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The Jeff Giles Interview – Llanview in the Afternoon: An Oral History of One Life to Live

Courtesy/IMDB

Courtesy/JGiles

In a time when fans are awaiting to find out the fate of the beloved One Life to Live once again, writer Jeff Giles just recently released his un-authorized history of the series in the book titled Llanview in the Afternoon: An Oral History of One Life to Live.  The self-published book is available at Amazon.com and via a kindle.

Taking a look back through four decades of the series on ABC and its often quirky, heartbreaking, shocking, dramatic, or even at times, non-sensical storylines, Giles speaks to countless producers, former and current cast members, and behind-the-scenes crew to learn some of the untold story about what went into making the series, the backstage drama, and how the show often times struggled to find its own identity in the early days sandwiched between ABC Daytime heavy weight brands, General Hospital and All My Children.  

On-Air On-Soaps chatted with Giles after reading the book ourselves, where we were stunned at some of the admissions he related that some cast members told him, and never before heard backstage tales.  So if you are a long time fan of the series, buckle up and read below at what Erika Slezak (Viki), Nathan Fillion (Ex-Joey), Hillary B. Smith (Nora), Brandon Buddy (Cole), Anthony Call (Ex-Herb), and many more had to say on a myriad of topics!  Jeff clarifies to us that his intent to write the book was to share his passion and love for the series, and give credit to the hardworking men and women who have worked tirelessly to bring Llanview to life for now 45 years.

MICHAEL:

How long did it to take you to write this oral history of One Life to Live, which seemingly contains quotes taken from many interviews with people in front of the camera, or behind the scenes, during OLTL’s ABC days?

JEFF:

Courtesy/IMDB

It took me a year and half to write it.  I think it helped by the fact that I was talking to people who were not on the show, and had not been on the show for a very long time, and did not have a stake in One Life to Live, or were even acting anymore.  The first person I spoke with was Tony Call (Ex-Herb Callison), and then I went to Marilyn Chris (Ex-Wanda Wolek), and Michael Storm (Ex-Larry Wolek).  I also spoke with Bob Woods (Bo Buchanan), who has still been part of the show, whose phone number I got from Marilyn Chris.  That was another way that it happened.  People would talk to one another and suggest other people for the book, for the most part.  Nobody seemed very concerned that it was un-authorized.

MICHAEL:

When you read the book there are some jaw-dropping moments for One Life to Live fans that they may never have heard about before.  For instance, I have not heard Erika Slezak (Viki) talk this candidly before, either.  So then people call into question the validity of the book.  What would you say to that?

JEFF:

There were people, and she was part of the group, that told me things that were off the record, and it did not make it in.  There were things people told me that did not make it into the book, actually. A lot of the conversations were even more candid then what ended up in the final book, because I didn’t want it to be a dirt-digging expedition, because that was not the point.  I did not want anyone to grind any axes in here, with the exception of Ellen Holly (Ex-Carla Hall) because I knew it was already public record, and that is why I sought out Arthur Burghardt (Ex-Dr. Jack Scott) to ask for his side of the story.

MICHAEL:

Courtesy/Ebony

Speaking of people from the past, one of the more heartbreaking things in the book is kind of following the downfall of actors who were being phased out, or were just written off, after years on the show!

JEFF:

Steve Fletcher (Ex-Brad Vernon) and Michael Storm (Larry Wolek)  are a powerful example of how brutal daytime can be!  In theory, it’s an open-ended gig; the show never stops.  It’s such a weird thing for an actor to assume a character that is supposed to go on and on.  And you often don’t get to have closure; especially guys like Michael Storm.

MICHAEL:

So, why did you decide to write Llanview in the Afternoon: An Oral History of One Life to Live?

JEFF: 

I am fascinated by the medium in general.  I think it’s loaded with possibilities that are often, for whatever reason, left untapped.  I am concerned for a number of reasons for the way it’s dwindled for the last decade in change.  When I interviewed Paul Glass (current musical director at GH), that was my in, and if it hadn’t been for his stories, and more importantly his encouragement, I don’t think I would have had the gumption to do it.  The more I thought about it, the more I thought somebody should do it, and it did not seem like anyone was going to do it.

MICHAEL:

Who shocked you the most when speaking to them?

JEFF:

Probably Joe Stuart (executive producer OLTL 1977-1983).   I was terrified to talk to him after all the stories I had heard about him.  In the book, there are a lot of stories about what a tyrant he was on set, and that he kept a punching bag in his office, and he fired people for inscrutable reasons.  Everyone lived under this terror of being called into his office.  When I talked to him he was this sweet, good-humored older man.  We had a warm conversation.

MICHAEL:

Courtesy/ABC

At the very beginning of its run, OLTL was about a diverse group of families of different social and economic backgrounds.  You had the blue collar Wolek’s, the Jewish Siegels, the wealthy Lords, and an African-American family in the Halls.  It almost seemed that after Judith Light left the show in the early 80’s as Karen Wolek, the show got away from what made it originally groundbreaking, and at times it looked like it was fighting so hard for an identity.

JEFF: 

I am guessing, much like me, you saw every ten to fifteen years they would have a new little pocket of token minorities kind of bubble up for a little bit, and then fade away.

MICHAEL:

So many producers changed up One Life to Live in the early days; that if they had kept it to what it was at the beginning, it would have been a defining show in the ABC lineup instead of the least known of the ABC Daytime brand fighting for recognition between General Hospital and All My Children.

JEFF: 

You are absolutely correct!  And, I think a whole other book could be written about how everyone grossly misunderstood what Gloria Monty was doing at GH, and how deeply it affected every other show in daytime. And as far as getting away from its original identify, all OLTL had to do was go back to what they had at the beginning.

MICHAEL:

Courtesy/YouTube

There was a really interesting moment in the book where Tony Call admits to a director’s note he was given on how to play the classic courtroom confession, where D.A Callison is grilling Karen and breaking her down bit by bit!  Apparently, Tony hated his performance!

JEFF:

I was fortunate to speak with him right after the OLTL Marathon on SOAPnet, shortly before they went off the air on ABC.  So his performance was fresh in my mind, and I remember thinking,” Oh, my God. This is so over the top.”   My clear memories of Herb are from the 80’s, and not that period.  And I remember him being a much more naturalistic actor.  So, I wanted to ask him about that.   He was very funny.  I really enjoyed hearing how he would go to real courtrooms and watch lawyers at work, and try to emulate what they were dong, and how ashamed he was of his own performance in this really iconic moment in the show’s history.

MICHAEL

“Solaramite and the Big 80’s” is the name of a chapter in the book, which harkens to the ridiculousness of some of the story arcs and themes at that time!

JEFF:

That storyline in particular reminds me of that weird interlude in OLTL’s history where they were kind of fumbling about, and it was mentioned in passing in the book, how Asa had a western bar and people hung out there, and they dabbled in country singing for a little bit   Bo owned a football team for awhile, and there was a period in the early 80’s where they did not know which direction they wanted to go.  But, that was an inadvertant prelude to all the stuff Paul Rauch (former OLTL executive producer (1984-1991) got up to with the Wild West, Heaven, and Eterna storylines.  I wish I had gotten more people to talk about Eterna, because that is the one that really is ridiculousness to me.

MICHAEL:

Courtesy/ErikaSlezak.com

I love when Erika Slezak talks about working with props like the papier-mâché looking rocks in the underground city of Eterna scenes!  She said in your book, ” So here were these two grown men, respected actors and directors, digging a hole in the studio floor to find the entrance to Eterna behind little papier-mâché rocks.”

JEFF:

I was lucky with that too, because those scenes were also on the OLTL SOAPnet marathon, and Erika was in scenes with the actor who played the Native American spirit guy called “Bright Eyes”.  My question to Erika was, “What is your approach to carry a scene like that, because it was obvious that the guy was not an actor, and you are surrounded by all of these very fake-looking props (I mean it looks fake on the TV screen.  It has to look ten times faker on the set.)  How do you sell the material?”  And that was her response, and she told me the director of that scene had to read “Bright Eye’s” lines to him one by one from off-camera as the scene was being filmed … he was that bad!

MICHAEL:

So in your book, Clint Ritchie’s (Ex-Clint Buchanan) drinking problem is discussed. Erika Slezak seemed to have a good perspective on the situation, though.

JEFF:

There was no judgment from her at all.  That story from her in the book, where he accidently throws a chair at her and she ends up stopping the scene, I left it in the book because she told it as part of the story, that the main condition for him re-signing with the show was that they needed to buy Erika a director’s chair, or he was not going to come back.  I thought that highlighted what a complex guy he was, and how complicated it was for everyone else who had a relationship with him.  Michael Storm talks about how he did not like working with Clint.  There were a couple of other people who talked about how belligerent he would get on the set, and how kind of mean he could be.  But, he was not always like that.  He was talented, and I thought Erika seemed to have a clear picture of who he was.  I never was of the opinion that he was judging him for his behavior   Linda Gottlieb (Former OLTL executive producer 1991- 1994) tells a story about showing up to the set on a Monday morning and the cast is in the middle of filming this dinner scene.  Clint showed up with bandages on his face, because he had gone out and done what they call “getting a little work done.”  She flipped out and was livid, because they had to change the storyline completely because his appearance had changed.

MICHAEL:

Out of all the producers that you discussed with former cast members, or behind the scenes personal, was there one producer who stood out as the most favorable?

JEFF:

Courtesy/ABC

No one said a bad word about Frank Valentini, and no one said a bad word about Jean Arley, either.  But everyone loved Frank Valentini, and how he earned his stripes under Paul Rauch.

MICHAEL:

In the book, there is a point where Hillary B. Smith (Nora) talked about one of the grossest moments in the shows story, involving Roscoe Born (as Mitch Laurence)?

JEFF:

She said, “She was so turned off by her own show, because she was so turned off that he was trying to rape his daughter, while spouting bible verses!” (Laughs)

MICHAEL:

How was Roscoe Born to talk to?  Mitch was such a heinous character, but the series always found a way to bring him back!

JEFF:

Roscoe was wonderful to talk to.  I think he is funny.  He will say things and contraindicate things – such as: he did not really care for the daytime stigma, but then talk about how it affected his career, and all the roles that it cost him, and the personal embarrassment of how people treated him because of it.  He was very open about that.

MICHAEL:

Courtesy/YouTube

One of the things mentioned in the book that is fascinating is that during the closing arguments in Todd’s rape case, (that Hillary B. Smith won the Daytime Emmy for) she related to you that she overstepped her bounds and re-wrote a lot of the closing argument from the original dialog given to her, by then OLTL head writer, Michael Malone.

JEFF:

I can tell you that Michael Malone and Hillary are still friends, because it was Michael who put me in touch with Hillary. 

MICHAEL:

You also reveal how a beloved favorite, Marilyn Chris (Ex-Wanda Wolek) decided she was done with the show.  I remember watching the show back then.  All of a sudden, Marilyn was gone!

JEFF:

She did not want to do it anymore.  Marilyn was so afraid they were going to make her an offer she couldn’t refuse, so she begged them not to give her any financial figures.  She just said, “No, I can’t do it anymore.”  I think she saw the way the show was changing, and I don’t think she was really one of the actresses that had an allegiance to daytime.  I think like for a lot of other actors, it was a terrific way for her to subsidize her theatre career, and then she did not need the money anymore.  She was not working as much, and the landscape of the show had changed to such a great extent, it was easy for her to let go of the character.

MICHAEL:

Where does your book end … because right now, there is a huge cliffhanger for fans if One Life to Live will see a second season with Prospect Park?

JEFF:

It ends after the first season of the revival of One Life to Live, and interestingly enough the way that Prospect Park constructed their sets.  At ABC, the actors would come and go all day long for block/ taping schedules.  At Prospect Park’s version, the actors would have to be on set mostly all day long.   Both Erika and Hillary said it had the effect of restoring some of the theatre and repertory feeling to the company, and restored some of the comradarie they had in the old days.  I thought that was a nice way to bring it full circle.  I was really struggling to end the book on a happy note.  Since the “shelving” news came out just before I thought I was done.  So I ended it on a question mark … rather than a period.

Courtesy/ABC

MICHAEL:

Castle star Nathan Fillon (Ex-Joey Buchanan OLTL) also participated in the book?

JEFF:

Yes, he was wonderful.  The sense you get from him is he is a passionate defender of daytime.  He tells a great story of Bob Woods in the book where Nathan credits One Life to Live with giving him all the tools to become a successful actor, and how they gave him an acting coach.  He was green, and he picked up all these skills. Towards the end of his contract Bob Woods set him down and said, “You are going to leave.  No matter what, you are going to tell the network you are leaving at the end of your contract.  And, you are going to go to L.A. and do whatever it takes to get your career off the ground.  And if you try and you fail, you can always come back to One Life to Live.  But if you try and you stay, you are going to find yourself trapped in what Woods called, ‘Golden handcuffs’.”  It is his way of describing the soap actor’s lifestyle.  You get locked into that role for so many reasons; some of which are the steady work and money. You build a lifestyle, and you have mortgage payments to make, and you can’t get out to do other productions because you are always on the soap.  Then sometimes casting directors don’t want to see you because you have been on a soap.  For someone like Woods, it gave him a good life and lifestyle.  When Nathan Filllon told that story, and he looks around and sees everything he has, he knows he owes it to Bob Woods.

MICHAEL:

You also had a great story about Brandon Buddy coming from Texas and landing the role of Cole Thornhart.

JEFF:

I spoke with Brandon and how he got the role.  His manager told him, “You are not going to get the part, but go out to New York and have fun and treat it like a vacation.”  Brandon said he went out and tried out with all these other guys in the room, who were trying out for Cole.  After the auditions, somehow Brandon ended up ferrying all of these guys back to the hotel they were staying at.  And as he is driving them back to the hotel, they are all telling him how sure they are that they got the role!  (Laughs) Brandon seems very self-effacing and down to earth.

Courtesy/ErikaSlezak.com

MICHAEL:

The AIDS quilt storyline was one of the most emotional and remembered storylines in the history of OLTL, and so important for its time.  Roy Thinnes did a remarkable job at playing Sloan Carpenter, who dealt with coming to grips with his own son being gay, and also falling in love with Viki, and eventually dying.  But what went down behind the scenes, according to you in the book, was also intriguing!

JEFF:

Linda Gottlieb and Michael Malone lured Roy Thinnes back to play Sloan, after he played his other role on the show of Alex Crown.  He talks about how Alex was killed, and then they called and asked him to come back and he said, “My character’s dead!” Linda woo’d him back, because first he wanted to work with Erika Slezak and second, the story of the crusty old military guy who learns to accept his gay son, appealed to Roy. Unfortunately, it did not end very well.  They were playing him against Clint Ritchie, and Linda wanted to make a triangle on-screen.  Clint got hurt with a tractor accident and they had been meaning to get rid of Sloan.  But then when Clint got hurt they knew they needed to keep him around, and so they signed him to another deal.  And then when Clint got better, they decided to get rid of him.  And Peter Miner (Director, OLTL) said in the book, Roy was miserable because they would not tell him what Sloan was dying of, and he had no idea what was happening.

MICHAEL:

As someone who watched the show for a big chunk of time, went away from it and then came back to it years later, what are your favorite storylines or characters of all-time?

JEFF:

Photo Credit: ABC/Getty Images

When those three characters; Todd, John and Starr went over to General Hospital after One Life to Live ended on ABC, I was excited about the idea of it, as I wanted to see the characters continue, but seeing them in a different context really drove home for me that my fondness for OLTL was never really about any particular character, or couple. For me, it was the sum total, and all of those characters in that place of Llanview. And part of what was so gratifying about me coming back to One Life to Live after not watching it for so long was that sense of place.  I mean, obviously, it wasn’t completely the same, but a lot of it was. That felt good.

MICHAEL:

When you watched the final two episodes of One Life to Live on ABC, and the sheer brilliance of the writing, production and acting, what was the most moving moment for you as a long time fan of the show?

JEFF:

The really moving moment for me was in the final episode when Bob Woods turned to Hillary B. Smith and said, “I love you, Red.”   He said it in such a way that you could tell that he meant it.  He was in tears, and I told him how much I loved that scene.  There are a few moments from the last few years of the show on ABC that also were so emotional impactful to me, and one of those was when Viki and Jessica (Bree Williamson) are together and Jessica remembers that her baby died.  Instead of going over the top like a soap might, it was so quiet.  They just held each other.

Courtesy/JeffGiles

MICHAEL:

What is the picture on the cover of your book supposed to be?  Fans have been inquiring!

JEFF:

Well, I knew I couldn’t use any logo, or any still from the series, so I had to improvise. So I went to a stock photo company, and used a picture from the Philadelphia Town Hall, because it reminded me a bit of the opening credits of OLTL from the 80’s.

MICHAEL:

When, or how were your interviews with Erika Slezak (Viki) conducted?  Why do you think she wanted to talk with you about all things OLTL?

JEFF:

There were two interviews with Erika, actually.  She called me, and we talked for a while, and she invited me out to her place in Vermont.  And, we spent an afternoon doing follow-up stuff.  It was wonderful.  Erika made me quiche!  It was surreal.  I think the other thing people might want to take away from this, is often soap actors don’t have a chance to talk about the craft of acting in the context of daytime.  There is an incredibly unique thing they do of inhabiting one character for gross quantities of time, and using the character to traverse these insane emotional landscapes.  I think she was maybe glad for the opportunity to talk about all of this stuff.

MICHAEL:

What is that you want fans to takeaway from your book?  Was this a project done out of love for OLTL?

JEFF:

Courtesy/ABC

Yes, this was a project of love, and that is all it is.  I tried to write in such a way that even if you did not see the show, it’s still an interesting read.  I never really understood how deeply the odds were stacked against the people that worked on the show, from the actors, to the writers, to the producers.  They were always barely on the edge of the whole damn thing falling apart.  I think that is what carries through in the book, that as much as people may want to make fun of, or laugh at soaps, there is a lot of profound emotional drama that comes out of those shows.  It’s the only type of drama you can get out of a long form narrative, and that is on a soap opera.  The fact that it works as often as it does is a real testament to the skill, and the craft, and the dedication, and the effort that went in to those shows.

 

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Kat Hilderbrandjaybird369FranAvatar610Charles E. Recent comment authors
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Sean
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Sean

Thank you for this interview. I got the book on my kindle as soon as it came out and now i’m in the process of rereading it. A book like this takes a few readings to get everything to sink in…it’s so great! a Must-have for all OLTL fans!

louisa
Guest
louisa

Thank you for the interview! Fascinating. Reading the book now.

Eric Henwood-Greer
Guest
Eric Henwood-Greer

This is a must own book for ANY soap fans, even if they never watched OLTL. *Finally* truly candid remarks, and the whole he said/she said format helps let the viewer make their own mind up about what happened. Especially thrilling to hear so many stories of the early years of the show–there’s always been so much mis-information (ie just how involved was Agnes during the 70s? Again, from a few different comments you’ll have to decide for yourself.) I bought the Kindle edition when it first came out–even though I have no Kindle (I used the free computer Kindle… Read more »

Daniel
Guest
Daniel

Thanks for letting us know about this book a while back. It is fascinating – I can’t put it down! Brings back lots of memories of beloved actors and storylines.

Fran
Guest
Fran

I am half way done with the book it was written well not a tell all vibe , Ms holly seems to have issues. It would be nice if Erika would write a book about OLTL / her life she a classy lady and would not scandalize thing s, but I read somewhere that she wouldn’t write a book , but she did say she wouldn’t be on twitter their and she is on twitter , she tweets sometimes . so maybe u should ask her michael.

Patricio
Guest
Patricio

Hi Fran –

I have been hoping Erika Slezak writes a biography that would have OLTL at its center . It would b a fascinating read for any soap fan as her view of over 40 years on the sam show would be a unique and thoughtful read.

mgb357
Guest
mgb357

Thanks for writing this book. Hope to pick it up soon.
Will read it every day at 2:00pm, turning off the tv.
Maybe PP will see the sales and realize what they are missing out on.

Alan
Guest
Alan

Ordered this book the day Michael posted about it and couldn’t put it down. Well worth the money and a must have for OLTL fans.

Iakovos
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Iakovos

This books is a delight and so entertaining and written with meaning. I ordered the Kindle edition as soon as I heard of the project. I am greatly enjoying it. Grew up with OLTL and hung on through all the shifts. The original premise of living in a diverse community with its class and economic struggles is the golden age for me. Loved it then.

dawnhaze
Guest
dawnhaze

Thanks Jeff. One Life to Live is my favorite soap and I enjoyed the excerpt above and mention of all the past characters. I didn’t know about your book until I read it in the interview but I immediate went to buy it. I know I will enjoy it since it is about characters that filled an hour of my day for so many years. I surely hope PP puts OLTL back on soon. I just hope it is soon. Thanks again for the book Jeff and to Michael for telling us about it.

jaybird369
Guest
jaybird369

Hmmm…I wonder…I wonder if Jeff Giles’s, um, book includes the following tidbits: 1. When Linda Gottlieb was OLTL’s executive producer in the early 90’s, Phil Carey tried (more than once) to undermine her authority. At one time, he even tried to get her fired. 2. Basically EVERYONE on the OLTL set HATED working with Barbara Luna because she was too difficult and demanding to work with. Clint Ritchie ESPECIALLY hated working with her. 3. BOTH Joe Stuart and ESPECIALLY Paul Rauch treated Ellen Holly like dirt. 4. Paul Rauch VERY CRUELLY fired BOTH Ellen Holly and Lillian Hayman will little… Read more »

dmr
Guest
dmr

I loved the courtroom scenes from when Judith Light confessed that her character Karen was a prostitute. I was too young to watch when these scenes first aired; but, I have seen them since in reruns; and what fantastic scenes! That’s what I miss about daytime, cliff-hanger Fridays, great, diverse storylines, like when Tad was sleeping with Marion and Liza on AMC, Erica was having an affair with Travis’ brother, Jack on AMC, old-style Luke and Laura on GH, the adventures of the WSB on GH and all of the 80’s icons, dramatic heat from Sonny and Brenda on GH,… Read more »

Charles E.
Guest
Charles E.

Does the book mention ANYTHING on Jacqueline Courtney and George Reinholt? I wonder if it touches on her affair with Joseph Stuart or how Robert S. Woods wasn’t that thrilled with her. Also, from what erika has had to say about Clint Ritchie, it seems that he was VERY much like George Reinhol, an emotionally tortured person who ALSO threw a chair on the set (that was during his “Another World” days- he threw it at AW director Ira Cirker in rage over Pete Lemay’s scripts- it’s been said that this particular incident led to his 1975 AW firing). OLTL… Read more »

jaybird369
Guest
jaybird369

Charles…honestly, I forgot about Jacqueline Courtney. Dude…that DOES NOT surprise me at all that she had an affair with Joe Stuart. I once read somewhere that (when she was alive) Jacqueline had affairs with SEVERAL soap opera executives over the years. And, Jacqueline was downright MEAN AS HELL to other soap opera actresses and MOST soap opera actors TRULY HATED working with her because of her snobby, demanding and diva-like ways. Most of all, I wonder if Jeff Giles interviewed Jacqueline’s daughter for his book? Supposedly, Jacqueline’s daughter knows ALL of Jacqueline’s deep, dark secrets. Every last one of ’em!!!!!… Read more »

Avatar610
Guest
Avatar610

Well, I do know that for her last P&G contract on AW in the mid 70s she demanded her own dressing room with a toilet- and she got her wish!! This reminds me of how Joan Crawford had her own private toilet in her dressing room at MGM in the 30s, a fact that impressed Greta Garbo during the filming of “Grand Hotel”. George and Jacquie were very seemingly exclusive members of their own club on the AW set, so to speak, and apparently openly critized the work of fellow performers- just one reason why the rest of the cast… Read more »

jaybird369
Guest
jaybird369

Avatar, check this out…back in the day, when she was on both Another World and (especially) One Life To Live, Jacqueline Courtney (over the years) did SEVERAL interviews. Interviews openly criticizing and OPENLY BASHING fellow co-stars from AW and OLTL, writers, producers, directors, crew members, etc.. One time, she even did an interview bashing BOTH NBC and (especially) ABC (aka the networks). Well, eventually, Jacqueline was pretty much forced into retirement because NO ONE in the soap opera community wanted to work with her anymore and (after a while) basically EVERYONE got tired of dealing with her. Period. Take care,… Read more »

jaybird369
Guest
jaybird369

Avatar…check out these, um, other tidbits about Jacqueline Courtney: 1. When she was on BOTH AW and OLTL, Jacqueline used to annoy and irritate directors with her so-called and “helpful” suggestions. One day, it all reached a boiling point when a now former OLTL directer had enough and TOTALLY WENT OFF on her…including dropping the F-bomb SEVERAL TIMES in front of SEVERAL people on the OLTL set. 2. One time, on the AW set, Jacqueline VERY RUDELY walked into and interrupted a private meeting between some of the AW writers. 3. After a while, cast members from BOTH AW and… Read more »

Fran
Guest
Fran

just finished book great book . thanks .. someone needs to write A tell all book about OLTL the above comments sound juicy . Hey this sound like a drama within a daytime drama I would buy that book in a minute too.

jaybird369
Guest
jaybird369

That does not surprise me (at all) that Michael Storm did not like working with Clint Ritchie. Back in the day, on the OLTL set, ONLY Erika Slezak, Robert S. Woods and the late Phil Carey enjoyed working with CR. That was because all 3 of them knew how to deal with him and knew how to keep him in line. As for the rest of the OLTL cast (overall), they all either “cheerfully” tolerated working with CR or they flat-out HATED working with him. Period.

Kat Hilderbrand
Guest
Kat Hilderbrand

This is a must-read for any OLTL fan. I read it once and am reading it through again. The stories for behind the scenes of 4 decades are so interesting for the fan to read. It is fantastic that Jeff Giles tracked down so many different people from the show for this book. Bravo!

General Hospital

Kelly Thiebaud Opens Up on Her Exit from General Hospital, Taping Britt’s Tragic Death Scenes, and Parting Thoughts on Co-Stars

Just a few weeks ago on the January 4th episode of General Hospital, viewers were left devastated when Dr. Britt Westbourne succumbed to a fatal poisoning after a confrontation with ‘The Hook’.

While it was revealed that Daytime Emmy winner, Kelly Thiebaud, was exiting the ABC soap opera at the end of 2022, many thought the story would see Britt leaving Port Charles to deal with her declining health due to Huntington’s Disease in private, in order to keep the door open for a possible return down the line.  However, that was not meant to be.  When a report from Deadline surfaced back in August of 2022, it indicated that Kelly was returning to her primetime role on ABC’s Station 19, which caused some confusion and rumors of just what would Thiebaud’s ultimate status be with the daytime drama series.

Photo: ABC

Now, in a very special exit interview for You Tube’s Michael Fairman Channel, Kelly chats with Michael Fairman and clarifies what led to her decision to leave her role as Dr. Britt Westbourne.

Talking with Fairman direct from London, Kelly, who won a Daytime Emmy in 2022 for the Outstanding Supporting Actress in a Drama Series, reveals how it came to pass that GH would kill-off the character of Britt by becoming another victim of ‘The Hook’, and more.

Photo: KThiebaudIG

During the conversation, Thiebaud shares her thoughts on working with her former GH co-stars including: Steve Burton (ex-Jason), Parry Shen (Brad), Kirsten Storms (Maxie), Kathleen Gati (Liesl), Cassandra James (Terry), Roger Howarth (Austin) and Josh Kelly (Cody), as well as some of her favorite memories throughout her run on the series which began in 2012.

Photo: ABC

Kelly took the character from being the manipulative ‘Britch’ as an interloper in the romance of Patrick (Jason Thompson) and Sabrina (Teresa Castillo), all the way to becoming a well-loved character to root for.

Courtesy/ABC

While, GH viewers witnessed Britt’s shocking death scenes, Kelly weighs-in on taping those moments, as well as Britt’s emotional goodbye birthday party, and having the opportunity to portray a character who was trying to navigate her life, while suffering from the effects of Huntington’s Disease.

In addition, Thiebaud gives a very special ‘thank you’ and shout out to the fans for their enduring support as she looks forward to new roles and new adventures ahead.

Photo: NATAS

Check out our heartfelt farewell interview with Kelly below, and for upcoming celebrity features, interviews, event coverage, music videos, and more, make sure to ‘subscribe‘ to the Michael Fairman Channel.

So, what did you think about Kelly’s decision to depart GH? Will you miss her as Britt? Share your thoughts on our conversation in the comment section below.

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Interviews

Y&R’s Michael Graziadei Talks Daniel’s Past and Present, Reuniting with His Co-Stars, and Life as Dad to Twins

Longtime viewers of CBS’ The Young and the Restless are excited that Michael Graziadei has returned to the top-rated daytime drama during its 50th anniversary season as Daniel Romalotti.

Graziadei made his on-screen re-emergence right around Thanksgiving, as in story, Daniel came home to surprise his mother, Phyllis (Michelle Stafford), but also for a business idea he wanted to present to good friend, Devon (Bryton James) and Daniel’s former girlfriend, Lily Winters (Christel Khalil).  Seems Daniel has a mega-universe gaming platform he’s created that he wants Chancellor-Winters to potentially be a part of.  But there must be more to the story than meets the eye, right? Will Daniel find himself drawn back to Lily, especially since her relationship with Billy (Jason Thompson) has hit a major rough spot/road block named Chelsea (Melissa Claire Egan)?

Courtesy/CBS

In a new virtual interview exclusively for You Tube’s Michael Fairman Channel, Graziadei sits-down to talk about coming home to Genoa City with a look at Daniel’s past, present and future.  Michael first appeared as Y&R’s Daniel from 2004-2013, made a guest stop back to the show in 2016, and now at the end of 2022, he is back full-time with the soap opera.

During the conversation, Graziadei shares what it’s been like working with beloved cast mates including: Michelle Stafford, Christel Khalil, Camryn Grimes (Mariah) and more.

Courtesy/CBS

Michael also shared his enthusiasm at getting a chance to reconnect not only with Michelle Stafford, but Daniel’s adoptive father, Michael Damian (Danny) as well, when they all appear in scenes together for the upcoming holiday episodes.

Courtesy/CBS

Just what have been Michael’s favorite Daniel storylines of all-time? Was it Daniel’s part in Cassie’s death (Camryn Grimes) and its aftermath? When they gave Daniel a porn addiction storyline? Graziadei weighs-in.

Courtesy/CBS

In addition, Michael reveals the wonders of being a new dad to twins boys in real-life, Oliver Bear and Arlo.  He opens up about how he and his lady love, Lauren found out they were having twins, the naming process they went through, and what life is like now at-home.

Photo: GoodGriefCharlieBrownIG

During Graziadei’s time away from Y&R, he appeared in numerous TV and film projects.  Most recently, Michael was seen in Netflix’s The Lincoln Lawyer, where he shares what it was like to take on a legal role for the first time in his career, plus what it was like to act and kiss Oscar-winner, Jessica Lange in American Horror Story (a role he played while still at Y&R during his first go-round).

Courtesy/Netflix

You can watch the full interview with Graziadei below.

For more celebrity interviews and features make sure to ‘subscribe’ to the Michael Fairman Channel.

Now let us know, are you glad Daniel is back in GC? Do you hope Lily and Daniel get back together all of these years later? What has been your favorite Daniel storyline of all time … and your favorite part of our conversation with him?  Share your thoughts in the comment section.

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Interviews

Y&R’s Camryn Grimes and Fiancé Brock Powell Talk On Their Roles as Mrs. Claus and Santa in ‘Mickey Saves Christmas’

Two-time Daytime Emmy winner, Camryn Grimes (Mariah, The Young and the Restless) has been involved in a very special passion project in more ways than one!  Now, everyone will be able can see it, and hear it, when Grimes voices the role of Mrs. Claus opposite her real-life fiancé and voiceover star, Brock Powell as Santa in Mickey Saves Christmas.

The new stop-motion holiday special premieres Sunday, November 27th (7:00-7:30 p.m. EST) on ABC, Disney Channel, Disney Junior and Disney XD, and Monday, November 28 on Disney+ and Hulu.  It features Disney icons: Mickey, Minnie and the gang, who are sent to the North Pole on a quest to save Christmas and find the true meaning of the holiday.

Camryn and Brock Powell became engaged earlier this year on January 7th, which also happened to be Camryn’s 32nd birthday. How the two met all comes back to the world of voiceover and Disney, as you will learn.

Michael Fairman TV chatted with the real-life lovebirds to preview Mickey Saves Christmas, how they wound up voicing the important voices of Christmas, Santa and Mrs. Claus, and just what Brock thinks of Camryn’s Genoa City alter-ego Mariah being married to Tessa (Cait Fairbanks), and more.  Is Brock #TeamTeriah? Check out what they shared with us below.

Photo: Disney+

The two of you were actually introduced by Bill Farmer, the voice of Goofy! How did that happen?

BROCK:  So, Bill Farmer is my mentor, and through him, that was the first time I actually met Camryn.

CAMRYN: I knew Bill growing up, and in 2020 when I wanted to get into voiceovers, I reached out to him and that’s how this all started and I guess, the rest is history.

Now you are voicing Santa and Mrs. Claus in Mickey Save Christmas. How did it come about that you both landed parts on the project?

BROCK: I got to play the role of Santa in Mickey and Minnie Wish Upon a Christmas, which was the first time I got to voice Santa for Disney, and now I’m returning to the role this time. Camryn received the audition randomly for Ms. Claus on the day we were getting engaged, and it was perfect timing because I had to get her out of the house so I could set up the proposal here.  So, it really was a Christmas miracle because I was sweating!

CAMRYN:  We were cast separately. The production team had no idea that Brock and I were a couple. When I went in to record, they were like, “Here’s the voice of Santa for you to record to, and I was like, “Yeah, I know… that’s my fiancé!”  They were like, “What??” (Laughs)

Photo: Sarah Irene Decristoforo

Did the engagement go off without a hitch?

BROCK:  Yes, so after the audition process, Camryn returned home. I proposed, and there was a whole Disney/Pixar theme going on in the backyard. It was a really special day. To have her say, “Yes”, and also to have this crazy opportunity for her to audition for the role of Mrs. Claus happening at the same time … and then weeks later finding out she booked the role, it was all amazing.  We were now going to be working on this Christmas special together.  I think anytime you get to voice an iconic character, it’s special.  However, if you’d told me that I would get to return to the role I love, with the person I love playing opposite me … I think I’m done.  I just don’t know how you can ever top it!

Camryn, what did it mean to you to be in this film as Mrs. Claus, because fans saw this post of yours with a photo of you outside the Anaheim Convention Center where Disney’s D23 convention was happening.  It made everyone speculate  just what you were working on, which you shared was a lifelong dream.

CAMRYN:  Yes!  Y&R and CBS is my home, but I’ve always wanted to do something with Disney.  My family raised me on all things Disney and all things Christmas.  They were huge into the holiday, and so this kind of just checks every box.  It’s not only Disney, it’s Christmas, it’s stop-motion animation, and it’s Mrs. Claus.  I think my family was more excited for me to book this then anything I’ve ever done. I think there were tears! So sentimentally, this project really meant a lot to me.

Photo: BrockPowellIG

Camryn, did Brock coach you on doing voiceover work, or give you any tips?

CAMRYN:  I mean, I live with my voiceover coach. (Laughs) It’s amazing!

BROCK:  You know, I do coach for voiceovers and Camryn is my star pupil now.  She’s a talented actress, obviously. The biggest misconception is that, while it starts with the voice, Camryn, as well as most of the amazing voice actors I know, they have access to this childhood imagination which I think makes their performances possible. So, while you’re watching Mickey Saves Christmas, even though we recorded everything separately, what you’re looking for is that energy and every character connecting. You’re inventing the circumstances, you’re inventing your scene partner, where we have to close our eyes and embody a character we may, or may not, have a reference for. I think watching Camryn and hearing Camryn’s work on this, and a couple of other projects she’s worked on, I’m just so impressed at how coming from daytime television where there is a very stringent set routine and at the level that she excels at there, to then come into my world and then just kill it behind the microphone. She was able to let all of that go and have the bravery to try something new. I think a lot of people are going to love what Camryn has done here.  I’m most proud of her to be willing to look silly which is what is required in voiceover.

CAMRYN:  That’s true, and that’s probably the most fun thing about it.

Now, what can you tease us that happens in the story of Mickey Saves Christmas?

CAMRYN: It’s kind of built into the title a little bit, but I think what you’re going to get out of this is a deep sense of community and coming together to fix a problem and being able to lend a helping hand.  I feel, it’s just a really lovely film about chosen family.

BROCK:  It’s about family, it’s about friends, it’s about putting a lot of pressure on the holidays be perfect.  I think everyone involved in this special from the animators to the music team, everything in it helped make this a love letter to the holidays. The film really just talks about that Christmas is who you spend it with, and not necessarily how it turns out. I think it’s a really positive reminder that the most important part about Christmas is being with the ones we love. These are characters that Camryn and I love, not just the ones we voiced. To be with these actors, to be with these characters. it is just is going to be so special with everyone watching on November 27. It’s going to be the first tine for all us watching it together,

Photo: CBS

Now Brock, do you watch Camryn on The Young and the Restless?

BROCK: Yes, and I will say sometimes when Camryn is at work, our puppy does sit and watch mommy on TV, too!

Is Brock, #TeamTeriah on Y&R, as well?

CAMRYN: Yes, Brock is all about #TeamTeriah. It was actually really beautiful kind of getting engaged around the same time, Mariah and Tessa did on the show.

In another post of yours on social media, I saw that you had picked a spot for your wedding to Brock.   

CAMRYN: Yes. We don’t actually have a set date (we have three options), but we did pick a location.  So, we will be figuring that all out very soon.

Check out a clip from ‘Mickey Saves Christmas’ featuring Camryn as Mrs. Clause and Brock as Santa below.  Then let us know, will you be watching the special? What did you think of Camryn getting to work on this project and opposite the love-of-her-life, Brock Powell? Share your thoughts in the comment section.

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