Breaking News
‘Days of our Lives’ Producer Files Lawsuit Against Sony Pictures Television
In a breach of contract and fraud complaint filed this morning, Corday Productions, the Producers of Days of our Lives, is seeking 20 million dollars in damages from its producing partner, Sony Pictures Television, as well as its Columbia Pictures and Screen Gems divisions, and to significantly take back control of the show.
In the 33-page court filed document this morning, Deadline.com noted some of the key points contained within. Corday Productions is alleging that Sony has treated the show unfairly skewed in favor of its Sony-owned daytime drama series, The Young and the Restless. The complaint indicates that, “While the domestic ratings for Days of Our Lives have remained largely constant, Sony’s distribution receipts have decreased by over 50%. This dramatic decline is directly attributable to a decision at the highest levels of Sony management to eliminate any competition to its own wholly-owned series The Young and The Restless also distributed by Sony.”
Sony Pictures Television distributes Days of our Lives in overseas territories, and in ancillary markets such as digital streaming. The DAYS suit alleges that Sony has failed to sell the show in key territories including: Great Britain, France, Scotland, Wales, Northern Ireland, Canada, France, Zambia, and South Africa.”
In the lawsuit, the producers also claim that Sony has stiffed them by forcing the production company, Corday Productions, to absorb budgetary deficits . The filing also claims that Sony is “imposing solely on Corday the burden of absorbing the multi-million dollar annual operating deficits due to an inadequate NBC license fee and mandating an inefficient, costly production schedule.”
The complaint filed Monday in Los Angeles Superior Court, also alleges that Sony has provided Corday with inaccurate accounting and has failed to pay millions of dollars in profits.
Make sure to read more on the lawsuit click here.
So, what do you think about some of the key points that the Days of our Lives producers bring up in their lawsuit against Sony? Comment below.
I think the producers need to learn some basic geography/history: “… including Great Britain, Scotland, Wales…” A little redundant, much, LOL?
“sonniorsolita”…I just wanted to say how much I love your screen-name & how much I miss my all-time favorite show, GUIDING LIGHT.
–LujackLvr
What I think is that the last time there was a lawsuit filed against a daytime soap, it was a disaster. Does Prospect Park ring a bell? Hopefully DAYS doesn’t face the same fate as the AMC & OLTL revivals did because of this. Especially since it was just renewed for another year.
And who is writing Days right now? The guy who killed OLTL (and tried to kill General Hospital after that)
Ive been finding it very suspicious as of late that a show of days magnitude could operate on such a obvious shoestring budget. ..i mean most if not all scenes for example take place in 4-5 sets at any given time. The reused office set with the window in the corner is the most glaring. Pretty sad theres a lack of investment from the top. The acting and writing quality is firing on all cylinders but the show still looks budget.
I suspect that the network has always wanted to get rid of DOOL. That is the reason the network has made production so difficult.
True, this lawsuit confirms that Sony starved Days to feed Y&R.
I don’t believe the office is used nearly as much as the stone garden place that they come in one side and leave the other way.
When I was a youngster, I remember watching a Feed the Children program about starvation in Africa. One segment had a new mother of twins. She had to starve one baby in order to feed the other baby enough food to survive.
Sony is starving DAYS to feed Y&R.
It’s important to realize the soaps can’t survive on US viewership alone. They need overseas viewership, too.
Sony owns more of Y&R than DAYS. Sony distributes DAYS and Y&R to other countries for a percentage. Sony is able to keep most of the Y&R overseas money, but has to split the DAYS overseas money with Ken Corday, owner of DAYS.
Sony is squashing DAYS’ chances of making money (little of which goes to Sony) in order to distribute Y&R (and receive most of the money).
At the very least, DAYS and Sony should part ways, so DAYS can try to feed itself instead of allowing Sony to slowly starve DAYS to death.
The conflict of interest is too big to ignore and should be just cause to end the contract between DAYS and Sony.
I hate you, Sony!
SHUCKS ; this give me lots of pause for concern… along with that “no understanding” of how much SONY holds over Corday Production. AND what’s in it for NBC to air the show ? how much of commercial airtime is divided .
argh ! are we upsetting the apple cart as it were ?
is this the case of don’t bite the hand that feeds ?
WHICH , along w/James R. post below : is my first thought… “oh no, we could be cancelled”
as I’ve long posted… BUILD BUILD BUILD (like CBS ) around your serial… make that daytime block attract viewership AND higher commercial revenue
I can feel the dread rising …
I can only hope that TPTB just leave well enough alone… and surmise that , tho not a profit margin it once was.. is still a mainstay @NBC daytime arena.. because without a serial in its lineup… will only spiral that much quicker.
okay .. whatever… HELP ?!?!
keeping the faith…
I can only imagine that @DAYS is a part of a whole legion of entertainment, and is merely another asset on their balance sheet… and that if @SONY was truly going under AND had to trim the budget that much… how much back and forth happens each year when it’s renew time?
A big amen to this!
hi, again; was needing to vent … scared for my show, PLUS
having read the full article: I am so hoping ??? @DAYS can find another distributor
TAKEN from article : “…While the domestic ratings for Days of Our Lives have remained largely constant, Sony’s distribution receipts have decreased by over 50%,” the 33-page complaint asserts as it seeks of damages of over $20 million and significantly taking back control of the show.”
for me the OPERATIVE word: “…and significantly taking back control of the show”
I am so hoping this
DAYS would be an asset for any corporate balance sheet to offer along with any and all other package deals.
I hesitate to wonder just what the bottom lines are. seeing as how in our lifetime we had upwards of 15 shows at one time or another… AND looking for another conglomerate… COME ON SONY !!! WHAT GIVES ? AND/OR where is OUR proctor and gamble… General electric …
daytime is continually retooled with… looking at all the talk shows and cooking shows… @DAYS has shown an incredible , for DAYS , an indelible respectable increase in viewership… absolute !
okay I like long winded when I have the passion
LOL Salute !
Impeccable comment, 4ever!! And, your analogy made me do a double-take– Love, love, love the line, “Sony is starving DAYS to feed Y&R.”— eye-opener!!❤️
You’re absolutely right. Days deserves to be awarded every dollar of that 20 million.
Something bad is going to come out of this and while I don’t feel good admitting this, I am thinking only one word: cancellation.
Yep. If they don’t win the suit, DAYS is history.
Sounds reasonable. I do think if they get 100% of something, they’ll promote that over something they only get 50% of.
Very true Momo.
Not sure how this will turn out but hopefully Days isn’t hurt in some way in the end…it is now the only soap i faithfully watch…i plan to stop watching GH once the Ryan story ends!!!
Days is the only soap I watch now also Jimh. None of the other soaps interest me, so if Days is done I’m done with daytime soaps. And that’s very sad. I pray it doesn’t come to that!
Isn’t the only soap with any overseas distribution to speak of B&B? And that has a lot to do with its 30 minute runtime.
Is Corday saying it’s Sony’s mandate to film 6 months in advance?
It must be on Sony, there’s an article on Daytime Confidential from two years ago that says NBC demands that Days is filmed more recent and not months in advance.
Well if Sony is taking profits from Days and investing them into Y&R they have a right to peeved– but whether a big corp like Sony cares– not likely. My feeling is if Corday wins, Days will lose, if Sony wins, Days will lose. When P&G went out of the soap production business it left a big gap– if Sony pulls out its partnership with the Cordays- I don’t know if there will be another large company willing to take up the mantle of soap production, when the genre and daytime television is it’s dying days. My feeling, NBC won’t step in as producer– so this makes me nervous.
I’ve been riding the @DAYS wave of resurge AND top tier
this has put the angst back in… “OUR” show is still being celebrated !
I do know that I’ve read in SOD… that @DAYS was pulled from parts of Canada AND France… not certain of all the specific… outside of low viewership.
taken from article: “…”In the annals of Hollywood television, it is difficult to identify a distributor more guilty of blatant conflict of interest, deceit, perfidy, and abuse of market power. The only effective remedies are massive compensatory and punitive damages and immediate termination Sony’s exclusive, perpetual distribution agreement,” says Corday Productions. ”
LAST SENTENCE : “…and immediate termination Sony’s exclusive, perpetual distribution agreement,” says Corday Productions ”
it seems Corday Productions isn’t willing to work with SONY ? AND now what? that Ken Corday can in fact find another “distributor”
it occurred to me that Ken Corday would likely cash in on this “right” if he won this legalese… AND just venture in to his online internet ventures. thereby , that simply, letting go all that his parents have done for this genre.
SALUTE to September 2020 AND BEYOND
Great news, I hope Corday and DOOL win because the show deserves better than this. To starve Days to feed Y&R….NO! DOOL’s cast and crew have been doing really outstanding work, especially the past year and a half. And with the ratings up? They definitely deserve more money for better and more sets as well as cast and crew. I really pray that they win this. Sony deserves this for what they’ve done having Days to axe a lot of actors due to budget, same with Y&R as we’ve seen with the actors who played Ashley and Hilllary.
I MISS Valerie w/Abe… at the very least , lets see more of Sheila
I am going to miss big time : Chloe, this was thee opportune time to get her back involved with Brady… she was more relatable , little to no fuss and or muss… yet all the passion , like Kristen, Theresa, Nicole. Chloe IS FIRE. By the way… who didn’t see the electricity AND spark with Stefan… when he was in Dougs Place AND he was teasing and tantalizing Chloe… HOT ME OUT
same goes for my little spotlight, Belle daughter, granddaughter to John and Marlena.. altho you would never know the latter , that much. Olivia Rose Keegan’ Claire !!!! she’s a spitfire. you know.. they couldn’t tango with the same threesome… since Ben returned for Ciera… What was left for Tripp ? let alone, for Claire… she’s been emmy nominated from the start.. she’s worthy.
FINER POINT :
I am so loving the easy banter with flair flash flummoxed… just do it already !!! Jack and Eve. hit it… the sheets.. forget about these plot points that he’s about to put out… AND he has this flash memory of being faithful to another women !!!!! argh. how staid. it’s been a good time watching Jack get in and around Salem… I like the easy slow transition they’re taking with JJ and Abs.
Here is an explanation as to what this is all about: Corday is fed up with Sony over the above mentioned issues. Corday wishes to terminate it’s current contract with Sony since it has secured a new distribution partner with better terms as a replacement. However, due to the current terms of the contract (perpetual, does not expire) with Sony, Corday is taking legal action which is required in order to terminate the contract. NBC is not involved in this in anyway. Corday packages and produces the content then Sony distributes it to NBC domestically and also to foreign markets. The license fees paid by NBC are used to cover the costs of production and the profit is made from lic. fees generated from selling the content abroad.
I want to add a few more things…The contract with Sony actually dates back to in 1965 when perpetual contracts were commonplace. They are virtually nonexistant today. Nowadays contracts are terminally based with an option for renewal which is better for all parties involved. When this contract began no one could conceive a TV show being in production for 55 years so it wasn’t a big deal to enter a perpetual contract as long as it favored both parties. Also, a lot has changed in 55 years…Screen Gems was acquired by Columbia who was later acquired by Sony. Sony owns Y&R unlike Days which Corday owns. Sony doesn’t have to split the profits from Y&R like they do with Days so it makes more sense to them to push Y&R and make 100 percent of revenues vs. 50 percent they make from Days. When Sony acquired Y&R Corday should have sued the next day because it immediately put Days at a disadvantage.
“Thank You” for the “laymens” edition w/step by. appreciate it
as long as the distributor is in fact
whew
catch
What a shame.
Over the past year or two, I’ve been grateful that it’s become legally possible to enjoy watching current episodes (with commercials) in high-definition via an Internet website.
It would be wonderful if they could go back and similarly make all episodes from the past 10 years or so ALSO available in the same high-definition format, even if it required paying a fee. Of course, such flexibility seems impossible, given the contractual handcuffs the producers seem to have placed themselves under.
Unfortunately Days didn’t start airing in high definition until November 8, 2010 and that’s as far back true HD is possible. They could however stretch it to fit and digitally enhance the content but there’s a cost associated with that and it would be difficult to convince TPTB that the profitability would exist.
Rosie O’Donnell revealed that she plans to head back to a seat at the table of ABC’s morning talk show The View.
The announcement came during Monday’s episode of The Tangle Podcast where she shared she will participate in “in whatever way they want” her or “just as a guest” for its upcoming 30th season.
The View’s season 30 will kick-off this fall in September. O’Donnell explained, “They’re bringing back all the hosts, I think. And, you know, I’m pretty proud of that show, what it’s become and how it really speaks to the people and to politics.”
Photo: ABC
ROSIE ON HER PREVIOUS GO-ROUNDS ON THE VIEW
As fans of The View know, O’Donnell famously had two different one-year stints on the talk show in 2007 and again in 2014- 2015. She often feuded with then co-host Elizabeth Hasselbeck.
However, during her discussion with host, Kyle Ridley on The Tangle Podcast, O’Donnell also noted she often had tense moments with longtime moderator and anchor, Whoopi Goldberg.
O’Donnell also expressed, “Many, many people got the short end of the stick there. It was, you know, it was a factory where people were being churned in and out and their tenuous security, nobody got to be calm. It also was a show at the time that was run by a man. A show created by a woman, for women, about women, and the man was deciding what we should talk about. And that didn’t sit right with me, you know.”
Back in 2023, Brooke Shields had asked Rosie on her podcast, Now What? with Brooke Shields, about how she felt on her two stints at The View and all the controversy that surrounded it. Rosie at that time, stated, “I know this, it’s not the best use of my talent to get in a show where I have to argue and defend basic principles of humanity and kindness. It was not something I’d ever do again.”
You can check out the clip with Rosie and Kyle Ridley discussing her return to The View in some form for its upcoming 30th season below.
Then weigh-in: Would you be excited to see Rosie, even for a one-day or a week guest stint on the upcoming celebratory season of The View, or not so much? Let us know via the comment section.
View this post on Instagram
In what could prove to be a massive shake-up ahead, both the TV Academy (ATAS), who presides over the Primetime Emmys, and the National Academy of Television Arts and Sciences (NATAS), who preside over the Daytime Emmys, are in exploratory reunification discussions to merge the two organizations into one.
Both sides received an overwhelming vote and support from their boards to evaluate what a unified Academy could look like. However there is no formal calendar at this juncture for the discussions. In addition, because of the ongoing unification talks that should occur, the TV Academy board has voted to extend all current sitting Governors’ terms by one year so they can see the process through.
Boards at both organizations voted overwhelmingly to evaluate what a unified Academy could make possible: a strong vision for the Academy’s future, more effective thought leadership for the industry, broader service and support for members coast-to-coast, and new momentum and opportunities across the full complement of national Emmy competitions.
Photos: ATAS/NATAS
AFTER NEARLY 50 YEARS, CAN THE EMMYS BE UNDER ONE BANNER?
In a joint statement, ATAS and NATAS shared, “Television remains the most powerful medium we have to shape culture and prompt conversations that define us—no matter the size of the screen, With the business of television undergoing such a monumental transformation, this is the right moment to explore a reunification of our Academies, providing our members and our industry with a bolder voice advocating for them and a stronger partner to navigate the future with them.”
If the reunification talks continue, this would be the first time since the two Emmy organizations split back on June 30, 1977 that they have tried to come together, all of this after almost three decades of often uneasy and strained tension between the two.
The most recent joint change came in 2022 when a move of the game show categories went from NATAS to ATAS’ and now are in the Primetime Emmys.
Deadline notes that a unification of the two television academies who overall preside over nighttime and daytime programming would be similar how SAG and AFTRA used to represent performers from completely different dayparts of work.
Could the Daytime Emmys finally see some love in primetime and have their major categories televised as part of the annual kudofest every September? Stay tuned.
Meanwhile, the 78th Primetime Emmy Awards ceremony will take place live on Monday, September 14th starting at 8:00 p.m. ET / 5:00 p.m. PT and air on NBC and stream on Peacock emanating from the Peacock Theatre in Los Angeles. While, the 53rd annual Daytime Emmy Awards will take place on Friday, October 30, time to be announced, live from the Hollywood Palladium and will be streamed on watchtheemmys.tv
The National Academy of Television Arts & Sciences (NATAS) is a service organization dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements within the television industry. It recognizes excellence in television with the coveted Emmy Awards for News & Documentary, Sports, Daytime and Children’s & Family programming, as well as achievements in television Technology & Engineering.
The Television Academy (ATAS) strives to shape and advance the dynamic television landscape; cultivate a diverse, inclusive and accessible professional community; and advocate for the television industry while capturing the spirit of a new generation of content creators and industry professionals. Through innovative programs, publications and events, the Academy and its Foundation foster and empower storytellers. The Academy also celebrates those who excel in the industry recognizing their achievements through awards and accolades, including the renowned Emmy Award. Membership in the Academy is open to working professionals in the television industry.
So, would you like to see the Primetime Emmy and the Daytime Emmys fold into one show if the two unions reached a unification arrangement? Do you hope that after almost 50 years, the two organizations can finally make some serious headway? Share your thoughts via the comment section below.
Beyond the Gates
53rd Annual Daytime Emmy Nominations Announced: ‘The Young and the Restless’ Tops With 18, ‘Beyond the Gates’ With 15
The National Academy of Television Arts & Sciences (NATAS) today announced the full list of nominees for the upcoming 53rd Annual Daytime Emmy Awards, and it was CBS daytime’s The Young and the Restless and broadcast television newest soap opera, Beyond the Gates that racked up the most nominations with 18 and 15, respectively.
General Hospital was next with 13 overall nominations, followed by Days of our Lives with 8 and The Bold and the Beautiful with 7 nods. The full reveal on Tuesday, follows the announcement of several major categories including Lead Actor and Actress on Monday via Extra and Entertainment Tonight and The View today revealing Daytime Drama Series and more.
The 53rd Annual Daytime Emmys ceremony are set to take place on Friday, October 30 at the historic Hollywood Palladium in Hollywood, California. The ceremony is currently planned to stream via watch.theemmys.tv and its associated apps. For the second year in a row, both the main Emmys and the Creative Arts will be presented together in one night.
Photo: CBS
In a statement, Adam Sharp, President and CEO of NATAS expressed, “We’re proud to honor the extraordinary talent and creative teams whose work continues to define and elevate daytime television, As the Daytime landscape evolves and new forms of storytelling emerge, we remain committed to recognizing the innovation happening across the industry.”
“Each year, the Daytime Emmy Awards celebrate the creativity, passion, and dedication that drive this vibrant community of storytellers,” said Rachel Schwartz, Head of the Daytime Emmy Awards. “Congratulations to this year’s nominees, whose work continues to entertain, inspire and connect with audiences every day. We look forward to celebrating their remarkable achievements in Hollywood this October.”
The Daytime Emmy Awards have recognized outstanding achievement in television programming and crafts since 1974, honoring work in a variety of genres, including daytime dramas, talk series, entertainment news, culinary, adventure, instructional and legal/courtroom programming. This year’s Lifetime Achievement Honoree, Gold & Silver Circle Inductees, and ceremony host will be announced at a later date.
Now below, check out the nominees in the daytime drama, talk show, entertainment news series and creative arts categories. Congratulations to all!
Photo: JPI
Outstanding Daytime Drama Series
Beyond the Gates
Days of Our Lives
General Hospital
The Young and the Restless
Outstanding Lead Actress in a Daytime Drama Series
Stacy Haiduk (as Kristen DiMera), Days of Our Lives
Karla Mosley (as Dani Dupree), Beyond the Gates
Michelle Stafford (as Phyllis Summers), The Young and the Restless
Heather Tom (as Katie Logan), The Bold and the Beautiful
Tamara Tunie (as Anita Williams Dupree), Beyond the Gates
Photo: ABC
Outstanding Lead Actor in a Daytime Drama Series
Eric Braeden (as Victor Newman), The Young and the Restless
Steve Burton (as Jason Morgan), General Hospital
Scott Clifton (as Liam Spencer), The Bold and the Beautiful
Thorsten Kaye (as Ridge Forrester), The Bold and the Beautiful
Christian Jules Le Blanc (as Michael Baldwin), The Young and the Restless
Outstanding Supporting Actress in a Daytime Drama Series
Linsey Godfrey (as Sarah Horton), Days of Our Lives
Camryn Grimes (as Mariah Copeland), The Young and the Restless
Beth Maitland (as Traci Abbott), The Young and the Restless
Trisha Mann-Grant (as Leslie Thomas), Beyond the Gates
Amanda Setton (as Brook Lynn Quartermaine), General Hospital
Outstanding Supporting Actor in a Daytime Drama Series
Sean Dominic (as Nate Hastings), The Young and the Restless
Timon Kyle Durrett (as Bill Hamilton), Beyond the Gates
Michael Graziadei (as Daniel Romalotti), The Young and the Restless
Roger Howarth (as Matt Clark), The Young and the Restless
Mike Manning (as Bradley “Smitty” Smith), Beyond the Gates
Lawrence Saint-Victor (as Carter Walton), The Bold and the Beautiful
Photo: ABC
Outstanding Emerging Talent in a Daytime Drama Series
Braedyn Bruner (as Emma Scorpio-Drake), General Hospital
Al Calderon (as Javier Hernandez), Days of Our Lives
Alice Halsey (as Rachel Black), Days of Our Lives
Giovanni Mazza (as Gio Palmieri), General Hospital
Ambyr Michelle (as Eva Thomas), Beyond the Gates
Arielle Prepetit (as Naomi Hamilton Hawthorne), Beyond the Gates
Outstanding Guest Performance in a Daytime Drama Series
Jasmine Burke (as June Hughes), Beyond the Gates
Jeff Kober (as Cyrus Renault), General Hospital
Eva LaRue (as Natalia Rogers-Ramirez), General Hospital
Christopher Sean (as Paul Narita), Days of Our Lives
Ray Wise (as Ian Ward), The Young and the Restless
Outstanding Writing Team for a Daytime Drama Series
Beyond the Gates
The Bold and the Beautiful
Days of Our Lives
General Hospital
Photo: CBS
Outstanding Directing Team for a Daytime Drama Series
Days of Our Lives
General Hospital
The Young and the Restless
Outstanding Casting for a Daytime Program
Beyond the Gates
General Hospital
The Young and the Restless
Outstanding Daytime Talk Series
3rd Hour of TODAY
The Drew Barrymore Show
The Kelly Clarkson Show
Live With Kelly and Mark
TODAY With Jenna & Friends
The View
Photo: ABC
Outstanding Daytime Talk Series Host
Joy Behar, Whoopi Goldberg, Alyssa Farah Griffin, Sara Haines, Sunny Hostin & Ana Navarro, The View
Kelly Clarkson, The Kelly Clarkson Show
Tamron Hall, Tamron Hall
Jennifer Hudson, The Jennifer Hudson Show
Sherri Shepherd, Sherri
Outstanding Entertainment News Series
Access Hollywood
Entertainment Tonight
Extra
Outstanding Daytime Personality (Daily)
Mona Kosar Abdi, Derek Hough & Terri Seymour, Extra
Cassie DiLaura, Denny Directo, Kevin Frazier, Rachel Smith & Nischelle Turner, Entertainment Tonight
Scott Evans, Zuri Hall, Kit Hoover & Mario Lopez, Access Hollywood
Star Jones & Corey Jovan, Divorce Court
Photo: WBTV
Outstanding Arts and Popular Culture Program
Beyond the Gates: Welcome to the Neighborhood — An Entertainment Tonight Special
Off Script With The Hollywood Reporter
Variety & CNN Actors on Actors
Variety Studio: Actors on Actors
Working In the Theatre
Outstanding Music Direction and Composition for a Daytime
Beyond the Gates, Episode 103
Have Guitar Will Travel World
The Kelly Clarkson Show Episode 5033
Let Frankie Cook,” Getting the Band Back Together
Macy’s Thanksgiving Day Parade
Outstanding Technical Direction and Video for a Daytime Program
Beyond the Gates, Episode 104
The Bold and the Beautiful,” Episode 9511
Disney Parks Magical Christmas Day Parade”
The Jennifer Hudson Show, ” Episode 4041
Macy’s Thanksgiving Day Parade”
Photo: CBS
Outstanding Hairstyling and Makeup for a Daytime Program
Beyond the Gates, Episode 103
General Hospital, Episode 15719
The Kelly Clarkson Show,” Episode 5033
The Young and the Restless,” Episode 13273
Outstanding Costume Design / Styling for a Daytime Program
The Jennifer Hudson Show, Episode 4140
The Kelly Clarkson Show
Macy’s Thanksgiving Day Parade
The Young and the Restless Episode 13149
The Young and the Restless Episode 13273
Outstanding Sound Mixing and Sound Editing for a Live Daytime Program
The Bold and the Beautiful, Episode 9658
The Jennifer Hudson Show Episode 4039
The Kelly Clarkson Show Episode 5007
Macy’s Thanksgiving Day Parade
The Young and the Restless,” Episode 13260
Outstanding Lighting Direction for a Daytime Program
Beyond the Gates Episode 104
General Hospital Episode 15624
The Jennifer Hudson Show Episode 4010
The Kelly Clarkson Show Episode 6169
Macy’s Thanksgiving Day Parade”
Outstanding Art Direction/Set Decoration/Scenic Design for a Daytime Program
The Kelly Clarkson Show Episode 5033
Live with Kelly and Mark Episode 250414
The View Episode 6280
The Young and the Restless Episode 13145
The Young and the Restless Episode 13244
So, what do you think of the 53rd annual Daytime Emmy nominations? Who are you happy to see receive a nomination and who do you think was snubbed? Weigh-in via the comment section.
Lucas Adams and Tamara Braun Written Out of The Young and the Restless
Rosie O’Donnell Says She Will Return to ‘The View’ During its Season 30
WWE SummerSlam 2026 Night Two: Top 5 Takeaways
GENERAL HOSPITAL Preview: Serena Sets Her Sights on Michael; Jason’s Emotional Exit from the Mob
‘General Hospital’ Fan Club Weekend 2026 (Photos)
THE BOLD AND THE BEAUTIFUL: Katie is Disowned By The Logan Sisters
GH Alum Nicholas Alexander Chavez Lands Role in Paramount’s Remake of ‘Possession’
‘General Hospital’s’ Steve Burton Reveals His Lead Actor Daytime Emmy-Nominated Reel Did Not Contain Monica’s Funeral
‘General Hospital’ Ethan Lovett Recast: Christian Howard Replaces Nathan Dean
‘General Hospital’ Alum Colin Cassidy to Appear in Ryan Murphy’s ‘The Shards’
Lucas Adams and Tamara Braun Written Out of The Young and the Restless
Rosie O’Donnell Says She Will Return to ‘The View’ During its Season 30
WWE SummerSlam 2026 Night Two: Top 5 Takeaways
GENERAL HOSPITAL Preview: Serena Sets Her Sights on Michael; Jason’s Emotional Exit from the Mob
THE BOLD AND THE BEAUTIFUL Preview: Katie is Suspicious of Dylan and Warns Will, Steffy Takes Off to Monaco
-
Recaps1 week agoTHE BOLD AND THE BEAUTIFUL: Katie is Disowned By The Logan Sisters
-
General Hospital4 days agoGH Alum Nicholas Alexander Chavez Lands Role in Paramount’s Remake of ‘Possession’
-
General Hospital1 week ago‘General Hospital’s’ Steve Burton Reveals His Lead Actor Daytime Emmy-Nominated Reel Did Not Contain Monica’s Funeral
-
General Hospital1 week ago‘General Hospital’ Ethan Lovett Recast: Christian Howard Replaces Nathan Dean
-
General Hospital1 week ago‘General Hospital’ Alum Colin Cassidy to Appear in Ryan Murphy’s ‘The Shards’
-
General Hospital3 days agoGENERAL HOSPITAL: Ethan Lovett Hightails Out of the Country, Christian Howard Wraps His Stint
-
News5 days ago‘The Young and the Restless’ Names New Co-Head Writers: Jamey Giddens and Dan O’Connor
-
News5 days agoY&R’s Billy Flynn and Gina Comparetto Reveal Birth of Their Third Child and It’s a Girl!
