Interviews
THE SUSAN FLANNERY INTERVIEW – DAYTIME EMMY NOMINEE
The Bold and the Beautiful celebrated on their set at CBS this morning with a small get together of colleagues, nominees and performers. Brad Bell presided over the proceedings in honor of the show’s six nominations. Particularly satisfying was the recognition of the only half hour soap into the final three for Outstanding Daytime Drama Series. The cast, some of the crew and producers shared cake and congratulated each other on the big announcements.
Susan Flannery received another nomination in the Outstanding Lead Actress category and was present at the event. I caught up with her to get her immediate feedback on this memorable day and the Emmy process.
Does it feel any different this time getting an acting nomination in the Lead Actress category for the
one-hundredth time? You have
won four times previously!SUSAN:
I don’t know about the hundredth time, but if you live long enough it comes back around. It’s great fun and I am delighted
What did you submit this year?
SUSAN:
It was when Eric was supposedly dead in the bed in the house. And, it’s like a miracle that he comes back to life. There is a little monologue in there, and that was the only thing I had, really.
Did you feel good about your chances with it to make it to the finals in your category?
SUSAN:
The show aired and John McCook (Eric) came running into me saying, “I just got a call from a friend of mine, who I had not heard from in awhile, who teaches drama, who every now and then watches “B&B”. She said, “What is that monologue that Susan Flannery did today? I want to get a copy of it to use for my acting class.” John said, “Oh, you probably won’t be able to get a copy because she re-wrote the whole thing!” (She laughs) But it sort of stuck in my head, and when Casey our associate producer was coming up with ideas to submit, he said, “What about the one with the monologue?” and I said, “OK. Just put it in”. That was my shot!
Did you speak yet with the other actress in your category?
SUSAN:
I just got off the phone with Jeanne Cooper (Katherine, “Y&R”) who was at the airport. I left a message for Susan Haskell (Marty, “OLTL”), and I left a message for Maura West (Carly. “ATWT”), but I have not a chance to get a hold of Debbi Morgan (Angie, “AMC”) yet.
What do you think of the group that made into the final five in your category?
SUSAN:
I am very happy to see three fresh faces. I said to Jeanne, “We could have said, “No, you know, and let two more of them in.” It’s so nice to see that. That it is not a constant rotation and sometimes that is what happens. I think that is the result of certain people getting in an arc in their career, with three of four nominations in a row and then it goes. I am thrilled for Jeanne, and I was so surprised at her 80th birthday that I had no idea that Jeanne had never won till last year. I was just stunned! I always thought she had a few more. I was thrilled for her again this year.
Are you happy about the other nominations for “B&B”? The show got six nods!
SUSAN:
I am very happy for our nominations for Outstanding Drama Series and Outstanding Writing. And, I said to Brad Bell (executive producer and head writer), “You are not going to retire if you win! Because I know that is what he wants to do. As soon as he wins Best Writing its over! (She laughs) But I am thrilled for him. I was surprised to see that it was three shows that made the final Outstanding Drama Series category. I guess that is because of the way they counted so many votes. We had a big committee meeting on this. I was suggesting to them over and over, that it should be one show submission per actor. People are not going to sit at home when you have 22 actors to watch. We should be allowed to edit the show down, so we can compact it, and you can see the performance together. So, if an actor is sitting in the courtroom, but he is just a shot to the audience, you should not have to watch that. We were able to push all of that together. I think that helps, as well as, going back to number one, number two, number three…and ranking them in the judging process. I think with Outstanding Dramas Series, they probably had so many number one votes on those three shows that the other ones fell below a range. That’s just my guess.
Do you like that there is no second round of voting this year for the final nominees, and that the winner is already known based on the one tape submission?
SUSAN:
The only way a second round works now is if you can have people come in and sit and vote in a hotel or a room like we used to. But people don’t want to do that any more. They don’t want to give up their Saturdays. We are in a fast paced society now, and we are lucky we got so many people to come out and vote for the president. I am thrilled to be here again. I know Jeanne is, and I am thrilled for Susan, Maura and Debbi. I am also happy for Christian LeBlanc (Michael, “Y&R) and it was nice to see Peter Reckell (Bo, “DAYS”) get one. Ed Scott (Ex-executive producer) was over there for part of the year. I have a feeling Ed Scott may have had something to do with his performance that time.
How do you feel that once again your on-screen acting partner, the amazing Katherine Kelly Lang (Brooke), failed to get nominated alongside you?
SUSAN:
That was my first question today, “Where’s Kelly?” and I say that every year. I don’t know what it is or why it is. It’s just one of those things in life. I have scenes with her today, so I will see her then.
Do you think the Daytime Emmys are important, and today is important to celebrate the achievement of your colleagues?
SUSAN:
I am happy for every show and it’s a small community. We specialize in a genre in and of itself. So, whoever gets a nomination, I am particularly thrilled for.
What did you think when you found out that none of the three major networks that are carrying soap operas, decided not to be home to the Emmy broadcast this year? Instead it went to the CW.
SUSAN:
I am not surprised only because of the ratings, and everything is changing. I am delighted the CW is taking it, which I think is part of the CBS family. I am glad that Les Moonves (President and CEO of CBS) supported it to go to the CW.
What is the best part of being an official “Daytime Emmy Nominee”?
SUSAN:
As you know, we started a tradition that every year we have lunch with the ladies. Last year’s winner picks up the tab and all of us go to lunch together to celebrate as a group. Of course, winning is a good part, but I say this to everyone of us, “Today is the best day, and right up until they say your name in the envelope, and
who the winner is, you are
all winners,” and that’s the
nicest time.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
-

General Hospital1 week ago‘General Hospital’s’ Steve Burton and Bradford Anderson to Star in New Holiday Movie
-

General Hospital4 days agoKelly Monaco Honors Her Late ‘General Hospital’ Co-Star Billy Miller, Sharing Letter He Wrote After Taping His Final Episode as Drew Cain
-

Beyond the Gates15 hours agoRATINGS: ‘Beyond the Gates’ Bests ‘General Hospital’ in Key Demos and Gains More Viewers Week-Over-Week
-

General Hospital3 days agoChris McKenna Speaks Out On His Final Day as ‘General Hospital’s’ Jack Brennan with Words of Wisdom to ‘Finish Strong’
-

General Hospital5 days agoBlythe Howard Joins the Cast of ‘General Hospital’ as Monet: Who is She Connected to in Port Charles?
-

General Hospital2 days ago‘General Hospital’s’ James Patrick Stuart Delivers the ‘Power Performance of the Week’
-

Days Of Our Lives2 days ago‘Days of our Lives’ Preview: Will Dominic Marino Turn Out to Be Marlena’s Son With Stefano DiMera?
-
General Hospital1 week agoRATINGS: ‘General Hospital’ Shows Most Gains in Total Viewers Week-Over-Week and Up in Key Demo
SUSAN:
SUSAN:
What did you think when you found out that none of the three major networks that are carrying soap operas, decided not to be home to the Emmy broadcast this year? Instead it went to the CW.










