Interviews
The Stacy Haiduk Interview – The Young and the Restless

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Who has been consistently captivating soap opera audiences with her mesmerizing performances of Patty Williams and Emily Peterson, and let’s not forget, when Patty was pretending to be a woman named Mary Jane Benson? Who kept us on the edge of our seats through most of 2009, and into 2010, not knowing whether we were going to scream in horror, or cry for her sad existence? Who got snubbed for an Outstanding Supporting Actress nomination for the 37th Annual Daytime Emmy Awards? And finally, who is really the cat’s meow? Well, the answer is quite simply, actress Stacy Haiduk from The Young and the Restless.
Now, with Patty locked up and regressed to a little girl, and Emily falling apart at the seams trying to get her own life back, and Adam’s “murder” still not close to being solved, Stacy Haiduk is still turning out riveting performances. On-Air On-Soaps caught up with Stacy to talk about: Kitties, Emmy reels, competition, the heartbreak of playing Patty, working with her co-stars, Doug Davidson (Paul) and Peter Bergman (Jack), and how her actor husband, Bradford Tatum, was a calming and steady force during some of Stacy’s most traumatic on-set days.
And in the end, find out who does Stacy think is truly the better psychologist, Emily or the deranged Patty? Her answer may surprise you. It’s always great to speak with the emotionally raw and edgy Ms. Haiduk, and I hope you will enjoy her even more after reading her revealing comments below.
MICHAEL:
Ok, Stacy let’s get right to this. Your Emmy snub is probably one of the most talked about in the history of the Daytime Emmy nominations. Everyone was certain that you were a lock for your performance as Emily/Patty/Mary Jane this past year, and unfortunately it did not happen. How are you feeling at this moment? It has to be extremely, extremely disappointing for you.
STACY:
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It was shocking, and I was really disappointed. I was excited about it because I really wanted to be a part of this group this year. And you have to also know it is what it is. I always have to say that I still won in my own mind because of the people I got to work with, and it’s continuing, and that is a success right now. I know that is not the disappointing part of how I am feeling, but I try not to go into that part of it. It’s hard. You sit there and go, “Was my tape not good enough? Or, what happened?”
MICHAEL:
What reel did you decide to submit for Emmy contention?
STACY:
I submitted the remote with Eric Braeden as Victor, and Peter Bergman as Jack, and I had the gun Patty was getting upset with Jack for not seeing her as his wife and loving her, and feeling how could he do that? I thought it had enough emotional levels to show where I could go as an actress. It sucks that you can’t have two shows to show your work. One show is not easy to do to choose from. You have the build up in one, and the finale in the other, which is why I like the idea of two tapes. However, I thought this is enough to get me in. I am working with two leading actors, and I thought it would be a good enough tape to show people. You just kind of go, “OK. Or, maybe the wig scared them!” You know, the blonde wig! (Laughs)
MICHAEL:
This whole Emmy judging process is as much of a game as about the performance itself. Do you think it hurt you that perhaps the blue ribbon panel could not follow the story, as it is taken out of context? They do not know what happened before or after those scenes.
STACY:
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Right. No, they don’t see the arc, and don’t see what is going on. A lot of times you have your friends who have been working to be nominees for so long, and they finally get in, and it’s like, you know what? They deserve it. Maybe next year, it will work for me.
MICHAEL:
I think you have received more emails, letters, and have certainly become talked about more than anyone ever online, about someone not getting a nod. Somehow, the Emmy snub got you more publicity than someone who was nominated for Lead Actress!
STACY:
The publicity has been more than if I got a nomination. It’s crazy, isn’t it? You know what I love? It’s when I went on facebook and just read so many people’s thoughts, and how they love the character, and you can’t beat that. I have to go back to why I do this and the process of it all. Yes, it would have been fun to get all dressed up, and hope you can win one of the most beautiful awards. It’s one of my favorites, actually. But, I have had a really good time and it continues again. The fans see that, and that is really what this is about.
MICHAEL:
If you were to have been nominated, would Mr. Kitty have accompanied you to Vegas? Last year, you wore him as a shoulder bag to the red carpet.
STACY:
Yes. I would have come with Mr. Kitty, and we could put him on wheels. It would have been awesome.
MICHAEL:
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But, let’s talk about these recent amazing scenes that aired. Did you like how they resolved the end of the Patty/Emily final switcheroo?
STACY:
I finally ended up watching it. Usually, I don’t because I am very critical of myself. I finally watched it because somebody said to me, “Have you seen your scenes?” And I said, “No, I haven’t,” and so I did. And I was sad! I was sad the last time Patty went to an insane asylum. I like Patty, even though she is crazy and whacked-out. The wig was scary. (Laughs)
MICHAEL:
Patty regressed back into her little childhood self.
STACY:
Didn’t it just break your heart? Me, too. It did also when Mr. Kitty died. You have to understand, when they told me Mr. Kitty, in my script, gets chewed up by Zapato, I went like, “You’ve got to be joking with me?” I mean, I literally went through withdrawals because I had been working with that cat for so long. I know that sounds silly. But, I get heart to heart with my co-stars, and here it was again. I love working with Doug Davidson. He is such a joy, and Peter, also. And, when I got to look at him in the end, my hair looked like crap, and it was all going to one side, but there was this look. When you are in it, you don’t see what other people are seeing. So, when I was able to see it from the audience’s perspective, I went “Oh, my God! That poor thing, and what she went through.” All she wanted was that man to love her, and how desperate and sad she is at the same time. I got weepy.
MICHAEL:
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I said to Doug Davidson recently, that if you were to take your story with him, as a brother and sister, as an isolated story, you could see that as a motion picture. It is such a beautiful story.
STACY:
I think that is why they continued it. It taps into so many people’s relationships with family. I look at his eyes when we work, and there is that love… that brotherly and sisterly love…and we root for each other. So if one makes a mistake in the line, the other one of us tries to figure out what the person is going to say. It’s wonderful!
MICHAEL:
And now on-air, Emily is having all sorts of psychological problems! Is this now just an adjustment issue for her? I mean, she is so pissed off that Jack can’t tell the difference between her and Patty in bed, which I think is great!
STACY:
I know, it’s so crazy. Thank God. I am so glad they brought that up. I mean, how can you not? Even Patty says it in my Emmy tape; she says to Jack, “How could you not know I was your ex-wife? Are you that blind?” And then here, Emily says pretty much the same thing to him, “How could you not know that was not me? How could you do that?” Emily now has to take some time and figure this out. She gets screwed from every which way, from all the stuff that Patty did. She is trying to hold it together, and she is not one to just emote, while Patty is the most emotional and runs with it. Emily is stoic and trying to hold it together.
MICHAEL:
Do you think Emily is even a good psychiatrist? Or, is Patty a better one? (Laughs)
STACY:
I think Patty was. “Go to your Happy Place!” (Laughs) The woman playing opposite me, who was one of Emily’s patients says to Patty, “What do you mean? Go to my Happy Place? As Stacy, “I went, yeah; go to your Happy Place. What else do you want to do?” That is what a therapist would say, except, maybe, “I understand.” (Laughs)
MICHAEL:
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Will we see Patty again, perhaps more and more? Is the doppelganger story really over?
STACY:
Maybe. All I can say is that I love Patty, and doppelganger may not be over. We shall see.
MICHAEL:
You must have gone home to your family completely exhausted some days, after the emotional toll it takes on an actress to play very complex dual roles that border on insanity or the edge of insanity.
STACY:
When I was going through all the stuff with Patty and Emily at the end, and the whole knife thing, that was the first time Peter and I were going to get off work early. I am referring to the scene where Patty stabs the portrait of Emily. She goes to town. We were jamming through the scenes, and the last part where I open the dang cutter I cut my hand! So, I had to go get stitches. So, Peter and I are at the doctor’s office. Even the stage manager said, “And, you didn’t stop the scene? You kept going with it?” And I go, “I can’t stop.” But now the stitches are out and healing and I am fine. But, that was the first time I had to call my husband and say, “I just want you to know, I won’t be home by ten today. I am going to the hospital to get stitches.” And, he is like, “What?” I said, “Well, they had this box cutter, and you know me with props.” I have this thing where I go with it. And even before they gave me the prop on set, they said to me, “Are you going to be OK with this?” You see, I have a tendency to go overboard, like when I was stabbing the little picture with the baby scissors in the hospital scene. That time, I ended up stabbing the baby scissors into my hands. The prop guys were like, “Um, Stace. You’ve got to know…” I am going to be so conscious of it, but it’s hard when your adrenaline is going. I get done with the scenes, and then I go, “Oh, God.”
MICHAEL:
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What did your husband, actor Bradford Tatum, think of all this? Was he a big support to you during the emotionally draining material?
STACY:
He has been a big support. I come home, and yeah, we don’t have long, long evenings because of the emotional dynamics of these two characters, Emily and Patty, and because when I come home I have to work on my script for the next day. I mean, I would literally call home and say, “Honey, I need cuddly. I need you to be tender with me because I am so fragile.” But I love going to these places, and sometimes it’s really difficult, but it’s a good challenge, and I am sure you do this, too, Michael. You like to see how far you can push yourself.
MICHAEL:
Yes, I do push myself. But you are super competitive, right?
STACY:
Your body and your mind want to work well, and so yeah, I am competitive. And my husband laughs at me about it. But, I think that’s what keeps me going, and doing what I do.
MICHAEL:
Will you be on-air as Emily for a while? Many fans are concerned of where the Y&R writing team will go next with all of this. Could that spell the end for Stacy Haiduk on Y&R?
STACY:
Courtesy/Luis Martinez
No, you are not losing me as Emily. I think it touches people. It’s this beautiful balance of creating something from the writer’s point of view, the actor’s point of view, and it’s all-creative, and that is what is so amazing. I think people feel that from the outside, too. It’s not just watching something and going, “Yeah, that was a great performance”. These are daily performances and I think people love to watch Emily or Patty and what she will do next. It’s very complex.
MICHAEL:
OK, so if I was producing a Stacy Haiduk tribute reel of the best moments of your performance last year on Y&R, and I had three and half minutes to feature you, tell me what would be on that? What would you choose?
STACY:
You have to start out with Mr. Kitty, and having that performance with a dead stuffed cat was pretty fabulous. I really like that kind of material. I would go in to this January with shows where Patty goes back to the switcheroo, when she puts Emily into the nut house and then looks in the mirror and dyes her hair. And still one of my other favorite scenes is the remote with Kitty Kitty. It was with Paul and Patty. She is turning herself in and she has to give up Kitty Kitty. I know they are silly scenes, but they get to me sometimes.
MICHAEL:
What about the great Patty and Adam scenes? There were so many great ones towards the end before his “murder”. And, we still never know if Patty has something more to reveal about what went on the night Adam was “killed”.
STACY:
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Everything’s a possibility, and you just never know. I like working with Michael Muhney (Adam). We have a good time. Michael and I click with each other, because we were both new to the show. I was thrilled to have scenes with him in the potting shed, and those were fun. I even liked when I go to Adam in the hospital and Patty is pretending to be Emily and she pinches him in the hospital and says, “You know, I just want to see if you are faking it or not.” I love those scenes. I love the way Michael plays right off of me. I have a soft spot for Michael because of that.
MICHAEL:
As we end this little chat, tell me what can I relate back to the many, many fans and admirers of your work, day in and day out. Are you really doing OK? We all want to give you a giant hug! So, since I am here with you now, here is a hug representing everyone’s embrace of your outstanding performance this past year.
STACY:
I am doing great. I got through my disappointment. I am here to support The Young and the Restless. I am thrilled that the actors I work with on a daily basis both got nominated. (Laughs). No, really I am. So, maybe we will see what happens next year with that, but right now when I work, I am happy.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

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HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

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DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

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SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

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DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

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FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

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PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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Thanks for another great interview MF! I got to see a side of SH that we never get a glimpse of. She really seems like a nice, down to earth, funny and all around cool person. I’m STEAMING about her Emmy snub too! Ridiculous!.
Brava for so, so many brilliant performances this past year, Stacy. You have become the one to watch on The Young and the Restless and I’m horrified that you didn’t get the Emmy nom. Shame to the academy for this outrageous snub!!!! You are a brilliant, beautiful actress!
Well, the Emmy pople blew it again. Stacy has been mesmerizing. To pull of dual roles is so demanding and exhausting, it’s a wonder the actress doesn’t go bonkers. I hope she gets the satisfaction next year at least. I don’t know how she can even top this role. An actor dies for such a role! Kudos to Stacy for convincing us she was mentally ill and then believing she was this pschiatrist who treated ill patients. I have been enthralled when she is on the screen and couldn’t take my eyes off her. So, congratulations, Stacy, for your great performances
Love, LOVE, LOVE her.
She certainly did deserve the Emmy nomination and the Emmy. Patty/Emily/Mary Jo has been one of the few reasons to stick with Y&R with all the silliness going on there.
I hope Emily and Patty are around for a while and we get to see more from Stacy.
Thanks for the great interview! It’s really interesting to hear the actor’s thoughts on the characters and the scenes and some of the behind the scenes chemistry.
Love her! Glad to hear she will be sticking around Y&R. She definitely should have been nominated. I think a lot of these award shows are more about politics than who actually deserves the award.
love her !!!!!!!!!!!!!! glad she coming back