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The Eric Braeden Interview – The Young and the Restless

Photo Credit: Kathy Hutchins

Photo Credit: Getty Images

This week on The Young and the Restless the CBS soap opera honored its iconic star, Jeanne Cooper, with a two-day memorial episode for the beloved character she played for almost 40 years, Katherine Chancellor.  One of Jeanne’s longest running co-stars, who was deeply touched by the loss of his long time friend on-screen and on-off, is the indominatable Eric Braeden (Victor Newman).  Now the question remains, with the reading of Katherine’s will next week, how might it affect the mighty Victor?

Over the last several weeks, while there was plenty of attention of viewers waiting to have a good cry at Katherine’s memorial episodes, there was also controversy brewing at Y&R with the swift departure of head writer Josh Griffith, who Braeden took to Twitter to publically defend Griffith’s stories, and who voiced his displeasure over a change at the top.  In this new interview with On-Air On-Soaps, we ask the Daytime Emmy winner, where he sits with it now?  And, that raises the age old question: has any writing regime in the history of the show even come close to the way that Y&R creator Bill Bell told stories and constructed the show?  Eric certainly weighs-in heavily on the matter.

In the coming weeks on Y&R, look for more bombshells, especially when Victor finds out that his son, Adam’s (Michael Muhney) secret investor is really his nemesis, Jack Abbott (Peter Bergman)!  Braeden gives us a preview of a major fallout!  And what about the entire Newman clan?  Will Victor ever let Victoria (Amelia Heinle) run Newman?  Will Nikki (Melody Thomas Scott) share with Victor the secret contents of her letter from Katherine?  Or, will it cause a rift in the star-crossed lovers marriage, yet again?  For the answers to this, and Eric’s thoughts on the exit of Michelle Stafford (Ex-Phyllis) and not getting much air time to work with his other on-screen son, Joshua Morrow (Nick).  Read on for our chat with the always candid, tell-it-like-it-is Mr. Braeden!

MICHAEL:

As this week’s viewers witnessed the memorial service of Katherine Chancellor on Y&R, going back a step, how difficult has it been for you dealing with the loss of your longtime cast mate and friend Jeanne Cooper?

ERIC:

Photo Credit: Kathy Hutchins

It was difficult for me.  I must say Jeanne’s death touched me more than I would have anticipated.  It really hit me, and I thought about it a lot.  I suddenly realized I have been working with her for more than 30 years!  That is a helluva a long time.  I was very fond of Jeanne, and loved working with her.  She was such an intrical part of Y&R that it affected me more than I thought it would.  Jeanne’s memorial service, which was held at her house with her sons Corbin and Colin, and her daughter Caren, was so moving, nice, and so real.  Jeanne was an extraordinary person, and you can see that in her family.  Her children are some of the most stand-up people I have known.  As direct as Jeanne was, I was just as direct, obviously. (Laughs)  So, I had such a huge fondness for her, I must say, and as she got older and frail I even felt more protective of her.

MICHAEL:

I remember you speaking at Jeanne’s memorial.  It was so authentic and touching.

ERIC:

You know, that during the memorial service when Corbin spoke there was a dove right behind him, and it stayed there during the entire service, as if it was Jeanne listening.  I have never seen anything like it, right over his shoulder!

MICHAEL:

Do you think the fans will be touched by Katherine’s memorial episodes?

ERIC:

Yes, I think so.  It was a difficult day.  We had scenes where different people are involved; it became very difficult with the other actors, and for the crew.  But it was certainly appropriate.  I look forward to seeing the episodes.  I remember after we finished shooting Katherine’s memorial service, Corbin spoke and said some very lovely things, and how strange it was for him … how art and real life meet.  He is talking as the son from the stage of where his mother spent most of her life.  Very strange in ways, and very moving.

MICHAEL:

Courtesy/CBS

Do you have a favorite of all-time of yours and Jeanne’s?  You had so many scenes together as Katherine and Victor.

ERIC:

What comes to mind is what I said at her real memorial service.  It is the first time we had a scene together.  She came up in the inevitable Jeanne Cooper way, and grabbed me by the “privates” and said, “Ok, big boy. Let’s see what you got!”  And I said to myself, “I am going to get along with her!”

MICHAEL:

Nikki knows the content of her letter from Katherine, and so too does Paul, but Victor does not know what it says.  Both are dealing with the loss of Katherine in their lives.  Would you say Nikki is hardest hit by her passing?

ERIC:

I would say Nikki is obviously hit hardest by it, because Kay was her confidante and best friend.  I can say a lot of surprising things will play out over the next few weeks.  I loved it.  It’s great stuff!

MICHAEL:

Often times, fans recently have been vocal that Y&R has focused on newbies that they don’t know or care about in favor of the veterans.

ERIC:

I think every since I have been on the show, during the summer months they have made the mistake to try to garner the attention of the young demographic, and that is an edict from above.  So all networks think they have to grab the attention of a young demographic, and without realizing it, it’s the old demographic that is your core audience.  I have heard these complaints for 33 years every summer.  Nothing has changed.  I think it’s a corporate decision that is made on top, but I think it’s a mistake.  I don’t think the facts support the hypothesis that it gets more young people to watch the show. But that is the thinking industry-wide, and wrongfully so.  It is the older demographic who has the financial wherewithal to buy things anyways, or to give permission to the younger kids.

MICHAEL:

Photo Credit: Kathy Hutchins

How do you feel the writing of Y&R was, during just exited head writer Josh Griffith’s tenure?

ERIC:

As you know, whenever there is a change, it takes a while to get adjusted to it.  I am happy with the storylines right now.  I was happy before, and so as an actor you learn to do the best with what you are given.  I must say, I can’t complain at all about what I have been given.  There was only one time in 33 years that I was blatantly unhappy, and only once during someone’s regime as a head writer, but not for a long time.  I love working with Maria Bell, and I loved working with Josh Griffith.

MICHAEL:

You have voiced your displeasure on Twitter over the departure of Josh Griffith as head writer, and what kind of criteria a person should have to be put in that position to write the number-one soap. (Reports have been that Jean Passanante and Shelly Altman are the new co-head writers at Y&R, although unconfirmed by the show) What are your thoughts on the subject now?

ERIC:

It was upsetting to see that Josh was gone.  I am so use to changes, one becomes unoit to it after a while, but I was surprised.  Obviously, someone who knows the history of the show and is familiar with the characters should be the new head writer.  I don’t like change.  I did not like Maria Bell leaving, and now I don’t like that Josh Griffith leaving, but that is part of the business.  I am not aware of the reasons why Josh is gone.  I was upset on Twitter about his departure, but I have had changes for 33 years on Y&R, and the only real calm time was under Bill Bell, as we all know.  There was a sense of continuity which has not been replicated since.  Bill simply did not tolerate any interference … none!  Hopefully, the show continues in a successful way.  I think Jill Farren Phelps (Y&R executive producer) is doing a good job, and Josh was doing a great job, and we had just gotten use to that.  I am against that change, period.

MICHAEL:

Photo Credit: Kathy Hutchins

Adam’s secret backer in business, is of all people, Jack!  What do you think will happen when Victor finds out?  It’s on the verge of happening!

ERIC:

Well, just fasten your seat belt.  That is all I can tell you!

MICHAEL:

Did Victor want things to go well with having Adam at Newman Enterprises?  Or, did he not want it to go well?

ERIC:

I think for Victor initially, part of him wanted it to go well, and he was hoping against hope that Adam would become someone he wanted.  But, we must always remember from the moment Adam came into Victor’s family, or the periphery there of, that the moment he came back into Genoa City he has been nothing but trouble.  I mean, people forget the things he has done, and the list goes on and on, and so it makes for interesting drama.  I think every father has a desire to get along with his children, no matter how wayward one of them has become.  Anyway, it is a very interesting storyline.  Again, fasten your seat belts!

MICHAEL:

The reading of Katherine’s will is coming up.  Could the contents in the will be paramount to Victor and his future business dealings?

ERIC:

I would say there is another bomb about to go off!  You bet!

MICHAEL:

Photo Credit: Kathy Hutchins

I am hoping Victor won’t screw with Katherine holdings.

ERIC:

Victor is a businessman, but he is very respectful of Katherine.

MICHAEL:

How does Victor feel about Nikki’s multiple sclerosis?  Has it changed or impacted him in some significant way?

ERIC:

Obviously, Victor is very concerned for her, and it gives him pause in his business endeavors to not forget what Nikki is going through.  I think it has struck a chord in him that he wants to be more affectionate to her than usual.

MICHAEL:

When you call Billy Abbott (Billy Miller) “Billy Boy”, which is so funny, where did that come from?

ERIC:

Photo Credit: Kathy Hutchins

I think it’s very funny.  I love working with Billy.  He is a character. (Laughs) The “Billy Boy” thing came from me.  I remember using that when I shot my nemesis in my film, The Man Who Came Back.  I shot him in the balls and I said, “I shot you in the balls, Billy Boy!”   And that stuck with me!  “Billy Boy” I just love that!  It rolls of your tongue. (Laughs)

MICHAEL:

Why does Victor not want Victoria in charge at Newman?

ERIC:

That isn’t quite true.  I adore Amelia Heinle, and I love working with Billy Miller.  Unfortunately, there is always friction between father and daughter.  And in my real life, I would hate friction with my own kids or grand kids.  That is one thing about Victor I never really liked, but it’s conflict and drama and we need that.  But my God, I would be so warm and giving with my own daughter, of course.  I enjoy having dinner with my son more than any other person, and we are very close.  My grandchildren I just adore.  Victor gets to show part of that, but for my taste not enough.   But what a great conflict with “Billy Boy”! (Laughs)

MICHAEL:

How does Victor view Adam as opposed to Victoria in business?

ERIC:

He does not trust Adam business-wise, but he wants to trust him.  Adam is always up to shenanigans that makes Victor very disappointed.  It must be horrible in real life to have children like that.  Again, we are doing a drama and need conflict.  As far as Victoria, I think Victor thinks she is very capable, but in the end he doesn’t trust anyone.  So let’s be frank, he wants to run the ship himself and that ain’t going to change.  So, would he like to be close to his kids?  Of course, yes.

MICHAEL:

Photo Credit: Kathy Hutchins

Why do you think the Jack Abbott/Victor Newman clash has worked so well over decades?   Do you attribute it to you and Peter Bergman as actors?  Or, the story?

ERIC:

That is a good question to ask, and very difficult to answer.  I think it is to the way that Peter Bergman plays Jack, and the way I play Victor.  We piss each other off.  It’s as simple as that.  I respect Peter as an actor enormously and we certainly get along, but then we start acting these scenes, and they are full of vinegar and poison.  That is due to how we both interpret our parts.

MICHAEL:

Did you think the role of Victor would last this long?  You must moments of “How cool is this”.  You are playing this delicious role that many actors only dream about getting to play once in their lifetime!

ERIC:

I have many moments of how cool this is, when you think of how hard it is to keep a job in this business.  We have 150,000 actors registered in the union, in which 1% makes a living.  I have been doing this show for 33 years, and I have been in the business for 50. The longest I have been unemployed is for three months.  I consider myself very fortunate with this job, and very proud of this show.  Do I wish I had more say and power as I have over some films, such as The Man Who Came Back?  I would be lying if I said “no.”  But you do the best within the parameters that you have been given.  This is too fleeting of a business.  This medium is so fast.  We shoot 80 pages in one day, and what they write about we find out about 2 months later.  So, I am reconciled to the limited parameters of Y&R for me as actor.  We have 25 characters most of the time on the canvas.  So I am very happy where I am, and the kind of life I have had.  There is no question about it.

MICHAEL:

Photo Credit: Kathy Hutchins

Soap operas over the last five years have faced numerous network television cancellations.  A few, AMC and OLTL moved to a new online platform and format.  How do you think soaps are doing now?  What do you think of how CBS Entertainment Daytime SR. VP Angelica McDaniel has been doing in her position, since being put in charge of the day part that Y&R resides in?

ERIC:

I think Angelica has proven that she is very passionately in support of our show.  I like that very much.  I appreciate that very much.  Look, we have been number one for a very long time, and there is a reason for that.  We try to make it as real as we can.  We stay away from the fantasies, and away from the science-fiction stuff.  We can’t do certain things as well that other people can do in films, or nighttime television. This is about being real people, and their real emotions.  I have always insisted in playing my role as realistically as I can.  I think that is the key to success in our medium.  We just need to have good stories.  Our medium is not made for something fantastical, or out of the ordinary.  It is made for real emotions.  That is what people want to tap into.  What is art about?  Art is about people looking at something, or watching something, or reading something, and going, “That’s interesting.”  You transport them into the lives of the artist whether its music, or daytime soaps.  Within that enjoyment of looking into other people’s lives, you need people to be as real as you can be as the artist, so you identify with them.  If people can’t identify with it, you lose them.  I think the medium is here to stay if the people who write soaps understand perfectly well that the audience needs to buy into the characters, and that’s all.  We have done that to a greater or lesser degree on this show, ever since I have been here.

MICHAEL:

You are up on Twitter a lot more now!  How do you like being part of social media? I know a few times you may have encountered some controversy while on there, as of late.  (Laughs)

ERIC:

Photo Credit: Kathy Hutchins

I must say I love it, because you get immediate feedback, and you begin to in the 33 years I have been here, be intimately aware that there is an audience out there and that is the reason you are here to begin with.  We in Hollywood often times become cynical of what we do, because we are not in contact with the people who watch.  And when you do films, you are just totally out of touch with the people who watch you, and who pay to see you.  Twitter is an avenue where I really appreciate the audience, and learned that the audience is very smart.  They know exactly what is going on, and I resent the condescending aires of certainly people in Hollywood as if they don’t know … they know!  The audience knows when something is phony; they know when something is real.  They really know it immediately, and Twitter gives me an immediate feedback. So one lesson I would teach Hollywood executives, some actors, and directors, is don’t ever under-estimate the intelligence of the viewing audience.  You make a huge mistake when you do that.

MICHAEL:

Do you think Michelle Stafford leaving Y&R was a big loss for the show?

ERIC:

I am very upset that Michelle is gone.  She is one of those rare actresses who doesn’t come along very often.  She is very unique, and very passionate about her profession.  When she comes on the screen, it lights up the scenes and pops!  For whatever reasons she left, partly personal reasons … I don’t know, and I don’t want to know, but I am sad she is gone.  It’s a loss.

MICHAEL:

Michael Muhney and you play two very strong-willed characters.  What is it like acting in a scene with him when you go toe-to-toe constantly?

ERIC:

Well, I have never been worried about someone else’s strength, that does not bother me. Michael is very good at what he does, and so the scenes work well.

MICHAEL:

Photo Credit: Kathy Hutchins

Do you wish you had more scenes with Joshua Morrow? Viewers don’t get to see the connection between Victor and Nick much at all anymore!

ERIC:

It saddens me, because Joshua is my first son on the show and he couldn’t be a nicer guy. He is a very good actor.  Joshua has one of those casual all-American attitudes, where sometimes you underestimate what he does.  I don’t.  He can star in any medium, as far as I am concerned, nighttime television or film.  So sometimes it saddens me that he and I don’t have a closer relationship as Victor and Nick, as father and son, on the show.  I am so sick of Victor interfering in others people’s lives!  I don’t give a shit, but unfortunately I have too.

MICHAEL:

Will Victor ring Sharon’s (Sharon Case) neck for changing the paternity test on his son, Nick, when that eventually comes to light?

ERIC:

More than that!  She also set fire to the damn ranch!  Yes, I am asking “Paul, God dam it. Find the culprit, will you?” (Laughs) And he hasn’t yet; he walks around with that silver briefcase all the time.  It must be so heavy; when he comes home he needs a rest.  (Laughs) Anyway, Doug Davidson (Paul) is wonderful to work with.  The only problem when Doug and I work together is we have a difficult time keeping from laughing.  With Dougie, when I see the glint in his eyes, it’s difficult to keep a straight face with him … it really is!

MICHAEL:

So as we conclude our chat, we can leave the fans knowing that truly all is OK from where you are sitting with what’s happening now with Y&R, and in the near future, for Victor Newman?

ERIC:

Photo Credit: Kathy Hutchins

To be frank with you, I am happy with the storyline.  I was sad to see Maria Bell go at the time, because it was the last of the Bells that went.  It really affected me a lot.  I have a good relationship with both Jill Farren Phelps, and Josh Griffith.  I am an actor and paid to do what people write, one must not forget that.  But if I had to do it over again, I would have decided years ago to direct more.  I like to have complete control of stuff, and that is the one frustrating thing of being an actor on a soap.  If you star on a primetime series or a film, you have far more power.  In daytime, your power is limited and you can’t affect things.  And, that I would never do again.  I have seen too much; I know too much.  I know what I think is right.  So my interests are that I learn my lines, I do as well as I can, but then when it’s over, I am on to the rest of my life.  So that is one thing I would change if I had to do it all over again.  I would start directing earlier, I would be more involved in the writing, and have much more control over it, than I have allowed myself to be.  But having said that, are you kidding?  I am very happy playing Victor Newman. And look, we all have complaints about this and that, that are life and part of the creative process. We don’t always agree, but we pull ourselves together and in true show business style, you say, “Let’s go.  Let’s get it done, and do it the best way that you can.”

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KerryMARY ELLISONSherry Holas-HerrickmarkSR Recent comment authors
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mary jonas
Guest
mary jonas

what a guy. what a guy! He’s funny. I love how he tweets Doug about “who burnt the damn ranch”.
Fun read.

kalamaty
Guest
kalamaty

Great interview with the icon himself! Always loved his absolute candor, and love his affection for his costars!

Monica Junge
Guest
Monica Junge

Wonderful hearing from Eric.

SHARON HARRISON
Guest
SHARON HARRISON

ERIC,, I WAS WATCHING THE YOUNG AND THE RESTLESS YESTERDAY. AND I THOUGHT THAT JACK ABBOTT WAS GOING TO GET YOU MAD ABOUT NEWMAN ENTERPRISES. I SAID GET HIM VICTOR . JACK THOUGHT THAT HE HAD YOU FOOLED. ABOUT ADAM IS PLAYING ON THE DIRTY SIDE WITH JACK ABBOTT. I WILL BE WATCHING YOU ON THE YOUNG AND THE RESTLESS TONIGHT GET HIM VICTOR

SHARON HARRISON
Guest
SHARON HARRISON

ERIC THIS THING ABOUT ADAM MAKES ME SICK. HE IS A SNAKE IN GRASS FOR WHAT HE DID TO YOU AND NIKKI NEWMAN. I HOPE THAT YOU WILL LET HIM GET A WAY WITH IT. I WONDER WHAT NICK THINKS ABOUT HIS BROTHER ADAM DOING WHAT HE HAS DOING TO YOU AND THE NEWMAN FAMILY. HE IS AS BAD AS SHARON NEWMAN THAT SORRY NO GOOD. BECAUSE SHE IS TRYING TO MESS WITH NICK”S WEDDING PLANS. SHARON HARRISON

k/kay
Guest
k/kay

The one thing I hate is that the writers on both of these regimes screwed up the relationship he had with Sharon it was always a father/daughter if you will. The one storyline I know he hated was when LML was running the show and had him cutting out paper dolls that was indeed an eye roller.

Diane
Guest
Diane

I so loved reading your interview..thank you so much..Eric is the backbone of the show..with Jeanne gone he makes it still feel like family..they have added to many young actors to fast ..so it gives me comfort to see Eric as often as possible ..
Great interview…just wonderful…
Thank you..dd

Michelle
Guest
Michelle

This was such a great interview. I have such respect for Eric saying all that he said and being truthful about it. He is right about tweeting…it gives you that personal bond with the actors.

ethel
Guest
ethel

loved the interview!

MEG
Guest
MEG

I would have liked to know how will treat Adam when they find out ,the baby is Adams will he be there for Adam and his son .

Eileen Hargis
Guest
Eileen Hargis

In person, the first thing u learn about him is that he has a wicked sense of humor! He is truly so interesting to listen to and I value that he twitters to me fairly often, the first thing he that he said to me at the autograph table was a tweet I sent to him while he was in Monte Carlo earlier! Eileen n Vegas

glenda alford vaughn
Guest
glenda alford vaughn

I loved every min. of this interview. He is a legend! He demands respect, and gets it in the end.

I do hope it all plays out the way; that all is well, and like OKAY:-)

Colleen
Guest
Colleen

What an awesome interview. Eric is admirable in every
human way possible. Both on and off screen. If only he would follow
me on Twitter!!
And Michael, as always, your interviews are excellent !
I really enjoy all of them.

Jewell
Guest
Jewell

Love how he came up with Billy Boy. haha Eric is so fun to talk to on Twitter, he is very intelligent , and so funny..

SR
Guest
SR

Honest, straight forward, insightful, consummate actor, respectful of fans and dam smart. He rocks! Great job Michael.

mark
Guest
mark

great interview hes a classy guy!

Sherry Holas-Herrick
Guest
Sherry Holas-Herrick

I admire Mr. Eric! I started watching this Y&R soap when Steve Burton jumped over from GH, but it turns out, my most favorite scenes are with the Victor character! Michael Fairman, you do a great job interviewing also 🙂

MARY ELLISON
Guest
MARY ELLISON

PLEASE BRING PHYLLIS BACK AND GET RID OF SHARON . IT TIME FOR HER TO GO|||

Kerry
Guest
Kerry

My mother has watched Young and the Restless for as long as I can remember, and I am now 48 years old. She is going to be 82 September 29, 2013 and she was diagnosed with stage 4 mouth cancer barely a month ago and it is progressing VERY quickly. She would be so thrilled to have an autographed pic from the cast…..especially Murphy. Obviously she would love it if he could call her, or better yet visit her, but I know I have to be real!!!! If there is anyone out there who knows how I could accomplish this… Read more »

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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