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The Stacy Haiduk Interview – The Young and the Restless

© JPI Studios

© JPI Studios

Who has been consistently captivating soap opera audiences with her mesmerizing performances of Patty Williams and Emily Peterson, and let’s not forget, when Patty was pretending to be a woman named Mary Jane Benson?  Who kept us on the edge of our seats through most of 2009, and into 2010, not knowing whether we were going to scream in horror, or cry for her sad existence?   Who got snubbed for an Outstanding Supporting Actress nomination for the 37th Annual Daytime Emmy Awards?  And finally, who is really the cat’s meow?  Well, the answer is quite simply, actress Stacy Haiduk from The Young and the Restless.

Now, with Patty locked up and regressed to a little girl, and Emily falling apart at the seams trying to get her own life back, and Adam’s “murder” still not close to being solved, Stacy Haiduk is still turning out riveting performances.  On-Air On-Soaps caught up with Stacy to talk about: Kitties, Emmy reels, competition, the heartbreak of playing Patty, working with her co-stars, Doug Davidson (Paul) and Peter Bergman (Jack), and how her actor husband, Bradford Tatum, was a calming and steady force during some of Stacy’s most traumatic on-set days.

And in the end, find out who does Stacy think is truly the better psychologist, Emily or the deranged Patty?  Her answer may surprise you.  It’s always great to speak with the emotionally raw and edgy Ms. Haiduk, and I hope you will enjoy her even more after reading her revealing comments below.

MICHAEL:

Ok, Stacy let’s get right to this.  Your Emmy snub is probably one of the most talked about in the history of the Daytime Emmy nominations.  Everyone was certain that you were a lock for your performance as Emily/Patty/Mary Jane this past year, and unfortunately it did not happen.  How are you feeling at this moment?  It has to be extremely, extremely disappointing for you.

STACY:

© JPI Studios

It was shocking, and I was really disappointed.  I was excited about it because I really wanted to be a part of this group this year.  And you have to also know it is what it is.  I always have to say that I still won in my own mind because of the people I got to work with, and it’s continuing, and that is a success right now.  I know that is not the disappointing part of how I am feeling, but I try not to go into that part of it.  It’s hard.  You sit there and go, “Was my tape not good enough?  Or, what happened?”

MICHAEL:

What reel did you decide to submit for Emmy contention?

STACY:

I submitted the remote with Eric Braeden as Victor, and Peter Bergman as Jack, and I had the gun   Patty was getting upset with Jack for not seeing her as his wife and loving her, and feeling how could he do that?  I thought it had enough emotional levels to show where I could go as an actress.  It sucks that you can’t have two shows to show your work.  One show is not easy to do to choose from.  You have the build up in one, and the finale in the other, which is why I like the idea of two tapes.  However, I thought this is enough to get me in.  I am working with two leading actors, and I thought it would be a good enough tape to show people.  You just kind of go, “OK.  Or, maybe the wig scared them!”  You know, the blonde wig! (Laughs)

MICHAEL:

This whole Emmy judging process is as much of a game as about the performance itself.  Do you think it hurt you that perhaps the blue ribbon panel could not follow the story, as it is taken out of context?  They do not know what happened before or after those scenes.

STACY:

© JPI Studios

Right.  No, they don’t see the arc, and don’t see what is going on.  A lot of times you have your friends who have been working to be nominees for so long, and they finally get in, and it’s like, you know what?  They deserve it.  Maybe next year, it will work for me.

MICHAEL:

I think you have received more emails, letters, and have certainly become talked about more than anyone ever online, about someone not getting a nod.  Somehow, the Emmy snub got you more publicity than someone who was nominated for Lead Actress!

STACY:

The publicity has been more than if I got a nomination.  It’s crazy, isn’t it?  You know what I love?  It’s when I went on facebook and just read so many people’s thoughts, and how they love the character, and you can’t beat that.  I have to go back to why I do this and the process of it all.  Yes, it would have been fun to get all dressed up, and hope you can win one of the most beautiful awards.  It’s one of my favorites, actually.  But, I have had a really good time and it continues again.  The fans see that, and that is really what this is about.

MICHAEL:

If you were to have been nominated, would Mr. Kitty have accompanied you to Vegas?  Last year, you wore him as a shoulder bag to the red carpet.

STACY:

Yes.  I would have come with Mr. Kitty, and we could put him on wheels.  It would have been awesome.

MICHAEL:

© JPI Studios

But, let’s talk about these recent amazing scenes that aired.  Did you like how they resolved the end of the Patty/Emily final switcheroo?

STACY:

I finally ended up watching it.  Usually, I don’t because I am very critical of myself.  I finally watched it because somebody said to me, “Have you seen your scenes?”  And I said, “No, I haven’t,” and so I did.  And I was sad!  I was sad the last time Patty went to an insane asylum. I like Patty, even though she is crazy and whacked-out. The wig was scary. (Laughs)

MICHAEL:

Patty regressed back into her little childhood self.

STACY:

Didn’t it just break your heart?  Me, too.  It did also when Mr. Kitty died.  You have to understand, when they told me Mr. Kitty, in my script, gets chewed up by Zapato, I went like, “You’ve got to be joking with me?”  I mean, I literally went through withdrawals because I had been working with that cat for so long.  I know that sounds silly.  But, I get heart to heart with my co-stars, and here it was again.  I love working with Doug Davidson. He is such a joy, and Peter, also.  And, when I got to look at him in the end, my hair looked like crap, and it was all going to one side, but there was this look.  When you are in it, you don’t see what other people are seeing.  So, when I was able to see it from the audience’s perspective, I went “Oh, my God!  That poor thing, and what she went through.”  All she wanted was that man to love her, and how desperate and sad she is at the same time.  I got weepy.

MICHAEL:

© JPI Studios

I said to Doug Davidson recently, that if you were to take your story with him, as a brother and sister, as an isolated story, you could see that as a motion picture.  It is such a beautiful story.

STACY:

I think that is why they continued it.  It taps into so many people’s relationships with family.  I look at his eyes when we work, and there is that love… that brotherly and sisterly love…and we root for each other.  So if one makes a mistake in the line, the other one of us tries to figure out what the person is going to say.  It’s wonderful!

MICHAEL:

And now on-air, Emily is having all sorts of psychological problems!  Is this now just an adjustment issue for her?  I mean, she is so pissed off that Jack can’t tell the difference between her and Patty in bed, which I think is great!

STACY:

I know, it’s so crazy.  Thank God.  I am so glad they brought that up.  I mean, how can you not?   Even Patty says it in my Emmy tape; she says to Jack, “How could you not know I was your ex-wife?  Are you that blind?” And then here, Emily says pretty much the same thing to him, “How could you not know that was not me?   How could you do that?”  Emily now has to take some time and figure this out.  She gets screwed from every which way, from all the stuff that Patty did.  She is trying to hold it together, and she is not one to just emote, while Patty is the most emotional and runs with it.  Emily is stoic and trying to hold it together.

MICHAEL:

Do you think Emily is even a good psychiatrist?  Or, is Patty a better one? (Laughs)

STACY:

I think Patty was. “Go to your Happy Place!” (Laughs)  The woman playing opposite me, who was one of Emily’s patients says to Patty, “What do you mean? Go to my Happy Place?  As Stacy, “I went, yeah; go to your Happy Place. What else do you want to do?”  That is what a therapist would say, except, maybe, “I understand.”  (Laughs)

MICHAEL:

© JPI Studios

Will we see Patty again, perhaps more and more?  Is the doppelganger story really over?

STACY:

Maybe.  All I can say is that I love Patty, and doppelganger may not be over. We shall see.

MICHAEL:

You must have gone home to your family completely exhausted some days, after the emotional toll it takes on an actress to play very complex dual roles that border on insanity or the edge of insanity.

STACY:

When I was going through all the stuff with Patty and Emily at the end, and the whole knife thing, that was the first time Peter and I were going to get off work early.  I am referring to the scene where Patty stabs the portrait of Emily.  She goes to town. We were jamming through the scenes, and the last part where I open the dang cutter I cut my hand!  So, I had to go get stitches.  So, Peter and I are at the doctor’s office.  Even the stage manager said, “And, you didn’t stop the scene?  You kept going with it?”  And I go, “I can’t stop.”   But now the stitches are out and healing and I am fine.  But, that was the first time I had to call my husband and say, “I just want you to know, I won’t be home by ten today.  I am going to the hospital to get stitches.”  And, he is like, “What?”  I said, “Well, they had this box cutter, and you know me with props.”  I have this thing where I go with it.  And even before they gave me the prop on set, they said to me, “Are you going to be OK with this?”  You see, I have a tendency to go overboard, like when I was stabbing the little picture with the baby scissors in the hospital scene.  That time, I ended up stabbing the baby scissors into my hands.  The prop guys were like, “Um, Stace. You’ve got to know…”   I am going to be so conscious of it, but it’s hard when your adrenaline is going.  I get done with the scenes, and then I go, “Oh, God.”

MICHAEL:

© JPI Studios

What did your husband, actor Bradford Tatum, think of all this?  Was he a big support to you during the emotionally draining material?

STACY:

He has been a big support.  I come home, and yeah, we don’t have long, long evenings because of the emotional dynamics of these two characters, Emily and Patty, and because when I come home I have to work on my script for the next day.  I mean, I would literally call home and say, “Honey, I need cuddly.  I need you to be tender with me because I am so fragile.”  But I love going to these places, and sometimes it’s really difficult, but it’s a good challenge, and I am sure you do this, too, Michael.  You like to see how far you can push yourself.

MICHAEL:

Yes, I do push myself.  But you are super competitive, right?

STACY:

Your body and your mind want to work well, and so yeah, I am competitive.  And my husband laughs at me about it.  But, I think that’s what keeps me going, and doing what I do.

MICHAEL:

Will you be on-air as Emily for a while?   Many fans are concerned of where the Y&R writing team will go next with all of this.  Could that spell the end for Stacy Haiduk on Y&R?

STACY:

Courtesy/Luis Martinez

No, you are not losing me as Emily.  I think it touches people.  It’s this beautiful balance of creating something from the writer’s point of view, the actor’s point of view, and it’s all-creative, and that is what is so amazing.  I think people feel that from the outside, too.  It’s not just watching something and going, “Yeah, that was a great performance”.  These are daily performances and I think people love to watch Emily or Patty and what she will do next.  It’s very complex.

MICHAEL:

OK, so if I was producing a Stacy Haiduk tribute reel of the best moments of your performance last year on Y&R, and I had three and half minutes to feature you, tell me what would be on that?  What would you choose?

STACY:

You have to start out with Mr. Kitty, and having that performance with a dead stuffed cat was pretty fabulous.  I really like that kind of material.  I would go in to this January with shows where Patty goes back to the switcheroo, when she puts Emily into the nut house and then looks in the mirror and dyes her hair. And still one of my other favorite scenes is the remote with Kitty Kitty.  It was with Paul and Patty.  She is turning herself in and she has to give up Kitty Kitty.  I know they are silly scenes, but they get to me sometimes.

MICHAEL:

What about the great Patty and Adam scenes?  There were so many great ones towards the end before his “murder”.  And, we still never know if Patty has something more to reveal about what went on the night Adam was “killed”.

STACY:

© JPI Studios

Everything’s a possibility, and you just never know.  I like working with Michael Muhney (Adam).  We have a good time. Michael and I click with each other, because we were both new to the show.  I was thrilled to have scenes with him in the potting shed, and those were fun.  I even liked when I go to Adam in the hospital and Patty is pretending to be Emily and she pinches him in the hospital and says, “You know, I just want to see if you are faking it or not.” I love those scenes. I love the way Michael plays right off of me. I have a soft spot for Michael because of that.

MICHAEL:

As we end this little chat, tell me what can I relate back to the many, many fans and admirers of your work, day in and day out.  Are you really doing OK?  We all want to give you a giant hug!  So, since I am here with you now, here is a hug representing everyone’s embrace of your outstanding performance this past year.

STACY:

I am doing great.  I got through my disappointment.  I am here to support The Young and the Restless. I am thrilled that the actors I work with on a daily basis both got nominated. (Laughs).  No, really I am.  So, maybe we will see what happens next year with that, but right now when I work, I am happy.

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waldo doe
waldo doe

Thanks for another great interview MF! I got to see a side of SH that we never get a glimpse of. She really seems like a nice, down to earth, funny and all around cool person. I’m STEAMING about her Emmy snub too! Ridiculous!.

Kalamaty
Kalamaty

Brava for so, so many brilliant performances this past year, Stacy. You have become the one to watch on The Young and the Restless and I’m horrified that you didn’t get the Emmy nom. Shame to the academy for this outrageous snub!!!! You are a brilliant, beautiful actress!

Doe
Doe

Well, the Emmy pople blew it again. Stacy has been mesmerizing. To pull of dual roles is so demanding and exhausting, it’s a wonder the actress doesn’t go bonkers. I hope she gets the satisfaction next year at least. I don’t know how she can even top this role. An actor dies for such a role! Kudos to Stacy for convincing us she was mentally ill and then believing she was this pschiatrist who treated ill patients. I have been enthralled when she is on the screen and couldn’t take my eyes off her. So, congratulations, Stacy, for your great performances

Darogr
Darogr

Love, LOVE, LOVE her.
She certainly did deserve the Emmy nomination and the Emmy. Patty/Emily/Mary Jo has been one of the few reasons to stick with Y&R with all the silliness going on there.
I hope Emily and Patty are around for a while and we get to see more from Stacy.
Thanks for the great interview! It’s really interesting to hear the actor’s thoughts on the characters and the scenes and some of the behind the scenes chemistry.

Heather
Heather

Love her! Glad to hear she will be sticking around Y&R. She definitely should have been nominated. I think a lot of these award shows are more about politics than who actually deserves the award.

shelia
shelia

love her !!!!!!!!!!!!!! glad she coming back

Interviews

B&B’s Katherine Kelly Lang on That ‘Brill’ Kiss, 33 Years as Brooke, Her Co-Stars & International Success

Just when you think Brooke will finally score a moral victory in her vendetta with Thomas Forrester, (who’s manipulations almost destroyed her marriage to his father, Ridge), then she finds herself once again in hot water, and with a secret that in the wrong hands could cause a seismic shift to several relationships – that would he hers and her sister Katie’s – thanks to that ill-timed smooch with Bill!

But what else is new for Brooke? For 33 years, the character has captivated audiences with bold moves, questionable choices, enduring romances and plenty of gusto, all in the more than capable hands of her portrayer, the one and only Katherine Kelly Lang.

This week marks Katherine’s 33rd-year in the role of Brooke Logan Forrester, who along with John McCook (Eric Forrester), are the two original cast members since the very inception of the CBS daytime drama; which debuted back on March 23, 1987.  Now over three decades later, Lang is an international favorite. First, due to the success and broad appeal of B&B in foreign countries, but second, from her own entrepreneurship and hustle.  Always with multiple projects going on at once, Lang and her beau, Dom Zoida recently opened the American version of the Italian clothing and leather store in Beverly Hills, California, Benheart USA.

Michael Fairman TV chatted with Katherine to get the lowdown on: Brooke’s line-up of nemesis’ which seems to be growing! (Yes, you can put Thomas, Quinn and Shauna on that list, for sure.) Plus, what she feels this B&B anniversary is truly about, how she and others in the cast are coping with the ‘stay at home’ orders in California during the coronavirus pandemic, the recent loss of B&B co-creator, Lee Phillip Bell, and those all-time classic Stephanie and Brooke scenes opposite Susan Flannery and more.  Here’s what this BOLD original had to share with all of you.

Photo: JPI

What did you think about Brooke’s whole relationship with Thomas (Matthew Atkinson) and the tit-for-tat between them?  Brooke really stood up to him and his manipulations, and held her ground. Meanwhile, he was going to do everything he could do ruin her and cause so much trouble for Brooke’s marriage to Ridge (Thorsten Kaye).

KATHERINE: This is my feeling: she was so adamant and so trying to convince people about Thomas and that he was so out for himself;  and out for Brooke’s daughter, Hope (Annika Noelle), and very manipulative, and nobody would listen really.  Only a few people like Liam (Scott Clifton) did and her daughter finally agreed with her.  Then at the wedding of Thomas and Zoe (Kiara Barnes), it proved that Brooke was right all along.  I still don’t feel like Brooke got her due as far as what everybody was saying.

No, she didn’t!  No one really said to her in a grand way, “Oh, my God, Brooke!  You were right about Thomas all along.”

KATHERINE:  I know!  Ridge did say, “You were right,” and that’s great.  However, more people should have apologized and acknowledged her, and said, “Oh, we understand now where you were coming from,” and, “Hey!  Good intuition!”

Photo: JPI

That was must have been so frustrating to Brooke!  She knew the truth, and everybody was treating her so badly and painting her to be the bitch.

KATHERINE:  Yup!  They dubbed herthat crazy one” and the bitch.

Was all of this enjoyable to play?

KATHERINE:  It was enjoyable that it finally came out that Thomas is the manipulative person that he is, even though he is so good at it that he almost makes you feel sorry for him.  But he’s like a good sociopathThat’s why they’re so good at what they do.  They’re good at bringing real emotion into every situation and yet being very manipulative.  Kudos go to Matthew Atkinson for playing Thomas, really well.  He’s been great, and he brings something really different on to our show.

Photo: JPI

Brooke and Ridge’s relationship has been severely tested; almost tearing them apart over Ridge previously standing up for his son.  Now Brooke’s recent kiss with Bill (Don Diamont) threatens it, as that kiss was caught on tape, and landed in the wrong hands.  Is Brooke in freak-out mode yet?

KATHERINE:  I definitely think she is, and she wanted to take that kiss back from the second that it happened.  She allowed it to happen.  It’s a little bit of old Brooke resurfacing there.  Right away she was like, “What are we doing?   This is ridiculous.  You’re with Katie, and I’m with Ridge, and we’re both happy.”  Brooke has had underlying feelings for Bill, and she probably always will (and he for Brooke), but we know that’s not where we want things to be.  So, in Brooke’s mind, it’s “let’s forget about that and carry on, and don’t tell anybody.”  Of course, it comes out to some people, and it’s so embarrassing for Brooke.  Like, how does she explain herself?  I mean, at that point she can’t explain what happened … or why she did that.  She has to kind of succumb to it.

Right! And of course, Shauna (Denise Richards) and Quinn (Rena Sofer) want to take her down with this ammo.

KATHERINE:  Of course!  That’s what they live for. (Laughs)

Photo” JPI

Recently, Quinn spiked Brooke’s drink with some booze after they had quite the argument. Fans were on the edge of their seats that Brooke might start drinking again.  What did you think of the plot point?

KATHERINE:  I think it could have been interesting.  I have no idea if they will bring it up again.  That happens sometimes.  They’ll put in a little teaser and not run with it.  However, you never know if it’s going to resurface down the line, especially when Brooke is really down in the dumps for some reason.

I could see her being down in the dumps if she finally had no man in her life! (Laughs)

KATHERINE: (Laughs) That’s probably what she needs … not having a man in her life!

How is working with Rena Sofer and Denise Richards; especially when they are antagonists in scenes with Brooke?  Do you ever have a good laugh while trying to tape those scenes, as well?

KATHERINE: I think there’s a good chemistry between the three of us, and we have that rivalry going on.  So, I think it’s been working, and it’s been entertaining and interesting.  They’re fun to bounce off of.  Usually we are pretty serious when we do those scenes, especially if they’re more verbally combative.  So, we’ll just be really serious and stay in it.  Of course, sometimes things happen, and you laugh, but we sometimes don’t have the luxury to take the time to laugh and enjoy the moment, because we have to try to get the scene done in one take and move on.

Photo: JPI

There were a few months there that Brooke was slapping everybody! There were plenty of bitch-slaps that needed to go around. What did you think of those scenes?

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KATHERINE: I loved it, but then I felt like it was also maybe getting out of hand because it’s not really PC.  Nobody is supposed to hit people or slap people in anyway.  So, it worked more years and years ago in our genre, as times have changed in our world and culture.

Viewers saw this week that Donna (Jennifer Gareis) knows Brooke kissed Bill and that they have to make sure Katie (Heather Tom) does not find out, while others are out to expose Brooke!

KATHERINE:  I would imagine that everybody would want to see how Brooke unravels.  So, just keep watching!

Photo: JPI

Would you welcome another go round at a Brooke and Bill romance?

KATHERINE: Not when Bill’s with Katie and with everything that Katie’s gone through.  I couldn’t see that.  I don’t think it would be right.  That would mean that Brooke is completely selfish, you know?  There are so many other men.  Why does she have to go for her sister’s man?

Photo: JPI

In recent months, we have witnessed scenes where Brooke has been more confrontational and fighting back and not putting up with the shenanigans of others!  We have seen this in particular with Thomas, Shauna, and Quinn.  Did it seem like they ramped that up for Brooke?

KATHERINE:  Yes, because at some point it’s frustrating because nobody was listening to her.  It all started with the whole Thomas thing, and once she started fighting back, she wanted to fight back on everything.  She’s been lied to about a lot of things.  It’s not been fair.

Does Brooke still think Hope is too vulnerable to make wise decisions for herself; even after she stood up for herself at the wedding of Thomas and Zoe?

KATHERINE: Now. I think she feels much better, because there are moments where Hope is very vulnerable, but then she kicks herself in the butt, and stands up for herself and everybody else.  So, Brooke knows that Hope’s strong, but she also knows that she can be vulnerable.  At this moment, she is proving that she can handle things.

Photo: JPI

B&B turned 33-years-old this week as the show continues to remain so popular in the United States, and of course, is the most watched soap in the world. What can you say about still being with the series since its inception, and all that has happened to you in your life and career, because of playing Brooke, plus a nod to the fans?

KATHERINE: It’s been an amazing opportunity for me.  It’s been my life basically! 33 years on The Bold and the Beautiful, and the show has always kicked butt.  I mean, the show has been going strong ever since it started, and it still is going strong.  It’s just been an honor to be on the show, and remain on the show for so long as one of the original characters.  My heart really goes out to the fans, because honestly, so many of them tell me they’ve watched from day one.  We have a history with them raising their families.  Younger people come up and say, “I’ve been watching the show ever since I was little with my mom.”  So, there’s a wide range of different people who watch the show, and I appreciate them so much.  We all appreciate them so much because really, without them, there would be no show.  I just want to say ‘thank you’ to all of the fans.  Thank you from the bottom of my heart.

Photo: JPI

Brooke is one of the most notable characters of all-time in soap operas and you are the actress playing her. That has to be a very good-feeling for you.

KATHERINE: I think there have been a lot of notable characters on soap operas, who have even been on the air a lot longer than me.  Look at Eric Braeden (Victor, Y&R) who just celebrated his 40th, and Melody Thomas Scott (Nikki, Y&R) who also reached a milestone recently.  What I have learned from all of this is; what matters is when you come on a show that your heart is in it 100%, and you come to your job and you try your hardest.  That to me is what matters and makes you an honorable person.  I’m very flattered that I’ve been on The Bold and the Beautiful for as long as I have.

Photo” JPI

When you look back at 33 years of your time on The Bold and the Beautiful, are your scenes with Susan Flannery and those epic moments between Stephanie and Brooke, the ones that still standout to you the most?

KATHERINE: Those scenes with Susan informed and formed the show and the characters for years.  I had a lot of memorable scenes with Susan.  I’m so lucky to have worked so closely with her.  She’s an amazing actress.  I learned so much from her, and just watching her.  I would hang on her every word – how she would talk about the business, how she would talk about acting, directing (because she loved to direct), and producing.  Susan was very knowledgeable, and she was very tough, but very fair, I thought.  I just loved her work ethic.

You and Thorsten Kaye have created your version of Brooke and Ridge. What do you think about working with Thorsten?  Is it fun? Challenging? How would you define it?

KATHERINE:  He’s very fun to work with.  Thorsten is very serious, very prepared all of the time, and he’s watching everything.  He’s got eagle eyes.  He’s just so on top of it and working with people like that makes you raise your bar.  It makes you want to try 110% to be there and put in the work.  Thorsten’s also so funny, and easy to work with, and so charming, and such a dear friend.   I love working with him.  I do think Brooke and Ridge have an interesting relationship even though some people say, “Oh, they should be over,” or whatever they want to say.  I do think they have created a good banter between them, and almost an understanding without having to say anything.  Thorsten’s a delight!

Photo: JPI

What is your takeaway when you travel overseas and internationally to places such as Italy, Dubai, Monaco or Australia where B&B is so widely popular and the reaction you receive from the fans?

KATHERINE:  Just seeing the overseas reactions in different countries and how popular or how loved The Bold and the Beautiful is truly special.  The fans really do love from their hearts.  They feel a part of it, and they are, but just their enthusiasm and their passion and their love, and they give their whole heart to you and to the show.  I just found that really interesting, and like I said earlier, we owe the success of B&B to the fans who love the show so much.

Photo: JPI

You recently were in Greece appearing for a multi-episode arc on the soap 8 Lexeis.  How was that experience?  I know Greek soap star, Andreas Georgiou, also came over to the States and appeared on B&B afterwards, too.

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KATHERINE:  It was an incredible opportunity.  I love working in other countries, and seeing how other people work, and how they make different projects and things.  8 Lexeis is their top TV show on their top network in Greece, so it was really exciting to go there and work on that.  I did 15 episodes in 5 days; something crazy like that.  We worked all morning through late at night every day, but it was fun.  It was amazing to see how creative they are and how they just run with it.  Everything was really chill on the set, but they still moved really fast and got everything done, and they were all so talented and so nice.  Then later, Andreas came over and did some shows here.  He was supposed to come to visit, but then the Coronavirus happened, so he had to postpone his trip, but we’ll see him soon.

Photo: JPI

B&B is on a production break due to the Coronavirus pandemic. Have you stayed in touch with your co-stars during this time?

KATHERINE: A lot of us talk on Instagram all of the time, and then a lot of people have been going live on their as well.  So, we jump into each other’s live videos!  Have you seen Katrina Bowden (Flo) and Kelly Kruger (Mackenzie, Y&R) do their little workouts together? You should check those out! Ashley Jones (Bridget) is always on, and Annika Noelle, and then our Supervising Producer, Casey Kasprzyk, started doing Zoom.  He did a Zoom with some of the B&B people.  So, we’ve all been texting and keeping in touch and making sure that everybody is okay.  I know it’s very hard times and it can be scary for all.   Hopefully, if everybody does what they should be doing, it will flatten the curve and the Coronavirus will be a lot easier to deal with.

Photo: JPI

You are one of the busiest people I know! Recently, you went to Australia, you opened your new store Benheart USA in Beverly Hills, and you appear on B&B in a lead role.  Is there ever a moment when you’re like, “I can’t do one more thing?” or do you like the go-go-go of it all of the time?

KATHERINE: I like the go-go-go, but I felt that I was going too fast and too hard, and I’ve recently been thinking of what I can take out of our lives and our schedule, and then in thinking of that, I couldn’t really think of what I can take out.  Then, this all happened with life coming to a screeching halt, which I find very interesting because life is set up to go so fast.  Nobody can really enjoy anything.  We have to get up early, we have to go to work, we have to make money to pay for this, we’ve got to take care of the family, do this, do that, maybe just try to be motivated to be successful, whatever your dreams are, you’re going after them, etc.  It’s such a driven world all around that I think with having to self-quarantine that this is a chance to take a good look at what is going on in your life.  Now, we have a lot of down time.  We have time to think, go inside ourselves.  It gives you time to be kind, slow down, think of others.  What can you do for others?  What can you do for the world?  It’s been frightening for a lot of people; especially the ones who have gotten sick, or the ones who are scared of getting sick because they are immunocompromised.  But, at the same time, we need to try to not let that anxiety get to us and try to appreciate what we have.  Like, “Why is this happening?  What is this moment trying to tell us?”  I’m always trying to find the silver lining; or what is this trying to tell us in life?

Photo” JPI

B&B and Y&R co-creator Lee Phillip Bell passed away at the end of February, and it was so heartbreaking.  I know you were close with Lee.  What can you share on her passing?

KATHERINE:  It was heartbreaking.  I always think, “Gosh, I wish I saw her one more time before she passed,” but she was around her family, who are so loving, and supportive, and always there for her.  Lee created an amazing life for herself and for her family, and she was a huge part of The Bold and the Beautiful, and of course, I thank her so much because she hired me.  Lee gave me my life, and this time on the show.  She was amazing.  She cared so much about the show and the people on it.  Lee was such a great mom and such a great friend.  It’s been special knowing her and spending all of that time with her that I was able to through the years.  My heart goes out to the Bell family as well.  I know this must be hard for them.

Photo: JPI

Then, it was so sad that Orson Bean died tragically before that.  Have you talked to Alley Mills (Pam)?

KATHERINE: Yes, a bunch of us went over and spent time with Alley and brought her food.  We brought her goodies, and we just hung out.  We just gave her lots of love, spent time, and that was before I had to run off to Australia as well, but she’s really strong.  That was just very tragic.  Two weeks before Orson died, we had seen them both in the play Bad Habits.  It was so, so funny, and they both had all of us who attended laughing so hard, and it was such a pleasure.

Photo: JPI

In closing, what are your hopes for Brooke moving forward into the future?

KATHERINE: I’ve been saying that I hope she’ll spend time by herself and be alone for a while and focus on her family.  I’ve said that for so long, but I don’t know what’s going to work for her! (Laughs)  However, I’m just so curious to see what will happen next for her.

So, what do you think of Brooke’s latest predicament after her kiss with Bill? Do you hope that Ridge and Brooke stay together? What have you thought of the more recent version of a feisty Brooke who fought back when no one believed her about Thomas? And finally, share your congrats to Katherine for 33 years as Brooke and let us know some of your favorite all-time scenes via the comment section below.

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Interviews

Y&R’s Eric Braeden Talks On 40 Years Of Life In Soaps As Victor Newman

Back in February, Eric Braeden added another milestone to his illustrious career – that of portraying the one and only Victor Newman for 40 years on the top-rated daytime drama, The Young and the Restless.  And boy was he celebrated!  First, there was a one-of-a-kind on set celebration at CBS Television City which was quite the star-studded affair.  That was followed by special episodes of Y&R, where Newman Enterprises turned 50 with a gala that also proved emotional with speeches and retrospective clips.

When you talk daytime dramas to anyone, you would be hard-pressed for the general public to not know the name “Victor Newman”- and that is because of the powerhouse performances and nuances that Braeden brings to his soap opera alter-ego.  For it was Y&R co-creator Bill Bell and Braeden who really shaped what viewers have come to know, expect, and love, forty years later.

Those who know Eric understand he can be at times outspoken, has a heart of gold, stands up for what he believes, can bring the drama, the suspense, the tension, the romance and the tears in any given scene when it is called upon, and that throughout the years he has earned the respect from his peers for an impressive job well-done.

Michael Fairman TV caught up with Eric to take a look back at all that had gone down recently in his honor, and to get his thoughts on some major moments in time through over 40 years in Genoa City, and where things are at now.  Check out our special conversation below.

Photo: JPI

When I attended and saw you at your 40th anniversary on set celebration at Y&R last month, I cannot tell you what a special event that was.  I have never seen that for anybody else!  The amount of people who attended, and the love they showed for you, was so special. When you were sitting in that chair on the soundstage and watching and hearing what was being said about you, what was going on in your mind at that point?

ERIC:  Well, first of all, it was the nicest thing that’s ever happened to me in 40 years on that show, and secondly, in moments like that, you try to stay focused on who is giving the speeches, because if I then look around and see all of the people who I have known for so many years, it’s emotional.  There’s a saying in German, “he’s close to the water,” meaning it’s very moving.  I saw my son and my granddaughter there and obviously everyone else, and my old coach and players, and so many others that have been a part of my life.

Photo: JPI

There were some very special guests and speeches.  I loved that Justin Hartley (Ex-Adam, Y&R and now Kevin, This Is Us) came.  I thought that was sweet and cool, and also that ESPN sports personality, Stephen A. Smith was there calling you one of his good friends.  There were so many moments.  You knew who was going to speak, right?

ERIC:  Yes, I did.  We kept it to just family, and in other words, Y&R family, etc.  I want to thank Matt Kane (Publicist, Y&R), who had a lot to do with putting the event together.  I also wanted to thank Tony Morina (executive producer, Y&R). The Y&R art department and David Hoffman (Production Designer) also did a fantastic job with those pictures they had created that was part of a set.  Thinking back on it, again, I would without a doubt say, that the celebration was the most moving moment in 40 years in the business and on that show.

Photo: JPI

A few weeks ago, Y&R and B&B co-creator Lee Phillip Bell passed away.  Obviously the late Bill Bell (co-creator, Y&R) and she were instrumental for you being at Y&R in the first place, and the creation of Victor Newman.  What can you say about Lee? 

ERIC:  We invited Lee to the event, and she apologized and said she was not in a position to attend, and then, shortly thereafter she passed.  In a sense, I’m glad Lee wasn’t there because when I would see her on some occasions, I just am moved to tears.  I would have not been able to really hold it together for long.  Obviously, she was co-responsible for a lot of stuff that happened on Y&R. co-responsible for that show still being number #1, and my heart goes out to her.  I know what I owe them, and she had a lot of influence on the storylines.  Lee was an incredibly smart and bright lady.  Her son, Brad Bell (EP and head writer, B&B) did speak at the 40th event and I appreciated it enormously.

There were a lot of retro clips shown of you show in celebration of your 4oth anniversary from when you started on the show back in 1980 till now.  Did you remember all of those moments?

ERIC:  First of all, they put that together so beautifully.  That was done so extremely well.  When I see it, it comes right back, or in other words it evokes precise memories, but if I weren’t seeing it, it’s all a blur.

Photo: JPI

Y&R brought Meg Bennett (Ex-Julia) and Robert Parucha (Ex-Matt), for the on-screen episodes celebrating Newman Enterprises 50th anniversary.  Was it nice having them back and seeing them, or is it kind of weird, because it can be such a long time in-between since you have all been together?

ERIC:  It is both.  It is very nice to see old colleagues obviously, and very touching, but look, we are in a weird business.  When I saw Meg, you suddenly realize how the show has evolved in many ways.  So, I’m always very grateful to see those who I started out with on the show and of course, doubly grateful to those who are still there.  I think of Melody and Doug Davidson (Paul) for example.  Doug has been there for longer than I have, and what a great job he did emceeing the 40th anniversary event, and as for Melody, that her and my relationship still endues after all of these years is amazing.

Photo: JPI

Let’s talk about those Newman Children.  I thought Joshua Morrow (Nick) gave a hilarious speech and even Mark Grossman (Adam) spoke so sincerely from the heart to you.  You get a sense that the Newmans are a fun group to work with.

ERIC:  I obviously love working with Joshua.  Same for Amelia Heinle (Victoria), I adore her, and Melissa Ordway (Abby).  They all have a great sense of humor, and Mark Grossman, I think is doing a damned good job.  And there is Peter Bergman (Jack).  Peter has been a great nemesis for all of these years.  Of course, Peter was very funny in his speech, and Joshua was very funny, and Ed Scott’s (Producer, B&B) was very good.  Tony Morina also shared a very funny little antidote!

Photo: JPI

What came across loud and clear is what we already knew.  Everyone knows the name “Victor Newman”.  You know when they go, “Victor Newman … Y&R!”  It’s so synonymous, right?  I don’t know what it must be like for you knowing the public has that reaction to you … and you’re that guy.

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ERIC:  I’ll tell you very honestly, I have an ambivalent relationship to that fact.  I deny it on one hand, don’t want to know about it, don’t really want to know about it, and on the other hand, when I hear about it, I say, “Yeah, very happy to hear about it, but is it true?”  I am sort of strange that way.  I have not had a picture of myself or anyone else in my dressing room for these 40 years.  It’s barren, as you know.  I don’t have any pictures hanging up of me; there’s nothing.  Now, I was talking about taking the one picture that David Hoffman had designed beautifully, and I have it on one wall.  I thought, “I’ll be damned,” because the picture includes Melody and some scenes that went on.  I’ve always been funny that way with praise.  Do I like it?  Of course, but …

There’s an uncomfortableness about it, right?

ERIC:  Yes, but I’ve seen too much in this business.  I’ve seen too many extraordinary stars, where you wonder, “Where are they now”?  I take this business with a grain of salt.  I really do.  It’s so easy to succumb to it.   I’ve known many people, including on our show, who used to say, “Well, without me, this thing would go down the drain,” and I said, “Yeah?  No s**t,” and they’re not there anymore.  You have no idea what happens to some actors when they see themselves on the cover of soap magazine.  They go crazy.  I’ve seen it, and the worst thing you can do is to believe in that, and I’ve always been skeptical of that, very skeptical.  Get back to what counts in this business:  do a good job … do the best you can … and where is the money?  I mean really, let’s call a spade a spade, and that’s it.

Photo: JPI

I was just going to say, the one person I so wished was at your 40th celebration was Jeanne Cooper (Ex-Katherine, Y&R).   I wish she could have been there with us, because she would have loved it.  I know she loved you.

ERIC:  She would have spoken, trust me!  She would have said, “Alright, you son of a bitch.  Alright, macho man let’s see what you’ve got!” and then she would grab me by the balls.  The first scene I ever had with her, Jeanne did that.  Absolutely hilarious!  Jeanne and I could not do a scene without laughing.  I’m serious.  We had to pull ourselves together.  She had such a great sense of humor, and we both looked at this, obviously, with an enormous grain of salt, because we’ve been there.  We’d seen it all.

set

Photo: JPI

Through the years, you obviously have been vocal on social media where you will call out things as you see them and as you truly feel, especially through various regime changes, or if there is a noticeable shift away, or focus, from core characters. What are your thoughts on what ultimately makes Y&R, the iconic soap that it is?

ERIC:  Let me put it very simply: the show is based on the comradery and enmity between the Newmans and the Abbotts, and I’ve included on that a go-between, if you will, a Chancellor … Jeanne Cooper.   That was sort of the plan, but the major triangle was sort of the Montagues and the Capulets in Romeo and Juliet.  That is what legendary stories are based on.  It’s family rivalries, and within those rivalries, we tell all kinds of fantastic stories.  It’s father-son, father-daughter, husband-wife, love affairs, disloyalties, ruthless business competition, and it goes on and on.  The scenes with Peter Bergman and me over the years have been legendary, wonderful, and they’re great scenes.  Now, to suddenly bring in whole new characters that no one knows about, which previously happened on our show, you have to ask, “What are you not getting?  You want to reinvent the wheel?”  Go with what is working.  It doesn’t often happen that you have the right cast and the right story.  That is what makes a show successful.  Imagine taking Cosmo Kramer (Michael Richards) out of Seinfeld.  You couldn’t.   It wouldn’t work.  In other words, when you have the right actors and the right storyline, you have a hit.  We’d been number #1 for over 30 years because of it

Photo: JPI

When you get a script, have there been those moments in the 40 years where you will say. “My character would never do this.  I’m not playing it!?”

ERIC:  Of course.  Not that I’m not playing it, but I will make certain adjustments here and there.  I always have, by the way, from the very beginning.  Bill Bell agreed with most of it.  I know my character, and I have and instinctive feel for what is emotionally touching and what is not.  Look, I have always said that I admire writers.  I don’t envy their job.  I really don’t.  I think it is the hardest job in the business, and writing for soaps is even harder.  So, I have great respect.  So therefore, I don’t even want to know who wrote what.  I don’t ever want to be in the position of insulting a writer because I know how difficult it is.  As in everything in this business, it is a cooperative business.  There are very few writer/directors who have earned the right (I’m talking about Martin Scorsese, I’m talking about Ingmar Bergman, I’m taking about a handful) to write and direct their own stuff.  Even they rely on the cooperation of their lead actors.  That’s what is so wonderful about this business in that it’s this precisely cooperative thing.  However, when there are some people who simply don’t listen to those of us who have been around for a while and we know, we really know, then, they’re being foolish.

Photo: JPI

Y&R taped the Newman Enterprises 50th anniversary gala, which was in essence, your on-screen 40th anniversary episodes.  That was another amazing part of this.  I love that they would go to a clip, and one of the characters would say something in speech, and then, they’d go back to a shot of you reacting.  Were you, you, or Victor at that point, because it seemed so genuine and emotional?

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ERIC:  You know, look, one thing sort of blends into the other.  I loved that show by the way.  It was brilliantly done, and they could have easily screwed that up, but they didn’t.  I thought Josh Griffith (head writer, and Co-EP, Y&R) did a hell of a job, and Tony Morina did a wonderful job, they really did.  So, I really can’t say enough about that.

Photo: CBS

When you look back on the enormity of scenes you have performed as Victor Newman; the ones that and you and I always come back to are the scenes between you and Dorothy McGuire as Victor’s mother; and the scenes with you and George Kennedy as Victor’s father.  Do you still consider those your all-time favorites?

ERIC:  I always think about them.  They are my top favorites, plus one other.   No question about it; because the scene with Dorothy McGuire laid the groundwork of what Victor Newman is all about.  That summarized all of his subsequent moments of anger, and upset, and mistrust, and etc.  It was the seminal scene for Victor Newman … period.  One other scene that one of my favorites was the one with Melody, on Christmas Eve where Nikki keeps on bugging Victor to tell her about his past, and he finally does.  It was about that orphanage experience, etc.  Actually, those two scenes early on were responsible for my really wanting to stay and realizing that now I had a chance to play some real emotions, some real feelings, some real conflict.   I remember after Victor told Nikki that story, a moment when I went to my dressing room, I called home, and I said, “Now, I’m going to stay.”  No two ways about that.  I called my wife, and I said, “I’m staying,” because I wasn’t sure if I was going to.  It happened because I had talked to Bill Bell and I said, “Bill, I’m so tired of playing bad guys.  I’ve done it for too many years.  I’m empty.  I’m burnt out.  It’s too dehumanizing.  Let’s imbue this character with a background,” and he did, brilliantly, and that’s the reason I stayed, and that’s the reason I’m here 40 years later, truly.

So, when you were feeding rats to Nick Benedict as Michael Scott, were you ready to leave? (Laughs)

ERIC:  Well, that was a little different story, but I looked at that, and I said, “Are you kidding me?” (Laughs)  Back then, I knew little about what works on soaps … and people still talk about it!  They loved it.

Photo: JPI

The scenes opposite George Kennedy were so emotional … and heavy-duty, too.  It was so sad watching Victor’s father reject him.

ERIC:  It was sad.  It was really, really sad, and George played it wonderfully.  I cannot say enough about that because here is an actor who comes from the outside of our genre.  George lived in Boise. Idaho and he traveled all the way by car to LA with his grandson to do the scenes He wouldn’t take a plane.  George was so damn prepared that we did those scenes in one take!  It’s stunning!  I can’t talk enough about him.  I just so admired and respected him.  George passed away about a year ago, but that’s why I had him in my film, The Man Who Came Back.

Photo: JPI

As a leading man, Victor has had many women in and out of his romantic life for years and of course, his constant, Nikki Newman (Melody Thomas Scott).   You’ve been fortunate to work with so many wonderful actresses such as Eileen Davidson as Ashley.  Which standout to you? 

ERIC:  I have to say obviously Melody, but I have to also say the scenes with Eileen – they meant a lot to me.  I regret that she and I did not have more storylines together.

Photo: CBS

So, the coronavirus is shutting down the world, life in America, and has shut down production on the soaps.  How is everybody dealing with it at the show, and how do you feel it’s being handled?

ERIC:  Well, originally I wanted to continue working, but I said only if everyone was fully supplied with the proper wipes and antiseptics all of the time.  In other words, from the makeup department, from the props department, to someone wiping down all of the handles and all of that, but I completely understand now from a company point of view, they had to shut down because what if you work and someone gets sick because of it… and it goes on and on.  It’s a terrible thing, but I was willing to continue working.  Yes, perhaps stupidly so.  It’s going to be tough when we come back because a lot of work has to be made up, but I understand why we stopped.

What would you say to the fans who have stayed so invested in Victor Newman, and you, even 40 years after your Y&R debut? 

ERIC:  I’ve said it before, and I will happily say it again:  I am deeply grateful to the fans everywhere.  Without them, you and I would not be talking.  That’s really the long and the short of it.  The fans have really everything to do with it.  I’m glad that I am on social media because I am engaged with quite a few people very gladly, and I hear some interesting stories, and some very touching stories.  Y&R has taught me to really not look at that as a sort of nebulous audience.  I put faces behind it because I’ve seen them.  I’ve seen them in the last 30-odd years in public appearances.  I don’t forget them.  I don’t forget what it means to me.  It’s deeply touching.  I’m not at all anesthetized to it, no.  It touches me deeply, and whenever I do a PA, and receive the people’s reactions, I say, “Whoa,” and now I know why I’m in the business.

Courtesy/CBS

In closing, fans have been watching what looks to be another showdown brewing between Victor vs. Adam for control of Newman Enterprises.  Do you think still after all these years; Victor has it in him to out maneuver his black sheep son, as he has done in the past?

ERIC:  Hell, yes.  What do you think?  Bring him on, man.  Bring him on.  Victor’s still full of piss and vinegar.  Okay?  What people don’t know is that I’m a feisty son of a bitch.  I don’t give up.  I fight to the last.  I mean it.

So, what has been your favorite all-time Y&R scenes featuring Eric Braeden? What do you hope happens next for Victor and the Newman clan? What do you think about the sentiments shared throughout our conversation on Eric’s 40th anniversary celebration? Comment below.

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General Hospital

General Hospital’s Johnny Wactor Talks ‘Being Brando Corbin’

This week on General Hospital, viewers saw that Sonny Corinthos (Maurice Benard) has set Port Charles newcomer Brando Corbin (Johnny Wactor) up with a mechanics garage for a place of business, that has left Brando concerned, but also thankful.

Brando came onto the scene when he saved Carly (Laura Wright) from gunfire. The once believed-to-be-dead son of Gladys Corbin (Bonnie Burroughs), has a checkered past, but has been trying to remain on the straight and narrow.  Sonny had previously put into motion protection for teenaged Dev (Ashton Arbab), that he will continue to be passed off as the biological son of Brando to keep him safe.  That, along with a back-story that includes: the Iraqi War, prison time, drug use, PTSD, familial issues, mob wars, and more, has loaded the deck for actor Johnny Wactor to show his acting chops and more within the daytime drama arena.

Since making his debut in the recurring role of Brando back in January of this year, in a short amount of time, Wactor has already displayed that he has solid leading man, and soap anti-hero potential, something that always serves one well amidst the romance, intrigue, and suspense of the genre’s storytelling.

Michael Fairman TV chatted with Johnny to get his thoughts on becoming part of the iconic GH and where he hopes Brando’s journey goes from here.  Check out what he had to say below.

Photo: ABC

What do you think about your character’s name being “Brando”? Did GH tell you where the idea for the name came from?

JOHNNY:  Oh, I love it.   No, they didn’t tell me why, but I assume it was in some relation to Marlon Brando; when back in the day he was in a leather jacket … because I come onto the scene wearing a leather jacket as a badass!

What’s your experience been like coming onto a show like GH?  Previously, I know you’ve done a lot of primetime roles and series.  Were you shocked at the pace of shooting a daytime drama?

JOHNNY:  Oh, yeah.  I was made aware of the pace beforehand by my manager, as well as my buddy, Mark Grossman (Adam Newman) who works on The Young and the Restless.  He’s kicking ass over there.  In this genre, you get one rehearsal and one take pretty much, and then, they move on.  It’s definitely been a learning curve, and I’m still getting used to that at times where I’m just like, “Ah, I want one more take!”  I can get a bit obsessive and I’m a perfectionist.  It definitely has been challenging, but I enjoy it.  It’s fun to work at a fast pace.  It’s a lot like working in the theatre.

In story, Johnny is pretending to be Dev’s father.  Did you know that would be part of Brando’s story when you took on this gig?

JOHNNY:  I did not.   I didn’t know that until I read the first script that they sent me.  I’m like, “I also have a son?”   It was a lot to take in, but that’s where the imagination comes in.

What’s great for you, I would think, is that you’re getting to play in scenes with Maurice Benard and Laura Wright and major players who are a part of that core group.  What’s it been like working with them?

JOHNNY:  It’s been a Godsend, really.  Being my first time on a daytime show, for one, anytime you come onto a new project and one that’s been going on for some time, and you’re a newcomer, there’s always that concern like, “What will this set be like?  Is it like a familial atmosphere?  Am I going to be welcomed?”  They’ve made it super easy.  I’m just so lucky that I have people who have so much experience on this show and just daytime shows in general, where they’ve kind of taken me under their wings and are super helpful.  Anytime I have questions, they’re patient.  I’m sure I annoy them sometimes, but they don’t let on to it.   I’m grateful that they’ve sort of “teamed” me up with them to kind of ease me onto the show.

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The fans are seeing a spark between Brando and Carly.  Is Brando into Carly?

JOHNNY:  I’d like to say that he rescued her because she was a beautiful blonde, but that’s not what that was and why he did it … even though I’m not denying that she’s a beautiful blonde.  I think there’s something there, but how far Brando pursues that, I don’t know!  Sonny sets Brando up with the garage and a pretty sweet deal at that.  So, does Brando want to screw this up?  However, not everyone makes logical, levelheaded decisions.  We’ll see.  I’m not ruling it out as something that could possibly happen.

How are you playing Brando right now? Is he a good guy … or, are there secret ulterior motives going down that the audience may not know about, yet?

JOHNNY:  In my opinion, he is a guy who has got a good heart.  I don’t think he is infallible.  I think he is someone who is determined to be on the mend and make up for his decisions and his past, because he is someone who has made poor decisions.  I don’t think you can rule him as a good person who will never make a mistake, or won’t get into trouble, or won’t make some bad decisions.  “Does he have ulterior motives?”  Maybe, but I think that if he does, they might be a little unconscious.  I think he is a genuine good guy.

Photo: ABC

Are the fans swooning over you on social media now that you’ve made your GH debut?  When you get the, “Oh, he’s hot,” do you take those compliments well, or, is it uncomfortable for you, and you deflect that?

JOHNNY:  It’s always flattering to get those compliments.  I think when I was younger, like 22, first getting into this business; I was definitely pining for those compliments and put more weight into it.  I will say; it’s always good to have someone say something positive about you.  I will take, “Hey, he’s good-looking.”  I love the comments.  It’s great.

So, what would you love to see happen with Brando?  Is there anything that you’re seeing with your character that you wish you could do …or get to have the opportunity to be able to drive the direction in which he goes in?

JOHNNY:  That’s a great question.  I love when the writers put Brando on the scene and planted some seeds early on when he was revealing a little of his background to Carly.  He reveals he has PTSD and spent time in prison.  Brando also has got issues with drug addiction.  I would love for those to kind of resurface somehow.  Maybe Brando has a relapse and gets back on the sauce, or drugs, or maybe has some kind of other issues with PTSD, because those are the real things in the world that people deal.

Photo: ABC

What’s great about it is that they kind of loaded you up with a back-story that they can fill in, so that as a viewer, you ultimately root for the guy

JOHNNY:  Absolutely.  Yeah, nobody wants to root for the guy who has everything and just has the perfect life.  We’ve all made mistakes.  So, alright, he’s trying to get back on the horse and make a good life for himself.

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Did you get any pointers from GH vet Steve Burton (Jason), who you have also shared several scenes with since coming to GH?

JOHNNY:  The most pointers I’ve gotten from Steve are about preparation for the scenes.  Every time we have scenes together, he’s just always willing to work with you, and make sure that you’re prepared, and he’s prepared, and the scene is going to be the best that it can be.  Also, he’s been really invaluable with giving me more of a crash course on the background of these characters.  This show has been on for decades and it’s tough to get caught up in the short amount of time between when you find out you have the job, and you start filming, to really know who everybody is.  So, he explained to me who Jason is on the show and who the Corinthos family is and what they represent … these are dangerous guys!

Photo: ABC

Take me through what happened when you learned you got the part of Brando, and were joining the cast of General Hospital?

JOHNNY:  I was at my apartment.  I think it was probably two days after I went in for the producer’s session.  They brought in 4 or 5 guys to read in front of the producers, (at least that I saw) and I felt strong about my reading.  Then, I just kind of tried to forget about it after I left so I wouldn’t get all into my head about whether I got the part, or not.  Then the next day, I didn’t get a phone call.  So, I’m like, “Man, really?  I thought that might have been it.”   But the next day, I was with my girlfriend at the time and my agency was calling.  My manager was on the phone as well, and they shared with me that I got the part, and it was exciting.  It was a relief and an affirmation.  It’s always exciting when you book a job and then to book a major recurring role on a show with a character whose name is “Brando Corbin”, needless to say, was really cool.

Photo: ABC

I think it’s very apparent that you have the “It” factor.  You already have a shown a strong presence on the show and have a very bright future ahead of you.   I have seen a lot of actors come and go, and who launch their careers on daytime over the years, and I think you are going to be one to watch for quite some time to come.

JOHNNY:  First of all, thank you so much for saying that.  That’s really kind of you.  It’s really high praise.  Coming from someone who knows that show and who is a fan of it that means I passed the test!  Thank you, Michael!  I really appreciate that affirmation.  It’s good to get validation from someone whose opinion really matters.

Photo; ABC

Could you see a love interest for Brando coming up in the future?

JOHNNY:  I could definitely see a love interest for him coming up.  Maybe multiple love interests!  Who knows?

I think there are a lot of single ladies in Port Charles.

JOHNNY:  Yeah!  But, why do they have to be single?

Right! Or, they could be married!

JOHNNY:  It’s Port Charles!

Photo: ABC

So, have you been enjoying Johnny’s performances as Brando Corbin thus far?  Who do you hope he becomes involved with romantically on GH? Do you want to know more about his back-story and see what happens next now that Sonny has set him up with a garage? Comment below.

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Knots Landing favorites: Joan Van Ark (Valene), Michele Lee (Karen) and Donna Mills (Abby)  chat with Michael Fairman in honor of Knots Landing’s 40th anniversary. Leave A Comment

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