  And, I hear Mario Lopez’s son got to see the Muppets backstage, up close and personal?

DAVID MICHAELS: They always say don’t work with children and animals – but we did it – children – a dog – and two Muppets!  The dog – of course was Q-Tip – the shelter dog who came on with Lucky Dog’s Brandon McMillan. The kids were mostly from a community theatre production of MATILDA – and Joely Fisher connected us.  They included one of Joely’s daughters, Rebecca Romijn’s twins and Gary Busey’s son!  It was my concept and our musical director’s arrangement.  I thought it would be a great, positive way to start the evening.  It is always a joy to work with the Muppets – and Ryan and Leslie who do Elmo and Abby are amazing.  When Mario’s son, Nico, came in, I wanted to be careful to not shatter any illusions – so I took him over to the Muppets and he stared at them and he whispered to me: “Are they real”?  I said “Of course they are – just like you see them on TV.”  Nico says, “Can they talk?” I  say, “Of course they can.”  Then, Nico says, “Does someone have to help them talk?”  Now I am nervous and I pause, “Well … what do you think?”  He says, “I think they have some help”  Then,  he walked around back and saw the puppeteers.  The most adorable sweet child on the planet!

Photo: NATAS

There was a lot of behind the scenes drama and difficulties in the months prior to the Emmys; including the independent investigation, requests for more transparency in the awards system, the four soaps potentially boycotting, etc.  When you look back at what it took to get here, how do you feel about the outcome?

DAVID PARKS:  I’ve used this analogy a couple of times already, and I’m not a woman, but I think this is kind of what childbirth must be like.  The pain of it is so great that you think, “We can’t get through this,” and “Never again,” and afterwards, you see the baby, and all of the pain goes away.  You’re like, “Hey, we did it, and it worked.  It was really good.  It was enjoyable.”  I think, as a producer, you don’t really want people to know the difficulties.  If people understand the difficulties of getting to that night, you’ve probably done something wrong.  At the same time, I’m the last guy to crave attention, but for the people who were aware of the challenges that we had this year to see what we’ve pulled off, and when they say, “Holy cow.  Your set, your show, the smoothness…”  that is gratifying. You know, the stuff people are experiencing in the audience or the stuff that they see on the screen is what ultimately matters.  You learn from the mistakes, but at the end of the day, as long as that experience is good for the nominees, the winners, and the fans, that is what really counts.

People always want to know how it goes backstage with the handling of the envelopes.  Do you have it plotted out so that nobody except the accountants knows the winners until the big moment on-stage?  How does that work?

DAVID PARKS:  So, this year we actually had two accountants backstage.  The envelope went from the hand of the accountant to the hand of the stage manager, who then gave it to our trophy people, who give it to the presenter.  We had our fancy, new envelopes which everybody seemed to like, but literally, nobody on the staff even touched the envelopes this year.

Photo: NATAS

It seems like you have built-in a failsafe to minimize any potential complaints.

DAVID PARKS:  People always can, I guess.  It’s always been completely above board, but this year it was just even another step.  It’s important because the integrity of the awards is important.  I laugh a little bit, when somebody thinks they know if they are going to win or not because they’re trying to read something into the position of a camera in the audience.  We even added steps with how we shot it.  We told our cameramen, “Hold your shot for like 5 seconds after the announcement has been made.  So, even though your person isn’t getting up, we don’t want you to relax.”  We don’t want the person to think they’re not going to win.  The worst thing that will happen is somebody thinks they’re not going to win like a half a second before the announcement, it’s not a life-altering thing, but we still want to make the experience perfect for all nominees.

DAVID MICHAELS:  Our director Greg Gelfand, I think is the best in the business.  This is all a big pain in the butt for him.  He’s just trying to direct a show, but he was totally with us.  Greg said, “Okay, you’ve got it.”  The cameramen were great, and Greg was great.   Again, I’ll say for the 8 millionth time, I don’t know who is going to win.  It was very exciting and it was very surprising.

DAVID PARKS:  I always tell people that if anybody wanted to have proof that we don’t know in advance, all they have to do is watch David’s reaction at the producer’s table.  We find out at the same time as everybody else, and he’s like, “Oh, my God!  They won!?  That is an upset.  You don’t understand, Dave.  That is like an upset.”

Courtesy/NATAS

DAVID MICHAELS:  I know the soaps more than David does, but I’m like a little boy back there when I see who is winning.  I’m like, “Are you kidding me?” (Laughs)  The accountants sometimes will look at me like, “Did I do something wrong? (Laughs)  Look, there’s not much more we can do.  I was very proud.  I was very proud of the presenters, and I thought it was a great mix of all of the genres and the whole industry, and everybody was great in their own unique way.  There was some new blood at the show presenting and with the winners.

DAVID PARKS:  I have to interject my half into the little bit of love fest for David, because if there is one thing I think I hammered on David more than anything else this year was that we have to shorten the show.  The difference between three hours and three and a half hours or three hours and twenty minutes, is a huge difference.  I kept pushing David to simplify, to come up with simpler ways, or less verbose ways to do presentations, and he rose to the occasion, and before the show, he was like, “I’ve got to tell you, I don’t think I could have made this any shorter,” and I went through the script and there really was so little that could have been trimmed.  David really did a great job of answering the call and writing something that got us through a lot faster than last year.  We got a lot of comments after that said it didn’t feel like three hours.  Part of that was that it wasn’t three hours and thirty minutes.  It was actually three hours.

DAVID MICHAELS:   David Parks is the perfect foil for me and me for him.  Because we are so different, we don’t fight, but we will have words sometimes, and one of us will win, but it’s always the right decision.  One of the reasons I love working with him so much is that if he is giving me a hard time about something, there is a reason for it, and I have to really consider what he is saying.  I think that is a really healthy way to work.

Photo: JPI Studios

What would you like to see happen for the next Daytime Emmy Awards presentation?

DAVID MICHAELS:  I’d love for somebody to give us a million dollars so that we can do the most lavish show in the world.  I’d love to keep the heart going.   The one bad thing about finishing a good show is that you always take a breath and say, “Now … what do we do next time?”

DAVID PARKS:  For me, it’s that you always want to keep shows like this fresh.  It doesn’t always mean completely reinventing the wheel, but sometimes, you step back, and you think, “What can we do to freshen this up so that it’s not just a repeat?”  That can have to do with the set.   You just have to look at everything and also recognize that the best moments, as we learned this year, you can’t manufacture those.  They’re just going to happen organically.  So, you just have to create a show that allows those moments to happen, and like David said, money solves problems.  We will certainly be looking for additional sponsorship, and to build on the great ratings that we’ve had this year, and the fact that we have continued to build this event up over the years.

Courtesy/NATAS

Would you ever consider, or continue to try to get the ceremony back on TV, perhaps even on daytime television, if some network would offer you a spot to do it in?

DAVID MICHAELS:  There is nothing we wouldn’t consider.   Although I will say; that if the numbers are what we think they were this year, there were probably more than three times as many viewers as the last time we were on television.

DAVID PARKS:  I’ve always said that if they were to be on TV again, if they were to be on during the day, which is when our fans are watching TV anyway, it would make sense,  However, I have to say that I think the Daytime Emmys being at sort of the forefront of digital television puts us way out in front.  Eventually, this is how everybody is going to be watching TV.  It’s not going to be like, “Oh, we’re not on basic, terrestrial TV.”  It doesn’t matter.

DAVID MICHAELS:  You’ve got to realize that this audience is worldwide.  Being on television is not.  So, when you see that people are watching all over the world, that’s pretty amazing.

So, what did you think about what David & David shared about decisions made for the Emmy ceremony and the backstage tidbits?  How would you score this year’s Daytime Emmys? What was your favorite moment within it? Comment below.

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General Hospital

Steve Burton Interview – General Hospital – 46th Annual Daytime Emmys Red Carpet

On the red carpet at the 46th Annual Daytime Emmy Awards, General Hospital’s Steve Burton (Jason Morgan) chats with Michael Fairman.

During their conversation, Steve weighs-in on the nominated scenes of Laura Wright’s which also featured him, and the friendship of Jason and Carly, plus how he told Maurice Benard (Sonny) that he had to submit himself in the Lead Actor category; an award in which Maurice won that night.

Later, Burton laughs as Michael reveals that in his recent interview with Coby Ryan McLaughlin (Shiloh), the actor said that he can and wants to take down the character of Jason; to which Steve rebutted here that it ain’t going to happen.

Finally. Steve talks on the success of his road show and podcast with buddy and castmate, Bradford Anderson (Spinelli)

Watch the interview below. Then let us know, do you like the scenes between  Jason and Carly? Do you want Shiloh or Jason to have the upper hand in their rivalry? Comment below.

For more red carpet and backstage interviews from the 46th annual Daytime Emmy Awards visit the Michael Fairman Channel here.

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Days Of Our Lives

Ron Carlivati Interview – Days of our Lives – 46th Annual Daytime Emmys Red Carpet

Days of our Lives head writer, Ron Carlivati chats with Michael Fairman on the red carpet at the 46th annual Daytime Emmy Awards.  Carlivati and his writing team were nominated for Outstanding Writing in a Drama Series; an award they won last year.

Ron reveals to Michael that the reels submitted in the writing category were different than those submitted for Outstanding Drama Series; with the writing submissions centering around Marlena (Deidre Hall) and John’s (Drake Hogestyn) wedding and her shooting … and then the aftermath in the hospital where Marlena’s children and John have to say goodbye to her fearing she will not pull through her medical crisis.

Later, Carlivati discusses how he has become more firmly entrenched in the land of Salem after being an ABC Daytime guy for most of his life; following writing for One Life to Live and General Hospital.

Watch the interview below.  Then let us know, what did you think of Ron’s choice for the writing award? Should DAYS have toppled Y&R on the strength of those reels? Comment below.

For more 46th annual Daytime Emmy Red Carpet and backstage interviews visit the Michael Fairman Channel here.

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GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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