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The Jess Walton, Doug Davidson, and Tricia Cast Interview – The Young and the Restless

Courtesy/CBS

Photo Credit: HutchinsPhoto/CBS

This week on The Young and the Restless, friends and loved ones of Katherine Chancellor (Jeanne Cooper) gather together for a remembrance on the 1-year anniversary of the passing of the Grand Dame of Genoa City!  And as we know in story thus far, Katherine left specific instructions of how she wanted her party/celebration that honors her in the hands of her long-time friend and often times foe, Jill (Jess Walton)!  For the special episodes, which will begin airing on Tuesday and Wednesday, Y&R brought back fan favorite Tricia Cast (Nina) who notices during the celebration that there seems to be trouble in paradise between Paul (Doug Davidson) and her bff and his wife, Christine (Lauralee Bell). In addition, actor Michael Fairman (Murphy) makes a return when Murphy has been given his own set of instructions from Mrs C., and that doesn’t sit well with Jill!

But with this being the 1-year anniversary marking the death of the character of Katherine Chancellor, it has also been a year and a few months since the passing of the iconic and beloved Jeanne Cooper, who died in May of 2013.  How are her co-stars and Y&R family dealing with the loss a year later of this remarkable woman and talent?  On-Air On-Soaps talked with three cast members who have each shared a long-standing unique and profound relationship with Jeanne: Jess Walton, Doug Davidson, and Tricia Cast.

In this very special tribute interview, Jess, Doug, and Tricia share what it has been like at the studio without Jeanne, some of their favorite personal stories that are, for anyone that knew her, or are fans of hers, quintessential Jeanne!  Plus, the trio weighs-in on if they feel the number one soap has done a good job at keeping Katherine Chancellor in story enough, and they give us a preview of what is happening with their characters on the day of the gathering at Chancellor Park.

There isn’t a day that goes by for many that knew and loved Jeanne that don’t miss her panache, humor, graciousness, often cantankerous nature … and how she loved, in her own way, all of us.  For anyone who was lucky enough to be able to spend some time with this woman, she left an indelible mark, as well as on the millions of fans of The Young and the Restless.  This one’s for you, Jeanne!

MICHAEL:

The three of you were so close with Jeanne Cooper, personally and professionally.  What has it been like for each you, a year or so later, coming to the studio and realizing she is not there?  Do you still feel her presence with you?

JESS:

Courtesy/CBS

I kind of feel like, “The joke’s over. Where are you?”  It’s really dawning on me personally, that it’s becoming more and more real all the time.  I so miss her energy in scenes.  Whenever you would walk on to the stage with Jeanne everything came alive in a way it doesn’t without her.

TRICIA:

I am not there at Y&R all the time, and when I was there filming these episodes it was really apparent that she wasn’t there anymore.  I think she is there in spirit.  We all laugh about her and talk about her, but you can’t walk into her open door dressing room anymore and get cursed at!  (Laughs)  It’s kind of empty.

DOUG:

I have to remind myself she is in a different form, in a different place, and when that happens I am saddened.  I think her spirit must spend a lot of time around Y&R, because I feel her presence, and what she would say if she were here.  It’s almost like she is speaking silently inside of my head.  There are aspects of it like with Jess, where you feel, “My gosh, I guess she is not coming back.”

JESS:

You just reminded me that she gave us so much power of personality, and the staying power of it, and the fact that she is still there, and she is so much a part of everything.   I wonder if that’s why it’s not even more painful?  She filled us up so much, didn’t she? … More than an average person would.

DOUG:

I didn’t see her everyday, even when she was here.  There would be long periods of time, but I would still feel her presence in her heart and soul, and that hasn’t changed.  She had a huge aura that radiated beyond her physical being even when she was alive. 

MICHAEL:

Photo Credit: HutchinsPhoto.com

For me, I so remember an interview I did years ago with Jess and Jeanne.  I came to Jeanne’s dressing room, and sat on the floor and chatted with the two of you.  I remember Jeanne saying to me, “Come in, dear” or “Come in, love”, and giving me a kiss.   And just being there with Jess and Jeanne, and seeing how remarkable the two of you were together, and the banter, and the fun they had with each other, was truly special.  Jeanne’s presence was always so welcoming.  It’s weird now when I do visit the set, and still expecting to see her there.

DOUG:

Once in a while the link is posted of that comedic video they did with Jeanne and Jess in the dressing room to me.  It is just so “both of you.”  It’s amazing to watch.  And it’s a moment frozen now for eternity.  You can look at it over and over again.  Jeanne has the audio version of her memoir, Not Young, Still Restless, and I have not been able to bring myself to listen to it.

JESS:

I have listened to it, Doug!  It’s exactly like she’s right there!  It’s like she is back with us.

DOUG:

Yes, there is a sample of it on Amazon.com, and I said to myself, “I am not ready for that yet.”

JESS:

I can’t think of anyone who was uncomfortable with this woman.  She made everybody feel like she had known you forever.  She would bust your balls on anything at all.  What a heavenly creature she was, and devilish.

DOUG:

Photo Credit: HutchinsPhoto.com

And then she would disrespect everyone to their face from the highest echelon of CBS and Sony … and for some reason no one took offense to it at all.  And, she was spot on with her comments! (Laughs)

MICHAEL:

Tricia, you actually stayed with Jeanne at her house?

TRICIA:

I did, and she was just a darling.  Jeanne opened up her house to me and let me be who I was.  I was not always terribly social.  So she would let me go hide in whatever room in the house, and sleep in the most comfortable bed I have ever slept on.  Then, I would creep out of my room, and we would laugh at the silliness on the television, or she would just go on with stories that were fascinating about old Hollywood and her old times, and her as child and her upbringing.  I really feel very grateful for that special time I had with her, and if I would tell her that it was very nice of her to open up her home to me, she would curse at me again! (Laughs)  I would say to her, “Thank you so much Jeanne for having me,” and she would say, “Shut up!” (Laughs)

MICHAEL:

Jess, after a year or so later, where do you sit with that final scene between Katherine and Jill, where Katherine goes up the stairs and says “goodnight” to Jill?  Do you think: “I can’t believe that was my last scene with her!”  Or, do you think: “I am so glad I have that on tape between us!”

JESS:

It was so magical that we even had that scene, because nobody knew that would be her final scene …

PAUL:

Courtesy/CBS

Oh, she knew! (Laughs)

JESS:

She was getting weaker and weaker, and it was magical. You are right.  I was reminded of it when we did those scenes for the memorial this time.  I was reminded when Katherine married Murphy (Michael Fairman).  He had given her a tiny, tiny ring, and after a while Jeanne got really tired of it and missed her diamonds, so she would put these huge rings over it.  And I am reminded of it because Colin (Tristan Rogers) gave Jill this little band, which kind of looks like stainless steel, and now I am kind of tempted to do the same thing Jeanne did! (Laughs)  She used to make funny remarks about Murphy all the time.  (Laughs)

MICHAEL:

Doug, you were so close to Jeanne in real-life, but as for your character of Paul Williams, he was more ancillary in the life of Katherine Chancellor.  As an actor, do you feel that proved difficult during last year’s very emotional memorial episode honoring Katherine?

DOUG:

Paul certainly was not as close to Kay, as Doug was to Jeanne, which was part of the difficulties playing those scenes. You had to tell Doug to shut up and have Paul just be respectful.  Corbin Bersen (Jeanne Cooper’s son, who plays Father Todd on Y&R) was there and he brought part of her ashes to put in the urn.  I mean, so much of it was for me: “Is this real?” Or: “Is this the play?”  That was a hard line to draw that day.

TRICIA:

Photo Credit: HutchinsPhoto.com

There was a lot to draw on that day.

DOUG:

There was so much energy, and it was on the heels of the other show we put together, where the cast sat around and talked about Jeanne.  And, that was only after a few months after she died.  So, it was pretty raw in all of her hearts.

MICHAEL:

How do the three of you feel the writers have done keeping Katherine Chancellor alive in story?  We have had a few stories coming out of Katherine’s passing.  Do you feel Y&R has kept her enough front and center in people’s minds?

JESS:

It’s not difficult to do.  They have kept her alive with his music box story, but the fans still talk about her all the time.  When I said earlier what a true gift she was to all of us, it’s impossible to ever forget her.  It’s almost impossible to believe she is on another plane, and she is in the minds of the fans every day, like I am talking hundreds of thousands of people!  So, her vibration still lives on so strongly.

MICHAEL:

So now leading up to this week’s 1-year anniversary of Katherine’s death, she has written letters again from the great beyond? (Laughs)

JESS:

Courtesy/CBS

She has written letters to be delivered at this time.  Colin and Jill had been off on their honeymoon and it’s very, very emotional for Jill to see Katherine’s handwriting, to hear the voice out of the cosmos, and it’s very amusing how she gives all of these specific instructions for her party.  It’s fabulous, and it has all those emotions that are mixed in with Jeanne.  She was the sweetest lady in the world, and then she would make you almost want to strangle her! (Laughs)  The letter was very much her.  I am so glad the show is keeping her alive in that way.  It’s going to be a fabulous episode.  And, to see Tricia there is great, and Michael Fairman back, who plays Murphy, was wonderful.

MICHAEL:

And then I hear Nina returns to be part of the remembrance, and she is not too happy to see that Paul and Christine (Lauralee Bell) are having marital issues, ( Last year at this time, Paul and Christine got married at Katherine’s memorial service) due to the attention Paul is giving hapless Nikki Newman (Melody Thomas Scott)!

TRICIA:

The nerve of him!  Not cool!  Nina sees that Paul is not exactly pining for Christine at the moment.  All he can do is watch Nikki, and true it’s out of concern for her, but still it doesn’t sit well with Nina. This is: 1) her best friend Christine: 2) that marriage was supposed to last forever, and for Nina she is saying to herself, “If it wasn’t me you chose to spend your life with, than darn it, it better be my best friend!”  It’s a tough moment for Nina.  I think she actually channels Mrs. Chancellor a little bit, and tells him “what’s what!”

MICHAEL:

Courtesy/CBS Photo Credit: JPI

So Nina wants to help Christine, even though Paul dumped Nina to be with her bff?  That’s awfully nice of her! (Laughs)

TRICIA:

Yes.  She wants to help Christine, and since Paul dumped Nina she is thinking, “You better be there for my girlfriend!”

MICHAEL:

So Doug, what is going on here?  Paul is clearly drawn to Nikki because of the revelation that they now share a child together in Dylan (Steve Burton), and all that has happened.

DOUG:

I don’t know if that’s exactly the case. Nikki has a lot of stuff going on in her life right now.  I think as with any friend, at least from Paul’s perspective is that she is pretty needy right now.  She has been batted around by Ian Ward (Ray Wise) and she has these health issues, and she is not handling the little bumps in the road so well.  She actually looks pretty doggone fragile.  I think Paul just wants to make sure that she is OK.   I think Paul loves Nikki, but I don’t think it’s the kind of love that everyone else seems to be worried about.

TRICIA:

You’re lying to yourself! (Laughs)

MICHAEL:

Courtesy/Pinterest

Doug, what did you think when they made Dylan, Paul’s biological son?  Did you like it … or were you like, “Where is this coming from?

DOUG:

I think a little of both.  I think the long-term story that we have they spent quite a while building is certainly interesting.  And, it was interesting coming on the heels of Paul having lost one son, and then it’s not like I can teach Dylan (Steve Burton) how to ride a bike, or play ball.  He is a grown man.  So, that is a very odd position to be in, and for Dylan as well.  I think that part is interesting, and to have to figure out what’s next is also interesting.  I think that requires the writers to consider the possibilities, and not just jump to the lowest common denominator.  I mean, Paul and Dylan do care about each other, but now it’s just blood related, so it’s a little bit different.

MICHAEL:

Can viewers expect an emotional and touching show when Y&R marks the 1-year anniversary of Katherine’s passing this week?

DOUG:

I think it’s more story-related this time, and the fact that she has more letters is pretty interesting!  Katherine has us turn inside for our feelings, and that is kind of interesting that even in life on this planet, she is assisting in the lives of the people in Genoa City.

MICHAEL:

So we know Jill got a letter this time from Katherine, but does everyone else get a letter by the time the gathering happens?

JESS:

Photo Credit: HutchinsPhoto.com

No, we don’t all get a letter, but Murphy reads her words to all of us and her instructions about something.  What is very interesting about it is it psychologically makes you feel like she is there talking to you.  It really does.  It’s like she is still alive, and talking to them. They really use her voice, or how the character of Katherine would speak in the letter, and the language that she would use.  It’s a device that works.

MICHAEL:

How was it to film those episodes this time?  Was it emotional for you?

JESS:

It was emotional when I was reading Katherine’s letter in the Chancellor living room … that was very emotional for me.

DOUG:

I think every time we get together as a group, it’s hard not to feel her presence and remember her.  And, the characters that are involved in this particular episode are probably the people in real life that knew Jeanne the best.  So, it’s hard to not talk about her and not feel her.

MICHAEL:

Will Katherine send Jill off on another goose chase … ala “The Music Box Mystery”?

JESS:

Courtesy/CBS

I have no idea, Michael, because the “Music Box” is still going strong!

MICHAEL:

I thought that was going to be wrapped-up! (Laughs)

JESS:

Yeah I did too, and it’s still going strong … and there you go. (Laughs)

DOUG:

I was surprised.  Y&R has re-signed the music box!  It has its own dressing room now! (Laughs)

JESS:

It has a special slot on the prop box! (Laughs)

MICHAEL:

Who has Jeanne’s dressing room now at the studio?

DOUG:

Courtesy/DougDavidsonTwitter

It’s Daniel Goddard’s (Cane) dressing room.  He gets it when he’s there taping.  If he’s not there, whoever is working, and in that day, might get it.

JESS:

But it will always be Jeanne’s dressing room.

DOUG:

When Corbin was in, he was in her dressing room, which was harder for him than he expected.

MICHAEL:

So Tricia, you just come back for a few episodes?

TRICIA:

Yes, and I am very happy that they called me in for this.  It was great chance to see everybody and laugh, play, and act. What a gift!

MICHAEL:

Fans are always excited when you come back to the show.

DOUG:

Maybe, she can come back to the show and rag on somebody else next time!  (Laughs)

JESS:

Photo Credit: Kathy Hutchins

You could come back and stay in Katherine Chancellor’s house with us!  And maybe then Chance (John Driscoll) could come back.  It would be great!

TRICIA:

It would be.  A house full of us would be good!

DOUG:

A house full of people that really don’t like each other! (Laughs)

TRICIA:

What better soap opera!

MICHAEL:

Can each of you share a story or little nugget about Jeanne?  We have all had such fond memories of time we shared with her.  I know it’s hard to single out one thing, but what comes to mind?

TRICIA:

There are so many, but there would be times we would sit together an eat ice cream and poke fun at Dancing with the Stars, or whatever show was on.  I just remember watching it at the time and just laughing.  Jeanne’s laugh was so infectious.  I loved making her laugh!  That was amazing.  If I could get a chuckle out of Jeanne my day was made!

DOUG:

I think what happens to me now is the Chancellor Mansion set is usually stored in a visible location on the way to the CBS commissary, if it’s not up.  I have her voice in my head and part of the sorrow has lessened.  I don’t think there is a day for me that goes by, in or out of the studio, where I don’t hear her saying something to me, or have a memory, and for me it’s just knowing that she is still around.

JESS:

Photo Credit: CBS

I was just reminded recently, because somebody brought this up on Twitter, that there was this segment that I think Entertainment Tonight had done years and years ago … like in the 80’s!  And, it was Jeanne and I on stage, and it was around the time Barbara Crampton was on Y&R as Leanna Love, and Jill was trying to think of something to call her.  And she called her: “Bubble butt”, and they wouldn’t let me say, “Bubble butt.”  So I just came out with “Fish head”, and Jeanne loved, “Fish head”.  And I kept going; “I can’t say ‘Fish head’… it doesn’t make any sense.”  And Jeanne was going, “Please!  Please say ‘Fish head’”. (Laughs)  And if you go on Twitter you can find it, but it was a perfect example of how we used to sit in the dressing rooms, back in the day when we both smoked for hours.  Jeanne’s set was up last in the afternoon, so we had hours to kill.  We would go over every bit of comedic material, and we would sacrifice our characters to work up to a punch line for the other one. (Laughs)  We would make ourselves look foolish, so the other one could have their moment.  It was the most beautiful partnership, and it didn’t even make me so sad, but what it left me with was wonderment that I didn’t even appreciate more at the time of what a wonderful combination of people we were, whose intention was the same, which was to make the story great, and to make the duo of Katherine and Jill interesting and entertaining.  We loved the comedy of Jill and Katherine.

MICHAEL:

Jess, you have to pinch yourself when you look at the legacy you have left with Jeanne!  Those classic fights between Katherine and Jill are the best!  The hose scene, the cake fight, the attic, I could go on!  When I was culling clips for the 40th Annual Daytime Emmys clip package on classic soap catfights, I watched so many of those moments and just laughed out loud!

JESS:

Courtesy/CBS

Remember the hose in the face?  I came at her with that hose and I just sprayed it in her face … and it was just awful! (Laughs)  What I did to that poor woman? (Laughs) Oh God, it was so much fun.  I wish I could relive some of those days.

MICHAEL:

That’s the thing; Jeanne was so much fun, a vibrant lady, exceptional!

JESS:

She was so much fun, and it was always fun with her and we would drive over the hill together to come to work at CBS.  Because most of our scenes were together, we would meet up on Laurel Canyon and we would drive along to the studio waving to each other!  Her in her seafoam jaguar, and I was in a Volvo wagon, and I would always pass her! (Laughs)  She loved that! (Laughs)  Jeanne was incredible.

 

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Gloria Zimmerman
Gloria Zimmerman

Thank you for this lovely conversation between these wonderful Y&R actors! One would think a person would get used to the fact Jeanne is gone but she isn’t ! This week is proof of that .a year has passed already but when you scratch the surface of the story lines Jeanne keeps popping up as though she were rehearsing for her scenes …. People let us never forget this dynamo wrapped up in a beautiful smile !keep looking up and Jeanne don’t forget us the loyal fans… Farewell lovely Lady 🙂

Liza
Liza

It’ so nice to hear all the stories about Jeanne. Thanks for a heartwarming interview.

I only wish Y&R would do the same with Katherine Chancellor’s story. I hated that Katherine Chancellor’s memorial turned into Christine & Paul’s wedding. Now it sounds like the 1 year anniversary is about Paul & Christine’s relationship. Who cares? I’d love to see some flashbacks of Katherine Chancellor intertwined with the future of Kay and Jill’s long story which began back in 1973. Shouldn’t Kay’s anniversary episode be about her relationships, her estate, and her company? She has 40 years of flashbacks and story to pull from, they shouldn’t have to go off topic.

I sure hope that music box ends up returning Chancellor Industries to Jill. Jill opening up a little hotel boutique seems silly given her past. Jill may have done something like that when she was 20, but she has come a long way since then. Launching the Jabot Men’s line, major stock holder , CEO of Jabot, then CEO Chancellor Industries…. now starting up a teeny hotel boutique????. Watching Jill take over Kay’s role at Chancellor would be something to turn in for, watching her put together a hotel boutique…..not so much.

Size matters when it comes to interest in a story. I remember when Neil Fenmore died leaving a very young Lauren with this huge corporation, a chain of upscale department stores, to run. That was amazing, if he had left her a simple boutique no one would have cared. All the females roles have been diminished. They have been stripped of money, influence, and ambition they had pre-2005. The women of Y&R used to plot and dream, now they cry, and cry, and cry as they react to the men around them.

LOu
LOu

I agree. Chancellor industries should have been left to Jill, not Victor. And I agree with your comment about the roles of women being diminished. They have become sniveling little women from the 50’s, not the powerful women of 2014.

Barbara from Atlanta
Barbara from Atlanta

I agree as well. I’m disappointed in how the show has used Katherine’s death. Everything seems unoriginal: I’m not sure where the music box storyline is going but it really seems to me to be a knockoff of the “red swan” storyline that was used on Another World when the actor who played Mac Cory died suddenly. Also, Chancellor Park seems like a copy of Horton Square on Days that is suppose to honor Tom and Alice Horton. Of all the ways that the show could remember the Duchess, a park would be the LAST thing that would come to my mind.

Chancellor Industries does belong with Jill. I’ve thought it was strange that Jill barely batted an eye at Victor receiving it and then simply folding into his operation. With Jill’s history, there could have been a MAJOR battle between Jill and Victor over it. Instead, Jill is “stuck” with this music box business and Colin. Frankly, I’m disappointed in the writing for Jill. Not only has she been stripped of her lineage (no longer a Foster) but she barely has ANY involvement with her sister, Lauren, or her son. When exactly was she in a scene with Billy? Has Walton even acted opposite the new actor playing him?? Far more needs to be done with Jill than what we’re getting. This character has been butchered over the past decade and it really is a shame.

Here’s what I would love to see: Jill winds up owning Chancellor Industries. The business gets its own set — maybe an office or conference room — with Kay’s portrait hanging prominently in it so Jill can talk to it from time to time. Meanwhile, Chance returns to town to work at Chancellor with Jill. I personally would love to never see that park again!!!

DE fan
DE fan

very well put!!!

Sally
Sally

Yes, I am also SO sick of that park!!!

Jess Walton
Jess Walton

Michael, what a wonderful interview……you are so good at what you do! You really bring all your subjects to life! Thank you from the bottom of my heart!

jaybird369
jaybird369

Jess…I totally agree. I TOTALLY ENJOYED reading the interview!!!!! I LOVE to read, period!!!!! Thank you…Jess, Doug and Tricia. And, yes…Michael Fairman is so good at what he does!!!!! Thank you, Mr. Fairman. And Mr. Fairman…your website TRULY ROCKS!!!!! Thank you.

Take care, Jess. XOXOXOXOXO

MBmomof3
MBmomof3

Thank you, your cast mates, and Mr. Fairman for a lovely interview!

alistaircrane
alistaircrane

Nina needs to be back full time!

Lois
Lois

I really miss Jeanne- it always feels like something special is missing….RIP Jeanne

Jake
Jake

Its time to make Nina the new Katherine Chancellor. She should have gotten the mansion so she could but heads with Jill Abbott.

bernie tauer
bernie tauer

I miss her she was a great lady

bernie tauer
bernie tauer

An a great actress

jimh(leave it to beaver)
jimh(leave it to beaver)

Katherine shouldve had a half sister and it should be Mamie Johnson who was the Abbots housekeeper…Jill was Johns wife and she and Mamie didnt get along…Mamies neice was Dru so she also has ties to the Winters family…Mamie could return to town as half owner of the Chancelor estate and be in constant conflict with Jill like Katherine and Jill were for years…just a thought!!!

DE fan
DE fan

Such a fab idea. You should write for them! 🙂

Scott (ATWT Fan)
Scott (ATWT Fan)

The death is Jeanne and Katherine still lives on with the show, and the struggle everyone has in their every day lives. And I feel like this one-year tribute to the both of them is really going to be a great remembrance of what an extraordinary woman Ms. Cooper was, and what a tremendous and bold character Katherine was too! Mrs. C, we miss you!

kalamaty
kalamaty

THanks for sharing this wonderful interview! Wonderful to read their personal accounts!

Sam
Sam

Enjoyed the interview piece. Been a Y&R viewer for 30 years. Truly miss Mrs. C. RIP.

Loretta Singleton
Loretta Singleton

Wow this was so good to read and I remember her last scene when Jill was about to help her and she threw up her hand and then started up the stairs and Jill ask do you need some help going up the stairs and Ms C look up and say I can manage turn around and say good night I knew when she walk up those stairs that was the last time we would see Ms C. I can see her now pointing her finger and telling you how she feels love this Lady and all The Casts of Y&R. R.I.P. Jeanne Cooper/katherine Chancelor WE WILL ALWAYS LOVE YOU AND YOU WILL BE TRULY MISS. I am crying as I write this I can see her smile love you Ms C

Robert Clark
Robert Clark

Thank you all for remembering a woman who was and is such apart of my childhood and life. I starting watching Y/R with my Grandmother. When I watch it and see Ms.C. it brings back memories of my childhood. I know Y/R has a special Angel looking after the cast, crew and it’s fans. Thanks for the memories.

Tami Ply
Tami Ply

I have been a Y&R fan since day one! Jeanne Cooper has always been my absolute favorite! I miss her soooo much! And just as everyone else,…I cherish all the memories and awesome scenes that she made epic! Wish she was still with us! She will forever be a part of the Young and Restless! Love you and miss you Jeanne!!!

Eva Watson
Eva Watson

Love Y&R. Miss Ms C. The people are so real. Good storie. Great writers.

damien
damien

don t understand why we have kelly and a recasted phyllis who will never last( lets be honest) when we can just have nina back full time on our screens!! a character who everyone cares about with plenty of storyline potential, history and a amazing actress portraying her! baffles the mind…

Barbara from Atlanta
Barbara from Atlanta

AMEN

Mary SF
Mary SF

Timeless beauty never fades; the blooms of youth my whither and fall to winter’s touch of cold death, but the vibrant promise of spring lingers in slumber yet.

Iakovos
Iakovos

This is a gift, Michael Fairman. Thank you for this interview. The conversation reminds me of the Y&R I loved and I miss now.

mary
mary

I have watched Y&R since day one. I record it every day. I felt like I lost a member of the family when Mrs. C past away. I miss her wit, charm. She could make you laugh, cry, and cuss right along with her. There was never a dull moment when she was in a scene. I was so afraid they were going to try to replace her when she died. It would of been a disaster. You could never replace her. She was one of a kind and I am so glad that I got to watch her for all those years!

Carol
Carol

I miss Jeanne Cooper. What a Great Lady. Thank you for the
Memories. Keep the rest of actors on show, so it stays alive.

Deb
Deb

I loved reading this article and thanks for sharing. It’s great that the Y&R had the 1 year celebration of her passing on the show. I remember watching it when she told Jill goodnight for the last time. Jill asked her if she needed any help and Katherine turned around and snipped at her no I can manage(I believe this was her words). Katherine then finished up the stairs. Katherine will be missed by all.

Timmm
Timmm

I dont know why things can be so obvious but never done. Katherine and Jill had a bitter sweet relationship. Katherine is dead. You have to bring someone in that Jill can spar with now. Katherine could have had a long lost son [Corbin] or daughter come into town looking for their inheritance. Giving Victor control of Chancellor would make good business sense but one, who does benefit from it and two, story line wise, Victor has no competition now. I would have liked to see someone challenge Victor. Even Tucker, bring the original Tucker back and have him and Victor be enemies. Plus Tucker and Jill have a history together and Tucker could have a past with Colin which would make him more interesting. Its time to clean this BS up. I understand losing Jeanne was a shock and writers had to scramble but lets put this whole big mess in the trash and start fresh!

Liza
Liza

I like the original Tucker too. William Russ’s Tucker had oodles of chemistry with Jill and could give Colin some competition. The only problem is MAB went too far with the Tucker character, he became unappealing…gross really. Maybe nuOldTucker could have had a brain tumor?

DE fan
DE fan

the 1st tucker with the white hair and overweight was too old looking for her, but had a hell of a lot more charm

Lisa
Lisa

This was a great interview, thanks for sharing!

MBmomof3
MBmomof3

Great interview to honor a great lady. Clearly she is loved and missed by all who knew her and her multitude of fans.

She is one-of-a-kind and will never truly be gone. She is immortal through her body of work and the legacy she left on the lives of those she touched.

wil
wil

I have watched this show for most of its running.. I have always enjoyed the part of Nina, played by Tricia Cast.. I was so glad to see her character brought back after the death of Jeannie Cooper.. and also to have her back for the memorial.. It would be great to see her back on the show again, and living in the Chancellor Estate.. I am sure that Katherine Chancellor would have wanted it that way..

Tracey
Tracey

Thank you for the interview. Jeanne Cooper was a treasure. I miss her.

Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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