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The Ronn Moss Interview – The Bold and the Beautiful

Courtesy/CBS

Photo Credit: Cliff Lipson/CBS

Perhaps 2012 will go down as the year of the behind-the-scenes soap opera shockers, and thus far, there has been none more surprising then the sudden departure of The Bold and the Beautiful’s Ronn Moss!  After over 25 years of playing the debonair male romantic lead of the series, Ridge Forrester, Moss decided to call it quits over a month ago amidst reports of being asked to take a pay-cut that did not sit well with the popular soap star.  But there is much more to this story, as a calling to move on and try a different direction with his professional life, the ever-changing face of daytime, and more importantly the ever-changing face of The Bold and the Beautiful, all seemed to factor into his decision.

On-Air On-Soaps chatted this week with Moss, just as fans are about to see his final appearance as Ridge on today’s episode of B&B, shortly after Ridge and Brooke (Katherine Kelly Lang) married each other, yet again, or as they say, “One mo’ time!”  And this time, from what we understand, the happy couple go off on their honeymoon, only when Brooke does return Ridge will not be in tow, since Ronn’s decision to depart the soap had to be dealt with rather quickly by B&B’s executive producer, and head writer, Brad Bell.

So is Ronn Moss truly gone for good?  Would he consider a return to the series?  How would he feel about a recast if the show were to go down that road?  And how was it filming the emotional final scenes between him and Katherine Kelly Lang, where Bridge fans from all around the world will need their Kleenex boxes, just as much as Ronn and Katherine did?  Find out all of this and so much more in our heartfelt and farewell chat with Moss, whose departure leaves a huge hole in many fans hearts worldwide. But fear not, after you read Ronn’s parting words below, you can keep up with him via www.devronnsblog.com on all his latest projects, journeys, and upcoming travels!

MICHAEL:

Your last episode as Ridge is airing Friday on B&B, just as Ridge and Brooke said their “I do’s” for yet another time.  It’s been a little over a month since you announced your departure.  How are you feeling knowing Friday is your final airdate?

RONN:

Courtesy/CBS

I feel like 25 years has been a damn good run and I am grateful to have it with everybody. But at a certain point, you have to expand you life.  I have been meaning to do that for years.  We get comfortable with our family and our friends – and when I say family, I mean my co-workers, too.  They have been as much a part of my family as my real family for a lot of years.  But you get comfortable just being there and going along the same way.  And for me, it hit me that, “No.  I don’t want to continue under these circumstances.  It’s time to move on and start on a new road.”

MICHAEL:

Did being asked to take a significant pay cut to continue with B&B make you feel that they did not value your work … especially considering all the years that you put in, and being one of the mega-stars of the B&B brand?

RONN:

I think the way you just stated it is right.  Yes, the pay cut was definitely a part of it, but it was not everything.  But it was definitely a sign to re-evaluate what is going to be important here.  And don’t anybody bring up Jay Leno’s taking a 50% percent pay cut down to $15 million.  There is no relevance whatsoever in that.  (Laughs)  That is a different game, but when you talking a much different scale than that, it is very relevant!  And yeah, I want to feel appreciated, and I feel for what we were doing there was no reason to cut like that.  There are plenty of other ways to make those kinds of cuts.

MICHAEL:

You are iconic and synonymous with The Bold and the Beautiful worldwide!

RONN:

Does anybody think a decision like that was done rashly?  You have to take certain things in life and go, “That doesn’t sit well with me now. Something is off.”  There is a respect that all of a sudden doesn’t seem to be there.  So let’s move to a place where it is more respectful, and where I feel like I am not going to be taken so for granted.

Photo Credit: Kathy Hutchins

MICHAEL:

You also were coming off a very bad car accident involving yourself and your wife Devon before this decision to exit B&B.  Did you feel that accident was a wake-up call?   I know I have read in other interviews that you had done that feel there were certain “signs” telling you to go in a different direction in your life, and this one of them.

RONN:

Not really a wake-up call, but I have been talking about the signs that I have been seeing that many people seem to think is too ethereal or hokey.  I know what is going on in my life.  I know what I know, and I know what I see.  I took it as it spun us around, literally! We had a wonderful business meeting before that and that basically said, “OK. You are not going in this direction. You are going in the opposite direction.”   And you have to listen to things like that, and I attached meaning to it.  Now you don’t have to do that, but I chose to do that.  It seemed to fit with a lot of other things that were going along in my life as well.  And you can discount them if you like and pretend they didn’t happen, or they don’t mean anything in the scheme of things.  However, I tend to make them mean something, as I am going in a different direction now, and I want to go on a positive and affirmative new road that I haven’t necessarily traveled.  I am looking so for to it.  But as far as the accident, we are recovering from the actual physical stuff that happened.  Devon and I are still getting through that and it has gone on a lot longer than expected. She was absolutely right when she told me, “You are going to feel the effects of this quite a bit later,” and we are.  So we deal with it.

MICHAEL:

When you made decision to leave B&B, did you and your wife, Devon, and your family sit down and talk things over and shed some tears over this big move and shift in your life?

RONN:

We had a lot of different moments.  There was not one or two specifically, or that we had a tearful sit-down.  It was all real positive and felt completely and totally right.  There was no hesitation whatsoever.  I think all the things that happen add up. And, you have to make a strong decision.  It surprised a lot of people for sure, as nobody expected me to be that bold, but I had to.  I had to for my own survival.   I know many of the fans feel I let them down, or abandoned them.  No, I have not abandoned them.  I am still with them.  I have been doing this for 25 years!  At one point am I released, so that I can go, “OK, guys?  I need a break from this!”

MICHAEL:

Photo Credit: Kathy Hutchins

Since the “official” announcement from you that you were leaving B&B, there had been everything on Twitter for you from an outpouring of love and support, to disappointment, and even some feeling that you abandoned them!

RONN:

Basically, people can’t handle change. They don’t want things to change and so they lash out at you a little bit, and this is a very small percentage of a reaction that I felt.  But I know what’s out there, and I have tried my best to dissuade it as best I can.  I would say 95%-97% of the people have been very positive, and are looking forward to the future and wishing me well, as I do for B&B. 

MICHAEL:

Will you watch your last episode Friday?

RONN:

I will probably watch it, but I don’t know if I am going to watch it live when it’s on.  I will definitely tape it.

MICHAEL:

I watched the CBS promo and I was getting all choked up watching Katherine Kelly Lang (Brooke) your long-time scene partner, getting all choked up looking at you during Ridge and Brooke’s wedding vows.  I have heard from Katherine that this tape day was so emotional for her.  How did you get through it?

RONN:

Oh, I wasted that day, and I don’t mean the drug-fashion. (Laughs)   The two of us were completely basket cases.  It was so hard to get through.  We could not look at each other in the eyes or we would have just lost it.  This was the culmination of so much emotional stuff that we have had.  We had to get through it, and to get through the day, but it was intense!

MICHAEL:

As viewers, we see the two of you reciting these vows and the gazes into each other’s eyes, and we realize you two have been so intertwined and integral for 25 years of daytime television!

RONN:

Courtesy/CBS

We have lived these people’s lives as alter egos to ourselves.  It has been a second life for us for all these years.  I can’t slough that off, or say that didn’t matter.  I don’t think people really know how intense living that is.  Yes, it is a character on a TV show, but it took an enormous amount of our real lives to do, and that we dedicated ourselves to.  I feel wonderful that I was a part of that, and I feel wonderful that I am now able to go and experience other aspects of my life that I have been wanting and missing.  Now is the time to do it.  Life is getting much shorter.

MICHAEL:

I think it may have been more difficult and worse if you made the announcement that you were departing the series, and then there were several months to go before your last tape date.   This way, it all happened very fast.

RONN:

Once I made the decision, I then only had a couple days left to tape.  And, I would not have said anything except for Susan Flannery (Stephanie, B&B) blurting it out on a soundstage.  She just blurted out that she and I were leaving.  And whoever was in earshot of that heard it and went, “What? What? What?”  So it was out there and people started tweeting about it.  I was going to keep it under wraps, because I had to get through those two days.  But in the end, I could not keep it a secret.

MICHAEL:

How was it for you, when you packed up your dressing room and exited the CBS soundstages?

RONN:

That went as I would have anticipated it for almost 23 years.  I have always kept my dressing room the way it was, so I could just walk out.  A lot of people make it very personal and hang up a lot of pictures and bring in all their stuff from home.  I never did that.  I wanted it to be kind of a transient place, even though I lived there for half my life.  So I cleaned it out a couple of days before the final tape date, and walked out and that was it.   I was totally emotionally prepared to do that because I never emotionally invested in it that way.  I kept the dressing room that way on purpose.

MICHAEL:

Courtesy/CBS

Was the fact that the show was focusing on the younger characters and not Ridge, part of your other issue with the series?  Was it that Ridge was not being given his due as one of the “core four” characters to drive story?  Or, did you feel it was a natural progression of what we unfortunately see many times in daytime when the veterans get kicked to the curb?  With Peter Reckell (Bo, DAYS) leaving, Steve Burton (Jason, GH) announcing he is departing daytime as well, and you going, I feel like Bette Midler in The Rose, saying “Where’s everybody going?”

RONN:

Well, I don’t know if that’s a natural progression.  I won’t lie and say that it wasn’t a factor, of course it was.  When you are feeling like you are less than, why stay?  But let the show do as they see fit, I am fine with it. 

MICHAEL:

So are you standing by the “This is it”, or are you going to comment, “Never say never” when the subject comes up if you would ever consider returning to B&B as Ridge?

RONN:

I have decided to subscribe to “Never say never,” but I need a break.  But I have been through enough experiences where I have to eat those words, whenever I say it’s a definite thing like that.  So, I just will leave that open.

MICHAEL:

Photo Credit: Kathy Hutchins

During your final tape day, did anybody say anything that resonated with you that will stay with you and in your heart forever?

RONN:

Everything!  Lots of it.  One of our stage managers did a little texting with me back and forth this other morning, and it was lovely.   Yeah, that continues and I think it’s just going to get more intense down the road, actually.

MICHAEL:

Now that it’s been a month since the decision was made public, was there ever a moment, now looking back, of “What the hell did I just do?”

RONN:

No. Never.  I am pretty resigned to go ahead and move forward.  As I said, I am moving forward in a positive way and it’s even getting more positive than I expected.  I can’t go in to that now, and that will be a different conversation down the road, if things materialize.  I think it’s going to be really great.

MICHAEL:

Is music a big part of this next evolution in your career, since you have been part of the band Player since the 70’s?

RONN:

Courtesy/B&Bforum

Music is definitely a big part of this.  Peter Beckett and myself have been, and are, Player.  We just released a new set of songs, which is going to be our best collection ever.  I am really looking forward to doing the tour.  We are going to form a tour beginning in Europe, and hopefully bring it back to the States.  But I am so looking forward to playing live!  Playing rock and roll live, there is nothing like it.

MICHAEL:

Is acting still something you want to pursue?

RONN:

Oh yeah!  There are acting projects and that is part of the big change that is happening.  We are formulating some movie projects right now that will be absolutely fantastic. I want to go back to doing movies.

MICHAEL:

When you have seen first-hand what is going on contract-wise in daytime, do you envision that the daytime soaps (knowing what you know and being on one for 25 years) can survive five more years, and possibly continue on after that?

RONN:

I think they will continue on.   I am just not sure if they will be on network television.  I think everything, if you are smart, will go online.  I believe cable television and online formats will be where it’s at.  Networks will eventually phase out, because people will not watch things in real time.  They will watch things at their leisure, and everything will have to accommodate for that.  There is so much of a different world out there online and a lot of different possibilities.   I think if shows grow and change that way, they can grow and continue and morph into other things.  But going along the way they are?  No. You can’t survive that way, because there is a reason that people follow programs and it’s not to just provide them with the cheapest common denominator.  When you do that, you will lose the core audience and the reason they tuned-in in the first place.

MICHAEL:

Photo Credit: Kathy Hutchins

Have you had conversations with Susan Flannery about both your exits from The Bold and the Beautiful, and what a huge shake-up it will be for the canvas?

RONN:

Oh yeah, we have talked quite a bit and so did Katherine and John McCook (Eric, B&B). We all met and discussed a lot of things.  I think Susan and Katherine and I will get together soon and have a little pow-wow amongst all of us, and talk about future things.

MICHAEL:

If B&B were to ever re-cast Ridge, how would you feel?

RONN:

I would feel betrayed.  I would feel like my 25 years really didn’t mean anything.  I would also feel that I absolutely made the right choice.

MICHAEL:

Did Brad Bell and you leave on bad or OK terms?

RONN:

We left on great terms.  I still love him.  I am sure he thought we should just stay and continue with no change of anything, but everything had changed.

MICHAEL:

Obviously, The Bold and the Beautiful contributed highly to your huge popularity overseas!

RONN:

I think the music part of my career, as well as B&B, contributed to my success overseas.  Our music played very heavily in Australia, and Peter Beckett’s influence with being part of Little River Band was big part of it as well.  But yes, the show was a big part of it, but that was not the only thing.  But now I think I will have a closer touch with those countries and the foreign territories than I did before, because now I have time to be there.  I would totally love to come down to Australia.  We are working on doing some movies and charity functions there right now. And, Katherine and I are about to take off and go over to Italy for a week and half, too!

Courtesy/CBS

MICHAEL:

When you take a moment to reflect back, is there a Ridge or Ronn moment during your time at B&B that was a defining for you as an actor, or the character you created, or a big memory of your time there?

RONN:

The biggest memory of my time at B&B is not story-related.  It’s not even character-related.  The last day will very much be ingrained in my psyche now, from a very emotional point of that is when everything was changing.  But, my biggest memory that I will carry from B&B is how much of a family it is, and was for me for the last 25 years. It’s a huge family – between crew, actors, everybody.  And I will carry that, as that is the warmest thought I have of everybody, and seeing these people every day.  I will carry that, and for me that’s fine.  I don’t need a story point or a character element to remember that.  There are too many of those!

MICHAEL:

You have got to pinch yourself, when you think of your journey as Ridge harkening all the way back to the beginning as Ridge the playboy!  You were part of that, no matter how it ended.   It was 25 years of this role on B&B, and you became very well known to television audiences domestically and internationally.  Cool?

RONN:

It’s very cool!  And I will hold that for the rest of my life.   I feel very fortunate to have been part of this show, and part of this big family of ours. There’s the big emotion of it.

MICHAEL:

Is there something you would like to say to your fans you feel has not been communicated, or that you would like to add to what you have already said publicly?

RONN:

Courtesy/FabulousPenguinAus

Just that I hope that they keep the faith and the spirit of what hopefully I did for that long with Ridge in their lives.  And, let it be with me.  Let me take that as my memento.  But also to hang in there with me and know that I am not abandoning them, but that I am including them and taking them on what could be a far greater journey.  I hope they keep their minds and awareness open, and let’s see what the roads have to offer.

MICHAEL:

Do you think you will watch B&B in the future?  Reports are that Katherine will be getting a new love interest!  That may be odd for you to watch.

RONN:

I don’t know.  I will see.  I can’t say I wouldn’t watch it.  I have no reason not to watch it. I have so many other things I want to do.  And Michael, I wasn’t even able to watch the show when I was on it! (Laughs)  I always keep busy and I am seldom just sitting around with nothing to do.

MICHAEL:

And tell me the latest on Ronn’s Garage, the web series you have going through your website!

RONN:

It’s building and I am working on the next episode.  I am not telling people who the next guest will be, but I want it to be a huge surprise.   It’s a very fascinating person! (Laughs)  I am hoping to have it up by October 1st.  I want to get the episodes up in a more timely fashion.  The accident through me off.  My shoulder got fractured in three pieces, and that kind of set us back, but I am back on track.  I want to morph into something else, which we will talk about later, as well.

MICHAEL:

Photo Credit: MF Soaps, Inc.

I have to tell you, personally, I was sad when you announced your departure from B&B.  But then I was so happy about it!  I was like “Good for you.”  You have always been a friend of mine throughout the years we have done interviews together, and our time together in this genre.   So I had all of those emotions going on.   It was very bittersweet.

RONN:

Good and thank you.  Michael, you as well have been part of this.  We have a big respect for what you do and the way you have done it. You have always been right on the money, very fair and very honest.  No b***s that I can discern for anything you have done, so bless you for that!

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Michael
Guest
Michael

I watched the Thursday, September 13th episode where Ridge and Brooke got married. Then tune in on Friday only to be completely disappointed with the episode all together. Brad Bell cheated Ronn Moss out of a proper farewell after 25+ years on B&B and I have to think that Brad was punching Ronn in the gut by not giving him his proper due. What really should have happened is this: The wedding should have aired today, the 14th and at the end of the episode, Ridge and Brooke walk out the front door only to have Ronn Moss turn around… Read more »

e johnson
Guest
e johnson

Hated to see Ridge leave, but I never like Brook. So Ridge I wish you well.

Mike
Guest
Mike

I agree with you on hating to see Ridge leave. He played a big role on the series, however I disagree with you about Brooke. I was always hoping that Ridge and Brooke would always remain together. I am going to miss that.

Claire Churnac
Guest
Claire Churnac

Don’t thank that jerk (Brad Bell) for anything. I wish I knew that was his (Ridge) last day..or maybe not… I think I would have cried-me-a-river..and then I wouldn’t have enjoyed their wedding.

LJ
Guest
LJ

betrayed? after he held out for more money? some of us are starving out here and he can’t act for anything (did he have lessons?) so he should count his flippin blessings.

LLM
Guest
LLM

I think every actor has the right to leave the medium and make choices that are right for them. Some may do it for money, some may do it for variety, some may do it because they are burnt out. And shows have the right to offer what they want/are willing to pay and actors have the right to say no. But NO actor has a permanent lock or right to any character in soap opera. Recasts are a major part of the medium. Whether it’s Ronn Moss stating that a recast would be a betrayal or Vanessa Marcil stating… Read more »

LJ
Guest
LJ

Even Susan Lucci was recastable.

Sheryl Postin
Guest
Sheryl Postin

Good luck Ronn, you ill be missed, your a great actor and we will probably see you soon somewhere else.

Barbara Hall
Guest
Barbara Hall

Do not like Thornston Kaye as Ridge….too scruffy looking.

ethel
Guest
ethel

what a sincere interview & i applaud ronn in the decision he made to leave – i feel that b&b threw him under the bus & have no respect or consideration for his 25 years on the show – soaps are just like any other part of corporate america believing that younger is better & the mature folks need to step aside – i started watching soaps almost 50 years ago because they were about life but now all soaps want to show is life revolving around only the 20 somethings and life includes all ages………

Prunhild
Guest
Prunhild

Even for me, a NO-BRidge-fan, i was shocked and disgusted, how bell wrote the last episode as a total BROOKE-episode! The way he wrote this laughable words, that stephanie loves brooke and the boring “to-many-times-repeat-BRidge-wedding-scenes” was to much for me. i turned of before episode was finished. maybe i will watch again on dvd, but i tell you guys: this will now become a KKL & JY- show! And as for STEPHANIE portrayer Susan: i spent 25 years adoring you and beeing big fan of your character. But as a BROOKElover you are now, i am fine with STEPHANIE out,… Read more »

bc
Guest
bc

Bravo to B&B for cutting Moss. Daytime soaps are not lucrative machines. Jay Leno is a good example. He should have taken the pay cut. Actors are paid too much when all an actor does is blocking and saying the lines. That’s pretty much all there is to acting. Whether an actor is good is subjective. I refuse to even read recaps of B&B anymore and 60 something Moss’s complaints are more reasons to stay away from this soap.

Deborah Kallus
Guest
Deborah Kallus

As an actor….all I can say is I would like to buy him for what he is truly worth and sell him for what he thinks he is worth….Then I would be sitting on easy street.

I say Good Bye and Good Riddance….

Therese Dunphy
Guest
Therese Dunphy

Ronn Moss and the rest of the core four are what made B&B worth watching. In his bid to capture a new generation of viewers, the show has turned into an endless teeney bopper video that holds absolutelly no appeal. Ridge and Brooke were one of soap’s great love stories, and Ronn earned every cent he’s made over the years. Thanks for all the great years of entertainment Ronn!

Lisa
Guest
Lisa

wish you well in all you do.

marciaSYDNEY.Australia
Guest
marciaSYDNEY.Australia

Family and friends laugh at the fact I’ve watched B&B since the very first episode, but to me, its not just because of the soap itself that I continue to show my loyalty. It’s because of the pure nostalgia it has created in my life. I basically grew up with Ridge and Brooke, and remember my first born child singing along to the opening theme song of Bold from its earliest episodes. So, to see Ridge leave this love story is emotional, not because I naively live vicariously thru BRIDGE, but rather, because it feels like a friend who has… Read more »

marciaSYDNEY.Australia
Guest
marciaSYDNEY.Australia

@RonnMoss: true fans don’t need to be convinced that a future “faux Ridge” will somehow be able to emulate ur onscreen chemistry with KKL, as u will always be the glue that binds B&B

Kim lynn
Guest
Kim lynn

Thank you Ronn moss for a wonderful ridge. I wish you had a better ending and I’m very sad with the way soaps are headed…

Marilyn
Guest
Marilyn

In this economy, these people should feel grateful to have jobs; when so many don’t. In my opinion, there’s a lot of arrogance going on here. Very few people in this world feel that they are paid what they deserve, but they don’t just walk away. So be it. I’m sorry to see him go, but he’s made his choice. If he later regrets it, so be that too.

vfocused
Guest
vfocused

Just finally read this interview and want to say. I really hope Ron can get pay to come back at least for one more episode. Susan will be leaving and hopefully Ron will work something out with Bell just to return to send Stephanie off. I respect Ron Moss if no one else does. 25 years is a long time to leave due to these circumstances but I do respect his decision as Hunter Tylo said and understand it. I really do wish you the best Ron but pray that you try to return for one episode of the celebration… Read more »

Sheila
Guest
Sheila

vfocused hits this on the nail for me, I concur, and would like to see Ridge Forester as (Ronn Moss) celebrate Stephanie’s life, and come on back this last time. Maybe silently visiting Momma Stephanie’s grave and visiting his children on the set for closure, I remember the phone call when Stephanie asked him not to come home, on one of the episodes, where she was in her final stage of cancer, that relapased, however, the oldest son paying tribute to his mother on the set would be just loving and bold and beautiful!! Bless you, Ridge.

k/kay
Guest
k/kay

If you ar a fan or not a fan of Ronn Moss check out Ronns garage on the web it really is quite fun and a totally different side to him. A girlfriend of mine who still lives in California turned me on to it it really is clever. He really looks like he is having fun it is a nice change of pace. Pure fun check it out!

Mike
Guest
Mike

I am hoping that Ronn Moss comes back. He is a great actor. Ronn Moss & Katherine Kelly Lang were my 2 favorites on the series. That will make my day when he returns.

lynn
Guest
lynn

Ridge was always one of my favorites Brook I really didn’t like she stayed to much with the family men I will truly miss Ron Moss .I wish him all the happiness and success .There should never be another Ridge played by anyone else it will never be the same. I enjoyed watching you.

Gina
Guest
Gina

Ridge and Brooke were the best! I have watched B&B since the beginning and I was shocked that he was leaving and certainly wished the farewell was different. It was so fake…Brooke and Ridge to have split up over a text from Deacon! Money should have never been the issue because the high ratings for all of these years were so much because of the role of Ronn Moss. I hope he finds all of the happiness and peace he truly deserves.

Debbie
Guest
Debbie

Ronn deserved a hell of a better send off than that! Hate how Brooke became Stephanie’s new best friend after all her and Taylor have been through!

The writers are sinking their own battleship!!!

patrick
Guest
patrick

never did like Ridge as an actor or lack of being an actor.

joyce davis
Guest
joyce davis

i hated to see ridge leave. he was brooks rock and i have always loved them together. the attraction was awesome. now taylor ruined her looks with all of the botox and glad to see her leave. she looks stupid with eric. and i pray hope finally finds happiness with liam. stephy and taylor need to take a pernmanent break. . i would love to see brook back witth eric. guess we will see. but bye bye talor and stephy!!!!!

tina jones
Guest
tina jones

Ridge please come back I hate the way brooms is treating katie cause she has been with every man on the show an katie is the one with the good heart please come back an teach bill a lesson

Elizabeth Harrison
Guest
Elizabeth Harrison

My oh my some are biting him in the but while others are praising him. I have watched the show sense it’s conception . And I have always been a fan or Ronn’s I will always remain a fan. Yes they recast him with the old zac from All My Children which i will always see him as zac. But that is not the point. The point is that he maid a decision to change things for his personal self he gave all of the fans 25 dedicated yrs of his life. He basically grew his life on the show.… Read more »

General Hospital

GH’s Finola Hughes, Marcus Coloma & Josh Swickard Talk On 15,000th Episode Milestone

The juggernaut that is ABC’s General Hospital, is marking yet another accomplishment in its storied 59-year-history.  The iconic soap opera is set to air on Wednesday, June 22nd (unless preempted), its 15,000th episode.

As part of the celebration, General Hospital’s Finola Hughes (Anna Devane), Marcus Coloma (Nikolas Cassadine) and Josh Swickard (Chase), who all appear in the standalone episode, chat with Michael Fairman to mark the occasion.

During the conversation now on You Tube’s Michael Fairman Channel, Finola and Marcus, and later Josh, who logged on later while at Disneyland, discuss: their beginnings on GH from landing their respective roles, who in the cast perhaps most intimated them, at first, and what it has meant to be part of the legacy of General Hospital.  In addition, Finola, Marcus, and Josh reveal some of their more challenging storylines, and more.

Photo: ABC

Later, the trio each gives us a tease of what’s to come now that Nikolas has slept with Esme (Avery Pohl), what lies ahead for Anna and her love-interest Valentin (James Patrick Stuart), and Josh talks on working with his on-screen love-interest, Amanda Setton (Brook Lynn Quartermaine).

Watch for a special appearance by GH’s Maurice Benard (Sonny Corinthos) within the interview, as we do a deep-dive of being part of the ensemble cast.

We also take a moment to send out our condolences to Kristina (Felicia) and Jack Wagner (Ex-Frisco) on the passing of their son, Harrison, and how you can donate to the scholarship fund in his honor.

Check out our GH 15K interview with Finola, Marcus, and Josh below, and make sure to ‘subscribe’ to the Michael Fairman Channel for more upcoming features, interviews, and upcoming Daytime Emmy red carpet coverage.

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Interviews

Sean Kanan Talks On The New Season of His Streaming Series ‘Studio City’ and The Life and Times of B&B’s Deacon Sharpe

The second season of the Emmy-Award winning, digital streaming series, Studio City is now available on Amazon Prime. The six latest episodes bring us back into the series of an aging actor, Sam Stevens, played by soap vet, Sean Kanan, who is one of the stars of the soap opera, Hearts on Fire, in the role of Dr. Pierce Hartley.

Throughout Studio City, viewers go on the journey of Sam’s foibles through life off-camera juxtaposed with his life on-screen. A sundry of delicious characters enhances the premise of the series portrayed by the likes of: Carolyn Hennesy, Anna Maria Horsford, Justin Torkildsen, Lilly Melgar, Tristan Rogers and more, all names familiar to soap fans.

While Sean is busy promoting the latest season of Studio City, and his book Way of the Cobra, he is also continuing to appear on The Bold and the Beautiful as bad boy – trying to straighten out his life after years in prison – Deacon Sharpe.  Since his return last year, Sean has been mixing it up in stories with the likes of Kimberlin Brown (Sheila) and Katherine Kelly Lang (Brooke).

 

In this chat with Michael Fairman TV, Sean weighs-in on: what could be next for B&B’s Deacon, the struggles and the joys of continuing his streaming series, and the homage Studio City is to the soap genre and much more. Check out what he had to share below.

Courtesy/StudioCity

How challenging was it to shoot this season of Studio City?

SEAN:  When we do this thing on a shoestring, everything needs to fall into place in order for it to happen properly.  We know that everybody involved with the show was going to potentially get other projects, or do other things   One of the biggest issues we have, is that a lot of times, we didn’t know what locations we had because Studio City is the real world, and then it’s the show within a show (Hearts on Fire).  So, with the show within a show, those actors aren’t in the ‘real world’. For instance, Tristan Rogers (Doc), is only in the ‘real word’, so, if we have a location that isn’t for the ‘real world’, we can’t shoot Tristan because he doesn’t exist there.  We would have to literally decide what we were writing (sometimes the night before) based on the locations we could get.  It was just an enormous challenge.

Sarah Brown (Laurie) was not a part of the newest six episodes as well as some others cast members. Will she and others be back at some point?

SEAN:  Sarah was directing a podcast, and we kind of had to look at who was available to us, and what stories we needed to tie-up, and hopefully we are going to wind up doing another five episodes to finish up this season.  Then, hopefully we are able to get the actors who weren’t able to do the first six to come back and do the second five.

What I liked about the new six episodes is that I thought you built-in some really solid scenes for the actors.  How did you feel about the outcome?

SEAN:  We make the best show that we can make with the resources and time that we have.  I was glad that we got to develop the story a little more with Delilah (Juliet Vega), Sam’s would-be-daughter.  We always try to do something that’s socially responsive, and diversity is certainly and important issue in Hollywood, without a doubt, but I also think that you need to see the comedic side of everything.  I thought there was some really funny stuff about that with Sam doing the podcast and the scene with Anna Maria Horsford (Jolene) and Will Roberts (Dennis), where she comes in, and she’s like, “The production is too white.”  I thought that was some funny stuff there.  I loved the monologue my wife, Michele, wrote for Carolyn Hennesy (Gloria) about the soaps – that thing about how all of the soaps are dead, and Carolyn just railed in support of the soaps, about the soaps being this dependable thing.  For a lot of people, soaps are their point of emotional contact.

Photo: StudioCity

I talk to fans all of the time and for many times soaps are their lifeline.  Your character, Sam, lands a part in action-adventure film and screws that all up while on set. Where did that plot point come from?

SEAN: It came from a couple different places.  I think that there is not a male actor alive, who some part of him doesn’t harken back to when he was a little boy and doesn’t want to be an action star.  I think the funny thing about it is, of course, Sam is right on the precipice of being over the hill for it, and he’s not going to let that stop him.  Natalie Burn (Shelby Brock) is a legit action star.  She’s a terrific martial artist.  Our director, Timothy Woodward Jr. has done some action movies.  So, we sort of said, “Okay, we’ve set this thing up where Sam wants to get this film.  Let’s give him the film and have him struggle abysmally.”  Marching orders for Studio City are always to keep as much mishigas on Sam’s shoulders as we can.  You never want to see the lead of your show succeeding wildly because that diffuses all of the conflict.  I do think I’ve had some really great dramatic stuff.  I really liked the scenes that I had with Delilah in the sixth episode, and I loved the stuff with Tristan, and I loved the stuff with Lilly Melgar (Becky).  I thought it was really funny.  Lilly killed it and so did Justin Torkildsen (Jacob).  I thought Justin was great.

Courtesy/StudioCity

I thought when you utilized on-camera testimonials from the cast and the EP, that was really a hilarious piece to add to the story.

SEAN:  That was great.  I’d love to take credit for that, but it was Tim’s idea, and it was a really great idea from a production standpoint, because you can do one of two things.  You can either do a whole show where you’re using those, or you can chop them up and use them throughout different shows. From a production standpoint, we had to build some things into the show to insert those when we needed.

Courtesy/StudioCity

You also cast celebrity publicist, Anthony Turk, as a network executive in the series.

SEAN:  Yes. Way back when I created Studio City, there was a part for a publicist, and I had talked to Anthony about doing it.  We had eliminated the publicist part until Lilly became the publicist; which ended up in a completely different plot point.  I always knew I wanted to put Anthony in the series, because I think he’s a good actor. I was like, “You know, I didn’t write this part for you, but I think you can do it,” and I was really happy with how he did it.

 

Courtesy/StudioCity

I also liked the scene with Anna Maria Horsford’s Jolene where she tells Sam to keep his mouth shut while he is working on set. 

SEAN:  She is so fabulous.  I love that woman.  She is such a talent, and I was so happy when she got nominated for a Daytime Emmy last year.  I have such an affection for everybody on our show, because they really put their heart and soul in it, and it just means so much that they show up, and they support, and they do great work.

What I noticed is that the way Timothy Woodward Jr. captures you as an actor.  There is so much going on in the reaction in your eyes of what is happening to Sam.  He realizes the, “Oh, my God,” of each situation as he realizes what he just stepped into, or he finds the humor in it, or when he lets out his frustration, as he did with his daughter in the sixth episode.

SEAN:  That was one of my favorite scenes.  I wrote that one.   It was great because it’s my real-life stepdaughter, and I thought she really stepped up, and I was so proud of her.

For the first time in the realignment by the television academies, Studio City will now be competing at the Primetime Emmys instead of the Daytime Emmys, if the series receives nominations.  How do you feel about that?

SEAN: We are really excited to be competing with the big dogs now at the Primetime Emmys, and rather than being intimidated by it, we are saying, “This is the universe opening up and saying, ‘this is what you need to do,’ and so let’s embrace it.”  It’s going to be exciting.  In my 35 years in the business, I’ve never been to the Primetime Emmys.  So, we shall see.

Photo: StudioCity

Justin Torkildsen’s role greatly expanded this season.  In story, do you see Jacob attempting to thwart his Aunt Gloria and take control of Hearts on Fire as the EP? 

SEAN:  I don’t know if the goal is for him to take over for Gloria.  It certainly was a lot of fun to see what happened when he got just a little taste of power.  He’s got his own agenda, and I also love that he wants the love from his Aunt Gloria.  He’s not just a young guy trying to ascend the power ladder of the show.  He really does want his aunt to be proud of him and to love him, and she’s a tough nut to crack.

There was scene after the network executive tells Gloria, “You’re out, if you don’t fix the show.”  Doesn’t Jacob gloat in it for a minute?  Doesn’t he want payback for how she treats him?

SEAN:  I don’t know if he does.  I think he certainly does like to see when Gloria gets her little comeuppances, but when push comes to shove, I think he’s really got her back, I do.  Justin is so naturally funny.  He’s a great guy to have on set.  He’s got a great attitude, and he’s a very good actor.  I was really struck by a moment in season one where he’s coming up the stairs, and he had this abject fear of interrupting Gloria, and Justin didn’t have any lines.  He just played it beautifully with no dialogue.  I was like, “We’ve got to give Justin more to do,” and for me, it was nostalgic to work with him again because the very first scene I had on The Bold and the Beautiful was with Justin.

Photo: JPI

What can you say about Carolyn Hennesy; who often is the quintessential scene-stealer in Studio City when she appears on-screen?  Does she go with the script or ad-lib parts of the dialog?

SEAN:  She’s a gorgeous, red-haired, flaming beast.  She definitely did some wonderful ad-libbing to elevate what was on the page, and she made it her own, and that’s one of the things that I love the most about her.  I love that I can write a 20-page scene and give it to, for example, Tristan Rogers, 20 minutes before and know that he’s going to nail it.  That’s one of the things that I love about working with Daytime actors.   Say what you want, but when the chips are down, and your back is against the wall, a Daytime actor is going to be the one who can take the dialogue, digest it quickly, and give you a good performance.  With the way that we are run and gun in our style of shooting, you have to move really quickly.  I’ve worked on a lot of films, and with people who are recognizable in the business, and sometimes they get overwhelmed when they have more than a couple of pages in a day … and you know what we do in Daytime.

Courtesy/StudioCity

When you were writing the new season with Michele and Tim, was it laid out pretty definitively, or did it evolve?

SEAN:  We laid out some large arcs.  We knew the storyline that we wanted to do with Natalie and with Will.  Natalie, actually joined us as a co-executive producer.  She is Ukrainian and has family there.  So, she had a lot going on.  I just feel like she really stepped up.  She really helped the production both as an actress and as a Co-EP, and we were very fortunate to have her, and have her at a time when it would be completely understandable when her ability to even act would have been compromised, yet alone have the facility to Co-EP.  In addition, we knew we wanted to deepen the relationship between Sam and Delilah.  We had a different idea with what we wanted to do with Doc, and we wound up doing something another way than what we had originally discussed.  Sometimes, you have to make these decisions that are sort of production-based and you have to alter storyline.  Of course, we knew we wanted to continue to create the storyline that like a lot of soaps, Hearts on Fire was potentially on the chopping block.  At the same time, we really wanted to illustrate that the soaps are full of people who are talented, gifted actors, who love what they do, they work really hard, and they don’t always get the respect that they deserve.

Courtesy/StudioCity

It looks like Doc might be having a change of heart?  Will he begin chemo to save his life?

SEAN:  That’s what we are thinking, and we are hoping to bring Patrika Darbo back in, and finding out where she’s been and having some really nice scenes between, she and Doc.  I think things are going to develop between Dennis, who is the producer, and my character, Sam, and we are going to learn that all has not been revealed of who Dennis really is.

Courtesy/StudioCity

What did you think when you saw your performances in the latest six of Studio City?

SEAN:  I’m always super critical of myself.  I like the stuff with the podcast because I thought it was really organic, and I thought it was funny.  I loved the stuff with Lilly.  I always see things that I could fix and do better, but I also saw stuff that I liked, and I really liked a lot of what was going on with Juliet.  We had another take where Sam really breaks down, and unfortunately, we had a sound problem with that one, and we couldn’t use it.  That was really crushing to me, but again, you make the show that you can make. Michele and I always joke and say, “Making a 50-million-dollar movie is easy.  You want to really produce something?  Produce it when you have no money.”

Photo: JPI

What did your wife, Michele, say about how she thought the latest season of Studio City turned out? 

SEAN:  I do have to say that Michelle really stepped up this season of Studio City.  She ran the show.  She is an executive producer, but she was also the supervising producer, in charge, responsible for crewing up.  She amazes me to no end.  I couldn’t be prouder of her, and I’m so honored that she and I were able to both win out at the Daytime Emmys.  We have very different skillsets, which is great.  There are not a lot of areas where we overlap, but we compliment, and that’s why I love working with her.

Photo: JPI

You are also busy with The Bold and the Beautiful.  How has this most recent return been for you as Deacon Sharpe?

SEAN:  Oh, my God, it’s been fantastic.  The Bold and the Beautiful consistently ranks as one of the best professional experiences that I have ever had.  I love the people I work with.  I love the creative freedom that I have on the show.  I love what they write for me.  It’s just great.  Listen, I’ve done four Daytime shows, and by far and away, this has been the best experience.   It’s a great role.  I’m the only guy who has ever played Deacon, so I’m fiercely protective of the character.  I know I’m coming into a really big storyline right now, which is very exciting.  I can’t say anything about it yet, but I’m going to be working with a character who I haven’t worked with very much before, which is very exciting.

Photo: JPI

What did you think about Kimberlin Brown receiving an Outstanding Supporting Actress Daytime Emmy nomination? I believe you are in some of her submitted scenes.

SEAN:  I think it’s incredibly well-deserved. She just brought so much to it, and I’m just honored that I was able to be a part of what she did.

People are saying you’re going to get all wrapped-up in the Li (Naomi Matsuda) Sheila, and Finn (Tanner Novlan) storyline.

SEAN:  Well, I guess I already am to a certain extent.  I like to think that in his infinite wisdom, Brad Bell (head writer and executive producer, B&B) knew that Kimberlin and I would find humor in an eccentric relationship; rather than just being two kinds of ‘baddies’.  Deacon is not nearly as bad as Sheila, but rather than be two people with somewhat aligned wants and needs, I think hopefully Brad was like, “I think they’re going to come up with something interesting,” and I think we did.   The fight that Deacon had with Ridge (Thorsten Kaye), that is not something that you see on Daytime all the time.  That was really exciting and fun.

Photo: JPI

I love that Deacon’s home-away-from-home is the supply closet!

SEAN:  I was teasing Brad.  I said, “If I get a raise, do I get a Swiffer?”  I love it.  In terms of Sheila and Deacon, I didn’t know if we were going to wind up in the sack together or not, and I thought, you know, if that happens, that would be interesting, too.  By my calculations, Deacon has now been out of jail for how long, and he has not gotten any action.  No action for a guy who just got out of prison for 5 years.  So, I don’t know what’s going on in that broom closet. (Laughs)

What was it like working with Katherine Kelly Lang during the whole ‘New Year’s Eve drunken night with Brooke’ story?

SEAN:  You know, Kelly and I really were able to capture lightening in a bottle many years ago, and I think it was wonderful.  I always wondered, what was going to happen all this time later if we worked together again?  Are we going to be able to come up with something great?  I love working with her.  Poor Kelly, just broke her ankle, which is terrible, but she is a champ.

Photo: JPI

Do you think there is still chemistry between Brooke and Deacon?

SEAN:  Yeah, I do.  I try to create chemistry with anyone I work with, men or women, but don’t we do that in life?  We always want to be interesting and sexy with anyone we talk to.  Ultimately, what we are trying to do on some level, is we are always seducing as human beings.  That’s where I come from as an actor.  You’ve got a goal.  You’ve got a series of actions that you use to get the goal.  You usually fail a couple times in the scene, so you change the actions, and you try to overcome the obstacles.

Right, and seduce people …

SEAN: … And seduce.  Deacon is a very adept seducer.  I think a lot of it was from being a conman.  I think now, Deacon is finding that he can be seductive by being authentic.  I think that’s new to him.  I think ultimately, when you’re authentic, that’s a way more powerful brand of seduction than something that is some sort of a manufactured, fabricated, external seduction.

Photo: JPI

So, what would say in a tease of what’s coming up for Deacon on B&B?

SEAN:  All I can say is that I’ve been told that I’ll have an exciting story coming up, and I’m looking forward to it.  I always like when I get the ball, and you never know what another actor is going to bring out of you.  Whenever I work with someone who I haven’t worked with, I hope that they are going to allow me to tap into a part of myself that maybe I haven’t demonstrated before.  That’s what I look for, and that’s what keeps me enthused in this job.  We do have to give the same information a lot in Daytime.  That’s just the nature of the beast.  The challenge is, “How do I do this in a way that is not only interesting for the audience but allows me to stay engaged as an actor?”  If you start getting apathetic as an actor, you start doing bad work, and I can’t do that.

Have you checked out the latest six episodes of Studio City? What do you hope happens next for Deacon on The Bold and the Beautiful? Share your thoughts and theories in the comment section below.

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General Hospital

General Hospital’s Nancy Lee Grahn Chats On Her Daytime Emmy-Nominated Performance and Its Significance

When the nominations were revealed for the 49th Annual Daytime Emmy Awards, General Hospital mainstay, Nancy Lee Grahn (Alexis Davis), was recognized for her stunning work in the Alexis-centric standalone episode which honored her 25th anniversary with the ABC daytime drama series.

Grahn, is already a two-time Daytime Emmy winner.  She won back in 1989 in a tie for Outstanding Supporting Actress for her work as Julia Wainwright on Santa Barbara along with All My Children’s Debbi Morgan, and again received the honors in that category in 2012 for her work on General Hospital.

Now. she is vying for the gold in 2022 in the Outstanding Supporting Actress in a Drama Series category against other formidable actresses including: B&B’s Kimberlin Brown, DAYS Stacy Haiduk, Y&R’s Melissa Ordway, and her GH castmate, Kelly Thiebaud.

Michael Fairman TV caught up with Nancy to talk about her decision to enter the Emmy race this year, her powerful and moving scenes, why this nomination is significant and important to her, and her take on some very important social issues of our time.

Always candid, insightful, combined with great humor and wit, here’s what Nancy had to share below, and make sure to check out GH this week when sparks fly between Alexis and Gregory (Gregory Harrison). Will he turn out to be the new beau in Alexis’ life? Stay tuned.

Courtesy/ABC

Congratulations on the Emmy nomination.  How do you feel about being in the running again, especially with the material from your 25th anniversary episode?

NANCY:  You know, I don’t submit myself if I don’t think I have something, and I didn’t last year.  This year, I had the one show, and the first reason I submitted myself was I had the episode that was worthy of the competition. These judges have to sit, and watch this stuff, and very often, it’s hard to watch soap opera scenes.  It really is, unless you’re in it.  It’s a different kind of material that most primetime people aren’t used to watching.  So, it’s tricky business.  I don’t want to put them through anything too awful. I don’t want to torture them and I’ve judged before. It can be a bit tedious. So, for me to submit myself, I thought, it has to be something that isn’t going to torture another human being. The second thing is, older women get marginalized the older they get, and they get diminished very often, and every time we get nominated, it means something different to me.  This time, to me, I want it to somehow be symbolic, or a shoutout to women who are still producing, who have been doing their job for a long time and are still doing it good enough, and that it’s still worthy of respect and recognition.

When we were at the GH Convention back in March, I played the scene on-stage for the fans in attendance of when Alexis goes over to the corner of Kevin’s office and heals her younger self.  You saw the reaction just from the fans.  It’s such a beautiful moment within the story.  What did you think about how the standalone episode was crafted?

NANCY:  It was a different experience for me because GH co-head writers Chris Van Etten and Dan O’Connor, and script writer, Scott Sickles gave it the attention, but even more to that, they allowed me to participate in the creation of it.  They allowed the director, Phideaux Xavier, to participate.  We all sat in a room.  They said, “You know what?  Make it how you’re comfortable with it.”  There were so many people who gave it time and effort, and Phideaux gets a lot of credit because he came up with a lot of ideas.  So, the little girl in the therapy room wasn’t initially a part of it.  That was Phideaux’s idea, and they let us alter things, and they allowed me to write some words that meant something to me with the character.  Our producers, Michelle Henry and M.K Weir, who I both adore, were also a part of this.

Courtesy/ABC

That is great to hear that you were involved in the collaborative process of the creation of the episode.

NANCY:  We read through the whole script, and we worked it like you would on primetime. We went through it like, “Does this moment work?  Does that moment work?  Does this make sense?  Does that make sense?”  We never do that in soaps.  We don’t get to that.  So, it was a gift to me.  It really was. Chris and Dan, and Scott and Phideaux, and the two producers, generosity in gifting me that experience and making sure that it was to everybody’s liking, was really very special to me, and it meant a lot.

Did you come up with the key lines which summarized Alexis as a person and her journey: “I’m Alexis Davis, and I’m a fighter, and an idealist and an advocate?”

NANCY:  No. They designed it, but we were allowed to enhance and contribute creatively to it, and, we don’t normally have the time to do that.  They don’t have the time to – and you can’t allow people to do that with every episode, to be creatively participating, because it would turn into madness with everybody.

Then, when it came down to choosing the scenes from your anniversary episode to include for your Emmy submission, was that a challenging process of which moments to go with?

NANCY:  I just told a little story with it with the time that I had, and so, I edited it with a friend of mine.  I did a sort of pre-edit on it, I’m good at that, and handed the timeline to our editor, who nicely put it together. It took very little effort.

In my humble opinion, I think that episode featured one of your all-time best performances.

NANCY: Thank you. There was a nice effort from everybody, from the lighting to everybody else, and all the effort Phideaux put into it.  He worked so hard on that!  It was fun for us.  It was like the old days where you really got to work something out.

Photo: ABC

It truly harkened back to everything we knew up to that point about Alexis and her past as well, and included a montage of scenes over the years.

NANCY:  I think it was M.K. who put that together, but when you’re working at the pace we’re working now, to have to sit and put together a montage of twenty-five years, that’s not an easy feat.  Nobody has time for that anymore, but they did it, and like I said, it was really, really appreciated.  My only thought with it is that I wanted it to be relatable to other people.  I didn’t want it to just be some, you know, self-indulgent Alexis episode. I knew that by bringing in the little girl and talking about people being hurt in their childhood and how that makes somebody feel that it was probably relatable to many people, and so it became meaningful to other people and not just me.

Do you think you’ll attend the Daytime Emmys? I know the last time you won you were not present.

NANCY:  Yeah, I’m planning on it.  I mean, barring anything happening! (Laughs)

Does it feel nice to be recognized by your peers?

NANCY:  Of course, it does.  It always does, and way too often, women who are still producing well in their jobs, don’t get the respect and the acknowledgment for it.  So, that’s why I’m saying, this is no small thing, and that I want other women to know that I know that, and that I wish for them the same thing.

What was the reaction of your daughter, Kate and your fiancé, Richard, when you told them you were Emmy-nominated?

NANCY:  Richie goes, “What is this?  Your 18th nomination?” (Laughs). You know what I mean?  It was just kind of like, “Yeah, sure, why wouldn’t you be?” It wasn’t like, “Oh, my God!”  It was like they kind of expected that.  That was nice!  I’m glad they feel that way.  I’m glad they weren’t surprised.  They were like, “Sure!  Of course, you would be.  Why wouldn’t you be?”  I said, “You know, it doesn’t always work like that!”

Photo: JPI

Now comes the part of having to find a dress and all that goes with it for the red carpet.  Do you enjoy that part?

NANCY:  No, I hate that part.  That is my… oh ‘boohoo’, you know?  I mean, I have to find something to wear.  Also, the older you get, that becomes so much less important, and the more makeup, and the more hair, and the more foofy, the more ridiculous I look. I start looking like Whatever Happened to Baby Jane.  You’ve just got to keep it simple.

You were talking about women and ageism.  Do you not feel that also exists for men?

NANCY:  It exists for men, but it’s not at all on the same par as women.  I mean, men still get paid more than women, and men still are valued more than women.  I mean, there are exceptions, but if you look in any place of employment, even the soaps, you will typically find the men making more money than the women, and the older the women get, the less they get.  Life’s not fair right now.  It’s fairer than it was, but still the equality game is not won yet.

Photo: JPI

I know how much all of this means to you in terms of equality for women, and people being run out of their jobs because of their age.

NANCY:  It’s just a reality.  It’s not something that I’m hopeless about, but I have a story to tell.  I’ll tell it when the time is right.  It’s life!  It happens in every field everywhere.  When my mom was 70, she was still producing the exact same way she was producing when she was 30, and she got run out, and was replaced by a man who was 40 or something, and there was no particular reason for it.  It was just, “You’re done.  We decided you’re done,” but like I said, it happens everywhere, in every line of work, and that’s why I just wanted to give a shout-out, when you still, after 36 years, can be recognized or shown respect or acknowledgment for what your do.  It’s a very big deal that I am appreciative of and grateful for.

So, rooting for Nancy to win the Outstanding Supporting Actress prize? Happy she was nominated for her work in the the milestone episode devoted to Alexis? Share your thoughts in the comment section below, and to tune-in to the 49th annual Daytime Emmy Awards on CBS and streaming on Paramount+ on Friday night, June 24th.

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Cameron Mathison talks with Michael Fairman on taking on the role of GH’s Drew Cain, the latest developments in Port Charles for Drew. his busy career outside of soaps and the loss of his mother and his public battle with cancer.Leave A Comment
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