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NATAS’ Independent Investigative Report Into Daytime Emmys Concluded To Address Daytime Dramas Concerns

NATAS (The National Academy of Television Arts & Sciences) released today its independent review of the 45th Annual Daytime Emmy Awards, which came on the heels of a potential threatened boycott by executives and notables from the four daytime drama series, if certain procedures were not addressed and their concerns not heard for continuing to participate in the annual event scheduled next year in May.

Michael Fairman TV spoke with NATAS president, Adam Sharp, to ask pointed questions based on the findings of the independent investigation reports findings. That interview will be posted later today.

For now, here are the official report findings released to members of the press this morning ad how the Daytime Emmys and NATAS will address the concerns at-hand.

“From NATAS: On July 30, The National Academy of Television Arts & Sciences (NATAS) commissioned an independent review of the 45th Annual Daytime Emmy Awards, and in particular, concerns raised by members of the Daytime television community regarding its policies and procedures.  The law firm of Fletcher, Heald & Hildreth of Washington, DC, was engaged to conduct this investigation and report their findings and recommendations to the NATAS Board of Trustees.  The nature of their engagement was as neutral finders of facts and not as advocates for or representatives of NATAS.  Their work is now complete, having included a review of thousands of pages of documents and emails along with several days of interviews with NATAS staff and competition participants.

The resulting report was presented to the NATAS Board of Trustees on Friday, November 2.  It is thorough and fair. It levies criticism where criticism is due. And it rightly identifies many ways in which we must do better.  To that end, NATAS strongly supports and intends to substantially adopt the Fletcher, Heald & Hildreth recommendations:

We will update and clarify our rulebooks. When we release the 2019 Daytime Emmys “Call for Entries” on November 12, we will update several category criteria to eliminate opportunities for confusion. We will in particular update the requirements in the performer categories (which are at the heart of much of the concern we heard), and we will more specifically define terms such as “episode” where relevant. Additionally, we will audit the guidelines for our other Emmy® competitions to similarly reduce confusion and differences across competitions

We will provide additional resources to the Daytime Emmys:. The 2018 Daytime Emmys generated a record number of entries and tremendous growth in both in-hall and at-home audience, but we did not scale our operations commensurately.

We will add at least one full-time and several part-time positions to our Daytime Emmy® Awards team. While all our staff contribute in meaningful ways to every part of the process, we will divide the leadership of this growing team such that — consistent with the report’s recommendations — the competition and show production will be led by different members of our senior executive team.

Senior Vice President David Michaels will again serve as Executive Producer of the May ceremonies, focusing his energies to build on the success of the 2018 shows, but Executive Director Brent Stanton will take independent and separate responsibility for overseeing the competition.

For processes with potentially adverse results, such as entry disqualification, there will be new and additional review steps — a “second pair of eyes” — and there will be new requirements for documentation. This will help ensure that decisions and guidance are consistent and metered out fairly, and that the handling of such events is appropriately documented.

We will better articulate and make public our core policies and procedures. We will be tasking the Awards team with more specifically documenting and publishing:

  1. the procedures for reporting and investigating concerns about the awards competition, entries, nominees and winners;
  2. the guidelines and “checklist” for vetting and potentially disqualifying entries;
  3. the process and criteria by which we or our accountants select judges, break ties, and/or nullify judges’ ballots;
  4. internal rules and safeguards that ensure consistent application of our policies; and other matters as we identify.

We will distribute these improved resources as they are completed in the coming months, and will provide coaching around and strict enforcement of these policies and procedures.

We will apply our rules consistently and transparently. We will no longer readily grant deadline extensions or other extraordinary exceptions to our rules. Any technical assistance or waiver we grant must be provided equally to all entrants in an affected category, if not the competition as a whole. And any such assistance or waiver will be documented.

Finally, at the end of the competition we will prepare a Transparency Report, providing a high-level summary of how our rules were employed and enforced over the course of the competition.

We will seek to work more closely with the Television Academy. Recognizing that participants in the Daytime Emmy® competition may be more likely to be members of the Television Academy than of NATAS, we hope to better engage our sister Academy in our processes (as representatives of their members). These efforts could include:

  1. More consciously prioritizing Television Academy membership as a criterion for judging participation;
  2. Requesting that the Television Academy reinstate sending emails to their membership encouraging participation as Daytime Emmy® judges;
  3. Inviting a representative of the Television Academy and its members to begin participating again in our Daytime Emmy® nomination cut-off calls; and
  4. Inviting a representative of the Television Academy to review questioned submissions, observe backstage operations, and/or be present for the application of statue bands at the Daytime Emmy® ceremony.

We appreciate that the missteps of this and of past years may have impacted some entrants’ confidence in the Daytime Emmy Awards, and we are absolutely committed to earning back their trust.  We believe that through these and other improvements, we will once again meet the expectations all participants rightfully have of us.”

So, what do you think of the independent report findings? Do you hope the four network soaps will now participate in the upcoming competition? Share your thoughts below.

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Daytime Emmys have long outlived its time.
It’s boring and stupid, actually..
Nobody really gives a hoot about anything daytime to cause it to have ’emmy’s’ LOL

Also– whenever there is a competition to be judged the names of the judges are known/given.
I have never heard the names of the judges; who in the heck is judging the soap awards, why so secret.
The judges should be publicly named.

I rarely agree on the picked winners, many that do not submit their entries had much better performances than the winners.

Daytime Emmys come down to buying a new expensive dress to show off and be seen, ehhh

Daytime Emmys <– bwahaa yah whoopee! 🙂

Breaking News

Haley Pullos Receives 90-Day Jail Sentence Following DUI Charge And Wrong-Way Car Crash

Former General Hospital actress, Haley Pullos (ex-Molly Lansing-Davis) is going to be doing time in jail, exactly one-year after her arrest from a hit and run wrong-way car collision.

The crash resulted in bodily harm and damages to the other driver, and now Pullos who pleaded “no contest” to the charges and will serve 90 days in jail. She was taken in custody on Monday, April 29th, after the ruling.

According to Haley’s attorney, Mark Daniel Melnick, the 25-year-old actress struck a plea deal and after her three months in jail will be sentenced on July 29th. As part of that sentencing, she must serve five years probation, 200 hours of community service and pay $8,260 in restitution to Courteney Wilder, the other driver in the crash and her driver’s license is revoked for a year.

Courtesy/ABC

According to TMZ, the plea deal for Pullos has the “no contest” to one DUI, while the judge dropped the felony DUI causing bodily injury and misdemeanor hit and run charges.

Melnick said in a statement to PEOPLE, “Haley is very grateful to the court for a minimum sentence and for recognizing her remorse and the strides she has made in her sobriety.”

Pullos had played the daughter of Alexis Davis (played by Nancy Lee Grahn) on the ABC soap opera since 2009, but after her car crash and DUI she was replaced by three different actresses until the show finally settled on the current Molly, Kristen Vaganos.

Photo: Pasadena PD

Back in April 29 of 2023, and at the scene of the crash, the police found edibles and mini-bottles of tequila in Pullos’ vehicle and that she was intoxicated. As it turned out, this was to be the second hit and run in the evening for Pullos who had an earlier collision with another car.

The courts decision follows a year-long legal battle with Haley’s pleas changing throughout it, ranging from “not guilty” to “no contest”. She sought treatment for her drinking at a rehab following the crash.

Nancy Lee Grahn, who portrayed Pullos’ on-screen mom took to X on Monday night, April 29th and shared on the sentence and the specific jail, Haley will be serving time: “As Haley’s TV mom I can tell some truths about her as I’ve loved her since she was little girl. She made a HUGE mistake, knows it, owns it & has spent the last yr doing EVERYTHING imaginable to take responsibility 4 it. It’s not that I oppose jail. It’s that I oppose this jail.” The jail in question by Grahn is the L.A. county jail.

So, what do you think about Haley Pullos serving a 90-days jail sentence, and the other rulings that will be part of her sentencing? Comment below.

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Breaking News

Marla Adams, The Young and the Restless’ Dina Mergeron, Dies at 85

Marla Adams, best known for portraying matriarch, Dina Abbott Mergeron on CBS’ The Young and the Restless for 37 years, died on April 25, 2024, in Los Angeles. The news came from Y&R’s Director of Media and Talent, Matt Kane.

Throughout her veteran soap opera career, Marla appeared had appeared on Secret Storm (in her other longest running soap role as Bell Clemens from 1988-1974), The Bold and the Beautiful (ex-Beth Logan), Days of our Lives (ex-Dr. Claire McIntyre), Generations (ex- Helen Mullin), General Hospital (ex-Mildred Deal) and Capitol (ex-Myrna Clegg).

However, it was her role as Y&R’s upper crust Dina, who abandoned her children and her marriage to John Abbott (the late Jerry Douglas) that was her most memorable role. Throughout the years, Dina would have several romantic reunions with John, but in 2017, the character returned to Genoa City to reunite with her estranged family. Dina was the on-screen mother to Ashley Abbott (Eileen Davidson), Traci Abbott (Beth Maitland) and Jack Abbott (Peter Bergman).

Photo: JPI

As for Adams, she joined Y&R in 1982, but left the soap three years later her contract expired. She returned to Genoa City for stints in 1991, 1996 and 2008 before being asked by then Y&R head writer-producer Sally Sussman to return in 2017, which would begin the top-rated daytime drama telling the story of Alzheimer’s disease. Through Dina, the show shed light on a person going through the perils of the illness, and how the family copes and tries to come to terms with its fate.

In fact, Marla took home the Daytime Emmy Award for Outstanding Supporting Actress in a Daytime Drama Series in 2021 for her work in the storyline, She had previously been nominated in 2018.

Photo:JPI

Speaking with Michael Fairman TV, Marla shared on her final scenes on Y&R when Dina passed away and was reunited with John Abbott, “It was heart-wrenching for me.  In the story, Dina died when she went outside and to the front door of the Abbott home.  They did not tell me before-hand, and that’s why it was so wonderful.  I hope they came in for a closeup of that because I had no makeup on, it was beautiful, and then, Dina said, “Oh, John.”  I’ve done everything from movies, to daytime, to nighttime, to Broadway, but that was the iconic moment for me, to do this gig with wonderful, wonderful actors and friends, and to do this particular storyline.

Born in Ocean City, New Jersey, on August 28, 1938, Adams’ love for the stage was ignited after winning the Miss Ocean City and Miss Cape May pageants and finishing as a runner-up in the Miss New Jersey pageant. She also fondly remembered being the Miss Diamond Jubilee Queen during the 1954 celebration of the 75th anniversary of Ocean City’s founding.  A student at the American Academy of Dramatic Arts, Adams appeared on Broadway in the 1958 production of The Visit at the Morosco Theatre with Alfred Lunt and Lynn Fontanne and starred as June in the 1961 feature film, Splendor in the Grass

Over the span of her decades long career, Adams starred in more than 40 productions including television’s: The Golden Girls, Hart to Hart, The Love Boat, The New Dick Van Dyke ShowHarry OAdam-12Starsky and HutchMarcus Welby, M.D.Barnaby Jones, and the feature film, Beneath the Leaves.

Photo: CBS

In a statement, Y&R’s current head writer and executive producer, Josh Griffith expressed, “On behalf of the entire company of The Young and the Restless, we send our deepest sympathies to Marla’s family. We’re so grateful and in awe of Marla’s incredible performance as Dina Mergeron as both Marla and Dina made an unforgettable mark on Y&R.

Marla is survived by her daughter, Pam Oates, son, Gunnar Garat, grandchildren, Gefjon and Stone, and her great-grandson, Remi.

Photo: JPI

Michael Fairman TV sends our condolences to Adam’s family, friends and co-stars. Now below, share your remembrances of Marla Adams, and watch a few of our interview with Marla from the set of Y&R during the show’s 45th anniversary celebration and on the red carpet at the Daytime Emmys below.

 

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Breaking News

REPORT: Nicholas Chavez Not Returning to General Hospital

For those who were holding out hope that Daytime Emmy winner and fan favorite, Nicholas Chavez would be returning to General Hospital after filming his leading role in Ryan Murphy’s Monsters anthology, it looks like those hopes have been dashed.

According to a report from TV Line, although unconfirmed from General Hospital or a representative for Chavez, the actor will not reprise his role as Spencer Cassadine on the long-running ABC soap opera and continue the love story of Sprina opposite Tabyana Ali (Trina, GH).

Chavez was cast as Lyle Menendez over the the summer of 2023 for the second season of Murphy’s limited Monsters series on Netflix. In the upcoming season, the series will focus on the the case of Lyle and Erik Menendez, the two well-to-do Beverly Hills brothers accused of murdering their parents in 1989.

Photo: ABC

After word from Chavez casting was revealed, GH fans were concerned over the fate of the Sprina story, a spokesperson for GH shared,  “We support Nicholas’ endeavors and look forward to having him return to General Hospital once this project is wrapped.”

In story, the series “killed off” Spencer when he went overboard with Esme to the steely waters below after being injected with a drug, thanks to Esme and falling into the Seine River in France. However, his body was never recovered, and believed to have drowned or washed away. Thus, leaving an opening for Spencer to return in the form of Chavez or be recast down the line.

Photo: ABC

TV Line shared that ‘multiple sources’ are confirming that Chavez is not returning to the ABC soap opera, which is what many had suspected might be the case once he left for this major starring role in a Ryan Murphy project. Chavez has been relatively quiet on social media for months.

Photo: ABC

The Michael Fairman Channel spoke with Nicholas Chavez for a virtual interview when he first joined the show in 2021, and spoke to him right after when he won the Daytime Emmy in 2022 – you can see those below.

No word yet on when Monsters: The Lyle and Erik Menéndez Story will debut on Netflix, but it is assumed later this year.

So, what do you think about the news of Nicholas Chavez not returning to his role as Spencer Cassadine on General Hospital? Comment below.

 

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