Interviews
The Lauralee Bell and Doug Davidson Interview – The Young and the Restless

Photo Credit: Kathy Hutchins
If you watched today’s highly emotional tribute and memorial service to Katherine Chancellor on The Young and the Restless, you may have been caught by surprise, as were the actors who play Christine and Paul! Of course, we are talking about Lauralee Bell (Christine) and Daytime Emmy winner Doug Davidson (Paul) who have kept the secret that during the memorial, Paul and Christine get married! The shocking turn of events brings some happiness and hope to a rather heartbreaking day for Katherine’s loved ones, family, and friends who come together in Chancellor Park, the new set honoring the late Jeanne Cooper, to say goodbye to the Grand Dame of Genoa City.
On-Air On-Soaps chatted with Lauralee and Doug exclusively to get an inside look at what went down during the emotional taping of Katherine’s memorial, especially for these two who had such a deep and close bond to the legendary Jeanne Cooper. Plus, we learn, what was their reaction when they learned that their characters would marry in the middle of the memorial? Fitting, or, inappropriate?
For longtime fans of the number-one soap, Doug references throughout our chat the influences of Lauralee’s dad (Y&R creator Bill Bell) throughout this new storyline involving the letters Katherine left for the residents of Genoa City, that for many is a call to action, and for many a time to contemplate. But for once in soaps, the good girl and the good guy finally get together. What better way than to have their beloved friend and long time cast mate Jeanne Cooper looking over them from the heavens above onto the soundstage at CBS to watch the fictional union of two of her dearest friends in real life. Here is what Lauralee and Doug have to share about the experience with all of you!
MICHAEL:
How was it for both of you to perform and participate in the memorial episodes for Katherine Chancellor knowing your deep personal relationship with Jeanne Cooper?
LAURALEE:
Courtesy/CBS
I don’t think Doug and I have ever cried so hard, honestly.
DOUG:
What happened was… the part that got me the first time was that during rehearsal Corbin Bernsen is up there as Father Todd, and where does the play stop and real life begin? There are these big pictures of Jeanne around, and he started and he got caught up, and we were OK then, but then he goes to read this poem, and so much of the poem reminded me of Jeanne not really being away. You could feel her presence in the studio. She is such a powerful force. Then having her son read this poem about her. Then, suddenly Doug was getting more emotional than Paul should …
LAURALEE:
… Right, right! We were all getting so emotional, especially our row. If the camera were to have cut to us, it would have been an odd choice. We could barely keep it together! But there was one little segment apparently that Corbin said, “When I read it at home and was preparing to shoot the episode, I did not see this one sentence that said, ‘my blood lives within you,”’ or something to that effect. It just choked him up immediately, because everything was, and is so real.
DOUG:
And, it’s so contagious. It’s his mom, and you feel for him, and you feel for the loss of his mom, and our friend, and on so many levels, that you can’t anticipate how you are going to react with all of that coming at you.
LAURALEE;
Courtesy/CBS
It was a really hard day.
MICHAEL:
Were the two of your dreading taping the episodes, because of how close real life and art were this time? Did you like the way the writers decided to deal with Katherine’s death?
DOUG:
What I liked is that Katherine is not off the canvas, and that is the bottom line, and that is why we were both thrilled how it was handled, because she is living beyond her departure through letters she gave to all of these cast members. All of the letters are changing the lives of the people of Genoa City, and she is now still the topic of the show.
LAURALEE:
I had not really thought about if it would be difficult or not, because I felt like we had been through that. But in some weird way, this was almost harder than Jeanne’s real memorial.
DOUG:
I think we were all eager to do it, because it was such a tribute to an iconic television character. So, I think everybody involved in the story was honored to be there. Our fans deserve a great tribute, and that she be honored in a fitting manor. I guess if you are afraid of emotion, you have got the wrong job of being an actor on a soap opera. From my perspective, it was a privilege to be able to honor her. I don’t think anyone has been honored quite in this fashion: first a memorial for Jeanne, and now her character.
LAURALEE:
Courtesy/CBS
It all ended so nicely, too, because each cast member went up and singly had a sentence about her and for her as they put roses next to her ashes. It was so well done.
DOUG:
Corbin brought some of Jeanne’s ashes to be in Katherine’s vessel. It was very cool.
LAURALEE:
It was very intense. And when you would look to your left and see the camera operators and the boom guys all choked up too, everyone on that set was involved.
DOUG:
There was no way out.
MICHAEL:
So, Paul is the last one to get a letter from beyond the grave that starts the turn of events at the memorial that sort of matches up with what Katherine said to Christine in her letter.
DOUG:
Paul is the last one to get a letter!
LAURALEE:
Christine’s letter said something to the affect of: “No one ever had on their tombstone, you put in great hours. Take time to look at the sunset and take time to live your life, and if something is right there in front of you that you know it is meant to be, get it. Don’t waste your life away.” So the meaning was in there, and then Paul got his letter.
Courtesy/CBS
DOUG:
And Paul’s letter says, “What are you waiting for? Marry her!” That is all it said.
MICHAEL:
What happened to Nina (Tricia Cast) in all of this? On Tuesday’s episode, Kay’s letter impacted her so much that she was ready to let go of Paul, and just in time!
DOUG:
Nina got a letter to forgive. I must say since that story started, it has been more Bill Bell-esque in the style of the show, and character-driven with a heartbeat. It has certainly felt more like Bill’s show since her passing, and that is due to the fact that Jeanne Cooper’s Katherine Chancellor is part of the original creation and concept of Y&R. And, it’s carried through into all the other stories right now.
LAURALEE:
Plus, I hoped the fans loved all the flashbacks during the memorial. It was great to hear Jess Walton (Jill) talk about how Jill and Katherine met. And, how she was her manicurist, and that is something you forget. Even as an actor on the show, to listen to everyone’s little vignette was. “Oh God. I forgot about that. And Wow, there is such insane history.” It was just all great! So Paul says to Christine, “Will you marry me?” It is a bizarre place, but at least we acknowledge it, like, “I don’t think we should crash Katherine’s funeral!” (Laughs)
DOUG:
But what was your reaction, Lauralee, when you heard about Paul and Christine getting married at Katherine’s memorial?
LAURALEE:
Personally, I did not believe it!
DOUG:
Courtesy/CBS
It was like, “What the heck?”
MICHAEL:
How did you first hear about the shocking fact that Christine and Paul would get married at Katherine’s Memorial?
DOUG:
I heard about it from the wardrobe department. I was like, “Have they totally lost it?” (Laughs) And I have got to say when we got on the floor; it once again honored Kay and Jeanne. It sort of all came together there … our emotions and our love for her. It was about the things that stop us in life that maybe we would not have heard when she was here, but you hear loud and clear when she’s gone. I will get messages from our viewers that they have so much more attachment to the veterans on the show since her passing. And there again, they cherish what they lost, and are attaching to the people they have spent 25, 30 or 40 years with.
LAURALEE:
I went for a fitting for a wedding dress, and I was like, “Right?”
MICHAEL:
What did you think about how the marriage came about so quickly?
LAURALEE:
Well, Paul gets down on knee! And … with Reverend Corbin looking on! (Laughs)
DOUG:
Courtesy/CBS
Then Jill says, “This will be perfect!”
LAURALEE:
And Christine says, “I don’t think this is appropriate. It steals focus.”
DOUG:
It makes it so right that it will honor her, in that we are starting a new life together and honoring a life that just past – so it’s a death and birth at the same time.
LAURALEE:
And there were instructions from Katherine, that this should not be a sad occasion but a party, and all of that. So it did work.
MICHAEL:
You must have been concerned that this would come off as a bit odd?
DOUG:
In the beginning, yes … but then also what came into this was Lauralee’s relationship with Jeanne, and my relationship with Jeanne, and suddenly we looked at each other and we have our own history together. So, then it becomes about Doug’s working relationship with Lauralee, and Lauralee’s with Doug’s, and suddenly your realize, all of our adult life has been spent in this environment. Corbin pointed out that over half of Jeanne’s life was spent on Y&R, and suddenly we could all relate to the fact that what Bill and Lee Bell created lives on. After the taping of the memorial was all done, Corbin personally challenged all of us in keeping the show alive and working as hard as we can.
Photo Credit: Kathy Hutchins
LAURALEE:
He challenged us to take this and take it to the next level, and never give up. Even when you worked with Jeanne, she would force you to work harder to make it a better scene.
DOUG:
At 84! She would show up, ready to go. It was amazing.
MICHAEL:
And where do you think things were between Christine and Paul before the letters arrived? Were they in a good place where Katherine’s influence would have sparked this to happen so quickly?
LAURALEE:
All Christine says to Paul is, “I know you are a little disappointed that you didn’t get a letter.” She has been away and she shows up and Paul says, “Do you want to just pass on the memorial?” Christine says, “No, after getting this letter, I feel closer to Katherine. And, I am sorry you did not get a letter.” Paul just sloughs it off and says, “I will just share yours.” But you can tell he is very sad he does not have a letter. But it was pretty immediate, and probably better that way, because if there was too much thought about it, it would not have worked. The whole thing had to be spontaneous.
DOUG:
I am delivered the letter towards the end of the memorial service, and I go off to a private area to read it.
MICHAEL:
So all this time Christine and Paul loved each other from afar? Lauralee has not been on the show as much recently.
LAURALEE:
Photo Credit: Kathy Hutchins
Well, she moved back from Washington to be with Paul. I work a bunch more in the beginning of September, so I think things will become clearer.
DOUG:
I understand there were production reasons why Lauralee could not come earlier, and then for Lauralee she had family plans during the summer.
LAURALEE:
I don’t know if I will be on more. I hope so. I am auditioning and doing my web series, and when I get the call to come back to Y&R, I am happy to go. It is all good.
MICHAEL:
Nina seemed happy she got her letter, so she was satisfied to let bygones be bygones. She even was Christine’s maid of honor! But what about Danny (Michael Damian), who Christine has a romantic past with? He did not look to happy about this union!
LAURALEE:
Nina was happy because she got a letter from Katherine. She was happy to be acknowledged, same with Danny who said something like, “I’ve moved on. I don’t care.” It was pretty funny. (Laughs)
MICHAEL:
Do you think Christine and Paul ever stopped loving each other?
DOUG:
I don’t think they ever stopped. I think they were driven apart by Michael (Christian LeBlanc) and Isabella (Eva Longoria) and if not for that, I think they would have made it over the separation. But having the two forces; Michael on Chris and Isabella on Paul, it drove a wedge between them when Chris was working in Hong Kong. Upon her return, I don’t think they stopped loving each other. I think it was all still there. I think they became jealous, and because of it, it shrouded their love, but if you recall none of that happened naturally. It was all forced upon.
LAURALEE:
Courtesy/CBS
Paul’s competition really is Christine’s job. That is her problem. She has to figure out what she needs more … a career, or a life. But at this point in life, as people get older this marriage has a better chance of working, because it’s a different stage in your life, and you do realize that life does not go on forever and you re-prioritize. I think that other than the circumstances of Katherine’s wedding, it was an emotional ceremony, and that they are on now on a very adult level with each other in a different way.
DOUG:
The fact that they have such a strong foundation and relationship beyond husband and wife, is the reason it’s probably going to last forever. And, I mean forever as anything is on a soap opera. (Laughs)
MICHAEL:
Do you think Jeanne would love the fact that Paul and Christine got hitched on the memorial episodes dedicated to the legacy of her character, Katherine Chancellor?
DOUG:
I think you go one step further, too; it was a pairing that was incredibly important to Bill as well. And for me, it was quite an honor that he picked my character to marry the character his daughter plays. If you know anything about Bill, he would never do anything like that lightly. That in itself is an honor, but Jeanne being connected to that goes above and beyond. There is a video clip of where she is talking to me about Chris that was 20 years ago.
MICHAEL:
Courtesy/CBS
Lauralee, do you think Dad would be proud of this story?
LAURALEE:
I think so. The history is there. It defines itself, and the audience knows what we are thinking without speaking, and it’s characters that our so embedded in the show.
DOUG:
We could not have done this without Bill Bell. This goes so deep into the core and the heart of the entire show, that it’s all him.
LAURALEE:
Friends who never watched the show asked me, “Oh, you’re getting married again?” Then they asked, “Well, what number is this for you?” And I said, “Surprisingly, it’s only the second man I have married on Y&R.” Again, this relationship was not so all over the place, where Paul was with this person, and that person, and Christine was with half the cast. These two have such a special bond that when you see one; you expect to see the other.
DOUG:
I hesitate to use the word “old-fashioned”, but it was the hero and the heroine, and Bill Bell was very protective of both our characters, and what we got involved it. I know from my perspective, Bill would never have Paul shoot anybody. He wouldn’t even let me point a gun. That is how pure that was…
LAURALEE:
Photo Credit: Kathy Hutchins
… Or, let you solve a case! (Laughs)
MICHAEL:
Well, while Paul could never solve a case, Christine could! She never lost a case in court! (Laughs)
LAURALEE:
When I went to The Bold and the Beautiful Ronn Moss (Ex-Ridge) said, “You’re my attorney?” And I said, “You’re gonna win!” (Laughs)
MICHAEL:
Do either of you have a favorite moment, or scene with Jeanne?
LAURALEE:
Well, I wouldn’t even know how to describe what we were talking about, but a few years ago, I think I came back for a couple of months. I had a scene with Jeanne where I am assuming I was talking about Paul. I bawled in the scene to her, and it didn’t ask for tears. But in my brain, I had this thing like, “Oh, my God. I bet I am never going to work with her again.” Little did I know that she would live two years longer. But it was so intense for me. She did not say very much, but all I had to do was look at her, and it was sort of like the trust factor I have with Doug. It was such a wonderful day for me. There was no panic about how am I going to say this big monologue with this person, and hope that it comes out right. All I had to do was just look at her. I don’t know if you can call it a favorite scene, but it was so beyond comfort in terms of working with someone, it was just such a gift that day.
DOUG:
Paul and Kay had a professional relationship, and it was not nearly as deep as Doug and Jeanne. I have pictures of me in a scene with her, and she always made me laugh. I would solve crimes, or loved ones for Katherine. So that made my job kind of difficult. Paul would be sad, but not so heartbroken, that you can’t talk.
MICHAEL:
Courtesy/CBS Photo Credit: JPI
So Christine got this makeshift wedding, and wore what she had on for the memorial as her “wedding dress”!
LAURALEE:
Yes. All the girls give me something borrowed, something blue and there is a makeshift bouquet! (Laughs)
DOUG:
Katherine did not want people wearing black, so no tears, no mourning. So that colored the palette of what we were all wearing. It was not a maudlin ceremony, and it took place in a place that never existed before. So for the near future, this park is named after Katherine Chancellor, and we have scenes there with her plaque on the wall. We honor her every time the park is up. That is what I mean she is not off the canvas, and she will never be. She will live on in the hearts of viewers, and all the people that had a personal relationship with her that remain on the show.
Thank you for this. It was a really nice ending to #rememberKay. I like how it has a deeper meaning because Doug and Lauralee seem so close with Jeanne Cooper. Something sweet.
The only I dislike about today show, sorry this was should be only about Mrs C, besides they are very boring couple every been on YR
ever not every sorry
I love these actors and the characters they portray! I especially love Jeanne Cooper and Mrs. C. The tribute had some beautiful moments but the wedding was weird and upstaged why we all tuned in. Personally I thought it was in poor taste. I was emotionally involved the first half and then reminded that people who don’t get this show are running it.
JG and JFP don’t seem to know how to write/produce moments and just let that moment have its place in time. There is nothing deep in how they tell story.
Overall the episodes will remain with me because of the fact that we really did lose a loved member of the cast. That’s why these episodes worked.
I completely agree with your observation about the wedding. That wedding was entirely unnecessary in this particular episode. It was rushed, meaningless, no depth or poignancy and COMPLETELY took away from the otherwise lovely tribute they were giving to Katherine and Jeanne. Frankly, I would think JC would have been APPALLED that the show would try and upstage, or at the very least compete, with a tribute dedicated to her…in her humorous way of course, but you just know there would be truth behind her displeasure.
And moreover, it didn’t do anything for the characters of Paul and Christine either. I haven’t been watching long, but I do know the couple has been off and on for decades. This insta-wedding did such a disservice to their fans who have waited for years for them to find their way back to one another and get the wedding they deserve.
The episode was a mess and completely disjointed, and it’s a real shame not only because of what it was supposed to be about (which in and of itself is a damn shame), but also because it so easily didn’t have to be this way. I think Josh Griffin THOUGHT he was giving everyone what they wanted, and JFP THOUGHT she was creating her Emmy winning episode- balancing the sad and happy emotions, “a little bit of this, and a little bit of that”- but the final product was just a disaster. What started off as a really strong, sentimental and touching episode dedicated to the memory of one of the most legendary and enduring daytime divas of all time, was reduced to a pitiful, uninspired wedding after switching gears on a 180 degree turn at the next commercial break. RI-DIC-U-LOUS.
At least Nick and Avery decided to wait.. Paul and Christine only got married because of what Katherine said in that letter.. Also I learned Michael broke up their marriage last time, so Paul asks him to be his best man? Come on..
I watched the memorial shows and I never cried, got a bit misty eye at a few spots, but it was all done like I expected The clips were clips I had seen many times, but I enjoyed them. Maybe fatigue made me feel numb all through it;even the ghost at the end was a sweet, but lack the emotional punch of Edward and Lily’s ghosts going up the staircase did on GH. So here I thought nothing about it was going get me to cry– and then you tell me that Corbin placed some of Jeanne’s ashes in Katherine’s urn– now I am blubbering like a baby– thanks for giving me a real moment to say goodbye to great actress and character.
Lovin the good use of vets! sweet moments for a longtime couple. me likes. They need Isabella back now to go crazy on em!
Awesome soap I’ve been watching for 40 yrs and will really miss Catherine.
Great interview! I loved the wedding and certainly hope we do see more of Christine going forward!
Was very disappointed but not surprised that Christine would be suddenly brought into the story line and made the star of the show. The boss’s daughter has always been given the best storylines, clothes, close up shots, etc. Todays episode just proves it and was disrespectful of Jeanne Cooper and all the fans.
thats a stretch. she hasn’t been on much at all in recent years and suddenly she was ‘made the star’. i think it was just supposed to be cute.
It was a surprise – but I liked it.
In keeping with Katherine’s spirit ,I think she would have liked it too.
In death,life goes on.
I was very moved to see Jeanne’s real life son Corbin (Father Todd) performing the service – as he is cast as Paul’s brother on the show – I do hope he will make future visits.
It was a good episode.
At first I didn’t understand this storyline choice, but I always loved Paul and Cricket as a couple so I went with it. I haven’t agreed over the past few weeks with every story beat in the wake of Katherine’s passing, but take these memorial episodes as they were: we got a chance to see the show’s veterans in one last hurrah. With far too much of the past year–and years, for that matter–showing Genoa City awash in boring new faces, it was nice to just see the vets and legacy characters as well. We can’t predict what the future will hold, especially in the wake of the JFP/JG falling out, but I appreciate that I got to see a whole bunch of Bill Bell characters gathered together.
I know every one is entitled to their own opinion. Paul and Christine have always been a good match. I’m not surprised that they find their way back into each others arms.
The memorial was beautiful, when they shown the hologram of Jeanne Cooper at the end I lost it.. IMO the wedding didn’t belong at the wedding.. I would love to see Danny come back and fight for Cricket you can see that he still loves her.
Jeanne Cooper would have loved it Doug & Lauralee she loved hey it was her Dad’s creation you are suppose to love your children, don’t worry it is downhill all the way now The Steve Burton show. JFP you are welcome to it you and the golden boy deserve each other. I just pray that if Y&R goes first and he is out of work RC &FV tell him to kiss off.
BRAVO! Wonderful article. FAN-DAM-TASTIC Memorial. We ALL Wept like “the Family we are”….Hope the Chancellor Estate has a new portrait hanging over the mantle for the rest of time! Want to see the Duchess of Daytime Every time theyre is someoen in the living room! She will NEVER be forgotten … she’s “just in the next room.” The wedding was bizzare, but it was alright for this life-long fan. Jeanne would be as happy as Katherine that the wedding took place there. So thrilled to learn that she was present in the urn as well. Such a WONDER, REMARKABLE, UNIQUE EVENT and I am soooo proud and happy to have been able to virtually participate in paying my respects through my “attendance.” No other television star, has EVER been honored in such a way, by Millions of sincerely loyal fans. Just amazing, and soooo deserved. Great Lady!
It was a bit odd, but I do like that Josh G, who wrote it, was really doing so to keep all the veteran characters involved.
I’m suspecting that’s one of the reasons he was having creative differences with Ms Phelps, because she seems to want to get the show AWAY from our loved characters.
The entire two episodes really were pretty good and honored Kay’s and Jeanne memory. I love the park idea, but it better NOT replace the classic Mansion we want to continue to see.
I hope these new writers, who have no idea of the history of the show are able to continue the show with these characters we love.
Paul and Chris were my favorite couple when I started watching the show, years ago… and they still are. I loved these two episodes, I love Chancellor Park and I loved the wedding.
I love both of these characters, but I felt their wedding hijacked what should have been a second episode of our other characters strolling down memory lane.
And I think the park that was named in Katherine’s honour looked fake.
The new sets do not have the warmth of character Y&R sets have had in the past. In particular – the new ranch set is a disgrace. It’s so tacky and cheap looking.
I loved the dedication to Jeanne Cooper; glad to see Paul & Christine married and that Michael was best man(CLB is my fav actor) their friendship has grown as has their respect for each other. I think Josh did a great job and was sorry to see him go as I do not trust JFP to keep our beloved characters of the past front and Center..I have loved the fact that Christian LeBlanc Tracey Bregman and Doug Davidson have had more screen time since Josh took over..Now am waiting with bated breath to see how JFP and her cronies handle it. If they mess up me and my 7 friends who Josh got back to watching will all but quit as we almost did under MAB I only watched when CLB TEB and DD were on and you all know how seldom it was under MAB ..I was disappointed to see Josh G. go..lets hope the new writers are worthy of writing Y and R as it is supposed to be written.
I thought Katherine’s memorial was perfect. It had me in tears one minute and laughing along with everyone else the next. It must have been so hard for Corbin though. I don’t know how he got through it, but it couldn’t have been more appropriate. I was so happy to see some characters back for her memorial, but missed many others. As for the wedding – I loved it! It was a perfect way to end her memorial. And I have waited FOREVER for Paul and Christine to re-marry. Katherine would have been so happy. Will miss her always.
I wanted to find a copy of the poem that Father Todd read for Katherine. Please let me know since it was beautiful. The memorial service was outstanding and very fitting for a grand duchess!
If you find a copy of the poem read or even the name and author please e-mail me with the info.
Thanks
I’ve been searching for this too as I have an upcoming memorial that this would be perfect for. Thank you
Bill Bell knew that Cricket belonged with Danny. They were the love story of Y&R in the 80s. If Bill hadn’t have retired, Cricket and Danny would have found their way back together. There’s an episode from December 1995 I have where Danny is visiting Katherine and she tells him that Paul and Christine can’t last because Cricket’s heart is with Danny.
Actually, Bill Bell idolized Paul and Christine. Bill Bell was also the one who wrote the Danny character off in 1998 and put Paul and Christine back together to work on their marriage. Bill Bell only had the Danny character chasing after Christine while Danny always end up on the losing side.
Cricket better not hurt Paul. I feel that she is still in love with Danny and Nina still loves Paul!
PLEASE TELL ME WHERE I CAN HAVE THE POEM FOR MEMORIAL OF CHANCELLOR OF YOUNG AND THE RESTLESS.
THANK YOU VERY MUCH
In the “you can never please everyone” category I personally thought this week was the best week in YEARS! The day Bill Bell retired was the day the show floundered. Kay Alden did a good job trying to maintain, but after she left so did the heart of Y&R! Stories sped up, didn’t make sense, and bad stories/characters interwove into the heart of the show.
No matter what I think of the show prior to this week JG and JFP did an AMAZING job. Every character that touched Mrs. C was a part of the show. Loved the Chancellor Park. Loved the slow build up of Chris & Paul then their wedding at her memorial service, and LOVED Jill’s speech. I lost it when Father Todd came up in the beginning and at the end. I dunno if it helped Corbin or dug deeper, but everything about this week FINALLY made sense.
Contrary to what people say this memorial will move story forward. Paul & Christine’s wedding (Loved when Jill called her Cricket). Nina forgiving Paul. Cane rushing up to Jill NOT Billy. Victor NOT learning the meaning of life lol I loved this. If they want to win the Emmy for best writing they need to submit this week’s episodes. The ghost of Mrs. C shocked me. I don’t watch GH so I never seen this done. I loved it.
I still want Wendy Riche and Claire Labine as Executive Producer and Headwriter respectively, but if the new writing regime can build off the momentum JG wrote I’ll be ok with that.
OMG!!!!! Leave it up to BOTH Josh Griffith and (especially!!!!!) Jill Farren Phelps to ruin Katherine’s memorial service on Y and R!!!!! That so-called (and forced) impromptu wedding of Paul and Christine was beyond ridiculous. What in the hell were JG and JFP each thinking????? Also, Danny didn’t look too happy as Paul and Christine were renewing their wedding vows. And, as for Nina (my all-time FAVORITE Y and R character…HOLLA!!!!!) being Christine’s maid of honor at the last minute…blah blah blah blah. If I were Nina, I would have left before those annoying and force-fed nitwit nuptials. But, that’s just me. Now that Paul and Christine are re-hitched (yawn), I think that Danny and Nina should hook up…that would truly ROCK!!!!! As for Jill Farren Phelps…STUPID WOMAN!!!!! And the DECLINE of Y and R continues……….
Thank you, loved the two-day tribute to one of my favorite stars. I am sorry for her family including the Y&R family. I liked the wedding as it finished off the “party” in a sweet way that was just fine. I loved the park dedication. I will miss her and the reunion was touching. Lots of loose ends tied up and look forward to the life and loves of the characters. She was very special.
I felt like Beau Kazer (Brock) should have had a lot more to say about his on-screen mother at the memorial. I felt a bit ripped-off that he was brought back after all this time and the writers had barely written a word for him to speak.
Please give the name of the poem read by Corbin (Father Tom) during the Memorial.
I Corintians…which verse was read?
I love Jeanne cooper (mrs.c) and miss her ever day.she was one great lady.she was ever one friend,mom and grandmother.i feel like I loss my mom all over again!!!
I enjoyed the tribute to Jeanne Cooper. I cried when Father Todd first came up, read the poem, married his brother to Christine and when he left. I was leasnantly surprised by the wedding of two of my all time faves. Also, loved Christine’s very pretty blue dress. I hope the marriage will be long and happy. I do hope their will be a complication if Dylan is Nikki’s son, I hope Paul is the biological father.
is doug Davidson leaving Y and R
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The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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