Breaking News
‘Days of our Lives’ Producer Files Lawsuit Against Sony Pictures Television
In a breach of contract and fraud complaint filed this morning, Corday Productions, the Producers of Days of our Lives, is seeking 20 million dollars in damages from its producing partner, Sony Pictures Television, as well as its Columbia Pictures and Screen Gems divisions, and to significantly take back control of the show.
In the 33-page court filed document this morning, Deadline.com noted some of the key points contained within. Corday Productions is alleging that Sony has treated the show unfairly skewed in favor of its Sony-owned daytime drama series, The Young and the Restless. The complaint indicates that, “While the domestic ratings for Days of Our Lives have remained largely constant, Sony’s distribution receipts have decreased by over 50%. This dramatic decline is directly attributable to a decision at the highest levels of Sony management to eliminate any competition to its own wholly-owned series The Young and The Restless also distributed by Sony.”
Sony Pictures Television distributes Days of our Lives in overseas territories, and in ancillary markets such as digital streaming. The DAYS suit alleges that Sony has failed to sell the show in key territories including: Great Britain, France, Scotland, Wales, Northern Ireland, Canada, France, Zambia, and South Africa.”
In the lawsuit, the producers also claim that Sony has stiffed them by forcing the production company, Corday Productions, to absorb budgetary deficits . The filing also claims that Sony is “imposing solely on Corday the burden of absorbing the multi-million dollar annual operating deficits due to an inadequate NBC license fee and mandating an inefficient, costly production schedule.”
The complaint filed Monday in Los Angeles Superior Court, also alleges that Sony has provided Corday with inaccurate accounting and has failed to pay millions of dollars in profits.
Make sure to read more on the lawsuit click here.
So, what do you think about some of the key points that the Days of our Lives producers bring up in their lawsuit against Sony? Comment below.
I think the producers need to learn some basic geography/history: “… including Great Britain, Scotland, Wales…” A little redundant, much, LOL?
“sonniorsolita”…I just wanted to say how much I love your screen-name & how much I miss my all-time favorite show, GUIDING LIGHT.
–LujackLvr
What I think is that the last time there was a lawsuit filed against a daytime soap, it was a disaster. Does Prospect Park ring a bell? Hopefully DAYS doesn’t face the same fate as the AMC & OLTL revivals did because of this. Especially since it was just renewed for another year.
And who is writing Days right now? The guy who killed OLTL (and tried to kill General Hospital after that)
Ive been finding it very suspicious as of late that a show of days magnitude could operate on such a obvious shoestring budget. ..i mean most if not all scenes for example take place in 4-5 sets at any given time. The reused office set with the window in the corner is the most glaring. Pretty sad theres a lack of investment from the top. The acting and writing quality is firing on all cylinders but the show still looks budget.
I suspect that the network has always wanted to get rid of DOOL. That is the reason the network has made production so difficult.
True, this lawsuit confirms that Sony starved Days to feed Y&R.
I don’t believe the office is used nearly as much as the stone garden place that they come in one side and leave the other way.
When I was a youngster, I remember watching a Feed the Children program about starvation in Africa. One segment had a new mother of twins. She had to starve one baby in order to feed the other baby enough food to survive.
Sony is starving DAYS to feed Y&R.
It’s important to realize the soaps can’t survive on US viewership alone. They need overseas viewership, too.
Sony owns more of Y&R than DAYS. Sony distributes DAYS and Y&R to other countries for a percentage. Sony is able to keep most of the Y&R overseas money, but has to split the DAYS overseas money with Ken Corday, owner of DAYS.
Sony is squashing DAYS’ chances of making money (little of which goes to Sony) in order to distribute Y&R (and receive most of the money).
At the very least, DAYS and Sony should part ways, so DAYS can try to feed itself instead of allowing Sony to slowly starve DAYS to death.
The conflict of interest is too big to ignore and should be just cause to end the contract between DAYS and Sony.
I hate you, Sony!
SHUCKS ; this give me lots of pause for concern… along with that “no understanding” of how much SONY holds over Corday Production. AND what’s in it for NBC to air the show ? how much of commercial airtime is divided .
argh ! are we upsetting the apple cart as it were ?
is this the case of don’t bite the hand that feeds ?
WHICH , along w/James R. post below : is my first thought… “oh no, we could be cancelled”
as I’ve long posted… BUILD BUILD BUILD (like CBS ) around your serial… make that daytime block attract viewership AND higher commercial revenue
I can feel the dread rising …
I can only hope that TPTB just leave well enough alone… and surmise that , tho not a profit margin it once was.. is still a mainstay @NBC daytime arena.. because without a serial in its lineup… will only spiral that much quicker.
okay .. whatever… HELP ?!?!
keeping the faith…
I can only imagine that @DAYS is a part of a whole legion of entertainment, and is merely another asset on their balance sheet… and that if @SONY was truly going under AND had to trim the budget that much… how much back and forth happens each year when it’s renew time?
A big amen to this!
hi, again; was needing to vent … scared for my show, PLUS
having read the full article: I am so hoping ??? @DAYS can find another distributor
TAKEN from article : “…While the domestic ratings for Days of Our Lives have remained largely constant, Sony’s distribution receipts have decreased by over 50%,” the 33-page complaint asserts as it seeks of damages of over $20 million and significantly taking back control of the show.”
for me the OPERATIVE word: “…and significantly taking back control of the show”
I am so hoping this
DAYS would be an asset for any corporate balance sheet to offer along with any and all other package deals.
I hesitate to wonder just what the bottom lines are. seeing as how in our lifetime we had upwards of 15 shows at one time or another… AND looking for another conglomerate… COME ON SONY !!! WHAT GIVES ? AND/OR where is OUR proctor and gamble… General electric …
daytime is continually retooled with… looking at all the talk shows and cooking shows… @DAYS has shown an incredible , for DAYS , an indelible respectable increase in viewership… absolute !
okay I like long winded when I have the passion
LOL Salute !
Impeccable comment, 4ever!! And, your analogy made me do a double-take– Love, love, love the line, “Sony is starving DAYS to feed Y&R.”— eye-opener!!❤️
You’re absolutely right. Days deserves to be awarded every dollar of that 20 million.
Something bad is going to come out of this and while I don’t feel good admitting this, I am thinking only one word: cancellation.
Yep. If they don’t win the suit, DAYS is history.
Sounds reasonable. I do think if they get 100% of something, they’ll promote that over something they only get 50% of.
Very true Momo.
Not sure how this will turn out but hopefully Days isn’t hurt in some way in the end…it is now the only soap i faithfully watch…i plan to stop watching GH once the Ryan story ends!!!
Days is the only soap I watch now also Jimh. None of the other soaps interest me, so if Days is done I’m done with daytime soaps. And that’s very sad. I pray it doesn’t come to that!
Isn’t the only soap with any overseas distribution to speak of B&B? And that has a lot to do with its 30 minute runtime.
Is Corday saying it’s Sony’s mandate to film 6 months in advance?
It must be on Sony, there’s an article on Daytime Confidential from two years ago that says NBC demands that Days is filmed more recent and not months in advance.
Well if Sony is taking profits from Days and investing them into Y&R they have a right to peeved– but whether a big corp like Sony cares– not likely. My feeling is if Corday wins, Days will lose, if Sony wins, Days will lose. When P&G went out of the soap production business it left a big gap– if Sony pulls out its partnership with the Cordays- I don’t know if there will be another large company willing to take up the mantle of soap production, when the genre and daytime television is it’s dying days. My feeling, NBC won’t step in as producer– so this makes me nervous.
I’ve been riding the @DAYS wave of resurge AND top tier
this has put the angst back in… “OUR” show is still being celebrated !
I do know that I’ve read in SOD… that @DAYS was pulled from parts of Canada AND France… not certain of all the specific… outside of low viewership.
taken from article: “…”In the annals of Hollywood television, it is difficult to identify a distributor more guilty of blatant conflict of interest, deceit, perfidy, and abuse of market power. The only effective remedies are massive compensatory and punitive damages and immediate termination Sony’s exclusive, perpetual distribution agreement,” says Corday Productions. ”
LAST SENTENCE : “…and immediate termination Sony’s exclusive, perpetual distribution agreement,” says Corday Productions ”
it seems Corday Productions isn’t willing to work with SONY ? AND now what? that Ken Corday can in fact find another “distributor”
it occurred to me that Ken Corday would likely cash in on this “right” if he won this legalese… AND just venture in to his online internet ventures. thereby , that simply, letting go all that his parents have done for this genre.
SALUTE to September 2020 AND BEYOND
Great news, I hope Corday and DOOL win because the show deserves better than this. To starve Days to feed Y&R….NO! DOOL’s cast and crew have been doing really outstanding work, especially the past year and a half. And with the ratings up? They definitely deserve more money for better and more sets as well as cast and crew. I really pray that they win this. Sony deserves this for what they’ve done having Days to axe a lot of actors due to budget, same with Y&R as we’ve seen with the actors who played Ashley and Hilllary.
I MISS Valerie w/Abe… at the very least , lets see more of Sheila
I am going to miss big time : Chloe, this was thee opportune time to get her back involved with Brady… she was more relatable , little to no fuss and or muss… yet all the passion , like Kristen, Theresa, Nicole. Chloe IS FIRE. By the way… who didn’t see the electricity AND spark with Stefan… when he was in Dougs Place AND he was teasing and tantalizing Chloe… HOT ME OUT
same goes for my little spotlight, Belle daughter, granddaughter to John and Marlena.. altho you would never know the latter , that much. Olivia Rose Keegan’ Claire !!!! she’s a spitfire. you know.. they couldn’t tango with the same threesome… since Ben returned for Ciera… What was left for Tripp ? let alone, for Claire… she’s been emmy nominated from the start.. she’s worthy.
FINER POINT :
I am so loving the easy banter with flair flash flummoxed… just do it already !!! Jack and Eve. hit it… the sheets.. forget about these plot points that he’s about to put out… AND he has this flash memory of being faithful to another women !!!!! argh. how staid. it’s been a good time watching Jack get in and around Salem… I like the easy slow transition they’re taking with JJ and Abs.
Here is an explanation as to what this is all about: Corday is fed up with Sony over the above mentioned issues. Corday wishes to terminate it’s current contract with Sony since it has secured a new distribution partner with better terms as a replacement. However, due to the current terms of the contract (perpetual, does not expire) with Sony, Corday is taking legal action which is required in order to terminate the contract. NBC is not involved in this in anyway. Corday packages and produces the content then Sony distributes it to NBC domestically and also to foreign markets. The license fees paid by NBC are used to cover the costs of production and the profit is made from lic. fees generated from selling the content abroad.
I want to add a few more things…The contract with Sony actually dates back to in 1965 when perpetual contracts were commonplace. They are virtually nonexistant today. Nowadays contracts are terminally based with an option for renewal which is better for all parties involved. When this contract began no one could conceive a TV show being in production for 55 years so it wasn’t a big deal to enter a perpetual contract as long as it favored both parties. Also, a lot has changed in 55 years…Screen Gems was acquired by Columbia who was later acquired by Sony. Sony owns Y&R unlike Days which Corday owns. Sony doesn’t have to split the profits from Y&R like they do with Days so it makes more sense to them to push Y&R and make 100 percent of revenues vs. 50 percent they make from Days. When Sony acquired Y&R Corday should have sued the next day because it immediately put Days at a disadvantage.
“Thank You” for the “laymens” edition w/step by. appreciate it
as long as the distributor is in fact
whew
catch
What a shame.
Over the past year or two, I’ve been grateful that it’s become legally possible to enjoy watching current episodes (with commercials) in high-definition via an Internet website.
It would be wonderful if they could go back and similarly make all episodes from the past 10 years or so ALSO available in the same high-definition format, even if it required paying a fee. Of course, such flexibility seems impossible, given the contractual handcuffs the producers seem to have placed themselves under.
Unfortunately Days didn’t start airing in high definition until November 8, 2010 and that’s as far back true HD is possible. They could however stretch it to fit and digitally enhance the content but there’s a cost associated with that and it would be difficult to convince TPTB that the profitability would exist.
Breaking News
Hayden Panettiere’s Cause of Death Revealed

On Tuesday, September 22, the Greenville, South Carolina Coroner’s office ruled that actress Hayden Panettiere’s death was an accident, attributing the 36-year-old’s passing to be a combination of toxic effects from fentanyl and other drugs that were in her system.
Panettiere was found unresponsive on Sunday, August 16. There have been numerous reports and sources speaking to various outlets about the manner in which the Nashville and Guiding Light alum died, but nothing was certain until now.
The Greenville County Coroner’s office shared that fentanyl, combined with 4-ANPP, Alprazolam (also known as Xanax), Methocarbamol (a muscle relaxant) and Quetiapine (used to treat bipolar disorder and schizophrenia but is sometimes prescribed to treat depression), were all found in Hayden’s system.

Photo: CBS
GUIDING LIGHT ALUM’S DEATH IS STILL UNDER AN ONGOING INVESTIGATION
Meanwhile, the Greenville Police Department shared there is still an ongoing investigation into this case. “Our detectives will continue to follow leads and gather information as we work toward resolving this case,” the department shared.
That is, because despite Panettiere’s death being ruled accidental, authorities continue investigating whether anyone might be criminally responsible for providing the star with a lethal substance. It is being shared that this is “cross-country investigation” stretching from as far as South Carolina to California.
As we previously reported, TMZ shared on September 14 that law enforcement officials believe Hayden’s “long time drug dealer” may have been the person responsible for supplying her with an oxycodone pill laced with fentanyl which she took the morning of her death.
Panettiere “had been temporarily staying” at the apartment in Greenville, the coroner’s office said in August. Authorities did not say whose apartment it was but it was said to later be an Airbnb. It was Hayden’s on-again off-again boyfriend, Brian Hickerson, and his brother Zach who called 911 the afternoon of August 16 to say Panettiere was unresponsive, according to police reports.

Photo: ABC
HAYDEN PANETTIERE IMPRESSED IN EVERY ROLE SHE PLAYED
Soap opera fans still remember Hayden’s as a very young Sarah Roberts on One Life to Live from 1994 until 1997, and then her signature daytime role as Lizzie Spaulding on Guiding Light from 1996-2000.
She later went on to star on the Music City primetime soap opera, Nashville from 2012-2018 on ABC and CMT where she played country and western singer, Juliette Barnes opposite General Hospital alum, Jonathan Jackson (ex-Lucky Spencer), who played her love interest, Avery Barclay.
Over this past weekend, Jackson, Charles Esten (pictured above), Connie Britton, and others from the cast of Nashville gathered for a memorial service in Hayden’s honor to pay their respects for their beloved co-star.
So, what do you think about the ruling in the death of actress Hayden Panettiere that it was an accident involving toxic effects of fentanyl combined with other drugs and medications she was taking at the time? Share your reactions via the comment section below.
Breaking News
Soap Alums Remembered During In Memoriam Segment at 78th Emmy Awards; Patrick Muldoon Omitted

During last night’s 78th annual Primetime Emmy Awards ceremony, as it does every year, the television academy paid tribute to those in the industry that they’ve lost over the last year; since the previous Emmys held each year in September.
Starting with an emotional tribute to the late Catherine O’Hara by three of her co-stars, Schitt’s Creek’s Annie Murphy and Dan Levy and Home Alone’s Macaulay Culkin, the segment then dovetailed into Noah Kahan performing “Bridge over Troubled Water” as the faces and the names of those being remembered were shown on the screen.
Daytime soap alums, who either stayed in the genre for the majority of their career, or went on to primetime success as well, were honored including: Anthony Geary (Luke, GH), Hayden Panettiere (Sarah, OLTL, Lizzie, GL, Juliette, Nashville), James Van Der Beek, (Dawson, Dawson’s Creek, and Stephen, ATWT), Gil Gerard (Alan, The Doctors), June Lockhart (Mariah, GH), Patricia Crowley (Mary, Port Charles and GH), Randolph Mantooth (Clay/Alex, Loving and The City, and Richard, GH) and Jon Cypher (Alex, ATWT and Arthur, Santa Barbara).

Photo: TVAcademy
THOSE HONORED AND THOSE WHO WERE NOT
However, in a glaring omission, the producers of the In Memoriam failed to include Days of our Lives beloved star, Patrick Muldoon who played the OG Austin Reed and also Richard Hart on Melrose Place. Muldoon passed away in April of this year at 57.
After Kahan concluded his performance, a special tribute to Rob Reiner began with Jamie Lee Curtis taking to the stage to share some warm words about her late friend.
In a ironic and sad twist, Curtis shared ,“Last week, Robbie won an Emmy for guest actor in a comedy series for his beautiful work on The Bear, and he now holds the record of 48 years for the longest gap between acting Emmys, which was previously held by his father Carl Reiner, at 37 years.”
Reiner, who along with his wife, Michele Reiner were killed by their son, Nick Reiner, is currently awaiting a decision if he will stand trial. Prosecutors on Tuesday, shared they will not seek the death penalty if he is convicted at trial, but instead life in prison. Curtis said of Rob, “He was generous and kind and funny as hell, and a friend to all. We all miss Rob and Michele and all those we lost this year.” The Emmys then faded to black and went to commercial break.
So, were you happy to see those who you know from their work in soap operas included in the 2026 In Memoriam tribute at the Primetime Emmys? Share your thoughts in the comment section. But first, in case you missed it, you can watch it below.
Breaking News
‘Guiding Light’ and ATWT Alum Tom Pelphrey Wins Supporting Actor in Drama Series Emmy For ‘Task’

Tom Pelphrey, one of the greatest actors of our time, who got his first big break on the soaps, can now add a primetime Emmy to his two Daytime Emmys after receiving the Best Supporting Actor in a Drama Series tonight for his memorable role as Robbie Prendergrast in HBO’s Task.
Taking to the stage for his acceptance, Pelphrey delivered one of the more impassioned and touching moments at the 78th annual Primetime Emmys airing on NBC and streaming on Peacock.
Pelphrey shared, “I thank God for my life and my sobriety. I thank my family and my friends for all your love and support all these years, from Emmys to black box theaters and everything in between.” He added special thanks to his Task co-star and Emmy nominee, Mark Ruffalo, sharing, “Thank you for this incredible role and this opportunity and your friendship. I’m so proud to be your friend.”

Photo: NBC/TVAcademy
TOM PELPHREY GIVES BEAUTIFUL SHOUT OUT TO KALEY CUOCO
In conclusion, Tom gave a shout to his fiancée, Big Bang Theory star Kaley Cuoco, when he expressed, “And to my favorite actor in this room, my love, my best friend, my partner, the very pregnant Kaley — I love you more than anything, and our family is the crown jewel of my life.”
Cuoco is the mother to their first child together named Matilda, and she is pregnant with their second child. Tom also gave shout oust to his children, the one they have, and the one on the way. “Matilda, daddy loves you. Baby girl, daddy loves you. Thank you. God bless,” an emotional Pelphrey said.
The now Emmy-winning actor beat out a stellar field for the gold statuette that included: Three men from the cast of The Pitt: Patrick Ball, Shawn Hatosy and Gerran Howell, The Morning Show’s Billy Crudup, Slow Horses’ Jack Lowden and Pluribus actor Carlos-Manuel Vesga.

Photo: JPI
TWO-TIME DAYTIME EMMY WINNER FROM GUIDING LIGHT
Pelphrey had previously been nominated for a Primetime Emmy in 2022 for his guest star role as Ben Davis in the hit series Ozark. On the soaps, Tom won two Daytime Emmys for his role as Jonathan Randall on Guiding Light in the Younger Actor in a Daytime Drama Series in 2006 and 2008 and was nominated a total of four times.
For six years, Pelphrey played the son of Reva Shayne (Kim Zimmer) from 2003-2009, before later joining the cast of As the World Turns in the role of Mick Cain from 2009-2010. From there, it’s been all primetime television, stage and films for Pelphrey.
So, were you happy to see Tom Pelphrey winning an Emmy for his role in Task? What did you think of his acceptance speech? Do you think he was one of the best actors to ever get their start on soaps? Let us know via the comment section.
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