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THE JEANNE COOPER INTERVIEW – THE YOUNG AND THE RESTLESS

Jeann CooperBy Michael Fairman

Listen to the audio:

[display_podcast]TV SOAP:

Where were you when the 5.4 Southern California earthquake hit?

JEANNE:

I was sitting in the courthouse on the witness stand in Santa Monica. Seriously, it’s a long story. It was absolutely amazing! The court clerk dove underneath the desk, the two councils and the plaintiff got under their desk, and the judge got under his desk, and I am sitting there, and I go, “It’s just an earthquake, you guys!” Well, the court recorder started laughing and said, “Are you still testifying?” I said, “No. I am just looking at the great leveler… fear!” I looked at the ceiling to make sure nothing was coming down. After the shaking, everyone was crawling out from underneath the tables, and the judge was walking back up to his chair and said, “I think we will recess for about an hour and half.” It’s amazing how frightened people can be during earthquakes, especially when you see damages, when we see the quakes around the world, and when 1,000 get killed. That’s an earthquake!


TV SOAP:

I want to go back to the night of the Emmys. You’re sitting in the audience. Your name is called, and then what happened?

JEANNE:

The name I heard barely, but I was thinking, “That is the way my name sounds?” I am not kidding. First of all, I was not going to go to the Emmys. I’ve gone, gone, gone. It’s always a 110 degrees heat, and I have gone many times. Like Meryl Streep, you just sit there and somebody else’s name is called and you go, “OK, they won.” So, I did not bother to look for anything to wear, and then Gino Colombo, my dear friend, told me about this gown and was insistent I go look at it. So I did, and it was pretty and cool and different. I tried it on, and looked at it and went, “OK, I will go.”


TV SOAP:

So, when your name is called you hear, kind of, “Jeanne Cooper”…..?

JEANNE:

My knees were so weak. I could not move, and my son, Colin who sat in front of me, and my son, Corbin Bernsen who sat in back of me, were all excited to be there with me. All of a sudden there is a seat filler in Colin’s seat and I was going to say to him, “Help me!” I turned to look for Colin, but I saw Doug Davidson (Paul) and I flew to him, and hugged and kissed him, and I was looking at Crystal Chappell (Olivia, “GL”) and she was rooting for me all the way. It was so sweet and kind. There was Michelle Stafford (Phyllis) and Christian LeBlanc (Michael) and Peter Bergman (Jack) at the table screaming and happy, and everyone was on their feet. Gina Tognoni (Dinah, “GL”) who had just won Supporting Actress was sitting at the table directly across from us. I said, “Help me up the bloody stairs!” And she said, “Yes, m’am!”

TV SOAP:

To set the record straight, this was your 10th nomination.

JEANNE:

I was nominated ten times in daytime, and two times in primetime.

TV SOAP:

This year, all the soap experts felt that you had your best two back-to-back episodes you have ever had in competition. Did you feel that way?

JEANNE:

Absolutely! Everyone who saw it said the same thing. After awhile everything seems to run together. But, basically these showed two elements of Katherine, and several people who voted said, “They were the best they had seen!”


TV SOAP:

Then I remembered in the pressroom, you acknowledging that you did this for “everybody who wanted this for me,” which I thought was so touching and so moving. Is that how you still feel about it at this point?

JEANNE:

Absolutely! Everybody who wanted it for me, and the press always wanted it for me for such a long time. So, the gratification was disbelief, and one thing that was totally amazing was Susan Lucci (Erica, “AMC”) was there…. and she had the greatest smile on her face. I said to her, “I am the only one who knows exactly how you felt!”

TV SOAP:

I kept thinking to myself the same thing… does anyone realize or know that you had been nominated this many times? With Susan, there were 19 times, but I said to my constituents she has been up ten times. They said, “No!”

JEANNE:

Most people thought I had won 5 or 6 times, like Tony Geary (Luke, “GH”)…. and Tony Geary who is a good friend of mine, said in the winners circle in the press room, “OK. Let’s show ‘em what the vets are like, baby!” He was so cute and I adore him! Everybody was so pleased for me. That’s what was touching. So many people had wanted this for me for so long, and frankly, I just did not really think I would get it. I will say that I was the coolest one in the heat at the Emmys though, in my dress.

TV SOAP:

In the pressroom, what did your son, Corbin, say to you upon your winning the Outstanding Lead Actress award?

JEANNE:

Corbin had tears in his eyes. He said, “I lived to see it,” and I said, “You lived to see it? I lived to see it!” Corbin flew in for the ceremonies, and that was a complete surprise. There was a pat on my shoulder, and I turned around and I said, “Hi. Corbin!” His brother was going to be my escort that night, and he said, “I am going to fly in and be her other escort!”

TV SOAP:

Where is the Emmy?

JEANNE:

I went and put it next to my Lifetime Achievement award, and now I felt I had come full circle. I got so many flowers, candy and gifts throughout the house, and coming from as far as Canada and England. The response was marvelous. The gift giving was a bit awkward, but people wanted to personalize something. I think everyone reacted, like, “Jesus! She finally made it!” Career wise, it probably was one of the most rewarding evenings, because it wasn’t just going there and planning it.

TV SOAP:

How was the annual Lead Actress nominee luncheon? Did you have a good time?

JEANNE:

It was fun. Michelle Stafford always makes those things fun, which means she is always nominated. (She laughs) It’s the third luncheon we have gone together, and Maura West (Carly, “ATWT”) and Nicole Forrester (Cassie, “GL”) were so delightful, too. I actually thought the Emmy might go to Nicole.

TV SOAP:

Did you like the roundtable Emmy table seating, as a throwback to the telecasts of year’s past?

JEANNE:

I loved the surrounding of the tables, and I have said forever, “Can’t we have a humongous luncheon at the Waldorf like it used to be?” It was glamorous and fun and it said, “This is a daytime event,” and at nighttime you are dressed to the hilt and hot in the jungles! It just has no chic to it, as far as I am concerned!


TV SOAP:

With “Y&R”, what do you think we can expect to see from Katherine in the coming months? And, do you have new writers on board now?

JEANNE:

Oh-ho…restoring the tapestry of the show! Katherine has big storyline coming up in two weeks that will carry on ‘till the end of the year… easily… Thank God! It is front-burner stuff! It will deal with Jill and Katherine, and many offshoots of that relationship.

TV SOAP:

In the past, you have been vocal in your opinion, and unhappy that Jill was made your daughter, and were hoping for a reversal. Will that be addressed?

JEANNE:

That will be approached. There is another character coming back that everybody loves and has been missed for a long time, so I am looking forward to that.

TV SOAP:

Will you get a romance?

JEANNE:

No, but I probably will at some point. But the thing of it is, it’s a character coming back that I love and the audience loved, and was dispensed with! In fact, the man that participated in that storyline called me from New York (an actor, who participated in that storyline). You know who I am talking about? Isn’t that exciting?

TV SOAP:

So, that will happen in a couple months?

JEANNE:

I think so, because Katherine needs a real friend.

TV SOAP:

Is Katherine still writing her autobiography, or was that dropped for good?

JEANNE:

They are so busy with “Restless Style” that I don’t know what happened to Katherine’s book. What do you think has been wrong with the numbers on the show for a while? The audience knows about work-place stuff. But we are also changing gears now, so things will be back on the upswing.

TV SOAP:

Have you seen a difference in the scripts with Hogan Sheffer and the new team at the helm?

JEANNE:

This last week, absolutely! The tapestry of what “Y&R” used to be is there, but hands are tied and false egos are involved. You are pulling for artistic achievement, but you have to protect the numbers and that’s what corporate does. We almost have a full page of writers now who are dealing with a few issues. I think, through the corporate side and the production side, they will make sure everything is right on board and we will be full steam ahead.

TV SOAP:

What would you still love to see happen to Katherine, that you have never gotten the opportunity to play?

JEANNE:

I always wanted Katherine to go into politics… sort of like the Anne Richards of Texas, who was the Governor of Texas and who was very blatant. She was so fantastic! She was one of the most dynamic and forward in her thinking. I think politically, Katherine would be great, but that became a Jack Abbott story on our show.

TV SOAP:

Was the sudden departure of Raya Meddine (Sabrina) a bit of a shock to the cast, or to you, as it had been made out to be by Internet rumors and reports? Do you think it’s just to get Victor and Nikki back together?

JEANNE:

I think Victor and Nikki days are over, because there are a lot of people who are star-crossed lovers, and as they become older, the general reaction is “They will never be parted.” You will always want Victor and Nikki back together, and they probably will from time to time, but you cannot at this point have Victor going off and impregnating another woman. The audience at home, at some point, will not like what happens. The wives will turn to their husbands and say, “Can’t you ever settle down?” And that’s who Victor is, unless you make him settle down. I don’t know if Eric Braeden (Victor) is willing to give up that part of the character at this point. He always wants that challenge, which is part of life and he does it very, very, well. And so does Melody Thomas Scott (Nikki). They are superb and accepting of these types of situations.

TV SOAP:

If you were to say a few words to describe working with Melody Thomas Scott, what would they be? In storyline, Nikki and Katherine are best friends. Is Nikki about to go off the deep end?

JEANNE:

Melody is delicious, and extremely talented. We have things coming up in tapings tomorrow that you have not seen this girl do in years. It’s called: “Study All Night Long” because it will blow you right through the roof. I wish I could tell you what she is doing, but I can’t. I have her on the telephone line, and I have Nicholas on the phone, and it’s boom, boom, boom, with all directions towards Nikki! It just reeks of the Bill Bell (creator and former head writer of “Y&R”) and it’s written by Janice Ferrari, who of course, was one of the prime writers for the show back in his heyday.

TV SOAP:

What about a few words to describe Dan Goddard (Cane), your on-screen grandson?

JEANNE:

He is such an “Aussie”. He is a pure delight, and absolute candy. He is kind and a deadly serious actor, and wanting to know more. He is very curious about everything, and it’s always a pleasure to do scenes with him. To do scenes, where he is all prepared and you attack it in a different vein, and he looks at you, and his talent really comes out because he rises to the occasion, which is great!


Jess WaltonTV SOAP:

And finally, a few words about Jess Walton (Jill)? “She is _ _ _”

JEANNE:

Delightful… neurotic… talented and neurotic… and talented and fun… and neurotic and talented! And, she has two new dogs!

TV SOAP:

And my last question is, when you won the Emmy what did Jess say to you?

JEANNE:

Jess said before I left, “Tonight is going to be your night, and I am not going to be there!” So, if Jess had come, I wouldn’t have won! (She laughs)

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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