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The Ronn Moss Interview – The Bold and the Beautiful

Courtesy/CBS

Photo Credit: Cliff Lipson/CBS

Perhaps 2012 will go down as the year of the behind-the-scenes soap opera shockers, and thus far, there has been none more surprising then the sudden departure of The Bold and the Beautiful’s Ronn Moss!  After over 25 years of playing the debonair male romantic lead of the series, Ridge Forrester, Moss decided to call it quits over a month ago amidst reports of being asked to take a pay-cut that did not sit well with the popular soap star.  But there is much more to this story, as a calling to move on and try a different direction with his professional life, the ever-changing face of daytime, and more importantly the ever-changing face of The Bold and the Beautiful, all seemed to factor into his decision.

On-Air On-Soaps chatted this week with Moss, just as fans are about to see his final appearance as Ridge on today’s episode of B&B, shortly after Ridge and Brooke (Katherine Kelly Lang) married each other, yet again, or as they say, “One mo’ time!”  And this time, from what we understand, the happy couple go off on their honeymoon, only when Brooke does return Ridge will not be in tow, since Ronn’s decision to depart the soap had to be dealt with rather quickly by B&B’s executive producer, and head writer, Brad Bell.

So is Ronn Moss truly gone for good?  Would he consider a return to the series?  How would he feel about a recast if the show were to go down that road?  And how was it filming the emotional final scenes between him and Katherine Kelly Lang, where Bridge fans from all around the world will need their Kleenex boxes, just as much as Ronn and Katherine did?  Find out all of this and so much more in our heartfelt and farewell chat with Moss, whose departure leaves a huge hole in many fans hearts worldwide. But fear not, after you read Ronn’s parting words below, you can keep up with him via www.devronnsblog.com on all his latest projects, journeys, and upcoming travels!

MICHAEL:

Your last episode as Ridge is airing Friday on B&B, just as Ridge and Brooke said their “I do’s” for yet another time.  It’s been a little over a month since you announced your departure.  How are you feeling knowing Friday is your final airdate?

RONN:

Courtesy/CBS

I feel like 25 years has been a damn good run and I am grateful to have it with everybody. But at a certain point, you have to expand you life.  I have been meaning to do that for years.  We get comfortable with our family and our friends – and when I say family, I mean my co-workers, too.  They have been as much a part of my family as my real family for a lot of years.  But you get comfortable just being there and going along the same way.  And for me, it hit me that, “No.  I don’t want to continue under these circumstances.  It’s time to move on and start on a new road.”

MICHAEL:

Did being asked to take a significant pay cut to continue with B&B make you feel that they did not value your work … especially considering all the years that you put in, and being one of the mega-stars of the B&B brand?

RONN:

I think the way you just stated it is right.  Yes, the pay cut was definitely a part of it, but it was not everything.  But it was definitely a sign to re-evaluate what is going to be important here.  And don’t anybody bring up Jay Leno’s taking a 50% percent pay cut down to $15 million.  There is no relevance whatsoever in that.  (Laughs)  That is a different game, but when you talking a much different scale than that, it is very relevant!  And yeah, I want to feel appreciated, and I feel for what we were doing there was no reason to cut like that.  There are plenty of other ways to make those kinds of cuts.

MICHAEL:

You are iconic and synonymous with The Bold and the Beautiful worldwide!

RONN:

Does anybody think a decision like that was done rashly?  You have to take certain things in life and go, “That doesn’t sit well with me now. Something is off.”  There is a respect that all of a sudden doesn’t seem to be there.  So let’s move to a place where it is more respectful, and where I feel like I am not going to be taken so for granted.

Photo Credit: Kathy Hutchins

MICHAEL:

You also were coming off a very bad car accident involving yourself and your wife Devon before this decision to exit B&B.  Did you feel that accident was a wake-up call?   I know I have read in other interviews that you had done that feel there were certain “signs” telling you to go in a different direction in your life, and this one of them.

RONN:

Not really a wake-up call, but I have been talking about the signs that I have been seeing that many people seem to think is too ethereal or hokey.  I know what is going on in my life.  I know what I know, and I know what I see.  I took it as it spun us around, literally! We had a wonderful business meeting before that and that basically said, “OK. You are not going in this direction. You are going in the opposite direction.”   And you have to listen to things like that, and I attached meaning to it.  Now you don’t have to do that, but I chose to do that.  It seemed to fit with a lot of other things that were going along in my life as well.  And you can discount them if you like and pretend they didn’t happen, or they don’t mean anything in the scheme of things.  However, I tend to make them mean something, as I am going in a different direction now, and I want to go on a positive and affirmative new road that I haven’t necessarily traveled.  I am looking so for to it.  But as far as the accident, we are recovering from the actual physical stuff that happened.  Devon and I are still getting through that and it has gone on a lot longer than expected. She was absolutely right when she told me, “You are going to feel the effects of this quite a bit later,” and we are.  So we deal with it.

MICHAEL:

When you made decision to leave B&B, did you and your wife, Devon, and your family sit down and talk things over and shed some tears over this big move and shift in your life?

RONN:

We had a lot of different moments.  There was not one or two specifically, or that we had a tearful sit-down.  It was all real positive and felt completely and totally right.  There was no hesitation whatsoever.  I think all the things that happen add up. And, you have to make a strong decision.  It surprised a lot of people for sure, as nobody expected me to be that bold, but I had to.  I had to for my own survival.   I know many of the fans feel I let them down, or abandoned them.  No, I have not abandoned them.  I am still with them.  I have been doing this for 25 years!  At one point am I released, so that I can go, “OK, guys?  I need a break from this!”

MICHAEL:

Photo Credit: Kathy Hutchins

Since the “official” announcement from you that you were leaving B&B, there had been everything on Twitter for you from an outpouring of love and support, to disappointment, and even some feeling that you abandoned them!

RONN:

Basically, people can’t handle change. They don’t want things to change and so they lash out at you a little bit, and this is a very small percentage of a reaction that I felt.  But I know what’s out there, and I have tried my best to dissuade it as best I can.  I would say 95%-97% of the people have been very positive, and are looking forward to the future and wishing me well, as I do for B&B. 

MICHAEL:

Will you watch your last episode Friday?

RONN:

I will probably watch it, but I don’t know if I am going to watch it live when it’s on.  I will definitely tape it.

MICHAEL:

I watched the CBS promo and I was getting all choked up watching Katherine Kelly Lang (Brooke) your long-time scene partner, getting all choked up looking at you during Ridge and Brooke’s wedding vows.  I have heard from Katherine that this tape day was so emotional for her.  How did you get through it?

RONN:

Oh, I wasted that day, and I don’t mean the drug-fashion. (Laughs)   The two of us were completely basket cases.  It was so hard to get through.  We could not look at each other in the eyes or we would have just lost it.  This was the culmination of so much emotional stuff that we have had.  We had to get through it, and to get through the day, but it was intense!

MICHAEL:

As viewers, we see the two of you reciting these vows and the gazes into each other’s eyes, and we realize you two have been so intertwined and integral for 25 years of daytime television!

RONN:

Courtesy/CBS

We have lived these people’s lives as alter egos to ourselves.  It has been a second life for us for all these years.  I can’t slough that off, or say that didn’t matter.  I don’t think people really know how intense living that is.  Yes, it is a character on a TV show, but it took an enormous amount of our real lives to do, and that we dedicated ourselves to.  I feel wonderful that I was a part of that, and I feel wonderful that I am now able to go and experience other aspects of my life that I have been wanting and missing.  Now is the time to do it.  Life is getting much shorter.

MICHAEL:

I think it may have been more difficult and worse if you made the announcement that you were departing the series, and then there were several months to go before your last tape date.   This way, it all happened very fast.

RONN:

Once I made the decision, I then only had a couple days left to tape.  And, I would not have said anything except for Susan Flannery (Stephanie, B&B) blurting it out on a soundstage.  She just blurted out that she and I were leaving.  And whoever was in earshot of that heard it and went, “What? What? What?”  So it was out there and people started tweeting about it.  I was going to keep it under wraps, because I had to get through those two days.  But in the end, I could not keep it a secret.

MICHAEL:

How was it for you, when you packed up your dressing room and exited the CBS soundstages?

RONN:

That went as I would have anticipated it for almost 23 years.  I have always kept my dressing room the way it was, so I could just walk out.  A lot of people make it very personal and hang up a lot of pictures and bring in all their stuff from home.  I never did that.  I wanted it to be kind of a transient place, even though I lived there for half my life.  So I cleaned it out a couple of days before the final tape date, and walked out and that was it.   I was totally emotionally prepared to do that because I never emotionally invested in it that way.  I kept the dressing room that way on purpose.

MICHAEL:

Courtesy/CBS

Was the fact that the show was focusing on the younger characters and not Ridge, part of your other issue with the series?  Was it that Ridge was not being given his due as one of the “core four” characters to drive story?  Or, did you feel it was a natural progression of what we unfortunately see many times in daytime when the veterans get kicked to the curb?  With Peter Reckell (Bo, DAYS) leaving, Steve Burton (Jason, GH) announcing he is departing daytime as well, and you going, I feel like Bette Midler in The Rose, saying “Where’s everybody going?”

RONN:

Well, I don’t know if that’s a natural progression.  I won’t lie and say that it wasn’t a factor, of course it was.  When you are feeling like you are less than, why stay?  But let the show do as they see fit, I am fine with it. 

MICHAEL:

So are you standing by the “This is it”, or are you going to comment, “Never say never” when the subject comes up if you would ever consider returning to B&B as Ridge?

RONN:

I have decided to subscribe to “Never say never,” but I need a break.  But I have been through enough experiences where I have to eat those words, whenever I say it’s a definite thing like that.  So, I just will leave that open.

MICHAEL:

Photo Credit: Kathy Hutchins

During your final tape day, did anybody say anything that resonated with you that will stay with you and in your heart forever?

RONN:

Everything!  Lots of it.  One of our stage managers did a little texting with me back and forth this other morning, and it was lovely.   Yeah, that continues and I think it’s just going to get more intense down the road, actually.

MICHAEL:

Now that it’s been a month since the decision was made public, was there ever a moment, now looking back, of “What the hell did I just do?”

RONN:

No. Never.  I am pretty resigned to go ahead and move forward.  As I said, I am moving forward in a positive way and it’s even getting more positive than I expected.  I can’t go in to that now, and that will be a different conversation down the road, if things materialize.  I think it’s going to be really great.

MICHAEL:

Is music a big part of this next evolution in your career, since you have been part of the band Player since the 70’s?

RONN:

Courtesy/B&Bforum

Music is definitely a big part of this.  Peter Beckett and myself have been, and are, Player.  We just released a new set of songs, which is going to be our best collection ever.  I am really looking forward to doing the tour.  We are going to form a tour beginning in Europe, and hopefully bring it back to the States.  But I am so looking forward to playing live!  Playing rock and roll live, there is nothing like it.

MICHAEL:

Is acting still something you want to pursue?

RONN:

Oh yeah!  There are acting projects and that is part of the big change that is happening.  We are formulating some movie projects right now that will be absolutely fantastic. I want to go back to doing movies.

MICHAEL:

When you have seen first-hand what is going on contract-wise in daytime, do you envision that the daytime soaps (knowing what you know and being on one for 25 years) can survive five more years, and possibly continue on after that?

RONN:

I think they will continue on.   I am just not sure if they will be on network television.  I think everything, if you are smart, will go online.  I believe cable television and online formats will be where it’s at.  Networks will eventually phase out, because people will not watch things in real time.  They will watch things at their leisure, and everything will have to accommodate for that.  There is so much of a different world out there online and a lot of different possibilities.   I think if shows grow and change that way, they can grow and continue and morph into other things.  But going along the way they are?  No. You can’t survive that way, because there is a reason that people follow programs and it’s not to just provide them with the cheapest common denominator.  When you do that, you will lose the core audience and the reason they tuned-in in the first place.

MICHAEL:

Photo Credit: Kathy Hutchins

Have you had conversations with Susan Flannery about both your exits from The Bold and the Beautiful, and what a huge shake-up it will be for the canvas?

RONN:

Oh yeah, we have talked quite a bit and so did Katherine and John McCook (Eric, B&B). We all met and discussed a lot of things.  I think Susan and Katherine and I will get together soon and have a little pow-wow amongst all of us, and talk about future things.

MICHAEL:

If B&B were to ever re-cast Ridge, how would you feel?

RONN:

I would feel betrayed.  I would feel like my 25 years really didn’t mean anything.  I would also feel that I absolutely made the right choice.

MICHAEL:

Did Brad Bell and you leave on bad or OK terms?

RONN:

We left on great terms.  I still love him.  I am sure he thought we should just stay and continue with no change of anything, but everything had changed.

MICHAEL:

Obviously, The Bold and the Beautiful contributed highly to your huge popularity overseas!

RONN:

I think the music part of my career, as well as B&B, contributed to my success overseas.  Our music played very heavily in Australia, and Peter Beckett’s influence with being part of Little River Band was big part of it as well.  But yes, the show was a big part of it, but that was not the only thing.  But now I think I will have a closer touch with those countries and the foreign territories than I did before, because now I have time to be there.  I would totally love to come down to Australia.  We are working on doing some movies and charity functions there right now. And, Katherine and I are about to take off and go over to Italy for a week and half, too!

Courtesy/CBS

MICHAEL:

When you take a moment to reflect back, is there a Ridge or Ronn moment during your time at B&B that was a defining for you as an actor, or the character you created, or a big memory of your time there?

RONN:

The biggest memory of my time at B&B is not story-related.  It’s not even character-related.  The last day will very much be ingrained in my psyche now, from a very emotional point of that is when everything was changing.  But, my biggest memory that I will carry from B&B is how much of a family it is, and was for me for the last 25 years. It’s a huge family – between crew, actors, everybody.  And I will carry that, as that is the warmest thought I have of everybody, and seeing these people every day.  I will carry that, and for me that’s fine.  I don’t need a story point or a character element to remember that.  There are too many of those!

MICHAEL:

You have got to pinch yourself, when you think of your journey as Ridge harkening all the way back to the beginning as Ridge the playboy!  You were part of that, no matter how it ended.   It was 25 years of this role on B&B, and you became very well known to television audiences domestically and internationally.  Cool?

RONN:

It’s very cool!  And I will hold that for the rest of my life.   I feel very fortunate to have been part of this show, and part of this big family of ours. There’s the big emotion of it.

MICHAEL:

Is there something you would like to say to your fans you feel has not been communicated, or that you would like to add to what you have already said publicly?

RONN:

Courtesy/FabulousPenguinAus

Just that I hope that they keep the faith and the spirit of what hopefully I did for that long with Ridge in their lives.  And, let it be with me.  Let me take that as my memento.  But also to hang in there with me and know that I am not abandoning them, but that I am including them and taking them on what could be a far greater journey.  I hope they keep their minds and awareness open, and let’s see what the roads have to offer.

MICHAEL:

Do you think you will watch B&B in the future?  Reports are that Katherine will be getting a new love interest!  That may be odd for you to watch.

RONN:

I don’t know.  I will see.  I can’t say I wouldn’t watch it.  I have no reason not to watch it. I have so many other things I want to do.  And Michael, I wasn’t even able to watch the show when I was on it! (Laughs)  I always keep busy and I am seldom just sitting around with nothing to do.

MICHAEL:

And tell me the latest on Ronn’s Garage, the web series you have going through your website!

RONN:

It’s building and I am working on the next episode.  I am not telling people who the next guest will be, but I want it to be a huge surprise.   It’s a very fascinating person! (Laughs)  I am hoping to have it up by October 1st.  I want to get the episodes up in a more timely fashion.  The accident through me off.  My shoulder got fractured in three pieces, and that kind of set us back, but I am back on track.  I want to morph into something else, which we will talk about later, as well.

MICHAEL:

Photo Credit: MF Soaps, Inc.

I have to tell you, personally, I was sad when you announced your departure from B&B.  But then I was so happy about it!  I was like “Good for you.”  You have always been a friend of mine throughout the years we have done interviews together, and our time together in this genre.   So I had all of those emotions going on.   It was very bittersweet.

RONN:

Good and thank you.  Michael, you as well have been part of this.  We have a big respect for what you do and the way you have done it. You have always been right on the money, very fair and very honest.  No b***s that I can discern for anything you have done, so bless you for that!

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I watched the Thursday, September 13th episode where Ridge and Brooke got married. Then tune in on Friday only to be completely disappointed with the episode all together. Brad Bell cheated Ronn Moss out of a proper farewell after 25+ years on B&B and I have to think that Brad was punching Ronn in the gut by not giving him his proper due. What really should have happened is this:

The wedding should have aired today, the 14th and at the end of the episode, Ridge and Brooke walk out the front door only to have Ronn Moss turn around and have one last look around before walking off camera for the last time.

Thanks Brad for cheating the fans out of a proper send off for Ronn.

Hated to see Ridge leave, but I never like Brook. So Ridge I wish you well.

I agree with you on hating to see Ridge leave. He played a big role on the series, however I disagree with you about Brooke. I was always hoping that Ridge and Brooke would always remain together. I am going to miss that.

Don’t thank that jerk (Brad Bell) for anything. I wish I knew that was his (Ridge) last day..or maybe not… I think I would have cried-me-a-river..and then I wouldn’t have enjoyed their wedding.

betrayed? after he held out for more money? some of us are starving out here and he can’t act for anything (did he have lessons?) so he should count his flippin blessings.

I think every actor has the right to leave the medium and make choices that are right for them. Some may do it for money, some may do it for variety, some may do it because they are burnt out. And shows have the right to offer what they want/are willing to pay and actors have the right to say no. But NO actor has a permanent lock or right to any character in soap opera. Recasts are a major part of the medium. Whether it’s Ronn Moss stating that a recast would be a betrayal or Vanessa Marcil stating that if GH ever recast Brenda then it would be the one thing that would guarantee she would never return–all while chipperly saying she’d support the show doing what it had to do, but… It bothers me because no show exists to meet the whims of one actor no matter how much they do for the show or the ratings. Shows and producers might be stupid in their choices, and may pay down the line, but they should never be held hostage–nor should the show or future story options–to a single actor or star. It’s that simple. Something like 97% of actors will never have a regular, paying professional acting job. Others get one on a soap and get recast two weeks later because they didn’t “click.” Recasts are a part of soap life and they often hurt the feelings of the person who was replaced/not asked to return/not willing to return. And Moss and Marcil, especially, have no right to emotionally blackmail their shows or seek to turn the audience against the producer or show in the sympathy arena, as both of them voluntarily left their shows. Now they both had their reasons, and they may very well be legitimate for them, but both could have stayed if their claim on the role was the single most important thing to them. Once they vacate the role, the role is there to be recast, killed off, or treated however the show sees fit to serve the show and story. And while they might think it’s a mistake, and it may very well be, they have no right to claim betrayal.

Even Susan Lucci was recastable.

Good luck Ronn, you ill be missed, your a great actor and we will probably see you soon somewhere else.

Do not like Thornston Kaye as Ridge….too scruffy looking.

what a sincere interview & i applaud ronn in the decision he made to leave – i feel that b&b threw him under the bus & have no respect or consideration for his 25 years on the show – soaps are just like any other part of corporate america believing that younger is better & the mature folks need to step aside – i started watching soaps almost 50 years ago because they were about life but now all soaps want to show is life revolving around only the 20 somethings and life includes all ages………

Even for me, a NO-BRidge-fan, i was shocked and disgusted, how bell wrote the last episode as a total BROOKE-episode! The way he wrote this laughable words, that stephanie loves brooke and the boring “to-many-times-repeat-BRidge-wedding-scenes” was to much for me. i turned of before episode was finished. maybe i will watch again on dvd, but i tell you guys: this will now become a KKL & JY- show! And as for STEPHANIE portrayer Susan: i spent 25 years adoring you and beeing big fan of your character. But as a BROOKElover you are now, i am fine with STEPHANIE out, too! This show is now only a oneside LOganshow. My life is to much worth to spent longer on a show, that celebrates a whore and her disgustings bunch of coakroaches….

Bravo to B&B for cutting Moss. Daytime soaps are not lucrative machines. Jay Leno is a good example. He should have taken the pay cut. Actors are paid too much when all an actor does is blocking and saying the lines. That’s pretty much all there is to acting. Whether an actor is good is subjective. I refuse to even read recaps of B&B anymore and 60 something Moss’s complaints are more reasons to stay away from this soap.

As an actor….all I can say is I would like to buy him for what he is truly worth and sell him for what he thinks he is worth….Then I would be sitting on easy street.

I say Good Bye and Good Riddance….

Ronn Moss and the rest of the core four are what made B&B worth watching. In his bid to capture a new generation of viewers, the show has turned into an endless teeney bopper video that holds absolutelly no appeal. Ridge and Brooke were one of soap’s great love stories, and Ronn earned every cent he’s made over the years. Thanks for all the great years of entertainment Ronn!

wish you well in all you do.

Family and friends laugh at the fact I’ve watched B&B since the very first episode, but to me, its not just because of the soap itself that I continue to show my loyalty. It’s because of the pure nostalgia it has created in my life. I basically grew up with Ridge and Brooke, and remember my first born child singing along to the opening theme song of Bold from its earliest episodes. So, to see Ridge leave this love story is emotional, not because I naively live vicariously thru BRIDGE, but rather, because it feels like a friend who has been on my screen thru some of the best and worst ties of my life, us also leaving my life in a strange way. Ron Moss and KKL had undeniable chemistry on screen, and I find it hard to believe that Bell will successfully be able to emulate or even somewhat match this chemistry with a new “faux Ridge” in Rons absence. Will I still be a loyal viewer I think I will, but for now I sit back cautiously awaiting the changes upcoming with great hesitation, all the while looking to see how, in heaven, Bell can recover from such an iconic character to the show, the glue that binds B&)! Here’s to change fellow Bolders…

@RonnMoss: true fans don’t need to be convinced that a future “faux Ridge” will somehow be able to emulate ur onscreen chemistry with KKL, as u will always be the glue that binds B&B

Thank you Ronn moss for a wonderful ridge. I wish you had a better ending and I’m very sad with the way soaps are headed…

In this economy, these people should feel grateful to have jobs; when so many don’t. In my opinion, there’s a lot of arrogance going on here. Very few people in this world feel that they are paid what they deserve, but they don’t just walk away. So be it. I’m sorry to see him go, but he’s made his choice. If he later regrets it, so be that too.

Just finally read this interview and want to say. I really hope Ron can get pay to come back at least for one more episode. Susan will be leaving and hopefully Ron will work something out with Bell just to return to send Stephanie off. I respect Ron Moss if no one else does. 25 years is a long time to leave due to these circumstances but I do respect his decision as Hunter Tylo said and understand it. I really do wish you the best Ron but pray that you try to return for one episode of the celebration of life party for Stephanie. It will not work without you! IF YOU CANT DO IT FOR B&B –DO IT FOR YOURSELF AND FOR ME! (LOL) I am a true B&B fan and YOU were the reason. Please come back Ron just one more time due to Susan Flannery leaving and to bring closure to the both of you leaving around the same time almost! I hope they extend the invitation or you offer to RETURN FOR THAT EPISODE SAKE AND FOR THE SAKE OF YOUR FANS! I really understand about moving on just dont do it this way! I WANT TO SEE YOU AT THAT PARTY!

vfocused hits this on the nail for me, I concur, and would like to see Ridge Forester as (Ronn Moss) celebrate Stephanie’s life, and come on back this last time. Maybe silently visiting Momma Stephanie’s grave and visiting his children on the set for closure, I remember the phone call when Stephanie asked him not to come home, on one of the episodes, where she was in her final stage of cancer, that relapased, however, the oldest son paying tribute to his mother on the set would be just loving and bold and beautiful!! Bless you, Ridge.

If you ar a fan or not a fan of Ronn Moss check out Ronns garage on the web it really is quite fun and a totally different side to him. A girlfriend of mine who still lives in California turned me on to it it really is clever. He really looks like he is having fun it is a nice change of pace. Pure fun check it out!

I am hoping that Ronn Moss comes back. He is a great actor. Ronn Moss & Katherine Kelly Lang were my 2 favorites on the series. That will make my day when he returns.

Ridge was always one of my favorites Brook I really didn’t like she stayed to much with the family men I will truly miss Ron Moss .I wish him all the happiness and success .There should never be another Ridge played by anyone else it will never be the same. I enjoyed watching you.

Ridge and Brooke were the best! I have watched B&B since the beginning and I was shocked that he was leaving and certainly wished the farewell was different. It was so fake…Brooke and Ridge to have split up over a text from Deacon! Money should have never been the issue because the high ratings for all of these years were so much because of the role of Ronn Moss. I hope he finds all of the happiness and peace he truly deserves.

Ronn deserved a hell of a better send off than that! Hate how Brooke became Stephanie’s new best friend after all her and Taylor have been through!

The writers are sinking their own battleship!!!

never did like Ridge as an actor or lack of being an actor.

i hated to see ridge leave. he was brooks rock and i have always loved them together. the attraction was awesome. now taylor ruined her looks with all of the botox and glad to see her leave. she looks stupid with eric. and i pray hope finally finds happiness with liam. stephy and taylor need to take a pernmanent break. . i would love to see brook back witth eric. guess we will see. but bye bye talor and stephy!!!!!

Ridge please come back I hate the way brooms is treating katie cause she has been with every man on the show an katie is the one with the good heart please come back an teach bill a lesson

My oh my some are biting him in the but while others are praising him. I have watched the show sense it’s conception . And I have always been a fan or Ronn’s I will always remain a fan. Yes they recast him with the old zac from All My Children which i will always see him as zac. But that is not the point. The point is that he maid a decision to change things for his personal self he gave all of the fans 25 dedicated yrs of his life. He basically grew his life on the show. I will miss him more than i can tell him. I shall always remember the wonderful years he was able to join me in my living room and in the last years on the internet. I did some looking around and when watching my other favorite soap General Hospital just this past monday . Too my delight was Ronn Moss and the band player singing as a cameo appearance at the nurses ball i had so forgot the past and that he has always been that rock star all my yrs growing up i listened to their music. And the wonderful reminder of that is i can still have him in my world just this time it will be in music and he is so talented i do not feel i have lost anything. Thank you My dear friend for Ronn Moss you are now and always will remain so big apart of my life thanks for all you love to us the fans. And personally me. Elisabeth D Harrison of Lakewood WA. age yep 54.

Interviews

Y&R’s Melody Thomas Scott Talks on 45 Years as Nikki Newman, the Keys to Playing Drunk, And Those Genoa City Relationships

February is ‘Nikki Newman Month’ in soapland as the The Young and the Restless iconic Melody Thomas Scott celebrates her 45th anniversary in her leading role.

My how time flies! Nikki has had numerous marriages, and some to the same man, battled her addiction to alcohol too many times to count (and we loved it all), and faced so much heartache in the process.

Currently, on all-new episodes of the top-rated CBS daytime drama series, Nikki can’t quite get a grip as Jordan (Colleen Zenk) is out there and in the middle of her next master plot to make Nikki suffer, all the while Nikki is drinking again. Thanks to the heinous plot concocted by Jordan and Claire (Hayley Erin) that revealed itself last November.

Photo: JPI

In a special conversation for You Tube’s Michael Fairman Channel, Melody shared her thoughts on a myriad of subjects including: her current story, those long tape days at Victor and Nikki’s weddings, why she plays drunk better than anyone on television, plus we take a mini-deep dive into Nikki’s past.

Y&R fans were stunned when the powers-that-be had Nikki kidnapped and then hooked her up to an IV of booze. Just how much did Melody know of the story going in? She elaborated, “I knew Nikki would be terrorized. That’s all that I knew. I thought that sounded like great fun. I didn’t know for a little bit that she was going to fall off the wagon in the process of it. And then when I heard how it would happen, I was thrilled to bits. I did kind of want to have a little leader (or crawl) down at the bottom of the screen saying, ‘Hey, people don’t put an IV with vodka in your arm because that will kill you.’ But, poetic license, I suppose.”

Photo: JPI

Melody also weighed-in on if she thinks Nikki will stop drinking anytime soon, expressing, “She just can’t get out of this. Then of course, Jordan’s not letting her out very easily. Just when Nikki thinks she is mentally strong enough to never take another drink, well, of course she does, because something else happens. I think it’s also a learning point for people who are watching the show who may have an addiction problem. Now, I could be wrong, but I think it’d be highly unusual for somebody to be just mentally strong to be able to stop.”

If you wondered if Melody enjoys playing a drunk Nikki, look no more, “I do. That’s simply for selfish reasons,” she shared. “That’s for my enjoyment. I take great pleasure in it. It’s fun for me, and just the process of pretending to be drunk. I love the end result. I try not to do too much because there’s nothing worse when an actor is overplaying drunk. So you have to kind of keep it a little bit underneath (the surface). However, sometimes because of Jordan, Nikki does get much sloppier than I normally would play it.”

Photo: JPI

In recent episodes, it seems that Jack (Peter Bergman) and Nikki are gravitating more to each other, as both are drawn together through their shared experiences with addiction. Victor (Eric Braeden) is not happy that his arch-nemesis is helping Nikki try to stay sober. Could Melody see Jack and Nikki becoming romantic again? “I love Peter. I mean, Peter was my second favorite husband on Y&R. It would be wonderful, but I don’t know if the fans would go for that,” she explained. “They’re so invested in Niktor that I think they would really be upset about that unless Victor did something really crummy, then I could buy that.”

Photo: JPI

One of the more ‘out there’ stories during Melody’s 45-year run, was when Nikki was paired with Crazy Edward, and he took her home to meet his mother … who was in an urn! You would think maybe Melody didn’t like the story .. but think again! “Bill Bell (co-creator, Y&R) was writing the show in those days, and Bill kept that information pretty tight. I don’t remember us knowing even a week in advance. Maybe, we would get our scripts, three or four days in advance and that was it. You knew nothing about future story, but I loved the story,” she raved. “It was almost Hitchcockian, shall we say. The actor who played Crazy Edward, Paul Tulley was so magnificent and such a sweetheart. We loved working with each other so much, but man, when that red light came on the camera, he scared the you-know-what out of me. He was absolutely terrifying. But then, the minute the scene was over, we’re fooling around and laughing and everything. He was so good. So good!”

Photo: JPI

According to Melody, the pairing of Victor and Nikki was not something she, nor Eric Braeden, initially thought would made sense: “I was a little terrified when I heard that he and I would be doing scenes. I thought, ‘What, what?’ He also wondered, ‘What am I going to be doing working with that young kid, that snotty kid?’ We had no idea what Bill Bell saw. He had a vision with us and somehow knew that we would have chemistry. It didn’t take Bill long to show us in the scripts why he put us together. Then, we started to see it. Although, it was hard to imagine at first, certainly we knew it worked by the time Nikki had baby number one during the ‘Who’s the father?’ storyline. Nikki and Victor weren’t even married yet. So, we did figure it out pretty early on.”

Photo: JPI

From her early years as Nikki Reed, Melody reflected back on some major story points in her character’s history, relating, “I actually did like her in the very beginning when she was just a little brat living with her sister and her father, who of course ended up trying to rape her…  and she had hit him over the head with a lamp … and he died. I did not care for the stripping storyline at all. Only because I knew that I didn’t have the natural dancing ability. I wasn’t fluid enough to really look good up there stripping. I know they hired wonderful choreographers and everything for me, but I just didn’t feel worthy of being up there … I guess is what it was. Of course, now I look back on it and I think, ‘Oh, I guess it wasn’t too bad.’ Later, there was a strip she did in the Colonnade Room. At the time, she was married to Jack. Victor’s sitting there with some other woman and she’s drunk. I saw that scene recently, and I thought it was great. I didn’t at the time, but looking back, I thought, ‘Wow, that was good.'”

Photo: CBS

Watch the full 45th anniversary conversation with Melody below.

Now let us know, are you enjoying Nikki being back on the bottle? Would you want to see Jack and Nikki try their relationship one more time? What has been your favorite storyline of Melody’s over the last 45 years on Y&R.  Let us know in the comment section.

 

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Days Of Our Lives

Days of our Lives Legendary Susan Seaforth Hayes Talks on the Horton House Fire Storyline, Mourning the Loss of Husband Bill Hayes & His Near-to-Final Performances

It has been an emotional time for longtime fans of Days of our Lives and beloved veteran, Susan Seaforth Hayes (Julie Williams). On-screen, the iconic Horton home was burned to the ground in what appears to be a storyline-dictated decision that shocked many. In real life, Susan is mourning the loss of her husband and DAYS enduring favorite, Bill Hayes (Doug Williams), who passed away at 98 in January. Over the weekend, during the 2024 SAG Awards In Memoriam tribute, Hayes was remembered along with other motion pictures and television stars whom we lost over the past year.

Since the Peacock streaming soap opera tapes months ahead of air, the Horton home fire and its aftermath are currently playing out in all-new episodes with more on this story featuring Susan to come. Bill Hayes also appeared in several of these episodes making it all the more touching and heartfelt.

When Julie came back to the Horton home to see what remained of it after the fire, Days of our Lives fans were treated to a heart-tugging episode that streamed last Wednesday, February 21st. In it, newly-taped scenes of a young Tom (Zach Chyz) and Alice (Sydney Kathrann Smith) Horton telling the story of how they came to live in the house to raise their children, juxtaposed with Julie and Doug (and members of their family and friends), surveying what’s left of the beloved house, brought many a tear.

Michael Fairman TV talked with Susan Seaforth Hayes for this very candid and heartfelt conversation to get her feelings on the Horton house fire, and being given the opportunity to have a storyline at this point in her storied career. In addition, Susan provides some insight on what it was like for her ailing late husband to tape scenes at DAYS shortly before his death, what the series plans to do about writing off the character of Doug while honoring the legacy of Bill Hayes, and how she knew she had the greatest love affair that anyone could hope for in their lifetime, which in turn, has inspired all of us.

Photo: JPI

I was shocked when they decided to burn down the Horton house. Were you at first devastated … and did you know that there would be a big story surrounding it?

SUSAN: I did not know how big a story was with it. I knew that many years ago, another regime had planned on trashing the set and getting rid of the set because nobody cared about the Hortons anymore. It was stopped by one person, and I was eternally grateful for that. This time I thought, “Oh, my goodness! I guess I’ll be meeting people for a cup of coffee at the Horton Square. No home, no roots, no reason to be called in,” and thinking that’s the end of Julie. That’s the end of Doug and Julie. Then, when they began to structure a story around it, I think all of this came up during the writer’s strike. So of course, I was curious to see how this was going to turn out. I enjoyed the aftermath, because in the aftermath, and a little bit before the fire, if you saw the show, I get to talk a bit about the history of the household and the people in it.

Photo: JPI

In the special episode that aired last Wednesday, Julie gave Leo (Greg Rikaart) the family tree history of the Hortons for his story in the Spectactor.

SUSAN:  I’ve had a couple of good long soliloquies about the past. I’m fated to be the character that does that because I’m the one still standing. I must say, I do enjoy doing them. Emotionally, all I have to do is rerun some of the actors and my own family in my mind and the emotion starts to come, you know, the emotion starts to flow.

Julie talks to Maggie (Suzanne Rogers) immediately after the fire. She is upset that the Horton family Christmas ornaments are gone. Fans were not happy that they could possibly have burned up. Thank God! There was a happy ending when they were located and unscathed, or there would have been hell to pay! 

SUSAN: I knew that they were in the prop room and that they still existed. But how much they were going to put a story around their loss, I did not know. We don’t get to ponder the plot. We just get to show up and start doing it. I think on this particular matter, something as important as a structure of the original set of the show, there’s been quite a bit of interest. So, I can appreciate that.

Photo: JPI

I was thinking, ‘Did they decide to burn the house down, because they were finally retiring the old Horton home set?’ What was the purpose of it?

SUSAN: They’ve done everything to make quicker set changes, which is remarkable and very efficient right now. The set designer said, “I’ll be interested in your input,” which was nice. The one thing that I loved that had been done, didn’t work. You couldn’t shoot into it. It was a federal mirror over the mantle. I loved it. The size was perfect. I was just delighted. And then, we tried to shoot it, and because of the roundness of the mirror, you got a perfect view of camera one and camera three. So, it came down.

This is Julie’s project to renovate the home. She’s determined to bring back all the memories and redo it?

SUSAN: Absolutely, which is another nice note to play for my character. She’s determined to make the house something that her grandparents would recognize and still feel comfortable in.

Photo: JPI

What did you think of the episode that just aired where the show incorporated flashbacks of a young Tom and Alice Horton?

SUSAN: Well, I set it up. They had their own their own lovely scenes. I read them, and I’m sure the audience was charmed.

What do you remember when you first came to DAYS, and you were in that house, in that set?

SUSAN: What did I notice about the set? I noticed that it was a strange shade of green. (Laughs) It was explained to me that that dull color meant that your face would pop on color TV. I understood that. I loved the little window up the staircase. I’ve always loved that. And at one time, there was a model of the house that sat on the set on its own little pedestal, a little playhouse of the exterior of the house. Whenever the house was on (and remember this is when we were a half-hour and practically live, but not live, because there was no editing), there would also be the sound of a barking dog whenever we reached the Horton house neighborhood. We never saw the dog, but I’m sure his name was “Spot”, and I’m sure he belonged to someone.

PhotoL JPI

You shared so many scenes with Frances Reid (Alice) and MacDonald Carey (Tom) in the Horton living room set and up till they passed. Did they get along well with Bill? Looking back, how was your relationship with them?

SUSAN: They loved him. Well, Mac and Billy had worked together before in theater. Mac was very kind to me at the beginning and helpful. Frances was as well. As Frances got older, she got a bit testy. When someone says, “You’re not going to read the line like that … are you?” It catches your attention. (Laughs). I got peeved at Frances from time to time, but her intent was always to make everything as good as it possibly could be. I saw her come back from her stroke. learn to talk again, learn to do it all again. Not do it easily, but to do it at all was wonderful, and the same with Mac. In his last shows, he was very frail, but we’re actors. We liked being there.

Photo: JPI

During the taping of the episodes surrounding the Horton house fire, Bill was mostly in them with you. How was Bill doing at the time you taped these scenes?

SUSAN: He was okay. He was up for it. He had difficulty moving at that point. So, they restricted his movement a lot. Bill always enjoyed coming to work a lot, and it was extremely difficult for him because he was blind, and didn’t move very well. And now, to do a scene with people who may or may not, have rehearsed with you, who may or may not, give you the exact cue, and when they are attempting to have you look each other in the eye, you can’t see who’s eyes they are, that was the hard part. The easy part was working with him, which was lovely and was a gift. It was a gift from Corday Productions that he was able to work within three weeks of his death, which I thought was super and extraordinary.

Photo: JPI

That is amazing. Did Bill understand everything that was going on at the time of the tapings?

SUSAN: Absolutely. He understood what was going on. He just couldn’t see it or touch it.

The timing couldn’t have been easy for you with Bill’s declining health, and that the show was going to burn down the Horton home where you shared so many scenes and memories.

SUSAN: Well, it hasn’t been my greatest stretch. But I knew that life would be like this. I’ve had five decades of an absolutely wonderful, blessed marriage and a chance to work and a chance to live in my own home and travel, all good. And now, we’re going to have the epilogue. And the epilogue is the hard part, seeing rapid change around you and losing the people that were the center of your life. I’ve just been very fortunate to have cultivated some wonderful friendships, and to have a wonderful large family of Hayeses.

Photo: JPI

You do realize that you and Bill were the gold-standard of what we all should be lucky enough to have in our lives. What an incredible, beautiful, passionate, loving marriage that the two of you had. You don’t see marriages like that anymore. We were all just in awe of the two of you. To us, it was the greatest love affair. You got to have that which is so extraordinary.

SUSAN: I know, and it was all Bill. I mean, any idiot could have been married to Bill Hayes and been deliriously happy. The guy was so perfect in every way that you really would have to pick something and blow it out of proportion to ever complain about any of his traits of character. He was just all good character, goodwill, and good humor. I just followed along and tried to live my life for him, with him, and follow his style, which I hope to carry on. I hope to be as good to people as he was to people, and, not be selfish.

Photo: JPI

I always remembered how the two of you would come to the studio with your suitcases, ready to work no matter what material, large or small, they gave you. You showed up. You just had such great work ethic and you don’t see that as much anymore.

SUSAN: At the moment, it’s hard to find it everywhere. I think it’s probably generational. You cannot get too angry at people that are still holding up their phones in the one rehearsal that we have. I think it’s more convenient to receive your work electronically, but somehow it doesn’t seem quite as real. You don’t have a script in your hand anymore unless you print one up yourself.  Sometimes you haven’t met the person you’re working with. Well, that’s not unusual, but no rehearsal at all, that’s kind of marvelously new.

Photo: JPI

Does Julie lean on anybody for emotional support as she tries to rebuild the Horton home. Who’s there for her?

SUSAN: As far as I can tell, nobody. I’m supposed to be the wise woman, and Marlena (Deidre Hall) is supposed to be the other wise woman. I haven’t had any scenes with Marlena for help. I would think Marlena would be the person I would be going to for grief counseling, for friendship, for all of that. I haven’t seen it in the scripts, yet. I’m still deeply entwined with Chad’s (Billy Flynn) storyline.

How is Billy Flynn to work with?

SUSAN: A pleasure. Billy Flynn has grown a lot as a human being and as an actor since I’ve known him. I’m really enjoying his company and really enjoying doing scenes with him. We rehearse and then we get on other subjects and laugh and talk and inform each other. We’re interested in a lot of the same things. He’s a new parent. He’s really devoting himself to that, to that experience in the best possible way. So, I’m lucky.

Do Julie and Chad try to figure out who set the fire?

SUSAN: Oh yeah.

Photo: JPI

I kept thinking about how Julie got burned in the kitchen fire years ago and her face was scarred, At the time, your mother Elizabeth Harrower was writing DAYS and wrote that for Julie. Did you hate that story?

SUSAN: Well, I know where the story came from. It came up from something in mother’s own life. I knew the people involved, and I wasn’t crazy in love with the idea. Then, when it was supposed to go for six weeks and went on for months and months, I was concerned. Mainly, I was concerned that my face was going to be affected because of the appliance, the scars, that I was wearing. I was told by a dermatologist, “You’re going to have a little beard after this. Ripping your face every single day to get this off is going to be hard on you.” But, I seem to have survived.

Has the show even addressed with you how they plan to handle writing-off the character of Doug Williams, and how they want to honor Bill?

SUSAN: Only in the smallest way. I had a conference call with the producers and our head writer last Friday. I was informed about the immediate, immediate future. I’ve also been promised that they’re going to keep me busy. It’s a cast of over 40 people. I’ll be happy to show up and to be included.

Photo: JPI

I was just hoping that whatever they decide to do with the character of Doug that they were going to run it by you, first.

SUSAN: They have, and they have been very sweet about it.  I’ve got to tell you, this regime, they have a sign up on the wall now, that says, Things we expect on this stage.”  The first one at the top of the list is “kindness.”

Have you watched your work back all these years? I know some actor’s never like to watch the scenes they taped.

SUSAN: I think you learn by watching yourself, if you have an open mind, and if you are not hypercritical, or dismissive. I cannot be dismissive of a character that has given me such a wonderful life. I’m still interested in Julie, perhaps I wouldn’t have been if I’d been on the show for three years and never returned to it. But I’m quite interested in her now, and what she has to offer as a member of this ensemble.

Photo: JPI

Julie’s ties to the whole history of Days of our Lives from this point on are very important. How do you feel about that?

SUSAN:  There are those that don’t care about the history of the show. I know that. I know there are those that only care about continuing with something snappy to keep eyes on the screen through action, adventure, drama, death, kidnapping, missed opportunities, all that, which I suppose that’s what the audience craves. But, that’s not just what the show can do. What the show can do so well is character. There’s a lot of people over 70 who are still on the show now. I’m the oldest one, but I’m not the only one. We’re coming up on the 60th anniversary. I don’t think the show is worn out. And if it is, it’s had a remarkably successful six decades.

Lamon Archey (Eli) is back on DAYS for a stint. What has it been like to work with Lamon as his on-screen grandmother?

SUSAN: I think he’s terrific and visually he is so beautiful, so appealing. I think both Eli and Lani (Sal Stowers) are very appealing as characters. I’m delighted to be connected to Eli as a family member. That was a lucky break for me.

Photo: JPI

Do you think DAYS fans are going to continue to be emotional in the aftermath of this fire and all the story that comes out of it? Do you think we’ll be touched by what Julie goes through to get the remains all cleaned up for a new house?

SUSAN: I think anybody in America who’s gone through a disaster, and have unfortunately had the disruption of their home, will be sympathetic and interested in how it all turns out. It’s a nice note to play. We haven’t had to do that very often. We just go from one lovely apartment to another without much discussion. I think this is the one set that meant a lot to people. I was very sorry to lose “Julie’s Place,” as it turned into kind of a sandwich shop. I still loved having a business, a tangible place to be, and an alternate place for people to meet.

Photo: NBC

Upon reflection, what was your favorite scene with Bill? Was it when Julie and Doug got married on-screen, or was it something else that was much more intimate?

SUSAN: I think our last scene is going to be more important, emotionally. I think the first wedding was beautiful, but the material around the time of our second wedding, when Brenda Benet (ex-Lee) came back on the show and Doug stood up to her and says, “I’m not going to be manipulated anymore,” was also strong. There has been a lot of very important times – when Doug was killed-off by James Reilly, and we met in the tunnel of light. That was a day. That was a difficult day, which I certainly can’t revisit right now emotionally. When Julie found out Doug had run off and married her mother, Addie, that was a day. It was a day because, I went to the producer at the time, Jack Herzberg, and said, “Is this it? Am I not going to work with him anymore?”And he said, “Right! That’s it. You’re not working with Bill Hayes anymore.” We were not married at the time, and I thought I was going to go through the floor! That wasn’t a happy day.

Photo: JPI

In terms of Bill’s final day on the set with you, did you know that it was his last, and what would turn out to be his last scene?

SUSAN: Well, they didn’t know. But I knew. I had been allowed to rewrite it. So, I can’t tell you Bill’s last line now, of course, but I will in time.

What do you think about the sentiments shared by Susan on her late husband, and this storyline? How do hope the show properly honors Bill and Doug Williams when the series writes-off the character? Are you enjoying the Horton house fire story arc or does it upset you too much? Share your thoughts via the comment section below.

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Interviews

Trevor St. John Chats On His Latest Film ‘A Good Enough Day’, His Y&R Leading Ladies and the Loss of Kamar de los Reyes

The Young and the Restless multi-talented Trevor St. John (Tucker McCall) most recent film dropped last week on Amazon Prime, AppleTV+ and Tubi. Not only does St. John star in it, but he directed and co-wrote the feature, as well.

A Good Enough Day features St. John as Tyler Hamilton, a terminally ill photographer who has been saddled with enormous grief over a loss in his life for over 10 years, while trying to tie up loose ends before his death. Wanting to right his fractured relationships, Tyler interacts with his sister, and his daughter via phone calls in two haunting and moving moments in the film. St. John shot all of the scenes in the movie in his home state of Washington.

During a recent livestream conversation on You Tube’s Michael Fairman Channel, Trevor spoke on the character he portrayed, the making of the film, the poignant phone calls and the takeaway he hopes lingers in audiences’ hearts and minds. In addition, Trevor shared his thoughts on his experience thus far on Y&R, and being in story with two strong leading ladies, Eileen Davidson (Ashley) and Zuleyka Silver (Audra).

Photo: AGoodEnoughDay

Many fans recall Trevor’s stellar performances as One Life to Live’s Walker Laurence/Todd Manning/Victor Lord Jr.  Recently, he and many other members of the OLTL family, suffered the loss of actor Kamar de los Reyes (ex-Antonio Vega). St. John takes a moment to share his thoughts on losing one of his dear friends. Coincidently, Reyes’ wife, Sherri Saum (ex-Keri, OLTL, ex-Vanessa, Sunset Beach), also appears in A Good Enough Day.

Speaking on embodying A Good Enough Day’s Tyler Hamilton, and what the journey he is going through during the film, Trevor shared, “We did our best to make this man, not all one thing or the other. If you heard the other end of those phone calls he was on, you think this guy’s a real piece of work. But then you realize he really suffered. He didn’t choose the grief, and maybe he made some choices out of that grief. Maybe he did not do enough to resist being all consumed by it. But as you pointed out, how can anyone know what that’s like to go through what he did?”

Photo: A Good Enough Day

As fans of St. John’s may know by now, when Tyler speaks to those on his phone, it all seemed so raw and real. Trevor gave us the secret as to why it worked so movingly and effectively. He explained,”The calls were shot and performed in a really unique way. We gave each character a very detailed biography. In particular, the detail of their relationship with Tyler, and their particular family life in the present day. But, we didn’t tell them anything else. So, none of those actors were ever told or were given the full material. We just said, ‘Here’s what you know about this man. Here’s in great detail what’s happened in the past 10 years and maybe even before. That’s all we are going to tell you. He’s gonna call you and you answer the phone as if this is all you know.'” Trevor added, “It was very risky, but once we shot that first scene I thought, ‘I think we might be able to get away with this.'”

Photo: A Good Enough Day

The beauty of A Good Enough Day is that it requires the viewers to think, interpret and go along on Tyler’s journey without hitting you over the head of exactly what is happening. However, by the final moments in the film, and we mean after the credits roll, you know everything you need to know. Trevor shared on laying out the movie: “You have to, you have to reveal everything. By the end, everything must be revealed. The question is the timing. The question is the intensity with which you peel layers away of information. The goal is to have the audience thinking, ‘I’m not sure I know precisely what’s going on here but man, I can’t really look away. I wanna see what happens next.'”

Photo: JPI

On The Young and the Restless, St. John has been in a red hot storyline with two-time Daytime Emmy winner, Eileen Davidson (Ashley Abbott), where Ashley’s sanity is now completely in question., Trevor expressed on sharing scenes with Eileen,”She’s terrific. She’s such a dear person.” St. John is also quite impressed with her recent work, “She’s become so open to the unexpected and the unknown, and that’s where you want to be. She’s a wonderful playmate and a really great person, supportive, and just super talented. I’m very lucky to be working with her.”

The CBS daytime drama currently has the relationship between Tucker and Audra taking several turns. St. John shares he is not sure where it’s ultimately leading,”That’s very difficult to say. When I get these scripts, I’m surprised as the audience. So I’m intrigued. Tucker has definitely some legitimately strong feelings for Audra.  She’s his best friend. She might be his only friend. The connection with Audra is profound. Whether he can communicate it, whether she can communicate, is another matter. But there’s something inherent there, something built up over years.”

Photo: JPI

So, just how is working with Audra’s portrayer, Zuleka Silver? Trevor remarked, “I just adore her. I light up when I’m around her. She’s just a lovely person and talented and we have great fun together. I like to tease her a little bit, but she’s also open to the unexpected, which for me, if you’re any good, you gotta be prepared for curve balls, you know, because as a human being you don’t know what’s gonna happen next. If you’re a good actor, you’re receptive to all of that, and she’s like that. ”

Photo: JPI

Back on Christmas Eve of 2023, Trevor’s former One Life to Live castmate, Kamar de los Reyes (ex-Antonio), passed away after his battle with cancer at the age of 56.  St. John opened up on this personal loss, explaining, “That was hard. He was a good friend of mine, a dear friend. I miss him. I miss him terribly. It still hasn’t even penetrated completely that he’s gone. It’s just that stage where you don’t believe it. He was a beautiful man. I saw Sherrie recently and she’s doing okay, all things considered. She’s got a nice support system. My heart breaks for her, and his family, and his boys. I appreciate you asking. It’s been very difficult.”

Photo: JPI

In case you missed it, watch the full interview with Trevor below, followed by the trailer for A Good Enough Day. 

Now let us know, if and when you watch Trevor’s film what was your reaction to it? Then, who do you want Tucker to end up with on Y&R? Audra, Ashley or someone else? Let us know in the comment section.

 

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Peter Reckell returns for a second visit with Michael Fairman following the wrap-up of his recent run as Bo Brady on Days of our Lives.Leave A Comment

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Airdate: 7-24- 2023

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