Breaking News
‘Days of our Lives’ Producer Files Lawsuit Against Sony Pictures Television
In a breach of contract and fraud complaint filed this morning, Corday Productions, the Producers of Days of our Lives, is seeking 20 million dollars in damages from its producing partner, Sony Pictures Television, as well as its Columbia Pictures and Screen Gems divisions, and to significantly take back control of the show.
In the 33-page court filed document this morning, Deadline.com noted some of the key points contained within. Corday Productions is alleging that Sony has treated the show unfairly skewed in favor of its Sony-owned daytime drama series, The Young and the Restless. The complaint indicates that, “While the domestic ratings for Days of Our Lives have remained largely constant, Sony’s distribution receipts have decreased by over 50%. This dramatic decline is directly attributable to a decision at the highest levels of Sony management to eliminate any competition to its own wholly-owned series The Young and The Restless also distributed by Sony.”
Sony Pictures Television distributes Days of our Lives in overseas territories, and in ancillary markets such as digital streaming. The DAYS suit alleges that Sony has failed to sell the show in key territories including: Great Britain, France, Scotland, Wales, Northern Ireland, Canada, France, Zambia, and South Africa.”
In the lawsuit, the producers also claim that Sony has stiffed them by forcing the production company, Corday Productions, to absorb budgetary deficits . The filing also claims that Sony is “imposing solely on Corday the burden of absorbing the multi-million dollar annual operating deficits due to an inadequate NBC license fee and mandating an inefficient, costly production schedule.”
The complaint filed Monday in Los Angeles Superior Court, also alleges that Sony has provided Corday with inaccurate accounting and has failed to pay millions of dollars in profits.
Make sure to read more on the lawsuit click here.
So, what do you think about some of the key points that the Days of our Lives producers bring up in their lawsuit against Sony? Comment below.
I think the producers need to learn some basic geography/history: “… including Great Britain, Scotland, Wales…” A little redundant, much, LOL?
“sonniorsolita”…I just wanted to say how much I love your screen-name & how much I miss my all-time favorite show, GUIDING LIGHT.
–LujackLvr
What I think is that the last time there was a lawsuit filed against a daytime soap, it was a disaster. Does Prospect Park ring a bell? Hopefully DAYS doesn’t face the same fate as the AMC & OLTL revivals did because of this. Especially since it was just renewed for another year.
And who is writing Days right now? The guy who killed OLTL (and tried to kill General Hospital after that)
Ive been finding it very suspicious as of late that a show of days magnitude could operate on such a obvious shoestring budget. ..i mean most if not all scenes for example take place in 4-5 sets at any given time. The reused office set with the window in the corner is the most glaring. Pretty sad theres a lack of investment from the top. The acting and writing quality is firing on all cylinders but the show still looks budget.
I suspect that the network has always wanted to get rid of DOOL. That is the reason the network has made production so difficult.
True, this lawsuit confirms that Sony starved Days to feed Y&R.
I don’t believe the office is used nearly as much as the stone garden place that they come in one side and leave the other way.
When I was a youngster, I remember watching a Feed the Children program about starvation in Africa. One segment had a new mother of twins. She had to starve one baby in order to feed the other baby enough food to survive.
Sony is starving DAYS to feed Y&R.
It’s important to realize the soaps can’t survive on US viewership alone. They need overseas viewership, too.
Sony owns more of Y&R than DAYS. Sony distributes DAYS and Y&R to other countries for a percentage. Sony is able to keep most of the Y&R overseas money, but has to split the DAYS overseas money with Ken Corday, owner of DAYS.
Sony is squashing DAYS’ chances of making money (little of which goes to Sony) in order to distribute Y&R (and receive most of the money).
At the very least, DAYS and Sony should part ways, so DAYS can try to feed itself instead of allowing Sony to slowly starve DAYS to death.
The conflict of interest is too big to ignore and should be just cause to end the contract between DAYS and Sony.
I hate you, Sony!
SHUCKS ; this give me lots of pause for concern… along with that “no understanding” of how much SONY holds over Corday Production. AND what’s in it for NBC to air the show ? how much of commercial airtime is divided .
argh ! are we upsetting the apple cart as it were ?
is this the case of don’t bite the hand that feeds ?
WHICH , along w/James R. post below : is my first thought… “oh no, we could be cancelled”
as I’ve long posted… BUILD BUILD BUILD (like CBS ) around your serial… make that daytime block attract viewership AND higher commercial revenue
I can feel the dread rising …
I can only hope that TPTB just leave well enough alone… and surmise that , tho not a profit margin it once was.. is still a mainstay @NBC daytime arena.. because without a serial in its lineup… will only spiral that much quicker.
okay .. whatever… HELP ?!?!
keeping the faith…
I can only imagine that @DAYS is a part of a whole legion of entertainment, and is merely another asset on their balance sheet… and that if @SONY was truly going under AND had to trim the budget that much… how much back and forth happens each year when it’s renew time?
A big amen to this!
hi, again; was needing to vent … scared for my show, PLUS
having read the full article: I am so hoping ??? @DAYS can find another distributor
TAKEN from article : “…While the domestic ratings for Days of Our Lives have remained largely constant, Sony’s distribution receipts have decreased by over 50%,” the 33-page complaint asserts as it seeks of damages of over $20 million and significantly taking back control of the show.”
for me the OPERATIVE word: “…and significantly taking back control of the show”
I am so hoping this
DAYS would be an asset for any corporate balance sheet to offer along with any and all other package deals.
I hesitate to wonder just what the bottom lines are. seeing as how in our lifetime we had upwards of 15 shows at one time or another… AND looking for another conglomerate… COME ON SONY !!! WHAT GIVES ? AND/OR where is OUR proctor and gamble… General electric …
daytime is continually retooled with… looking at all the talk shows and cooking shows… @DAYS has shown an incredible , for DAYS , an indelible respectable increase in viewership… absolute !
okay I like long winded when I have the passion
LOL Salute !
Impeccable comment, 4ever!! And, your analogy made me do a double-take– Love, love, love the line, “Sony is starving DAYS to feed Y&R.”— eye-opener!!❤️
You’re absolutely right. Days deserves to be awarded every dollar of that 20 million.
Something bad is going to come out of this and while I don’t feel good admitting this, I am thinking only one word: cancellation.
Yep. If they don’t win the suit, DAYS is history.
Sounds reasonable. I do think if they get 100% of something, they’ll promote that over something they only get 50% of.
Very true Momo.
Not sure how this will turn out but hopefully Days isn’t hurt in some way in the end…it is now the only soap i faithfully watch…i plan to stop watching GH once the Ryan story ends!!!
Days is the only soap I watch now also Jimh. None of the other soaps interest me, so if Days is done I’m done with daytime soaps. And that’s very sad. I pray it doesn’t come to that!
Isn’t the only soap with any overseas distribution to speak of B&B? And that has a lot to do with its 30 minute runtime.
Is Corday saying it’s Sony’s mandate to film 6 months in advance?
It must be on Sony, there’s an article on Daytime Confidential from two years ago that says NBC demands that Days is filmed more recent and not months in advance.
Well if Sony is taking profits from Days and investing them into Y&R they have a right to peeved– but whether a big corp like Sony cares– not likely. My feeling is if Corday wins, Days will lose, if Sony wins, Days will lose. When P&G went out of the soap production business it left a big gap– if Sony pulls out its partnership with the Cordays- I don’t know if there will be another large company willing to take up the mantle of soap production, when the genre and daytime television is it’s dying days. My feeling, NBC won’t step in as producer– so this makes me nervous.
I’ve been riding the @DAYS wave of resurge AND top tier
this has put the angst back in… “OUR” show is still being celebrated !
I do know that I’ve read in SOD… that @DAYS was pulled from parts of Canada AND France… not certain of all the specific… outside of low viewership.
taken from article: “…”In the annals of Hollywood television, it is difficult to identify a distributor more guilty of blatant conflict of interest, deceit, perfidy, and abuse of market power. The only effective remedies are massive compensatory and punitive damages and immediate termination Sony’s exclusive, perpetual distribution agreement,” says Corday Productions. ”
LAST SENTENCE : “…and immediate termination Sony’s exclusive, perpetual distribution agreement,” says Corday Productions ”
it seems Corday Productions isn’t willing to work with SONY ? AND now what? that Ken Corday can in fact find another “distributor”
it occurred to me that Ken Corday would likely cash in on this “right” if he won this legalese… AND just venture in to his online internet ventures. thereby , that simply, letting go all that his parents have done for this genre.
SALUTE to September 2020 AND BEYOND
Great news, I hope Corday and DOOL win because the show deserves better than this. To starve Days to feed Y&R….NO! DOOL’s cast and crew have been doing really outstanding work, especially the past year and a half. And with the ratings up? They definitely deserve more money for better and more sets as well as cast and crew. I really pray that they win this. Sony deserves this for what they’ve done having Days to axe a lot of actors due to budget, same with Y&R as we’ve seen with the actors who played Ashley and Hilllary.
I MISS Valerie w/Abe… at the very least , lets see more of Sheila
I am going to miss big time : Chloe, this was thee opportune time to get her back involved with Brady… she was more relatable , little to no fuss and or muss… yet all the passion , like Kristen, Theresa, Nicole. Chloe IS FIRE. By the way… who didn’t see the electricity AND spark with Stefan… when he was in Dougs Place AND he was teasing and tantalizing Chloe… HOT ME OUT
same goes for my little spotlight, Belle daughter, granddaughter to John and Marlena.. altho you would never know the latter , that much. Olivia Rose Keegan’ Claire !!!! she’s a spitfire. you know.. they couldn’t tango with the same threesome… since Ben returned for Ciera… What was left for Tripp ? let alone, for Claire… she’s been emmy nominated from the start.. she’s worthy.
FINER POINT :
I am so loving the easy banter with flair flash flummoxed… just do it already !!! Jack and Eve. hit it… the sheets.. forget about these plot points that he’s about to put out… AND he has this flash memory of being faithful to another women !!!!! argh. how staid. it’s been a good time watching Jack get in and around Salem… I like the easy slow transition they’re taking with JJ and Abs.
Here is an explanation as to what this is all about: Corday is fed up with Sony over the above mentioned issues. Corday wishes to terminate it’s current contract with Sony since it has secured a new distribution partner with better terms as a replacement. However, due to the current terms of the contract (perpetual, does not expire) with Sony, Corday is taking legal action which is required in order to terminate the contract. NBC is not involved in this in anyway. Corday packages and produces the content then Sony distributes it to NBC domestically and also to foreign markets. The license fees paid by NBC are used to cover the costs of production and the profit is made from lic. fees generated from selling the content abroad.
I want to add a few more things…The contract with Sony actually dates back to in 1965 when perpetual contracts were commonplace. They are virtually nonexistant today. Nowadays contracts are terminally based with an option for renewal which is better for all parties involved. When this contract began no one could conceive a TV show being in production for 55 years so it wasn’t a big deal to enter a perpetual contract as long as it favored both parties. Also, a lot has changed in 55 years…Screen Gems was acquired by Columbia who was later acquired by Sony. Sony owns Y&R unlike Days which Corday owns. Sony doesn’t have to split the profits from Y&R like they do with Days so it makes more sense to them to push Y&R and make 100 percent of revenues vs. 50 percent they make from Days. When Sony acquired Y&R Corday should have sued the next day because it immediately put Days at a disadvantage.
“Thank You” for the “laymens” edition w/step by. appreciate it
as long as the distributor is in fact
whew
catch
What a shame.
Over the past year or two, I’ve been grateful that it’s become legally possible to enjoy watching current episodes (with commercials) in high-definition via an Internet website.
It would be wonderful if they could go back and similarly make all episodes from the past 10 years or so ALSO available in the same high-definition format, even if it required paying a fee. Of course, such flexibility seems impossible, given the contractual handcuffs the producers seem to have placed themselves under.
Unfortunately Days didn’t start airing in high definition until November 8, 2010 and that’s as far back true HD is possible. They could however stretch it to fit and digitally enhance the content but there’s a cost associated with that and it would be difficult to convince TPTB that the profitability would exist.
Breaking News
‘Santa Barbara’ Favorites A Martinez and Marcy Walker, ‘Cruz and Eden’ Reunion Chat, On Demand Replay Available for Half Price (Exclusive)
The love was felt around the world during the Sunday, June 7 livestream conversation featuring enduring Santa Barbara Daytime Emmy winners, A Martinez and Marcy Walker who played Cruz Castillo and Eden Capwell on the iconic NBC soap opera. The popular duo reunited for this special one-day only special event honoring their most memorable of daytime roles.
Santa Barbara was globally a hit, and nothing illustrated that more than having attendees from 20 countries and over four continents participate in and watch the live chat moderated by Melissa Braverman, the author of Santa Barbara: The Complete Story due out this fall.
While many were not able to purchase the initial livestream when the ticket costs were revealed to be $100, A Martinez previously clarified the event was to also raise money for Walker, who is currently facing a very serious health situation, now there is a way to catch the replay at half the price.

Courtesy: MBraverman
HOW YOU CAN STILL CATCH A AND MARCY’S LIVESTREAM
Michael Fairman TV can share exclusively that if you missed the chance to see and listen to what A and Marcy had to say, On demand access is available at the event link for a half price at $50 (guests can contribute up to $100 if they so chose). Like the livestream, 100% of On demand sales for the recording will be available for a limited time only, and also go toward Marcy’s medical expenses.
There was plenty of laughter, tears, and reminiscing through the the two and a half hour chat which included: some memorable footage and images from the love story of Cruz and Eden. At one point, Marcy reflected on the enduring impact and affection for Cruz and Eden. “You hope that whatever you do in this life, that you’ll make an impact of some kind,” expressed Walker. “It doesn’t have to necessarily be wrapped up in success or career or anything like that, but I think we all want desperately to feel like our time here blessed someone. To hear that somebody’s life was even a moment better because of what we did is a massive gift.

Photo: NBC
A AND MARCY’S DESIRE TO WORK TOGETHER AGAIN
In a moment that brought joy to those in attendance, A and Marcy both expressed a sincere hope and desire that one day they can work together again. Martinez explained, “There’s more avenues to pursue now than there have ever been. I would say just keep a good thought for it. I’ve been holding it for decades, and I fully intend to do whatever I can to make it happen. We’re engaged in trying to make it happen. And you know, we’ll see. I know we both want to do it.” Marcy simply nodded and responded “Amen.”
Melissa Braverman shared with Michael Fairman TV, her sentiments on hosting the Santa Barbara favorites. “Seeing A and Marcy together again, even virtually, was an absolute gift. It instantly reminded all of us why we fell so hard for Cruz and Eden in the first place. Their undeniable chemistry leaped off the screen and straight back into our hearts, proving that the magic they created all those years ago hasn’t faded one bit. Sharing in equal parts laughter and tears felt like catching up with old friends. It just meant the world to see them side-by-side again and to see how this incredible fandom showed up for Marcy during such an important time for her.”
So, if you attended the livestream chat with A Martinez and Marcy Walker, what did you enjoy hearing about the most? Now the tickets have dropped to watch the replay On Demand, would you want to check it out? Let us know via the comment section below.
Breaking News
‘Days of Our Lives’ Officially Confirms Ryan Quan Returning as Co-Head Writer Beginning in July

There is definitely a shake-up going down at the writing team at Peacock’s Days of Our Lives. Now, the long-running soap opera has confirmed, what has been previously reported, that current General Hospital breakdown writer, Ryan Quan is heading back to his old stomping grounds in Salem. This time as the series co-head writer.
The appointment of Quan comes with the official news that current co-head writer, Paula Cwikly, who was previously rumored to be departing the series, is not. She is staying with the soap opera and transitioning to a consultant role with the show. Now, Quan will join current co-head writer, Jeanne Marie Ford to steer the ship for the characters on the canvas.
On Wednesday, TV Insider, reported the official confirmation and that Quan will return to DAYS next month in July. In a statement to the outlet, executive producer, Ken Corday expressed, ‘We are lucky to have Ryan back in the fold. There are very few people who have such a deep knowledge and understanding of our show’s history. Stay tuned!”

Photo: JPI
THE FUTURE OF DAYS OF OUR LIVES
Since Days of our Lives unusual production schedule tapes ten-months ahead of air, the new creative team’s vision led by Quan and Jeanne Marie Ford are not expected to stream on Peacock until mid-2027.
Days of Our Lives is currently renewed through its 63rd season. The former NBC soap opera which transitioned to Peacock in September of 2022, celebrate its 60th anniversary in November of 2025.
The writing regime change comes after NBCUniversal Media Chairman Matt Strauss revealed that Peacock is expected to turn a profit for the first time in the current quarter, punctuating their investment with the enduring soap opera on its platform.
As for Quan, his knowledge of Salem is tremendous. Ryan joined Days of Our Lives as a writer’s assistant in 2007 after some time over at Passions. He then spent two decades and held every position on the writing team where he previously served as co-head writer from 2016-17 alongside Dena Higley.
Later, when Ron Carlivati took over as head writer for 7 years in 2017, Quan became his right-hand man and main story consultant for his deep knowledge of the history and the legacy of the show. After Carlivati exited the show in 2024, General Hospital hired Quan in 2025.
So, what do you think about DAYS making it official with Ryan Quan as the new co-head writer of the series alongside Jeanne Marie Ford. What do you think about the fact we won’t see the changes on-screen till 2027? Weigh-in via the comment section below.
Breaking News
ABC Announces ‘Grey’s Anatomy’ Texas Spin-Off Gets Straight-to-Series Order

In a surprise move, coming a week after ABC unveiled its 2026-2027 fall television schedule, Grey’s Anatomy is getting a new spinoff co-created by the original series’ creator/executive producer Shonda Rhimes.
The new untitled medical drama will be written and executive produced by Rhimes and Grey’s Anatomy showrunner/executive producer Meg Marinis under the Shondaland and 20th Television umbrella. In addition, long-running ‘Grey’s’ star Ellen Pompeo will also serve as an EP of the spinoff.
The upcoming new series will debut midseason in 2027. This will be the first of Grey’s franchise not set in urban city or West Coast locale. According to Deadline, the new “edgy drama is about a team at a rural West Texas medical center — the last chance for care before miles of nowhere.”

Photo: ABC
In a statement, Marinis shared, “I am incredibly excited to expand the Grey’s Anatomy universe. This opportunity will bring new characters and stories to life that will embody the same heart, emotion and connection audiences have loved from Grey’s for more than two decades — all set in my home state of Texas. I am so grateful to Shonda Rhimes for creating this dynamic world and feel so fortunate that I get to be a part of it.”
A NEW GROUP OF DOCTORS IN RURAL TEXAS
The Texas spinoff will feature a a new group of doctors, but there will be some connection to the OG Grey’s Anatomy and possibly to Debbie Allen’s character of Catherine Fox. The amount of episodes in the series order has not yet been determined. Previous Grey’s Anatomy spinoffs were the defunct Station 19 and Private Practice.
Previously, Grey’s Anatomy was renewed for its upcoming 23rd season while the amount of episodes is unclear. The last two seasons the series produced 18 episodes.
It should also be noted, Grey’s Anatomy and the Texas spinoff would likely share a time period, which requires limited-run orders for both with Grey’s premiering in the fall, followed by the spinoff on the midseason programming block.
So, what do you think about a Texas spinoff of Grey’s Anatomy coming in 2027? Who would you like to see from daytime or primetime as some of the featured roles as new doctors? Put on your casting directors hat and let us know via the comment section below.
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