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The Lauralee Bell and Doug Davidson Interview – The Young and the Restless

Photo Credit: Kathy Hutchins

Photo Credit: Kathy Hutchins

If you watched today’s highly emotional tribute and memorial service to Katherine Chancellor on The Young and the Restless, you may have been caught by surprise, as were the actors who play Christine and Paul!  Of course, we are talking about Lauralee Bell (Christine) and Daytime Emmy winner Doug Davidson (Paul) who have kept the secret that during the memorial, Paul and Christine get married!  The shocking turn of events brings some happiness and hope to a rather heartbreaking day for Katherine’s loved ones, family, and friends who come together in Chancellor Park, the new set honoring the late Jeanne Cooper, to say goodbye to the Grand Dame of Genoa City.

On-Air On-Soaps chatted with Lauralee and Doug exclusively to get an inside look at what went down during the emotional taping of Katherine’s memorial, especially for these two who had such a deep and close bond to the legendary Jeanne Cooper.  Plus, we learn, what was their reaction when they learned that their characters would marry in the middle of the memorial?  Fitting, or, inappropriate?

For longtime fans of the number-one soap, Doug references throughout our chat the influences of Lauralee’s dad (Y&R creator Bill Bell) throughout this new storyline involving the letters Katherine left for the residents of Genoa City, that for many is a call to action, and for many a time to contemplate.  But for once in soaps, the good girl and the good guy finally get together.  What better way than to have their beloved friend and long time cast mate Jeanne Cooper looking over them from the heavens above onto the soundstage at CBS to watch the fictional union of two of her dearest friends in real life.  Here is what Lauralee and Doug have to share about the experience with all of you!

MICHAEL:

How was it for both of you to perform and participate in the memorial episodes for Katherine Chancellor knowing your deep personal relationship with Jeanne Cooper?

LAURALEE:

Courtesy/CBS

I don’t think Doug and I have ever cried so hard, honestly.

DOUG:

What happened was… the part that got me the first time was that during rehearsal Corbin Bernsen is up there as Father Todd, and where does the play stop and real life begin?  There are these big pictures of Jeanne around, and he started and he got caught up, and we were OK then, but then he goes to read this poem, and so much of the poem reminded me of Jeanne not really being away.  You could feel her presence in the studio.  She is such a powerful force.  Then having her son read this poem about herThen, suddenly Doug was getting more emotional than Paul should …

LAURALEE:

… Right, right!  We were all getting so emotional, especially our row.  If the camera were to have cut to us, it would have been an odd choice.  We could barely keep it together!  But there was one little segment apparently that Corbin said, “When I read it at home and was preparing to shoot the episode, I did not see this one sentence that said, ‘my blood lives within you,”’ or something to that effect.  It just choked him up immediately, because everything was, and is so real.

DOUG:

And, it’s so contagious.  It’s his mom, and you feel for him, and you feel for the loss of his mom, and our friend, and on so many levels, that you can’t anticipate how you are going to react with all of that coming at you.

LAURALEE;

Courtesy/CBS

It was a really hard day.

MICHAEL:

Were the two of your dreading taping the episodes, because of how close real life and art were this time?  Did you like the way the writers decided to deal with Katherine’s death?

DOUG:

What I liked is that Katherine is not off the canvas, and that is the bottom line, and that is why we were both thrilled how it was handled, because she is living beyond her departure through letters she gave to all of these cast members.  All of the letters are changing the lives of the people of Genoa City, and she is now still the topic of the show.

LAURALEE:

I had not really thought about if it would be difficult or not, because I felt like we had been through that.  But in some weird way, this was almost harder than Jeanne’s real memorial.

DOUG:

I think we were all eager to do it, because it was such a tribute to an iconic television character.  So, I think everybody involved in the story was honored to be there.  Our fans deserve a great tribute, and that she be honored in a fitting manor.  I guess if you are afraid of emotion, you have got the wrong job of being an actor on a soap opera.  From my perspective, it was a privilege to be able to honor her.  I don’t think anyone has been honored quite in this fashion: first a memorial for Jeanne, and now her character.

LAURALEE:

Courtesy/CBS

It all ended so nicely, too, because each cast member went up and singly had a sentence about her and for her as they put roses next to her ashes.  It was so well done.

DOUG:

Corbin brought some of Jeanne’s ashes to be in Katherine’s vessel.  It was very cool.

LAURALEE:

It was very intense.  And when you would look to your left and see the camera operators and the boom guys all choked up too, everyone on that set was involved.

DOUG:

There was no way out.

MICHAEL:

So, Paul is the last one to get a letter from beyond the grave that starts the turn of events at the memorial that sort of matches up with what Katherine said to Christine in her letter.

DOUG:

Paul is the last one to get a letter!

LAURALEE:

Christine’s letter said something to the affect of: “No one ever had on their tombstone, you put in great hours.  Take time to look at the sunset and take time to live your life, and if something is right there in front of you that you know it is meant to be, get it.  Don’t waste your life away.”  So the meaning was in there, and then Paul got his letter.

Courtesy/CBS

DOUG:

And Paul’s letter says, “What are you waiting for?  Marry her!”  That is all it said.

MICHAEL:

What happened to Nina (Tricia Cast) in all of this?  On Tuesday’s episode, Kay’s letter impacted her so much that she was ready to let go of Paul, and just in time!

DOUG:

Nina got a letter to forgive.  I must say since that story started, it has been more Bill Bell-esque in the style of the show, and character-driven with a heartbeat.  It has certainly felt more like Bill’s show since her passing, and that is due to the fact that Jeanne Cooper’s Katherine Chancellor is part of the original creation and concept of Y&R.  And, it’s carried through into all the other stories right now.

LAURALEE:

Plus, I hoped the fans loved all the flashbacks during the memorial.  It was great to hear Jess Walton (Jill) talk about how Jill and Katherine met.  And, how she was her manicurist, and that is something you forget.  Even as an actor on the show, to listen to everyone’s little vignette was. “Oh God. I forgot about that.  And Wow, there is such insane history.”  It was just all great!  So Paul says to Christine, “Will you marry me?”  It is a bizarre place, but at least we acknowledge it, like, “I don’t think we should crash Katherine’s funeral!” (Laughs)

DOUG:

But what was your reaction, Lauralee, when you heard about Paul and Christine getting married at Katherine’s memorial?

LAURALEE:

Personally, I did not believe it!

DOUG:

Courtesy/CBS

It was like, “What the heck?”

MICHAEL:

How did you first hear about the shocking fact that Christine and Paul would get married at Katherine’s Memorial?

DOUG:

I heard about it from the wardrobe department.  I was like, “Have they totally lost it?” (Laughs) And I have got to say when we got on the floor; it once again honored Kay and Jeanne.  It sort of all came together there … our emotions and our love for her.  It was about the things that stop us in life that maybe we would not have heard when she was here, but you hear loud and clear when she’s gone.  I will get messages from our viewers that they have so much more attachment to the veterans on the show since her passing.  And there again, they cherish what they lost, and are attaching to the people they have spent 25, 30 or 40 years with.

LAURALEE:

I went for a fitting for a wedding dress, and I was like, “Right?”

MICHAEL:

What did you think about how the marriage came about so quickly?

LAURALEE:

Well, Paul gets down on knee!  And … with Reverend Corbin looking on!  (Laughs)

DOUG:

Courtesy/CBS

Then Jill says, “This will be perfect!”

LAURALEE:

And Christine says, “I don’t think this is appropriate.  It steals focus.”

DOUG:

It makes it so right that it will honor her, in that we are starting a new life together and honoring a life that just past – so it’s a death and birth at the same time.

LAURALEE:

And there were instructions from Katherine, that this should not be a sad occasion but a party, and all of that.  So it did work.

MICHAEL:

You must have been concerned that this would come off as a bit odd?

DOUG:

In the beginning, yes … but then also what came into this was Lauralee’s relationship with Jeanne, and my relationship with Jeanne, and suddenly we looked at each other and we have our own history together.  So, then it becomes about Doug’s working relationship with Lauralee, and Lauralee’s with Doug’s, and suddenly your realize, all of our adult life has been spent in this environment.  Corbin pointed out that over half of Jeanne’s life was spent on Y&R, and suddenly we could all relate to the fact that what Bill and Lee Bell created lives on.  After the taping of the memorial was all done, Corbin personally challenged all of us in keeping the show alive and working as hard as we can.

Photo Credit: Kathy Hutchins

LAURALEE:

He challenged us to take this and take it to the next level, and never give up.  Even when you worked with Jeanne, she would force you to work harder to make it a better scene.

DOUG:

At 84!  She would show up, ready to go.  It was amazing.

MICHAEL:

And where do you think things were between Christine and Paul before the letters arrived?  Were they in a good place where Katherine’s influence would have sparked this to happen so quickly?

LAURALEE:

All Christine says to Paul is, “I know you are a little disappointed that you didn’t get a letter.”   She has been away and she shows up and Paul says, “Do you want to just pass on the memorial?”   Christine says, “No, after getting this letter, I feel closer to Katherine.  And, I am sorry you did not get a letter.”   Paul just sloughs it off and says, “I will just share yours.”   But you can tell he is very sad he does not have a letter.  But it was pretty immediate, and probably better that way, because if there was too much thought about it, it would not have worked.  The whole thing had to be spontaneous.

DOUG:

I am delivered the letter towards the end of the memorial service, and I go off to a private area to read it. 

MICHAEL:

So all this time Christine and Paul loved each other from afar?  Lauralee has not been on the show as much recently.

LAURALEE:

Photo Credit: Kathy Hutchins

Well, she moved back from Washington to be with Paul.  I work a bunch more in the beginning of September, so I think things will become clearer.

DOUG:

I understand there were production reasons why Lauralee could not come earlier, and then for Lauralee she had family plans during the summer.

LAURALEE:

I don’t know if I will be on more. I hope so.  I am auditioning and doing my web series, and when I get the call to come back to Y&R, I am happy to go.  It is all good.

MICHAEL:

Nina seemed happy she got her letter, so she was satisfied to let bygones be bygones.  She even was Christine’s maid of honor! But what about Danny (Michael Damian), who Christine has a romantic past with?  He did not look to happy about this union!

LAURALEE:

Nina was happy because she got a letter from Katherine.  She was happy to be acknowledged, same with Danny who said something like, “I’ve moved on.  I don’t care.”  It was pretty funny. (Laughs)

MICHAEL:

Do you think Christine and Paul ever stopped loving each other?

DOUG:

I don’t think they ever stopped.  I think they were driven apart by Michael (Christian LeBlanc) and Isabella (Eva Longoria) and if not for that, I think they would have made it over the separation.  But having the two forces; Michael on Chris and Isabella on Paul, it drove a wedge between them when Chris was working in Hong Kong. Upon her return, I don’t think they stopped loving each other.  I think it was all still there.  I think they became jealous, and because of it, it shrouded their love, but if you recall none of that happened naturally.  It was all forced upon.

LAURALEE:

Courtesy/CBS

Paul’s competition really is Christine’s job.  That is her problem.  She has to figure out what she needs more … a career, or a life.  But at this point in life, as people get older this marriage has a better chance of working, because it’s a different stage in your life, and you do realize that life does not go on forever and you re-prioritize.  I think that other than the circumstances of Katherine’s wedding, it was an emotional ceremony, and that they are on now on a very adult level with each other in a different way.

DOUG:

The fact that they have such a strong foundation and relationship beyond husband and wife, is the reason it’s probably going to last forever.  And, I mean forever as anything is on a soap opera. (Laughs)

MICHAEL:

Do you think Jeanne would love the fact that Paul and Christine got hitched on the memorial episodes dedicated to the legacy of her character, Katherine Chancellor?

DOUG:

I think you go one step further, too; it was a pairing that was incredibly important to Bill as well.  And for me, it was quite an honor that he picked my character to marry the character his daughter plays.  If you know anything about Bill, he would never do anything like that lightly.  That in itself is an honor, but Jeanne being connected to that goes above and beyond.  There is a video clip of where she is talking to me about Chris that was 20 years ago.

MICHAEL:

Courtesy/CBS

Lauralee, do you think Dad would be proud of this story?

LAURALEE:

I think so.  The history is there.  It defines itself, and the audience knows what we are thinking without speaking, and it’s characters that our so embedded in the show.

DOUG:

We could not have done this without Bill Bell.  This goes so deep into the core and the heart of the entire show, that it’s all him.

LAURALEE:

Friends who never watched the show asked me, “Oh, you’re getting married again?”  Then they asked, “Well, what number is this for you?”  And I said, “Surprisingly, it’s only the second man I have married on Y&R.”   Again, this relationship was not so all over the place, where Paul was with this person, and that person, and Christine was with half the cast.  These two have such a special bond that when you see one; you expect to see the other.

DOUG:

I hesitate to use the word “old-fashioned”, but it was the hero and the heroine, and Bill Bell was very protective of both our characters, and what we got involved it.  I know from my perspective, Bill would never have Paul shoot anybody.  He wouldn’t even let me point a gun.  That is how pure that was…

LAURALEE:

Photo Credit: Kathy Hutchins

… Or, let you solve a case! (Laughs)

MICHAEL:

Well, while Paul could never solve a case, Christine could!  She never lost a case in court! (Laughs)

LAURALEE:

When I went to The Bold and the Beautiful Ronn Moss (Ex-Ridge) said, “You’re my attorney?”  And I said, “You’re gonna win!”  (Laughs)

MICHAEL:

Do either of you have a favorite moment, or scene with Jeanne?

LAURALEE:

Well, I wouldn’t even know how to describe what we were talking about, but a few years ago, I think I came back for a couple of months.  I had a scene with Jeanne where I am assuming I was talking about Paul.  I bawled in the scene to her, and it didn’t ask for tears.  But in my brain, I had this thing like, “Oh, my God.  I bet I am never going to work with her again.”   Little did I know that she would live two years longer.  But it was so intense for me.  She did not say very much, but all I had to do was look at her, and it was sort of like the trust factor I have with Doug.  It was such a wonderful day for me. There was no panic about how am I going to say this big monologue with this person, and hope that it comes out right.  All I had to do was just look at her.  I don’t know if you can call it a favorite scene, but it was so beyond comfort in terms of working with someone, it was just such a gift that day.

DOUG:

Paul and Kay had a professional relationship, and it was not nearly as deep as Doug and Jeanne.  I have pictures of me in a scene with her, and she always made me laugh.  I would solve crimes, or loved ones for Katherine.  So that made my job kind of difficult. Paul would be sad, but not so heartbroken, that you can’t talk.

MICHAEL:

Courtesy/CBS Photo Credit: JPI

So Christine got this makeshift wedding, and wore what she had on for the memorial as her “wedding dress”!

LAURALEE:

Yes.  All the girls give me something borrowed, something blue and there is a makeshift bouquet! (Laughs)

DOUG:

Katherine did not want people wearing black, so no tears, no mourning.  So that colored the palette of what we were all wearing.  It was not a maudlin ceremony, and it took place in a place that never existed before.  So for the near future, this park is named after Katherine Chancellor, and we have scenes there with her plaque on the wall.  We honor her every time the park is up.  That is what I mean she is not off the canvas, and she will never be.  She will live on in the hearts of viewers, and all the people that had a personal relationship with her that remain on the show.

 

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mary jonas
Guest
mary jonas

Thank you for this. It was a really nice ending to #rememberKay. I like how it has a deeper meaning because Doug and Lauralee seem so close with Jeanne Cooper. Something sweet.

Dinah
Guest
Dinah

The only I dislike about today show, sorry this was should be only about Mrs C, besides they are very boring couple every been on YR

Dinah
Guest
Dinah

ever not every sorry

Chris
Guest
Chris

I love these actors and the characters they portray! I especially love Jeanne Cooper and Mrs. C. The tribute had some beautiful moments but the wedding was weird and upstaged why we all tuned in. Personally I thought it was in poor taste. I was emotionally involved the first half and then reminded that people who don’t get this show are running it. JG and JFP don’t seem to know how to write/produce moments and just let that moment have its place in time. There is nothing deep in how they tell story. Overall the episodes will remain with me… Read more »

Jules
Guest
Jules

I completely agree with your observation about the wedding. That wedding was entirely unnecessary in this particular episode. It was rushed, meaningless, no depth or poignancy and COMPLETELY took away from the otherwise lovely tribute they were giving to Katherine and Jeanne. Frankly, I would think JC would have been APPALLED that the show would try and upstage, or at the very least compete, with a tribute dedicated to her…in her humorous way of course, but you just know there would be truth behind her displeasure. And moreover, it didn’t do anything for the characters of Paul and Christine either.… Read more »

Jewell
Guest
Jewell

At least Nick and Avery decided to wait.. Paul and Christine only got married because of what Katherine said in that letter.. Also I learned Michael broke up their marriage last time, so Paul asks him to be his best man? Come on..

Mary SF
Guest
Mary SF

I watched the memorial shows and I never cried, got a bit misty eye at a few spots, but it was all done like I expected The clips were clips I had seen many times, but I enjoyed them. Maybe fatigue made me feel numb all through it;even the ghost at the end was a sweet, but lack the emotional punch of Edward and Lily’s ghosts going up the staircase did on GH. So here I thought nothing about it was going get me to cry– and then you tell me that Corbin placed some of Jeanne’s ashes in Katherine’s… Read more »

yogabba
Guest
yogabba

Lovin the good use of vets! sweet moments for a longtime couple. me likes. They need Isabella back now to go crazy on em!

Cupcake
Guest
Cupcake

Awesome soap I’ve been watching for 40 yrs and will really miss Catherine.

Judy
Guest
Judy

Great interview! I loved the wedding and certainly hope we do see more of Christine going forward!

Carole
Guest
Carole

Was very disappointed but not surprised that Christine would be suddenly brought into the story line and made the star of the show. The boss’s daughter has always been given the best storylines, clothes, close up shots, etc. Todays episode just proves it and was disrespectful of Jeanne Cooper and all the fans.

yogabba
Guest
yogabba

thats a stretch. she hasn’t been on much at all in recent years and suddenly she was ‘made the star’. i think it was just supposed to be cute.

lisa
Guest
lisa

It was a surprise – but I liked it.
In keeping with Katherine’s spirit ,I think she would have liked it too.
In death,life goes on.
I was very moved to see Jeanne’s real life son Corbin (Father Todd) performing the service – as he is cast as Paul’s brother on the show – I do hope he will make future visits.
It was a good episode.

Tom
Guest
Tom

At first I didn’t understand this storyline choice, but I always loved Paul and Cricket as a couple so I went with it. I haven’t agreed over the past few weeks with every story beat in the wake of Katherine’s passing, but take these memorial episodes as they were: we got a chance to see the show’s veterans in one last hurrah. With far too much of the past year–and years, for that matter–showing Genoa City awash in boring new faces, it was nice to just see the vets and legacy characters as well. We can’t predict what the future… Read more »

Joan
Guest
Joan

I know every one is entitled to their own opinion. Paul and Christine have always been a good match. I’m not surprised that they find their way back into each others arms.

Jewell
Guest
Jewell

The memorial was beautiful, when they shown the hologram of Jeanne Cooper at the end I lost it.. IMO the wedding didn’t belong at the wedding.. I would love to see Danny come back and fight for Cricket you can see that he still loves her.

k/kay
Guest
k/kay

Jeanne Cooper would have loved it Doug & Lauralee she loved hey it was her Dad’s creation you are suppose to love your children, don’t worry it is downhill all the way now The Steve Burton show. JFP you are welcome to it you and the golden boy deserve each other. I just pray that if Y&R goes first and he is out of work RC &FV tell him to kiss off.

Deborah
Guest
Deborah

BRAVO! Wonderful article. FAN-DAM-TASTIC Memorial. We ALL Wept like “the Family we are”….Hope the Chancellor Estate has a new portrait hanging over the mantle for the rest of time! Want to see the Duchess of Daytime Every time theyre is someoen in the living room! She will NEVER be forgotten … she’s “just in the next room.” The wedding was bizzare, but it was alright for this life-long fan. Jeanne would be as happy as Katherine that the wedding took place there. So thrilled to learn that she was present in the urn as well. Such a WONDER, REMARKABLE, UNIQUE… Read more »

PatF
Guest
PatF

It was a bit odd, but I do like that Josh G, who wrote it, was really doing so to keep all the veteran characters involved. I’m suspecting that’s one of the reasons he was having creative differences with Ms Phelps, because she seems to want to get the show AWAY from our loved characters. The entire two episodes really were pretty good and honored Kay’s and Jeanne memory. I love the park idea, but it better NOT replace the classic Mansion we want to continue to see. I hope these new writers, who have no idea of the history… Read more »

Joy Mathys
Guest
Joy Mathys

Paul and Chris were my favorite couple when I started watching the show, years ago… and they still are. I loved these two episodes, I love Chancellor Park and I loved the wedding.

H Parson
Guest
H Parson

I love both of these characters, but I felt their wedding hijacked what should have been a second episode of our other characters strolling down memory lane.

And I think the park that was named in Katherine’s honour looked fake.

The new sets do not have the warmth of character Y&R sets have had in the past. In particular – the new ranch set is a disgrace. It’s so tacky and cheap looking.

Dee
Guest
Dee

I loved the dedication to Jeanne Cooper; glad to see Paul & Christine married and that Michael was best man(CLB is my fav actor) their friendship has grown as has their respect for each other. I think Josh did a great job and was sorry to see him go as I do not trust JFP to keep our beloved characters of the past front and Center..I have loved the fact that Christian LeBlanc Tracey Bregman and Doug Davidson have had more screen time since Josh took over..Now am waiting with bated breath to see how JFP and her cronies handle… Read more »

Karen
Guest
Karen

I thought Katherine’s memorial was perfect. It had me in tears one minute and laughing along with everyone else the next. It must have been so hard for Corbin though. I don’t know how he got through it, but it couldn’t have been more appropriate. I was so happy to see some characters back for her memorial, but missed many others. As for the wedding – I loved it! It was a perfect way to end her memorial. And I have waited FOREVER for Paul and Christine to re-marry. Katherine would have been so happy. Will miss her always.

Agnes McKamey
Guest
Agnes McKamey

I wanted to find a copy of the poem that Father Todd read for Katherine. Please let me know since it was beautiful. The memorial service was outstanding and very fitting for a grand duchess!

Andrea
Guest
Andrea

If you find a copy of the poem read or even the name and author please e-mail me with the info.

Thanks

ellen
Guest
ellen

I’ve been searching for this too as I have an upcoming memorial that this would be perfect for. Thank you

Beacon
Guest
Beacon

Bill Bell knew that Cricket belonged with Danny. They were the love story of Y&R in the 80s. If Bill hadn’t have retired, Cricket and Danny would have found their way back together. There’s an episode from December 1995 I have where Danny is visiting Katherine and she tells him that Paul and Christine can’t last because Cricket’s heart is with Danny.

Daphne
Guest
Daphne

Actually, Bill Bell idolized Paul and Christine. Bill Bell was also the one who wrote the Danny character off in 1998 and put Paul and Christine back together to work on their marriage. Bill Bell only had the Danny character chasing after Christine while Danny always end up on the losing side.

Michelle
Guest
Michelle

Cricket better not hurt Paul. I feel that she is still in love with Danny and Nina still loves Paul!

lisette
Guest
lisette

PLEASE TELL ME WHERE I CAN HAVE THE POEM FOR MEMORIAL OF CHANCELLOR OF YOUNG AND THE RESTLESS.

THANK YOU VERY MUCH

David
Guest
David

In the “you can never please everyone” category I personally thought this week was the best week in YEARS! The day Bill Bell retired was the day the show floundered. Kay Alden did a good job trying to maintain, but after she left so did the heart of Y&R! Stories sped up, didn’t make sense, and bad stories/characters interwove into the heart of the show. No matter what I think of the show prior to this week JG and JFP did an AMAZING job. Every character that touched Mrs. C was a part of the show. Loved the Chancellor Park.… Read more »

jaybird369
Guest
jaybird369

OMG!!!!! Leave it up to BOTH Josh Griffith and (especially!!!!!) Jill Farren Phelps to ruin Katherine’s memorial service on Y and R!!!!! That so-called (and forced) impromptu wedding of Paul and Christine was beyond ridiculous. What in the hell were JG and JFP each thinking????? Also, Danny didn’t look too happy as Paul and Christine were renewing their wedding vows. And, as for Nina (my all-time FAVORITE Y and R character…HOLLA!!!!!) being Christine’s maid of honor at the last minute…blah blah blah blah. If I were Nina, I would have left before those annoying and force-fed nitwit nuptials. But, that’s… Read more »

Betsy Dobrick
Guest
Betsy Dobrick

Thank you, loved the two-day tribute to one of my favorite stars. I am sorry for her family including the Y&R family. I liked the wedding as it finished off the “party” in a sweet way that was just fine. I loved the park dedication. I will miss her and the reunion was touching. Lots of loose ends tied up and look forward to the life and loves of the characters. She was very special.

Dave
Guest
Dave

I felt like Beau Kazer (Brock) should have had a lot more to say about his on-screen mother at the memorial. I felt a bit ripped-off that he was brought back after all this time and the writers had barely written a word for him to speak.

ellen
Guest
ellen

Please give the name of the poem read by Corbin (Father Tom) during the Memorial.
I Corintians…which verse was read?

beth ryker
Guest
beth ryker

I love Jeanne cooper (mrs.c) and miss her ever day.she was one great lady.she was ever one friend,mom and grandmother.i feel like I loss my mom all over again!!!

Jasmine
Guest
Jasmine

I enjoyed the tribute to Jeanne Cooper. I cried when Father Todd first came up, read the poem, married his brother to Christine and when he left. I was leasnantly surprised by the wedding of two of my all time faves. Also, loved Christine’s very pretty blue dress. I hope the marriage will be long and happy. I do hope their will be a complication if Dylan is Nikki’s son, I hope Paul is the biological father.

laryssa troniak
Guest
laryssa troniak

is doug Davidson leaving Y and R

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GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

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Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

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Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

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GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

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