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The Jess Walton, Doug Davidson, and Tricia Cast Interview – The Young and the Restless

Courtesy/CBS

Photo Credit: HutchinsPhoto/CBS

This week on The Young and the Restless, friends and loved ones of Katherine Chancellor (Jeanne Cooper) gather together for a remembrance on the 1-year anniversary of the passing of the Grand Dame of Genoa City!  And as we know in story thus far, Katherine left specific instructions of how she wanted her party/celebration that honors her in the hands of her long-time friend and often times foe, Jill (Jess Walton)!  For the special episodes, which will begin airing on Tuesday and Wednesday, Y&R brought back fan favorite Tricia Cast (Nina) who notices during the celebration that there seems to be trouble in paradise between Paul (Doug Davidson) and her bff and his wife, Christine (Lauralee Bell). In addition, actor Michael Fairman (Murphy) makes a return when Murphy has been given his own set of instructions from Mrs C., and that doesn’t sit well with Jill!

But with this being the 1-year anniversary marking the death of the character of Katherine Chancellor, it has also been a year and a few months since the passing of the iconic and beloved Jeanne Cooper, who died in May of 2013.  How are her co-stars and Y&R family dealing with the loss a year later of this remarkable woman and talent?  On-Air On-Soaps talked with three cast members who have each shared a long-standing unique and profound relationship with Jeanne: Jess Walton, Doug Davidson, and Tricia Cast.

In this very special tribute interview, Jess, Doug, and Tricia share what it has been like at the studio without Jeanne, some of their favorite personal stories that are, for anyone that knew her, or are fans of hers, quintessential Jeanne!  Plus, the trio weighs-in on if they feel the number one soap has done a good job at keeping Katherine Chancellor in story enough, and they give us a preview of what is happening with their characters on the day of the gathering at Chancellor Park.

There isn’t a day that goes by for many that knew and loved Jeanne that don’t miss her panache, humor, graciousness, often cantankerous nature … and how she loved, in her own way, all of us.  For anyone who was lucky enough to be able to spend some time with this woman, she left an indelible mark, as well as on the millions of fans of The Young and the Restless.  This one’s for you, Jeanne!

MICHAEL:

The three of you were so close with Jeanne Cooper, personally and professionally.  What has it been like for each you, a year or so later, coming to the studio and realizing she is not there?  Do you still feel her presence with you?

JESS:

Courtesy/CBS

I kind of feel like, “The joke’s over. Where are you?”  It’s really dawning on me personally, that it’s becoming more and more real all the time.  I so miss her energy in scenes.  Whenever you would walk on to the stage with Jeanne everything came alive in a way it doesn’t without her.

TRICIA:

I am not there at Y&R all the time, and when I was there filming these episodes it was really apparent that she wasn’t there anymore.  I think she is there in spirit.  We all laugh about her and talk about her, but you can’t walk into her open door dressing room anymore and get cursed at!  (Laughs)  It’s kind of empty.

DOUG:

I have to remind myself she is in a different form, in a different place, and when that happens I am saddened.  I think her spirit must spend a lot of time around Y&R, because I feel her presence, and what she would say if she were here.  It’s almost like she is speaking silently inside of my head.  There are aspects of it like with Jess, where you feel, “My gosh, I guess she is not coming back.”

JESS:

You just reminded me that she gave us so much power of personality, and the staying power of it, and the fact that she is still there, and she is so much a part of everything.   I wonder if that’s why it’s not even more painful?  She filled us up so much, didn’t she? … More than an average person would.

DOUG:

I didn’t see her everyday, even when she was here.  There would be long periods of time, but I would still feel her presence in her heart and soul, and that hasn’t changed.  She had a huge aura that radiated beyond her physical being even when she was alive. 

MICHAEL:

Photo Credit: HutchinsPhoto.com

For me, I so remember an interview I did years ago with Jess and Jeanne.  I came to Jeanne’s dressing room, and sat on the floor and chatted with the two of you.  I remember Jeanne saying to me, “Come in, dear” or “Come in, love”, and giving me a kiss.   And just being there with Jess and Jeanne, and seeing how remarkable the two of you were together, and the banter, and the fun they had with each other, was truly special.  Jeanne’s presence was always so welcoming.  It’s weird now when I do visit the set, and still expecting to see her there.

DOUG:

Once in a while the link is posted of that comedic video they did with Jeanne and Jess in the dressing room to me.  It is just so “both of you.”  It’s amazing to watch.  And it’s a moment frozen now for eternity.  You can look at it over and over again.  Jeanne has the audio version of her memoir, Not Young, Still Restless, and I have not been able to bring myself to listen to it.

JESS:

I have listened to it, Doug!  It’s exactly like she’s right there!  It’s like she is back with us.

DOUG:

Yes, there is a sample of it on Amazon.com, and I said to myself, “I am not ready for that yet.”

JESS:

I can’t think of anyone who was uncomfortable with this woman.  She made everybody feel like she had known you forever.  She would bust your balls on anything at all.  What a heavenly creature she was, and devilish.

DOUG:

Photo Credit: HutchinsPhoto.com

And then she would disrespect everyone to their face from the highest echelon of CBS and Sony … and for some reason no one took offense to it at all.  And, she was spot on with her comments! (Laughs)

MICHAEL:

Tricia, you actually stayed with Jeanne at her house?

TRICIA:

I did, and she was just a darling.  Jeanne opened up her house to me and let me be who I was.  I was not always terribly social.  So she would let me go hide in whatever room in the house, and sleep in the most comfortable bed I have ever slept on.  Then, I would creep out of my room, and we would laugh at the silliness on the television, or she would just go on with stories that were fascinating about old Hollywood and her old times, and her as child and her upbringing.  I really feel very grateful for that special time I had with her, and if I would tell her that it was very nice of her to open up her home to me, she would curse at me again! (Laughs)  I would say to her, “Thank you so much Jeanne for having me,” and she would say, “Shut up!” (Laughs)

MICHAEL:

Jess, after a year or so later, where do you sit with that final scene between Katherine and Jill, where Katherine goes up the stairs and says “goodnight” to Jill?  Do you think: “I can’t believe that was my last scene with her!”  Or, do you think: “I am so glad I have that on tape between us!”

JESS:

It was so magical that we even had that scene, because nobody knew that would be her final scene …

PAUL:

Courtesy/CBS

Oh, she knew! (Laughs)

JESS:

She was getting weaker and weaker, and it was magical. You are right.  I was reminded of it when we did those scenes for the memorial this time.  I was reminded when Katherine married Murphy (Michael Fairman).  He had given her a tiny, tiny ring, and after a while Jeanne got really tired of it and missed her diamonds, so she would put these huge rings over it.  And I am reminded of it because Colin (Tristan Rogers) gave Jill this little band, which kind of looks like stainless steel, and now I am kind of tempted to do the same thing Jeanne did! (Laughs)  She used to make funny remarks about Murphy all the time.  (Laughs)

MICHAEL:

Doug, you were so close to Jeanne in real-life, but as for your character of Paul Williams, he was more ancillary in the life of Katherine Chancellor.  As an actor, do you feel that proved difficult during last year’s very emotional memorial episode honoring Katherine?

DOUG:

Paul certainly was not as close to Kay, as Doug was to Jeanne, which was part of the difficulties playing those scenes. You had to tell Doug to shut up and have Paul just be respectful.  Corbin Bersen (Jeanne Cooper’s son, who plays Father Todd on Y&R) was there and he brought part of her ashes to put in the urn.  I mean, so much of it was for me: “Is this real?” Or: “Is this the play?”  That was a hard line to draw that day.

TRICIA:

Photo Credit: HutchinsPhoto.com

There was a lot to draw on that day.

DOUG:

There was so much energy, and it was on the heels of the other show we put together, where the cast sat around and talked about Jeanne.  And, that was only after a few months after she died.  So, it was pretty raw in all of her hearts.

MICHAEL:

How do the three of you feel the writers have done keeping Katherine Chancellor alive in story?  We have had a few stories coming out of Katherine’s passing.  Do you feel Y&R has kept her enough front and center in people’s minds?

JESS:

It’s not difficult to do.  They have kept her alive with his music box story, but the fans still talk about her all the time.  When I said earlier what a true gift she was to all of us, it’s impossible to ever forget her.  It’s almost impossible to believe she is on another plane, and she is in the minds of the fans every day, like I am talking hundreds of thousands of people!  So, her vibration still lives on so strongly.

MICHAEL:

So now leading up to this week’s 1-year anniversary of Katherine’s death, she has written letters again from the great beyond? (Laughs)

JESS:

Courtesy/CBS

She has written letters to be delivered at this time.  Colin and Jill had been off on their honeymoon and it’s very, very emotional for Jill to see Katherine’s handwriting, to hear the voice out of the cosmos, and it’s very amusing how she gives all of these specific instructions for her party.  It’s fabulous, and it has all those emotions that are mixed in with Jeanne.  She was the sweetest lady in the world, and then she would make you almost want to strangle her! (Laughs)  The letter was very much her.  I am so glad the show is keeping her alive in that way.  It’s going to be a fabulous episode.  And, to see Tricia there is great, and Michael Fairman back, who plays Murphy, was wonderful.

MICHAEL:

And then I hear Nina returns to be part of the remembrance, and she is not too happy to see that Paul and Christine (Lauralee Bell) are having marital issues, ( Last year at this time, Paul and Christine got married at Katherine’s memorial service) due to the attention Paul is giving hapless Nikki Newman (Melody Thomas Scott)!

TRICIA:

The nerve of him!  Not cool!  Nina sees that Paul is not exactly pining for Christine at the moment.  All he can do is watch Nikki, and true it’s out of concern for her, but still it doesn’t sit well with Nina. This is: 1) her best friend Christine: 2) that marriage was supposed to last forever, and for Nina she is saying to herself, “If it wasn’t me you chose to spend your life with, than darn it, it better be my best friend!”  It’s a tough moment for Nina.  I think she actually channels Mrs. Chancellor a little bit, and tells him “what’s what!”

MICHAEL:

Courtesy/CBS Photo Credit: JPI

So Nina wants to help Christine, even though Paul dumped Nina to be with her bff?  That’s awfully nice of her! (Laughs)

TRICIA:

Yes.  She wants to help Christine, and since Paul dumped Nina she is thinking, “You better be there for my girlfriend!”

MICHAEL:

So Doug, what is going on here?  Paul is clearly drawn to Nikki because of the revelation that they now share a child together in Dylan (Steve Burton), and all that has happened.

DOUG:

I don’t know if that’s exactly the case. Nikki has a lot of stuff going on in her life right now.  I think as with any friend, at least from Paul’s perspective is that she is pretty needy right now.  She has been batted around by Ian Ward (Ray Wise) and she has these health issues, and she is not handling the little bumps in the road so well.  She actually looks pretty doggone fragile.  I think Paul just wants to make sure that she is OK.   I think Paul loves Nikki, but I don’t think it’s the kind of love that everyone else seems to be worried about.

TRICIA:

You’re lying to yourself! (Laughs)

MICHAEL:

Courtesy/Pinterest

Doug, what did you think when they made Dylan, Paul’s biological son?  Did you like it … or were you like, “Where is this coming from?

DOUG:

I think a little of both.  I think the long-term story that we have they spent quite a while building is certainly interesting.  And, it was interesting coming on the heels of Paul having lost one son, and then it’s not like I can teach Dylan (Steve Burton) how to ride a bike, or play ball.  He is a grown man.  So, that is a very odd position to be in, and for Dylan as well.  I think that part is interesting, and to have to figure out what’s next is also interesting.  I think that requires the writers to consider the possibilities, and not just jump to the lowest common denominator.  I mean, Paul and Dylan do care about each other, but now it’s just blood related, so it’s a little bit different.

MICHAEL:

Can viewers expect an emotional and touching show when Y&R marks the 1-year anniversary of Katherine’s passing this week?

DOUG:

I think it’s more story-related this time, and the fact that she has more letters is pretty interesting!  Katherine has us turn inside for our feelings, and that is kind of interesting that even in life on this planet, she is assisting in the lives of the people in Genoa City.

MICHAEL:

So we know Jill got a letter this time from Katherine, but does everyone else get a letter by the time the gathering happens?

JESS:

Photo Credit: HutchinsPhoto.com

No, we don’t all get a letter, but Murphy reads her words to all of us and her instructions about something.  What is very interesting about it is it psychologically makes you feel like she is there talking to you.  It really does.  It’s like she is still alive, and talking to them. They really use her voice, or how the character of Katherine would speak in the letter, and the language that she would use.  It’s a device that works.

MICHAEL:

How was it to film those episodes this time?  Was it emotional for you?

JESS:

It was emotional when I was reading Katherine’s letter in the Chancellor living room … that was very emotional for me.

DOUG:

I think every time we get together as a group, it’s hard not to feel her presence and remember her.  And, the characters that are involved in this particular episode are probably the people in real life that knew Jeanne the best.  So, it’s hard to not talk about her and not feel her.

MICHAEL:

Will Katherine send Jill off on another goose chase … ala “The Music Box Mystery”?

JESS:

Courtesy/CBS

I have no idea, Michael, because the “Music Box” is still going strong!

MICHAEL:

I thought that was going to be wrapped-up! (Laughs)

JESS:

Yeah I did too, and it’s still going strong … and there you go. (Laughs)

DOUG:

I was surprised.  Y&R has re-signed the music box!  It has its own dressing room now! (Laughs)

JESS:

It has a special slot on the prop box! (Laughs)

MICHAEL:

Who has Jeanne’s dressing room now at the studio?

DOUG:

Courtesy/DougDavidsonTwitter

It’s Daniel Goddard’s (Cane) dressing room.  He gets it when he’s there taping.  If he’s not there, whoever is working, and in that day, might get it.

JESS:

But it will always be Jeanne’s dressing room.

DOUG:

When Corbin was in, he was in her dressing room, which was harder for him than he expected.

MICHAEL:

So Tricia, you just come back for a few episodes?

TRICIA:

Yes, and I am very happy that they called me in for this.  It was great chance to see everybody and laugh, play, and act. What a gift!

MICHAEL:

Fans are always excited when you come back to the show.

DOUG:

Maybe, she can come back to the show and rag on somebody else next time!  (Laughs)

JESS:

Photo Credit: Kathy Hutchins

You could come back and stay in Katherine Chancellor’s house with us!  And maybe then Chance (John Driscoll) could come back.  It would be great!

TRICIA:

It would be.  A house full of us would be good!

DOUG:

A house full of people that really don’t like each other! (Laughs)

TRICIA:

What better soap opera!

MICHAEL:

Can each of you share a story or little nugget about Jeanne?  We have all had such fond memories of time we shared with her.  I know it’s hard to single out one thing, but what comes to mind?

TRICIA:

There are so many, but there would be times we would sit together an eat ice cream and poke fun at Dancing with the Stars, or whatever show was on.  I just remember watching it at the time and just laughing.  Jeanne’s laugh was so infectious.  I loved making her laugh!  That was amazing.  If I could get a chuckle out of Jeanne my day was made!

DOUG:

I think what happens to me now is the Chancellor Mansion set is usually stored in a visible location on the way to the CBS commissary, if it’s not up.  I have her voice in my head and part of the sorrow has lessened.  I don’t think there is a day for me that goes by, in or out of the studio, where I don’t hear her saying something to me, or have a memory, and for me it’s just knowing that she is still around.

JESS:

Photo Credit: CBS

I was just reminded recently, because somebody brought this up on Twitter, that there was this segment that I think Entertainment Tonight had done years and years ago … like in the 80’s!  And, it was Jeanne and I on stage, and it was around the time Barbara Crampton was on Y&R as Leanna Love, and Jill was trying to think of something to call her.  And she called her: “Bubble butt”, and they wouldn’t let me say, “Bubble butt.”  So I just came out with “Fish head”, and Jeanne loved, “Fish head”.  And I kept going; “I can’t say ‘Fish head’… it doesn’t make any sense.”  And Jeanne was going, “Please!  Please say ‘Fish head’”. (Laughs)  And if you go on Twitter you can find it, but it was a perfect example of how we used to sit in the dressing rooms, back in the day when we both smoked for hours.  Jeanne’s set was up last in the afternoon, so we had hours to kill.  We would go over every bit of comedic material, and we would sacrifice our characters to work up to a punch line for the other one. (Laughs)  We would make ourselves look foolish, so the other one could have their moment.  It was the most beautiful partnership, and it didn’t even make me so sad, but what it left me with was wonderment that I didn’t even appreciate more at the time of what a wonderful combination of people we were, whose intention was the same, which was to make the story great, and to make the duo of Katherine and Jill interesting and entertaining.  We loved the comedy of Jill and Katherine.

MICHAEL:

Jess, you have to pinch yourself when you look at the legacy you have left with Jeanne!  Those classic fights between Katherine and Jill are the best!  The hose scene, the cake fight, the attic, I could go on!  When I was culling clips for the 40th Annual Daytime Emmys clip package on classic soap catfights, I watched so many of those moments and just laughed out loud!

JESS:

Courtesy/CBS

Remember the hose in the face?  I came at her with that hose and I just sprayed it in her face … and it was just awful! (Laughs)  What I did to that poor woman? (Laughs) Oh God, it was so much fun.  I wish I could relive some of those days.

MICHAEL:

That’s the thing; Jeanne was so much fun, a vibrant lady, exceptional!

JESS:

She was so much fun, and it was always fun with her and we would drive over the hill together to come to work at CBS.  Because most of our scenes were together, we would meet up on Laurel Canyon and we would drive along to the studio waving to each other!  Her in her seafoam jaguar, and I was in a Volvo wagon, and I would always pass her! (Laughs)  She loved that! (Laughs)  Jeanne was incredible.

 

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Thank you for this lovely conversation between these wonderful Y&R actors! One would think a person would get used to the fact Jeanne is gone but she isn’t ! This week is proof of that .a year has passed already but when you scratch the surface of the story lines Jeanne keeps popping up as though she were rehearsing for her scenes …. People let us never forget this dynamo wrapped up in a beautiful smile !keep looking up and Jeanne don’t forget us the loyal fans… Farewell lovely Lady 🙂

It’ so nice to hear all the stories about Jeanne. Thanks for a heartwarming interview.

I only wish Y&R would do the same with Katherine Chancellor’s story. I hated that Katherine Chancellor’s memorial turned into Christine & Paul’s wedding. Now it sounds like the 1 year anniversary is about Paul & Christine’s relationship. Who cares? I’d love to see some flashbacks of Katherine Chancellor intertwined with the future of Kay and Jill’s long story which began back in 1973. Shouldn’t Kay’s anniversary episode be about her relationships, her estate, and her company? She has 40 years of flashbacks and story to pull from, they shouldn’t have to go off topic.

I sure hope that music box ends up returning Chancellor Industries to Jill. Jill opening up a little hotel boutique seems silly given her past. Jill may have done something like that when she was 20, but she has come a long way since then. Launching the Jabot Men’s line, major stock holder , CEO of Jabot, then CEO Chancellor Industries…. now starting up a teeny hotel boutique????. Watching Jill take over Kay’s role at Chancellor would be something to turn in for, watching her put together a hotel boutique…..not so much.

Size matters when it comes to interest in a story. I remember when Neil Fenmore died leaving a very young Lauren with this huge corporation, a chain of upscale department stores, to run. That was amazing, if he had left her a simple boutique no one would have cared. All the females roles have been diminished. They have been stripped of money, influence, and ambition they had pre-2005. The women of Y&R used to plot and dream, now they cry, and cry, and cry as they react to the men around them.

I agree. Chancellor industries should have been left to Jill, not Victor. And I agree with your comment about the roles of women being diminished. They have become sniveling little women from the 50’s, not the powerful women of 2014.

I agree as well. I’m disappointed in how the show has used Katherine’s death. Everything seems unoriginal: I’m not sure where the music box storyline is going but it really seems to me to be a knockoff of the “red swan” storyline that was used on Another World when the actor who played Mac Cory died suddenly. Also, Chancellor Park seems like a copy of Horton Square on Days that is suppose to honor Tom and Alice Horton. Of all the ways that the show could remember the Duchess, a park would be the LAST thing that would come to my mind.

Chancellor Industries does belong with Jill. I’ve thought it was strange that Jill barely batted an eye at Victor receiving it and then simply folding into his operation. With Jill’s history, there could have been a MAJOR battle between Jill and Victor over it. Instead, Jill is “stuck” with this music box business and Colin. Frankly, I’m disappointed in the writing for Jill. Not only has she been stripped of her lineage (no longer a Foster) but she barely has ANY involvement with her sister, Lauren, or her son. When exactly was she in a scene with Billy? Has Walton even acted opposite the new actor playing him?? Far more needs to be done with Jill than what we’re getting. This character has been butchered over the past decade and it really is a shame.

Here’s what I would love to see: Jill winds up owning Chancellor Industries. The business gets its own set — maybe an office or conference room — with Kay’s portrait hanging prominently in it so Jill can talk to it from time to time. Meanwhile, Chance returns to town to work at Chancellor with Jill. I personally would love to never see that park again!!!

very well put!!!

Yes, I am also SO sick of that park!!!

Michael, what a wonderful interview……you are so good at what you do! You really bring all your subjects to life! Thank you from the bottom of my heart!

Jess…I totally agree. I TOTALLY ENJOYED reading the interview!!!!! I LOVE to read, period!!!!! Thank you…Jess, Doug and Tricia. And, yes…Michael Fairman is so good at what he does!!!!! Thank you, Mr. Fairman. And Mr. Fairman…your website TRULY ROCKS!!!!! Thank you.

Take care, Jess. XOXOXOXOXO

Thank you, your cast mates, and Mr. Fairman for a lovely interview!

Nina needs to be back full time!

I really miss Jeanne- it always feels like something special is missing….RIP Jeanne

Its time to make Nina the new Katherine Chancellor. She should have gotten the mansion so she could but heads with Jill Abbott.

I miss her she was a great lady

An a great actress

Katherine shouldve had a half sister and it should be Mamie Johnson who was the Abbots housekeeper…Jill was Johns wife and she and Mamie didnt get along…Mamies neice was Dru so she also has ties to the Winters family…Mamie could return to town as half owner of the Chancelor estate and be in constant conflict with Jill like Katherine and Jill were for years…just a thought!!!

Such a fab idea. You should write for them! 🙂

The death is Jeanne and Katherine still lives on with the show, and the struggle everyone has in their every day lives. And I feel like this one-year tribute to the both of them is really going to be a great remembrance of what an extraordinary woman Ms. Cooper was, and what a tremendous and bold character Katherine was too! Mrs. C, we miss you!

THanks for sharing this wonderful interview! Wonderful to read their personal accounts!

Enjoyed the interview piece. Been a Y&R viewer for 30 years. Truly miss Mrs. C. RIP.

Wow this was so good to read and I remember her last scene when Jill was about to help her and she threw up her hand and then started up the stairs and Jill ask do you need some help going up the stairs and Ms C look up and say I can manage turn around and say good night I knew when she walk up those stairs that was the last time we would see Ms C. I can see her now pointing her finger and telling you how she feels love this Lady and all The Casts of Y&R. R.I.P. Jeanne Cooper/katherine Chancelor WE WILL ALWAYS LOVE YOU AND YOU WILL BE TRULY MISS. I am crying as I write this I can see her smile love you Ms C

Thank you all for remembering a woman who was and is such apart of my childhood and life. I starting watching Y/R with my Grandmother. When I watch it and see Ms.C. it brings back memories of my childhood. I know Y/R has a special Angel looking after the cast, crew and it’s fans. Thanks for the memories.

I have been a Y&R fan since day one! Jeanne Cooper has always been my absolute favorite! I miss her soooo much! And just as everyone else,…I cherish all the memories and awesome scenes that she made epic! Wish she was still with us! She will forever be a part of the Young and Restless! Love you and miss you Jeanne!!!

Love Y&R. Miss Ms C. The people are so real. Good storie. Great writers.

don t understand why we have kelly and a recasted phyllis who will never last( lets be honest) when we can just have nina back full time on our screens!! a character who everyone cares about with plenty of storyline potential, history and a amazing actress portraying her! baffles the mind…

AMEN

Timeless beauty never fades; the blooms of youth my whither and fall to winter’s touch of cold death, but the vibrant promise of spring lingers in slumber yet.

This is a gift, Michael Fairman. Thank you for this interview. The conversation reminds me of the Y&R I loved and I miss now.

It is crystal clear this is not just a job to you. Well done!

I have watched Y&R since day one. I record it every day. I felt like I lost a member of the family when Mrs. C past away. I miss her wit, charm. She could make you laugh, cry, and cuss right along with her. There was never a dull moment when she was in a scene. I was so afraid they were going to try to replace her when she died. It would of been a disaster. You could never replace her. She was one of a kind and I am so glad that I got to watch her for all those years!

I miss Jeanne Cooper. What a Great Lady. Thank you for the
Memories. Keep the rest of actors on show, so it stays alive.

I loved reading this article and thanks for sharing. It’s great that the Y&R had the 1 year celebration of her passing on the show. I remember watching it when she told Jill goodnight for the last time. Jill asked her if she needed any help and Katherine turned around and snipped at her no I can manage(I believe this was her words). Katherine then finished up the stairs. Katherine will be missed by all.

I dont know why things can be so obvious but never done. Katherine and Jill had a bitter sweet relationship. Katherine is dead. You have to bring someone in that Jill can spar with now. Katherine could have had a long lost son [Corbin] or daughter come into town looking for their inheritance. Giving Victor control of Chancellor would make good business sense but one, who does benefit from it and two, story line wise, Victor has no competition now. I would have liked to see someone challenge Victor. Even Tucker, bring the original Tucker back and have him and Victor be enemies. Plus Tucker and Jill have a history together and Tucker could have a past with Colin which would make him more interesting. Its time to clean this BS up. I understand losing Jeanne was a shock and writers had to scramble but lets put this whole big mess in the trash and start fresh!

I like the original Tucker too. William Russ’s Tucker had oodles of chemistry with Jill and could give Colin some competition. The only problem is MAB went too far with the Tucker character, he became unappealing…gross really. Maybe nuOldTucker could have had a brain tumor?

the 1st tucker with the white hair and overweight was too old looking for her, but had a hell of a lot more charm

This was a great interview, thanks for sharing!

Great interview to honor a great lady. Clearly she is loved and missed by all who knew her and her multitude of fans.

She is one-of-a-kind and will never truly be gone. She is immortal through her body of work and the legacy she left on the lives of those she touched.

I have watched this show for most of its running.. I have always enjoyed the part of Nina, played by Tricia Cast.. I was so glad to see her character brought back after the death of Jeannie Cooper.. and also to have her back for the memorial.. It would be great to see her back on the show again, and living in the Chancellor Estate.. I am sure that Katherine Chancellor would have wanted it that way..

Thank you for the interview. Jeanne Cooper was a treasure. I miss her.

Interviews

Y&R’s Allison Lanier Lands Her First Daytime Emmy Nomination and Shares “Being a Recast Can Be Daunting”

When the nominees were revealed for the Outstanding Supporting Actress in a Daytime Drama Series for the 51st annual Daytime Emmy Awards, a fresh face was in the running for the first time as The Young and the Restless Allison Lanier (Summer Newman) scored her very first Emmy nod.

Lanier took over the highly-coveted role of Nick (Joshua Morrow) and Phyllis’ (Michelle Stafford) daughter from two-time Daytime Emmy-winner Hunter King, who won gold for this role in the now defunct Younger Actress in a Daytime Drama Series category.

During the Michael Fairman Channel’s 2024 Daytime Emmy Nominations Special on Friday night, April 19th, Allison was one of the nominated guests, who shared her reaction to the news that she was a first-time Emmy nominee earlier in the day.

Photo: JPI

When speaking of how challenging it can be to be a recast on a soap, and in particular on the top-rated drama, The Young and the Restless, Lanier filled us in how she dealt with it.

Photo: JPI

Allison related, “I’m decent at compartmentalizing, but yes, it was daunting. Being a recast is daunting. Going on a show, especially, one where we work the way that we do, that’s just daunting in and of itself. I do think that when you’re sort of having to follow in somebody’s footsteps, they’re (the audience) automatically going to compare you to somebody else. That’s daunting. But I do think that I was able to hold that was happening for me, but also I have to ignore that and I do have to make it my own thing, because we’re different people. We’re bringing different things to the character and that was really the only way forward for me.”

Photo: JPI

When speaking of the nominees along with her in the Supporting Actress category, of course, she is close with Y&R co-stat and fellow nominees, Courtney Hope (Sally Spectra): “I’m not as familiar with everybody from the other shows quite yet, but I can’t wait to get to know them and to see what they’re putting out there and watch their episodes and their scenes. However, I am so glad that Courtney Hope is nominated in this category. Her storyline was so heartbreaking and the way that her and Mark Grossman (Adam Newman) played that, it just like shot me straight in the heart.”

Photo: JPI

As far as what scenes were on her nominated-reel, Allison shared she first had a reel of 30-minutes in length, just to see how all the scenes played out she was considering, before whittling it down: “So, what ended up on my reel was Summer confronting Diane (Susan Walters) directly after the gala after Phyllis “died.”  It’s this kind of heartbreaking moment of anger mixed with pain and grief. I included the scene where Kyle (Michael Mealor) informed Summer that it is time for a divorce in her hotel suite. There was also one scene with Daniel (Michael Graziadei) after Summer knew Phyllis was alive, and I also had another scene with Michelle Stafford when Summer found out that her mother was alive.”

Photo: JPI

To check out the full interview with Allison, watch the Daytime Emmy Nominations Special below featuring ten of this year’s nominees chatting live.

Now let us know, do you think Allison has made the part of Summer her own? Happy to see her nominated? Comment below.

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Days Of Our Lives

Wally Kurth Talks on His DAYS Daytime Emmy Nomination, His Emotional Scenes, and Remembering John Aniston

During our 2023 year-end honors at Michael Fairman TV, we named Wally Kurth as our pick for Best Overall Performance by an Actor for his double-turn as both Ned Quartermaine on General Hospital and as Justin Kiriakis on Days of our Lives. So, it was absolutely no surprise to us that Wally landed a Daytime Emmy nomination for his riveting work as a grieving Justin in the Supporting Actor category for the upcoming 51st annual Daytime Emmy Awards.

On DAYS, Justin had been put through the emotional wringer, of first, losing his beloved Uncle Vic, played by the late John Aniston, and then finding out that Victor was the supposed biological father to Justin’s son, Alex (Rob Scott Wilson). If you didn’t reach for the hankies during some of Kurth’s work in these scenes, we don’t know what will make you do so.

Michael Fairman TV caught up with Wally to get his reaction to his fourth Daytime Emmy nomination in the last six years. Kurth was nominated in the Supporting category in 2018, 2020 and now 2024 and Lead Actor in 2021.

In addition, Wally shares what scenes were on his nominated reel, how John Aniston impacted his work, how he has changed as an actor over the years with a new outlook, and being the only actor out there with two long-running roles on two long-running soaps, and much more. Here’s what Wally had to share below.

Congratulations on your well-deserved nomination. You decided to submit yourself this year for Emmy contention in both Lead Actor for GH and Supporting Actor at DAYS, correct?

WALLY: I did. I thought the DAYS reel was a little more dramatic, much more emotional. I had thought with the way the judging goes that it might be a little bit more, winnable, if you will. I enjoyed and was proud of my work at General Hospital, so it’s all good. I’m thrilled. It’s always nice to be nominated.

Photo: JPI

What scenes did you ultimately choose for your Supporting Actor reel?

WALLY: I started chronologically, as always, trying to tell a little bit of a story. I actually started with a scene where Justin has to tell Maggie (Suzanne Rogers) that Victor’s (the late John Aniston) plane went down and it was not found. Then, the scene with Bonnie (Judi Evans) where I sort of have to let it all out, and grieve the loss of this man who was practically Justin’s father, but it was his Uncle Vic. We have a little scene talking about Victor, and then there is a short snippet at the funeral where Justin eulogizes Victor. Next, we jump to scene where Justin discovers the letter where Angelica admits that indeed Victor is Alex’s father (Rob Scott Wilson). So then, Justin has to tell Alex, and then I also sort of grieve the fact that I’m no longer his father. Justin basically lost his son. It was very dramatic and very emotional. I was guessing the judges would be like, “Hey! Enough with the crying! Stop, you big baby!” But, they didn’t. They must have thought that it was convincing enough that it felt really truthful at how Justin was upset about these two unfortunate realizations.

Photo: JPI

You bring up a really good point. I talk to actors all the time about crying on Emmy reels. Sometimes, many feel it might put voters off. But obviously, this time it worked well for you!

WALLY:  What I liked about the crying scenes was that, like in real life, you’re not crying all the time when something bad is happening, right? I think crying happens and it takes you off guard. It happens without you realizing it. These were all moments when Justin was alone, really. Bonnie comes in the room where Justin is just kind of like dealing with it. And then her coming in, opens up Justin and she is there to hold him. I think that often happens in real life. I thought that was correct for the writers to do that, you know, that Justin would break down when he was alone.

Photo: JPI

Did you feel the pressure of wanting to get these scenes when Victor died and at his memorial, just right due to the enormity to it, and to do justice for John Aniston?

WALLY: I allowed myself to use my heartbreak over John Aniston. I loved him. I just sort of allowed his presence for me in the scenes. It was sweet. It was good for me. I’m just thinking about it now and I feel teary-eyed. John was such a sweet man. He led by example, and he really did teach me how to be a professional actor, and he was a mentor. He never told me anything specific, but he was just John, and in the scenes, this was the time for me tell him how I feel.

Photo: JPI

Then, you had the heartbreaking scenes with Rob Scott Wilson where Justin tells Alex he is not his father!

WALLY:  I thought that was just really challenging material. As I get older, I just trust the material, and don’t get ahead of myself. I trust myself with the emotion. Just let it happen if it happens. When I first read it, I kind of imagined what it could look like and then you just let it unfold from there.

You’ve got Robert Gossett (Marshall, GH), A Martinez (Nardo, The Bay), Mike Manning (Caleb, The Bay), and Bryton James (Devon, Y&R) all in your category. Robert has won two Daytime Emmys in a row, last year for Supporting Actor and the year before for Guest Performer.

WALLY:  l love Robert. I worked with the character Marshall on General Hospital, and we had so much fun. He’s a great guy and a really good actor. A Martinez is the best guy ever. I have such admiration for him. Whenever I see him, we always really connect and to be in included with him is great. Bryton James, I don’t know, but I know he beat me in this category in 2020. Mike Manning, I didn’t get the opportunity to know when he was at DAYS as he weren’t in scenes together, but I hear good things about him, too.

Photo: JPI

When you are judging Emmy reels, what do you look for when you’re voting on a performance?

WALLY: That’s a really great question. And because let’s face it, there’s just a lot of terrific talent in daytime. This year, I judged two categories. I don’t just go with, “Okay, who’s crying the most.” I really try to go with the one who’s touches me the most, who surprises me and moves me. And so, if you go with that, you’re probably going in the right direction. I also think that upfront you do need to kind of give them something in the first couple minutes that shows you know what you’re doing and don’t make it too repetitive.

Who did you first tell you were nominated?

WALLY: My manager, Michael Bruno called me. I was in Chicago with my daughters having a late breakfast and I knew the nominations were going to happen around 11 am Chicago time. I didn’t tell my daughters about what was happening, just in case, I didn’t get nominated. So, when Michael called, I went, “Oh, boy!” I told my daughters who were sitting at the table with me. So, they were the first two people that I could tell, and that was really nice.  We had champagne which was really funny because I bought three little glasses of champagne, and as soon as I bought it, we toasted. They said, “We don’t really like champagne.” So, I ended up drinking all three glasses. (Laughs)

Photo: JPI

What do you think of Eric Martsolf (Brady), your Day Players Band member, and DAYS co-star getting a Lead Actor nomination?

WALLY: I remember, I was like talking to him and I was like, “Eric, are you going to submit yourself?” And he is like, “I don’t know. I don’t really have anything …” And the next thing you know, he’s nominated. I’m like, “Wow! I guess he found something!” (Laughs) I love Eric. I have such respect for him and his gift, and he works really hard. So, I was very happy for him. I’m glad we weren’t in the same category, however.

How many years now have you been playing Justin on DAYS?

WALLY: I started here 37 years ago in 1987. I was there for four years and then I left. Then, 18 years later, Ken Corday (EP, DAYS) invited me back in 2009 and I’ve been on the show now for 15 years. So, I guess a total of 20 years on and off over the last 37 years. Everyone remembers 1987-1991 … those were big, big years for Justin and Adrienne who back then were a supercouple.

Photo: JPI

Have you determined who you would thank in your acceptance speech if you win this year’s Supporting Actor Daytime Emmy?

WALLY: I feel like this year I kind of have an idea of what I would say. I think I can remember all of that without writing it down. If I had gotten nominated for both shows, I was definitely going to point out and thank the powers-that-be for giving me dual citizenship and how much I appreciate that. I do think that being on both soaps, I will go to my grave believing that it’s made me a better actor. In fact, since I’ve been doing both shows, I’ve been nominated for Daytime Emmys. I’ve become a better actor. I feel like maybe it’s just that I’ve gotten older and wiser, but I feel as though when I go in there to work, I’m really focused and I’m really prepared. I know I pretty much get one shot to get it. We’re in the business of “one takes” now in the soaps.

Photo: Peacock

People are so lucky to even have one enduring role in their careers, but you’ve been able to have two, and they’re completely separate characters on two legacy shows; one which just turned 61, General Hospital, and the other Days of our Lives which will soon celebrate 60 years, as well.

WALLY: I didn’t plan on it. I must have done something right. Back in 2009, Ken called me up and invited me back to DAYS. I really jumped in. I’d been out of work for four or five years. I went back with a whole new attitude about the work, about the genre.  In 2004, when I left General Hospital, I was kind of burnt out. Looking back on it, I didn’t have a good attitude and I was just done. I was kind of tired. New writers come in and sometimes, when you have new writers that look at your character differently, it can be very difficult, because you just know that their passion is not with your character. However, in this case, I’m like, “I’m going to take whatever the writers give me and do the best I can and do my job. Let the writers do their job.” I think the writers also know that I really respect them and I’m not going to complain. I’m not going to tell them what to do and I’m going to stay out of it. They have enough to work out. They have enough to do. I’m going to be the problem solver, not the problem creator. There are enough problem creators. Believe me when I tell you that every time I leave those sets, I’m like, “Thank you. I love it.  See you the next time I see you.” I know how lucky I am to do both shows and to have this opportunity to act at my age and still be sent scripts. I love the art of acting. I’d do it for free. The fact that they’re paying me and I am able to do this and work with these great, wonderful, talented actors every day, it’s kind of mind-blowing.

So, will you be rooting for Wally to take home the gold in this year’s Outstanding Supporting Actor in Daytime Drama Series at the 51st annual Daytime Emmy Awards on June 7th live on CBS and streaming on Paramount+? Let us know if you remember his nominated scenes from Days of our Lives via the comment section below and how they affected you.

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Interviews

Y&R’s Michelle Stafford Talks on Her Lead Actress Daytime Emmy Nomination, Allison Lanier, and ‘Pacific Palisades’ with Finola Hughes

It has been 20-years since daytime dynamo, Michelle Stafford (Phyllis) of The Young and the Restless, has captured the Daytime Emmy for her continued outstanding performances. She previously won Outstanding Supporting Actress in 1997 and Outstanding Lead Actress in 2004, and along the way has amassed 12 nominations for her work.

Now, Stafford finds herself in a crowded field of women going for gold at the upcoming 51st annual Daytime Emmys to be handed out on Friday, June 7th on CBS. Nominated along with Michelle in this year’s Lead Actress race are: Finola Hughes (Anna, GH), Annika Noelle (Hope, B&B), Katherine Kelly Lang (Brooke, B&B), Cynthia Watros (Nina, GH) and Tamara Braun (Ava, DAYS).

Michael Fairman TV chatted with Michelle about her nominated scenes, her on-screen daughter, Allison Lanier being recognized for the first time in her career for her work as Summer, and her enduring friendship with Finola Hughes; which dates all the way back to when they were co-stars on the 1997 primetime soap opera, Pacific Palisades. 

Photo: JPI

Michelle participated in the Michael Fairman Channel’s 10th annual Daytime Emmy Nomination Special last Friday, where she chatted with us and the fans live to celebrate her nomination along with several other actors. Here’s what Michelle shared on these key topics below.

Photo: JPI

What scenes did you submit, and what about those scenes did you think showcased you as an actress for the Lead Actress competition?

MICHELLE:
I went from the beginning of Phyllis’ spin out, to her pleading to be exonerated. The thing that I liked is it showed what I do love about the character of Phyllis, and that is that she is dark. She can be very dark and really fierce, but then very broken. I liked that it showed all of that. I had some scenes with Tracey E. Bregman (Lauren) and Christian LeBlanc (Michael) that I started with that weren’t really meant to be as intense as they were, but they ended up being very intense. Basically, Phyllis is talking to her friends and no one believes her about this woman, Diane (Susan Walters). No one believes her and she has no friends and no one wants to know her. She’s become the villain, and it showed her just complete frustration. Then, there is this scene. It was so funny because Phyllis is like in Diane’s face going, “You’re afraid of me.” And then, I got up in her face and Phyllis goes, “and you should be afraid of me.” I’m watching it going, “Bitch, I’m afraid of you!” And then, at the end of my reel, she is just so broken talking to the judge.

Photo: JPI

Your on-screen daughter, Allison Lanier, scored her first Daytime Emmy nomination and in the highly-competitive Supporting Actress in a Daytime Drama series category. What are your thoughts on Allison?

MICHELLE: Allison worked so hard last year. She works hard all the time. She’s so great. I’m so happy for her because she’s just a very focused, hardworking actress. I think, she really has a great look and she’s just fantastic. I feel just so rich in that Hunter King played my daughter for so many years, and now I have Allison.  You know, Allison came into the story when my character was really jacked up and very adversarial and fighting with Summer all the time. I think it was a little daunting for Allison, but she got it. This is daytime, and you have to get on the express train. It’s moving. You either jump on or you don’t get on. Not every actor can do it. It’s a special technique and I think that’s what we all love about it, because that’s the challenge to actually put out something somewhat decent. I never want to say good, because I don’t know if it’s good but somewhat decent, in the limited time we have. I saw what Allison submitted which was fantastic. It’s really impressive. I always say anyone who could be good in daytime is phenomenal out there.

Photo Fox

You and Finola Hughes are nominated together, and are good friends dating all the way back to when you were both on Pacific Palisades together. You had played the character of Joanna, and Finola was the character of Kate. What do you recall about your time on the show?

MICHELLE: The characters we played were best friends on Pacific Palisaides, and I created a great friendship with Finola. Looking back at my time on that show, I don’t think I appreciated it as much as I should have. Of course, I was younger and I thought, “This is my first show. I’ll get many more.” You don’t appreciate things like you do when you’re older. Not that I didn’t appreciate it. I mean, I knew I was really fortunate. I knew I was lucky. I grew up in this business. I knew how lucky I was, but it was just a very different kind of character for me to play. I think it was a little challenging because I had gone from playing Phyllis, to playing like this wholesome Midwestern girl off the farm. So, that was a bit challenging for me, but I had a good time.

So, what do you think of the scenes submitted by Michelle for this year’s Emmy competition? Will you be rooting for her to win her first Emmy in over 20 years? What do you remember about Finola and Michelle in ‘Pacific Palisades’? And, what do you think about the on-screen dynamic between on-screen mother and daughter as played by Michelle and Allison Lanier? Weigh-in via the comment section. And in case you missed it, you can catch the ’10th annual Daytime Emmy Nominations Special’ below featuring live conversations with 10 of this year’s acting nominees.

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