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The Erika Slezak Interview – One Life to Live

Courtesy/ABC

Six-time Daytime Emmy winner, Erika Slezak (Viki) should probably get ready to pick up a seventh after this coming Wednesday’s episode, in which she will play three sides to Viki’s personality in a very special performance created by the powers-that-be, to honor her 40th anniversary milestone with the series.  It was back in 1971 that Erika first graced our television screens as the central heroine in Llanview and the wealthy daughter of the ruthless Victor Lord.  From that point on, the soap world has been mesmerized time and time again by her flawless, fearless, and heart tugging performances.

Trying to fathom the daytime world without Erika and her Viki is going to be a tall order, but sadly after the decision handed down by ABC less than two weeks ago, that day will have to come. On-Air On-Soaps had the distinct privilege to speak to Erika yesterday, and while we had to broach the subject of the cancellation, the focus of this interview was to celebrate with Erika her forty years of a monumental television achievement, that if you think about it, most likely not many other actors will experience that kind of longevity.  From the storylines, her leading men, her various alters (and we have loved watching her play them all) her cast mates, to her current front burner storyline, and the upcoming major episode, Erika shared her thoughts with such grace, delight, sentiment, and passion for what she does best…act!

When you think of the consummate professional, who for forty years has left an audience in tears and standing with cheers, there is only one who has accomplished this feat, and that is Erika Slezak.
I hope you will be moved by and enjoy this fantastic conversation with the one, thee only… Erika!

MICHAEL:

It is your 40th Anniversary with One Life to Live, and we are celebrating it on air with tomorrow’s special episode.  It has to be bittersweet with the heartbreaking news of the show’s cancellation a week and half ago.  How are you doing with the news?  I know it is still so fresh, and I know you released a statement to the fans.  But since you may have had a tiny bit more time to process it, is there anything else you may want to add?

ERIKA:

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We have seven more months left. I have talked to Frank Valentini (executive producer, OLTL) and he had told me there are brilliant stories to be told.  And, that we will go out with a bang.  Right now, I can only look forward to the next seven months.  After that, I think I will sleep for a while, because getting up at 5AM is tiring.  I have done it for 40 years and I can’t complain, because it has been a brilliant job.  I am very sorry to see it go, and not so much for me, but for the incredible loss of jobs for everyone connected with the show.  And, I don’t mean just the people that work there every day.  I mean the hundreds and hundreds of actors who are employed as under-fives, and as extras and day players every year.  There is work for actors there, and now there is not.  I don’t know about nighttime shows hiring those people on that type of scale.  And I find that horrendously sad, and the jobs that are lost are so awful.  However, we have seven months to make some really good stories, and that is what we are going to focus on.

MICHAEL:

Speaking of your 40th, on my website we posted a fantastic photo gallery of your surprise party last month at OLTL.   I hear you were totally surprised!  What went through your mind when you saw all of the cast and crew there to mark this incredible accomplishment with you?

ERIKA:

When the notice went up that we were having a St. Patrick’s Day party, I was talking to David Coleman, who is our security guard.  He is like the Mayor of Llanview and the show would not exist without him.  He does everything.  If you have a problem with your life, or your computer, he can fix it!  David looked at me and said, “Hmm, interesting!  St. Patrick’s Day party on your 40th Anniversary?” And I looked at him and said, “How do you know it’s my 40th anniversary?” And he said, “Because I have always known it was March 17th, St. Patrick’s Day.”  I said, “Look, they have given me parties in the past and have said to me, ‘Look, we are going to give you a nice party and we are going to invite Agnes Nixon, and it will be lovely.’  And it has always been lovely.  No one had said anything this time.  And I said, “And it would be kind of dumb to surprise me, wouldn’t it? “   And I thought (regarding the St. Patrick’s Day party) that this is really nice of Frank.  It has been a really long rotten winter.  We moved down to that other studio, which is terrific.  But I thought, ‘It’s an excuse to have lunch on the floor and welcome in spring.’  Then the day of the party I was finished taping at noon, and lunch was going to be at 12:30.  I was really hungry, as I eat a little breakfast usually around seven in the morning.  And I said to Robin Strasser (Dorian) as we were leaving the set, “Thank God.  I am so hungry.”  And I went to my dressing room to change and Frank showed up at my dressing room door at 12:25.  And I said, “Oh good. Let’s go to lunch.” And he said, “No, I have to talk to you first.”  And he started talking about nothing. “Oh, I wanted to say this, and I saw the show that we aired, and it’s going to be interesting with the editing.”  And he is still taking about nothing!  I am looking at my watch and I go, “Frank, can we go to lunch?  I am really hungry.”   Well, he keeps talking, and he is walking ahead of me very, very slowly down the corridor – and I am thinking, “Geez! I am starving. Will you move it?”  And we go up in the elevator together and he is still talking away, and he pushed open the door and he is still talking…and…. everyone is standing there looking at the door.  They yelled, “surprise!”  I looked at Frank as I thought it was something for Frank.  I was so stupid!  And then, everyone started applauding and that is when I realized what it was.  I felt stupid, incredibly honored, and surprised, and of course cried, because that is what you do when you are that stunned.  It was quite amazing.

Courtesy/ABC

MICHAEL:

But then, there was even more in store for you once you entered your own party!

ERIKA:

Yes, there was.  I kind of walked into the room slowly and there are about 20 people wearing t-shirts that said “Erika” on them.  I thought “Oh, my God”, and my daughter. Amanda was there, too.  She had flowers for me. It was so sweet.  And my husband, Brian, who gets his hair cut at the studio, said to me that he was going to come in on that Thursday.  So Brian had been there in the morning and he vanished, and he was going to have the dogs groomed that day.  So I thought, I will catch up with him when the dogs finished their grooming. And of course, he walked in, too.  Apparently, everybody knew but me.  It was amazing!  And what kind of blew me away was the beautiful reel they put together, which had Nathan Fillion (Ex-Joey, now Castle) on it, my sweet boy!  He was on the reel, and that boy is not a boy, he is a man, but he is so wonderful.  I love him to death, I really do. And David Pressman was on the reel, Brian Frons, and Agnes Nixon, too.  I did have to laugh because Regis and Kelly were on it and the ladies of The View. Then, they had this enormous spread of food.  I finally said, “Gosh, I am really hungry. Can I get something to eat?” (Laughs) Then somebody else said, “No, you have to cut the cake now.”  And I thought, ‘OK, I will cut the cake.’  I never did get lunch, but it was OK. (Laughs)

MICHAEL:

There was one picture I saw of Robin Strasser applauding you with you in tears. And I thought, it looked like such a great moment.

ERIKA:

Courtesy/ABC

She is my great bud and she is wonderful!  Jerry verDorn (Clint) made a speech.  I said, “Jerry, you are not even working today, you drove all the way from New Jersey?”  And he said, “Of course I did.”  I was so touched by that and what Robin said.  I love Robin dearly.  I think she feels the same about me.  We respect each other, and she is so great to work with.  I have always said, “Robin, when you have to bring something to the table, you bring a thanksgiving feast every single day when you go to work.”  It was quite an amazing day and you look around and go: “All these people are here for me.”  I said to Frank, “You know, I could kill you for this, but at the same time, thank you, thank you.  It was awesome!”  I was kind of hoping it would go under the radar, because I don’t feel like I have been there for 40 years.  I am surprised that 40 years have gone by.  I am thinking of all the stories we have told and all the amazing actors I have worked with.

MICHAEL:

Continuing in the celebration, how did this upcoming 40th anniversary episode that airs Wednesday come about?  Was this the brainchild of Frank and Ron to honor you in this way?

ERIKA:

Yes it was.  Frank came to me about four months ago.  He said, “Listen, we do want to do something for your 40th anniversary, and we are writing a special show for you.”  And I burst into tears and said, “Whoa! That is like amazing!”  He said, “Yeah, it’s going to be great.”  And I said, “What is it about?”  And he said, “We don’t know yet, but it is going to be your show.”  Then, I did not hear any more about it till about three weeks before we were going to do it. Larry Carpenter, our director called me and said, “So, I am directing this show and it is all you and we need to talk about it.”  I said, “Great. Do you know what it’s about?”  And he said, “Yes, don’t you?”  It was then he told me, and then Frank came to me and we had a long sit down.  So I knew then it was going to be about Viki’s alters.  Frank and Larry came up with this incredible idea for a set that is so amazing.  Roger Mooney did such a terrific job designing this set.

MICHAEL:

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So give me the set-up of the special episode, which I hear is truly a tour de force by you!

ERIKA:

The episode takes place in the courtroom where Viki is fighting for custody of Ryder. And of course, I become Niki, so it’s Niki pretending to be Viki.  She gets outed in the middle of it and she is very funny.  Then Jean takes over, and it cuts back and forth to Viki’s subconscious mind.  So I played all three ladies in my mind, but Larry’s and Frank’s concept for my mind was this incredible warehouse that had all kinds of stuff from One Life to Live from Viki’s life.  I am talking about furniture, and mirrors, and in the middle is a cage, and there is a circular staircase, and guess where that came from? The secret room!  It has a cage and there are two locked doors to the cage, and Viki has to get out of her mind and get up the stairs to get back to where she belongs; and get back to life.  We shot it in two days.  The courtroom was one day, and the second day was this unbelievable set that took up half the size of the studio. I walked around the set and thought, ‘My God! These are chairs from the Lord Library.  This was Asa’s.’   I recognized most of the furniture, and I said to Roger, “This must have cost a fortune!” And he said, “No, we own all of this.”  And we did it in three separate segments.  I had two wonderful ladies who worked with me who were the doubles.  First we taped Viki, then Jean, and then Niki, which was kind of good because then it was a nice high note to end on.  Everything is a little larger than life in there, and Niki in particular.  I have said as you may have read, “I have officially joined Over-Actors Anonymous,” but I had to.  I had to seize that opportunity. (Laughs)  Larry said they had finished editing it, and it’s going to be really good.  I have not seen it, but I will see it on Wednesday when it airs.  I have made a date with myself.  I think I am almost in every scene.  It has a lot of me! (Laughs)

MICHAEL:

Last week, we saw Viki pushed to the edge by Tess; thus the emergence of Niki.  You make the shift to the alters so real and incredibly sad and painful for the viewers to watch.  You have done this time and time again, but of course, in different scenarios where Dorian triggers the alters, or other life-altering events in Viki’s life.  Are those scenes particularly difficult to pull off?

ERIKA:

It’s very difficult to do, because in my mind I know what triggers this.  We did a lot of research when Michael Malone wrote the multiple story; when we decided to give Viki’s DID a reason.  The sadness of that is what caused the mind to split.  I saw videotape with the permission of the psychiatrist and the patient of a woman who was a multiple, and it was during her session.  Again, we had her permission, and it was just the directors and I, and it was just incredibly sad, because the woman is a perfectly normal, very nice looking lady, who was horrendously abused as a child by various family members.  She has a whole bunch of personalities and they show up in the oddest way.  There is absolute silence, and then she comes back as somebody completely different. And it looks like ‘bad acting’ but its not.  It’s a whole different personality and very strange and sad to see.  So when we do it on our show, we have to make the personalities distinct characters.  This last time, I did not want to give it away because Viki was supposedly having a heart attack while Clint is having a heart attack.  So when I came back I did not want the audience to know instantly it was Niki.  There were like a couple of deep breaths, and I let them think Viki has composed herself. Then she turns around, and I actually wrote the line that Niki says to Tess, “God. You’re annoying!” (Laughs)

MICHAEL:

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How has it been having Kim Zimmer as Viki’s nemesis, Echo, on the canvas with you?  And then getting the opportunity as Viki to let Echo have it for destroying her marriage to Charlie.  Those were great scenes!

ERIKA:

I love Kim Zimmer, just let me say that.  When Frank told me he was asking her to come back I was so excited, because it was brilliant, and it was part of the history of the show. Kim is a wonderful actress and a great person.  From the first day she showed up we have laughed a lot and had such a good time.  And those scenes where Viki confronts Echo, I thought were particularly good.  It is hard to be really angry with Kim because she has such a sweet face on her.  But I loved playing those scenes and I think she did, too. And after that, I had scenes in the carriage house where I told her to get out, which I loved!

MICHAEL:

Niki now has the confession tape showing Echo knew all along that Clint was Rex’s father, not Charlie!

ERIKA:

Dorian gave her the tape, and Niki could care less. And then she realizes Echo could cause a problem for her with Charlie, and then she just figures I will go over there and threaten her. Niki is going through Echo’s closet when Echo comes in the room, and Niki just thinks everything she owns is just so ugly. (Laughs). And the rest you have to watch!

MICHAEL:

How do you feel about Viki losing another husband, as we know, Brian Kerwin will be leaving the series soon?  Many felt that Charlie was just not a good match for Viki, but yet they had such a sweet and pure love story originally at the Bon Jour Café.

ERIKA:

Courtesy/ABC

I think real life intruded on it.  There were some very sweet things that Charlie says that Viki realizes are kind of right.  He never could live up to what he thought Viki expected of him.  She didn’t.  She was quite happy to have Charlie, who was an incredibly good person… flawed, but good.  He says, “Echo understands because she is a drunk, and understands the failings and the flaws of another human being.”  And it probably was not a good match for Viki, because there is a lot to live up to… living in that house, everybody loving her, and being so rich.  Even though that is not her as a person, it is the trappings that come with her that Charlie realizes.  I think at the end she should realize it too, but she is heartbroken because she loves Charlie.  He is a really a good guy and Brian Kerwin (Charlie) is such a doll.  The whole Paris, Texas story I loved so much because it took Viki out of Viki.  It made her just the person who she is, but without the trappings.  She was so content being there, serving coffee, being a waitress, and meeting real people.  Viki and the audience met wonderful characters there: Mo, Noelle, Gigi, Shane, and Charlie, and all the people in and out of the café.  It was such a release and a relief for her to be away from the litany of problems in Viki’s life.

MICHAEL:

Have you and Brian said your goodbyes?

ERIKA:

Yes, unfortunately he is finished already, and I miss him.  He is a really good actor and a delightful person, but I wish him all the best, of course.

MICHAEL:

How have you enjoyed the pairing of Tess and Niki working together, as they are attempting to do in the custody case for Ryder?  Do you and Bree get a kick out of those scenes?  Yet, there is such great back-story there for what Niki did that left Jess vulnerable when she was a child and split in to Tess.

ERIKA:

Courtesy/ABC

Yes, because we never played that.  The one thing we talked about was that Tess was initially supposed to be like another Niki.  Bree Williamson (Jess/Tess) does not play it that way, which is brilliant.  Tess has a lot more feeling and heart.  Niki doesn’t care about anything except her own freedom.  She is the most selfish, self-centered person on earth, because that is what she was created to be.  It did not matter what happened, she would deal with it.  Tess is meaner than Niki, because Tess has more dimension.  When multiples are created, they are individually created to deal with certain problems and secrets.  Niki was created to deal with the sex, and so that is all she cares about.  It does not bother her to go sleep around, drink, and be totally irresponsible.  She is the antithesis of Viki.  We were very careful to be very separate as alters.  Bree is such a good actress and she has played this character of Tess so well, and we have lot more coming up with Viki and Tess that is really good!

MICHAEL:

Did you ever take issue with the back-story that was created for Jessica’s abuse, because of the behavior of Niki?

ERIKA:

I did not have trouble with it, but I thought it was the only way to deal with it.  They decided to have Jessica become Tess, and I was chatting with Frank one day and I said, “Where did Tess come from?”  And he said, “We hadn’t quite figured that out yet.  It probably should have been because of one of your alters.”  I said, “The only one that it could be is Niki.  The other ones would not have done that.”  And he said, “That is where we are going, we think.”  And that is where they did go.  Of course, it was so hard for Viki to have to deal with that because it’s her fault.  It is not her fault, but it is her fault.  But truly, it’s Victor’s fault for abusing her in the first place and creating her alters.  But Viki is not responsible for the actions of the alter.  She feels she is, but not really.

MICHAEL:

One of the comments I loved from OLTL head writer, Ron Carlivati, in this current story is; he loved when he flips Erika into Niki, and then you are Niki trying to pretend to be Viki.  Are those some of the most fun for you?

ERIKA:

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They are so much fun for me, and that is what the first half of the courtroom scene is about.  Niki is pretending to be Viki, and she thinks she is doing a really good job.  And so everything is slightly exaggerated because that is what she thinks Viki is.  It is terrific fun.  I am like the kid in the biggest sandbox in the world!

MICHAEL:

No matter what goes on in their lives, Viki and Clint are there for each other, even after the horrendous things Clint has done that have now hurt Viki.   Do you think there is hope now for a Viki/Clint reconciliation?  How has it been acting alongside Jerry verDorn?

ERIKA:

There is love there.  She understands Clint and the difficulties he is having now, and the difficulty he had with his father’s passing.  She has known Clint for a very long time and she always loved him.  And yes, they couldn’t be married anymore because then executive producer Linda Gottlieb decided we shouldn’t be married anymore.  I hope there is a reconciliation for Viki and Clint.  We have seven months to do it, so let’s do it. And Jerry verDorn is one of the most awesome human beings on this earth, and you can’t be mean to him.  I don’t care what he does.  He is just fantastic.  Jerry is amazing as a bad Clint!

MICHAEL:

Viki is going to have an internal struggle in the courtroom during the Ryder custody case this week.  This is not the first time she has had her alters come out on the witness stand.  At one point, didn’t they drag Niki out on the witness stand years ago?

ERIKA:

Yes, after Mitch Laurence killed Harry O’Neill, another awesome guy.  Have I been a lucky girl!  I remember working with Frank Converse (Ex-Harry). And I remember a scene where I was Niki and we were dancing some place, and I looked up at him, and it was in rehearsal, and I could not help myself, and I said, “God, you are handsome.”  And he was so embarrassed he did not know where to look. This is one of the most handsome men on earth.

Courtesy/ABC

MICHAEL:

And speaking of handsome, there was also Mark Derwin, as your Ben?

ERIKA:

I love him. He sent me the cutest email after my 40th stating that he was sorry he could not be on the tribute reel, but his mother had been ill and he could not make time for that.  But I thought it was just as well, because God knows what he would have said.  He is so disrespectful, but I love that man. (Laughs)  He sent me a cute email afterwards stating, “You know, people ask about our time together and we never had a day we did not have fun.”  And it’s true. Mark is like a big wonderful child.  I used to call him “My favorite 14-year old.”

MICHAEL:

When you look back at playing truly one of the all-time most memorable characters in soaps for forty years, what moments, either as Viki or personally to you as Erika, stand out in your mind?  Certain Emmy wins?  A little nugget, or a moment that may have happened on set, or a favorite storyline?

ERIKA:

I think the sixth Emmy win was the most stunning.  To win against seven other awesome actresses was incredible.  And, that is when we had the lunch the day before and Susan Flannery (Stephanie, B&B) had organized it.  It was fantastic!  We closed the restaurant. I think they were ready to throw us out.  There we were drinking champagne and laughing and screaming.  And Susan kind of vanished near the end and came back and she settled the bill.  I can’t imagine what the bill must of have been. We easily drank 8 to 10 bottles of champagne among the eight of us.  So to have a fabulous lunch and to have laughed and laughed and tell stories, it was just unbelievable!  And I had never met Michelle Stafford (Phyllis, Y&R) and Juliet Mills (Tabitha Ex-Passions) before.  I knew Martha Byrne (Ex-Lily, ATWT) but not very well.  I knew Kim Zimmer and Kassie DePaiva (Blair, OLTL).  Nancy Lee Grahn (Alexis, GH), I knew well because we worked together.  I yelled at Susan, “You shouldn’t pay the entire bill.”  And she goes, “Let it go. Whoever wins tomorrow can pay next year.”  And we all said, “ha-ha-ha.”  And when I made my acceptance speech I should have said, “Lunch is on me next year.”  But all I could think of was all of these amazing actresses and how did they pick me?  I don’t know.  The best part of that win was the lunch with those women.

MICHAEL:

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Where are your record six Daytime Emmys that you have won over the forty years as Viki?  When you look at them now, is it still surreal?  Do you realize what an amazing accomplishment and honor that is?

ERIKA:

I do.  I am honored and floored. We have a little library and they are in a bookcase there.  I will walk by and go, “Wow.”  The first one I got was given to me by Stuart Damon (Ex-Alan, GH) and it was not televised.  I have kept all the little envelopes.  Stuart and my husband were dear old friends, and when I won Stuart said, “Take the envelope.” And that is the only proof I had that I won, because my name is in the middle, but it also has the names of the other nominees, so it’s kind of lovely to see.

MICHAEL:

You have seen so many regimes come and go over your forty years at OLTL.  Right now, this show is must-see TV, as it has always been, but particularly now it seems that all stories are firing on all cylinders, which makes this cancellation all the more disturbing and disheartening.  How has it been for you handling the changes behind the scenes throughout the years?

ERIKA:

Every time a producer leaves I think that’s the end of me, because they come in and recast, but I stayed.  I started in 1971 and thought I had a two-year contract.  I was stupid. I did not know they could fire me anytime they wanted to.  And I say, I do not know how forty years have gone by, but one year turned to another.  I got married and I had children, and I still had this brilliant, wonderful job.  People come and go, and you get closer to some than others.  I cannot think of a better job for an actress over a long period.  I am sure it’s great to be a movie star and make a ton of money and stuff, but I have consistently worked for forty years, and taken vacations when I wanted; knowing I have a job to come back to. That is incredible for an actress, and it just doesn’t happen.

MICHAEL:

Whenever I speak to your castmates, no matter whom, they always tell me you know your lines as well as everyone else’s. (Laughs)  Do you make that a point?

ERIKA:

Courtesy/ABC

Yes.  I don’t necessarily learn everybody else’s line, I learn my lines.  I come from the theatre and it’s important to me. You can’t give a performance if you don’t know what you are going to say.  I am not up there making it up, and people still write letters and go, “God, you have to make that up everyday?”  No, you don’t make it up, it’s written. You frame the performance around the words, and all of that has to be prepared in advance. You can’t just fake it.  I have had people who don’t know their lines in scenes with me that are very emotional.  Because you are on a track, and I know how to build the performance, they will say, “Oh, I don’t’ know my line, or what to say.”  Then you are screwed and you have to build that performance all over again, and go back to the beginning. There is no time to do all the preparation all over again.  But that does not happen often.  And when people go up on a line, it is generally an honest mistake. There are a few people over the years that just couldn’t be bothered to learn their lines, but they are not there anymore.

MICHAEL:

Now, as the series is ramping up for its final months, what is it going to be like for you having Roger Howarth (First-Todd) back?

ERIKA:

I am delighted!  I wanted to call him, but I don’t have his phone number.  But I wanted to say, “Thank God. He is coming back.”  I loved working with Roger.  He is a very talented, really clever, really nice guy.  He is kind of shy and keeps to himself, but he is such an interesting actor, and we had a wonderful time working together before.  So I am looking forward to that a lot.

MICHAEL:

I know this may be too soon to ask this question, but knowing that Viki’s life will not be able to be seen by viewers after January 2012 on ABC Daytime, is there something you would still love to get the opportunity to do, or play that you haven’t, before it ends?  And, how would you like to see Viki’s final moments play out on-air as the show comes to unfortunate fade to black?

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ERIKA:

No, I don’t think there is anything left I would still love to play.  I make jokes that I have no organs left except my appendix.  I have had every illness under the sun except, I have not been a drunk or a drug addict, and I don’t think I want to do that.  I don’t think that is a direction for Viki to go in.  At the end, I would love to see her happy.  Who knows what they are going to write?  But it should honor the show. And the final scene shouldn’t just be Viki.  It should be Viki and Clint, and Bo and Nora, and all the people who have been there and have been the heart and soul of that show for all those years.

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imasoapfan
imasoapfan

What a beautiful and moving interview with the talented Erika Slezak! I loved it. I can’t wait to see her special anniversary episode tomorrow.

Chris
Chris

Awesome interview!!!! I adore Erika, and you asked all of the questions that we all would have asked.

Leigh A
Leigh A

How wonderful! Erika Slezak has always been one of my favorites. I hope the final shows ends the way she wants it too. That’s how I want it to end too. I can’t imagine all the main longtime characters not all being in the final show or scene. I loved this interview; very emotional!

Brandon
Brandon

God, I love this woman. Erika Slezak is AMAZING. I’m going to cry my eyes out when we have to say goodbye to Viki on the last day of One Life To Live.

Thanks so much for this great interview!

steve
steve

Michael great interview Erika was so poised She is such a talented Actress the viewers have been blessed to have Erika play Vikki for 40 years !

Erica
Erica

I love Erika Slezak! I loved the questions you asked, because a lot of others would have asked the same ones. I can’t wait for her 40th anniversary episode tomorrow!

Kristin
Kristin

Thank you, thank you, thank you SO much for this interview. I love OLTL & I just love Erika. She’s such a classy lady. I really enjoyed hearing everything she had to say. I even cried some when she was talking about her 40th Anniversary episode.

bbridges
bbridges

Awesome interview with the best of the best. Looking forward to the show honoring her tomorrow!!

Christina
Christina

Thank you! Great interview. Erika Slezak was the reason I started watching One Life To Live over thirty-eight years ago and she continues to be the main reason I watch today. It will be so sad on that last day of OLTL, like a friend leaving.

Neal
Neal

Erika is such a class act!

Emily
Emily

Great interview. How can you not just love Erika? Always such a class act.

Doe
Doe

A loving interview, Michael. Erika has been the glue that has kept the show operating at such a high level. She is a phenomal actress.She makes everyone better because of her expertise and finesse in her performances And yes, she is a class act. She is someone you have to keep watching because she brings you in to her life so artfully. Then you don’t know what hit you and brought you in to her world. Fabulous woman! I will miss her very much. But, I believe we may see her doing something great on Nightime TV or perhaps she will go back to the theater and her roots. Do not retire Erika. There are a lot of performances we have yet to see!..

Jen
Jen

I adored this interview. I can’t imagine my life without Viki, I just can’t! Erika is a true class act!

Writestuffla
Writestuffla

Erika will always be Dame Erika to me, because she is acting royalty. She is gracious and I remember either Brett Claywell or Scott Evans tweeting and saying they just marveled at her work. The only thing I take issue with Dame Erika (it’s affectionate, not snarky) is the writer’s handling of Charlie Banks. Once they brought him to Llanview from Paris, they really didn’t know what to do with him, and they need to take responsibility for their poor writing of that character. Unfortunately they’ve done the same thing to Susan Haskell. They didn’t know how to write for her, so her character is getting the St. Anne’s treatment. It’s disrespectful to the actress and it’s disrespectful to the viewers. If OLTL was to survive, they would have to clean house starting from the top down. Frank and Ron would have to go. Their storytelling leaves a lot to be desired and is one of the chief reasons for the erosion of viewership over the past few years. There are still a lot of good stories to be told in Llanview. Frank and Ron just aren’t the people who could tell them.

Brian
Brian

Erika Slezak is one very classy lady! It will be so hard to watch final show. Congratulations on your 40th. You will be missed by all who love “One Life To Live”

gigik
gigik

Have loved Erika and the incredibly wonderful stories that have emanated thru the years…So much fun to escape the reality of everyday life ………Thank you for all the unforgettable scenes —watching the characters age (not as quickly as me though!!!)
Wishing continued happiness and good fortune to the cast…

Sue
Sue

Thanks for the heads up on the special Vicky episode. I’ll be sure to watch it. I remember when Erica took over the role. I would make a cup of tea for my mother and me and we would watch OLTL. Good memories….

Ann
Ann

I Love ‘One Life to Live’! it has been my fav since i was a young girl, watching w/my Grandma’s in the summers, and as an adult off and on…

Shame on ABC cancelling it!
For just another talk/info show! i hope the ratings sink!

Thank you Ms. Slezak! You are a ‘Class Act’!

Christine
Christine

I think that Erika is right the final moments should include Viki, Clint, Bo and Nora. Hopefully Dorian can squeeze her way in as well.They are OLTL and they are going to be the people that are missed most. I don’t know what I am going to do without my daily dose of Bo and Nora.

NY Soap Examiner
NY Soap Examiner

Michael you are truly amazing in the way you deal with your subjects. They are made to feel comfortable and allowed to answer the most pertinent and heart felt questions. Erika Slezak is a true Jewel and the thought of never seeing her perform again as our beloved Viki is too dreadful to contemplate. Thanks for the best interview I have read in a long time. You are the King!

Cindy
Cindy

I was watching OLTL since the very very beginning- and then ERIKA SLEZAK appears- how wonderful-
and, my sister in law and I used to discuss the happenings for when you were on- she was in costume dept- THE GINNY scenes, with the tight corset-
I am going to so miss you and all the actors- I hope down the road- you somewhere get into daytime shows- we will so miss you- THANK YOU for these years- CINDY P

red and vanessa forever
red and vanessa forever

can’t for viki and clint reunion as it should be them together and bo and nora together also

Dee
Dee

Thank you for all the wonderful years. I started watching OLTL in 1977 when i was 16. i will be 50 at the end of this summer. It was such a big part of my life and i will miss it and you very much

hmm
hmm

I so admire Ms. Slezak’s humility.

She truly is one of the best in the industry and deserved all of her emmy’s.

Cheffran
Cheffran

Oh my, but I am truly devastated about our soaps going of the air. Erika is one of my favorites and of course I am a big fan of OLTL and AMC , as well as DOOL and GH. These soaps have been a part of my life since 1965 and for sure I will miss them as will all of the other fans. For sure TPTB are caring about any of the staff, no matter what their job is, or the fans. Shame on them and thanks Erika for your wonderful acting and dedication which you have shown over the years. Sadness is a big part of my life right now due to this devastation.

sophie
sophie

I hope we see more from Erika after the show ends (and she’s had her big sleep and rested up). She’s not only a great actress, but a thoughtful, well-spoken woman. I hope there will be something wonderful in store for her.

MEG
MEG

Thank you MICHAEL ,ERIKA IS WONDERFUL

OLTL Fan
OLTL Fan

Oh my gosh…. Ever since hearing the news, I still feel like someone punched me in the gut. This is my family!!!!! Erika is my family!!!!!!!

Brian Greene
Brian Greene

Erika, You Are Soooo Terrific. We Love Watching You In Evanston, Illinois. 🙂 Thanks For Conducting This Super-Terrific Interview, Michael! 🙂

Doe
Doe

Oh, my God! If you didn’t see todays episode of OLTL , you missed the performanc of a lifetime. Erika Slezac was so effective in playing all her alters, going back and forth into each one that I knew I was witnessing the greatest soap actress of all time. And at the end, all I could do was sob. It was overwhelming to say the least. If all you fans haven’t seen it, go look for it and you will see for yourselves what I am talking about. Bravo….Bravo…Bravo Erica

trish17
trish17

I saw the episode with the alters today and was blown away. I wasn’t aware that this was going to be the show and I was mesmerized and all I could think of when it was over was that in a few short months Vicki will be gone from my life and this amazing actress. I grew up with most of the Soaps and when GL and ATWT went off I did not turn on CBS to see the new shows and still haven’t and to tell the truth I don’t even know what replaced those shows and the same will be true with ABC. My daytime TV viewing will be cut drastically. DOOL will be the only one left of my Soaps and I don’t know that I will start watching Y&R and B&B or GH.

Patrick Trubia
Patrick Trubia

Great interview Erika. And the show today was fantastic!! I have to say that when I heard the news about the cancellation I felt like I was told that I was terminally ill by my doctor. The news was shocking! How can I not have Erika and her great characters on OLTL. Erika is my family, she has kept me entertained and delighted since I began watching back in 1978. Erika really has been the only reason that I watched. I don’t want this year to end, Erika as Victoria Lord still has many years to be told. Thank God we will have her to 2012. Long live Victoria Lord! You are the best Erika. I’m so happy and proud to be your fan. I’m so very glad that I have much material in my archives to see again and again. You are the best of the best.

Linda
Linda

First, I must say that my daughter and I am truly devastated by the news of the cancellation of AMC and One Life to Live. We are doing everything we can to join forces to have the decision changed. To me, the best two actors on television are Erika Slezak and Bree Williamson!! They make changing into their alters look so easy and it is amazing when they are their alters and try to pretend to be the real character (Niki pretending to be Viki). You are the best!!! We are praying really hard that our shows don’t get cancelled and we won’t have to live out the rest of our lives without the best show on TV. Keep the faith, because I know I am going to. We love you and hope for 40 more years!!!

Scott Paquin
Scott Paquin

She is Amazing! I really hope that after hearing about the shows # 2 ratings that ABC will change for minds and not cancel this wonderful show.

luane raudabaugh
luane raudabaugh

I totally agree with you! OLTL FOREVER!

luane raudabaugh
luane raudabaugh

Wonderful interview! What a lovely, gracious lady. I wish only the best for Erika and all the amazing actors on my very,very favorite soap since it came on tv when I was a mere 13 years old. I will miss Erika tremendously!

sadie soaper
sadie soaper

Thank you for this interview. Erika’s performances have always been superb, but her performance on her 40th anniversary show was absolutely outstanding and Emmy-deserving. I have been a OLTL viewer since its inception and followed all stories with great enjoyment. I sincerely hope OLTL (and AMC) will find another home on NBC or CBS or a cable network. Exceptional acting, writing, direction and crew work will be sorely missed. ABC has made a huge mistake in cancelling these shows – my “stories”.

ethel
ethel

wow – what an awesome interview!!! erica is some lady……………

jeffrey moree
jeffrey moree

WOW! What a brilliant actress Erika is and Micheal is a masterful interviewer. I will miss OLTL deeply what a waste to cancel it in favor of a reality show.

Diane Ross
Diane Ross

I’ve watched OLTL from the beginning. It’s been my favorite of the ABC soaps. We moved a lot over the years and the soaps where my constant no matter where I lived. Kudos to Erika and the entire staff of OLTL for giving us a lot of joy and entertainment over the years. The cancellation of OLTL and AMC is a travesty. Shame on ABC!

Skater Boy
Skater Boy

She is such a classy and talented lady. She and Susan Lucci have truly been the jewels of daytime. I hope we will see these amazing actors again; though I fear ageism will get in the way. Sleazak is an amazing actress and would be a marvel for any show; Lucci may be typecast. Both are very beautiful ladies for any age.

sadie soaper
sadie soaper

***** ATTENTION: SOAP FANS *****
We need to take action to save All My Children and One Life to Live!!! We need our voices to be heard !
Go to this website http://soapfansunite.webs.com and join in the protest of these ridiculous cancellations! Go to the rallies, call the sponsors, write letters and boycott ABC (except for our soaps). We need to make it quite clear to the network that we WILL NOT watch any replacements if they go through with these soap cancellations.
We will not let our stories go without a fight!

james brann
james brann

soaps were yesterdays tv the talk shows are now shows more women working not home watching tv soaps so abc got to stay alive in today tv markets

Inez
Inez

The talk shows they have now are barely thriving, Rachel Ray, The Talk’s ratings are lower than ATWT’s last episode, even Oprah’s ratings are sagging in her last year. Reality and talk is just cheaper to produce and Disney wants out of the soap business. They have for a long time. And women DO still watch soaps. I don’t know where the theory comes from that we don’t watch anymore, we just don’t watch at the designated hour anymore BECAUSE of work and other things outside the home. That’s why SoapNet was such a lifesaver for many of us, just like DVR and Tivo and all the other ways to record and watch later. If the Neilsen’s actually counted the other ways we watched the shows, and not just during the 3 hour block periods, ABC couldn’t keep using ‘ratings’ as a reason for dropping the shows. I mean, BSFrons has said that GH is on par with Y&R, yet, OLTL has steadily gone up in ratings, beating GH, and for good reason. Better quality, better use of vets, better storylines, etc. More people are tuning in since the news broke, I’m sure, but even before that, OLTL has been gaining on word of mouth popularity alone, since the network never wanted to promote the show themselves. Now we’re losing it, sad.

And with Roger Howarth’s return, I’m sure they’ll look like even bigger fools. They pimped VMG’s return to the high heavens and it flopped in the ratings BIG TIME. And I LOVE Brenda and VMG, but they failed on that one. No real promotion for Roger except for in the mags and online and ecstatic fans passing the news to one another. I’m quite sure the splash will be bigger, given how he probably won’t hang out in Rome for two months, lol, and how much people are loving OLTL right now.

Maria Smith
Maria Smith

As I have said many times….Erika Slezak is indeed a rare jewel.

Robin Fletcher
Robin Fletcher

Michael, I think this has to be my favorite of all your soap star interviews. And your subject is THE class act of TV, daytime or night. Thanks! Robin Fletcher, Dallas, TX

Elizabeth Owens
Elizabeth Owens

Erika Slazak is such a gracious lady,I will miss her and everyone associated with “One Life To Live” Thank you again for giving us all these many years of heart-felt performances,may God bless you.

Elizabeth Owens
Elizabeth Owens

This is one of the most gracious and talented ladies of daytime T.V.

ANNIE THIEL
ANNIE THIEL

I LOVED ALL MY CHILDREN AND ONE LIFE TO LVIE EVER SINCE I WAS A KID. ON ALL MY CHILDREN, JOHN CALLAHAN EDMUND, MICHALE E. KNIGHT TAD, JACOB YOUNG JR, JUSTIN BRUEING JAMIE, WALT WILLEY JACKSON, SUSAN LUCCI ERICA AND AMEILA HINEL MIA AND TERI IVANS SIMONE AND AIDEN TRUNER AIDEN. ON ONE LIFE TO LIVE BREE WILLIMSON, HILLARY B. SMITH, SAMUEL BALL, BRAIN KERWIN, ROBERT S. WOODS, JERRY VER DORN, JOSH CASAUBIN, JUSTIS BOLDING, JOHN BOLGER, CHARISSA CHAMAROO, JAMES DEPIVA AND HIS WIFE KASSIE, LUARA KOFFMAN, TIMOTHY GIBBS, DON JEFFCOAT, JASON SHANE SCOTT, ERIN TORPEY, MARK DREWIN, KALE BROWEN, JESSICA MORRIS, SCOTT EVAINS, SEAN EVAINS, MELISSA GALLO, DAVID FUMERO EVERY BODY FORM THE PAST AND NOW.

Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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