Connect with us

Interviews

2

Y&R’s Melissa Claire Egan Chats On Tackling Chelsea’s Depression Storyline, and Being the “SuLu” of The Daytime Emmy Nominations

By Michael Fairman

Published

3 years ago

on

Photo: CBS

While the 50th annual Daytime Emmy Awards have currently been put on hold until there is a resolution of the WGA Writers Strike, that doesn’t mean we can’t continue our series of spotlighting the nominees who will be going for gold when the ceremonies are rescheduled.

The Young and the Restless’ Melissa Claire Egan (Chelsea) delivered what was one of the most gut-wrenching performances in recent memory, when Chelsea attempted to end her life via suicide, only to be saved at the last minute by an astute Billy (played by Lead Actor Daytime Emmy nominee, Jason Thompson). The conversations and intensity of that moment, and the scenes that followed, had an impact on so many viewers and shed a light on mental illness and people battling with depression. Clearly, something that many in this country have been grappling with, especially during and coming out of the Covid-19 pandemic.

For Egan, this marks her seventh Daytime Emmy nomination, and her second in the Lead Actress in a Drama Series category, in a soap career that started in Pine Valley as All My Children’s troubled Annie Lavery, before coming to Genoa City as grifter, Chelsea Lawson.

Michael Fairman TV caught up with Missy, who is an expectant mom-to-be with her second child, to discuss portraying her harrowing nominated scenes, and being the current ‘Susan Lucci’ of the Daytime Emmy Nominations. However, for Susan, it was 19 tries before her iconic Emmy victory in 1999. Let’s hope it doesn’t have to last that long for the talented Egan!

Courtesy/CBS

Congratulations. I knew this nomination was in the cards for you. What scenes did you end up deciding to go with on your reel? I assume, it would be from Chelsea’s suicide attempt and her battle with depression?

MELISSA: I did. I put in two episodes worth of everything that happened: on the ledge, and the aftermath, the next episode that followed. It was when Chelsea and Billy are in the hotel room and she’s still going through the stages and she’s angry at him for stopping her. She’s like, “You had no right to stop me on that ledge. That was my choice. You had no right. You don’t get to tell me what to do in my life.”  I like that those scenes showed kind of the levels of it. I talked to Dr. Dan Reidenberg (Managing Director at National Council for Suicide Prevention) a lot in preparing for the scenes about what happens after. i.e., “You’re in shock, and then in anger if you get stuck. You had emotionally planned to die and come to terms with that, and then what happens after that, if it doesn’t happen.” So, I really liked that episode as well, so I put in both of those.

Is it hard for you to watch your work, or are you good with it?

MELISSA: You know, it depends. I don’t watch my work all the time. I did watch these episodes because I wanted to see how they turned out. They were so important to the story, and it’s definitely hard to watch yourself with a critical eye. I don’t always watch, but I did watch these.

Courtesy/CBS

You know, this story resonated with so many people. I follow how and what people are reacting to, as part of being a journalist. This was one of those transcendent performances of the nominations. It felt so real, as I’ve told you before. It was really hard to watch, which I think was good. It put people in an uncomfortable place they don’t like to be. Jason Thompson plays the other part of it with the, “Oh, my God” of it all, and the, “What do you do when you’re faced with somebody that’s about to try to end their life?” What reaction did you get from viewers, or people that reached out to you after these performances aired?

MELISSA: Oh, gosh. It was so profound. It was so beyond words. The fans are always supportive, but I couldn’t believe the reaction of just people sharing on Instagram, on Twitter DM’ing me saying, “This was me, ” or saying, “This was my daughter, this was my aunt, this was my mom, this is my son. This was my cousin.”  Some people shared things like, “This happened to my cousin two weeks ago.” I just couldn’t believe how much it resonated with people.  I was so moved and so touched that people were willing to share and that it got a conversation started. It truly meant the world to me. I know for all of us at the show, it’s all you can hope for, is to hopefully help people feel less alone, and feel seen, and feel that it’s hopefully done properly. Like you said, that it is maybe uncomfortable to watch, but maybe in a good way.  It was pretty profound, and I will forever be grateful for that.

Courtesy/CBS

I had talked with Jason Thompson about how the two of you approached the emotional scenes together. What happened to get the two of you to the place you were able to deliver these performances? Did you prepare together before hitting the soundstage to tape?

MELISSA: We didn’t really, Obviously, Jason is such an amazing actor. We rehearsed it the way we always do. You know, we ran the lines and then we did each scene in one take, which is the norm there, too. If in the booth and the director, and Josh Griffith (EP and Head Writer, Y&R) who was watching, weren’t happy, obviously, we would’ve done it again. We did every single one of those scenes one time. We ran lines before and then did it. Actually, because of the director’s schedule, we had to shoot out of order. We shot the scenes in the hotel the day before we shot the ones on the ledge. There were definitely challenges involved.  At first, I remember thinking, “Oh gosh, we can’t do this. We have to shoot it in order.” But then, I was like, “You know what? We can, we can do this.” It just becomes a different challenge. We shot the scene in the hotel on a Thursday. We shot the scenes on the ledge late on a Friday night.  Jason did his research on his own. I did mine, but we came together. Obviously, we talked a lot about the scenes leading up to it for week.

Photo: ABC

Now, I remember when you and I have talked in the past and would kid, that you are the “SuLu” of the Daytime Emmy Nominations. Currently, this is your seventh Daytime Emmy nominations, with yet, a win.

MELISSA: I’m the Sulu!  I’ll take it anytime I can be compared to Susan Lucci. I know it’s wild, right? Number seven.

It is wild. However, I feel like this is the strongest reel you have had to enter into the Emmys.  It’s a game.  It’s being judged by people. It’s a competition. And unfortunately, you have to play the game, which is usually about the strategy of, “How does this reel connect to people, and how can people understand what’s going on it if they don’t know the show?” How do you feel about how this submission stacks up with the six previous ones for you?

MELISSA: I’ve always been proud of my reels and I’m so proud of the seven nominations in 17 years of doing soaps. However, because the material is so important and the material is so relevant, and it’s touched people in such a different way, it’s become the work I’m most proud of, for sure. The truth is: I’m so excited to be nominated again, but the real reward has been being able to affect people and touch people and help people. There’s nothing that can compare or compete with that. So, I feel like no matter what happens, I feel like the real reward is being able to tell the story and help people feel less alone. It really is.

Photos: ABC, CBS,

What a “Lead Actress” group to be nominated with.  Two of your castmates, Michelle Stafford (Phyllis, Y&R) and Sharon Case, (Sharon, Y&R) along with Finola Hughes (Anna, GH) and Jacqueline MacInnes Wood (Steffy, B&B), are all in the category with you.

MELISSA: I know! It’s so exciting. It’s such a great group of women and great group of actors. And of course, having Michelle and Sharon on there is just icing on the cake. It’s so cool and so special.

You know, Finola Hughes, right?

MELISSA: Yes. I got to know Finola for our girl’s nominee luncheon, two years ago. We were both nominated together two years ago along with Jacqueline MacInnes Wood, too.  She won that year. So, three of us were in this together two years ago, which is weird and fun. I was pregnant then, too. There’s like a lot of similarities. It’s all been these very ‘pinch me’ moments. I’m just so excited and so grateful no matter what happens.

Photo: JPI

If you get the opportunity to give an acceptance speech, will you have something written down if your name is called, or will you just wing?

MELISSA: No. I’ve never written anything down. But again, I haven’t had to. I always kind of think about it in my brain, in my thoughts, of what I would say, but I’ve never put a pen to paper, ever, which is probably not smart. I’m sure I would end up forgetting somebody very important. I just never have written it down. It’s just not my way.

Jason Thompson made a comment to me when he was a special guest on my Daytime Emmy nomination special.  He mentioned, like so many actors have to me in the past, that even as a kid, he would practice in the mirror, winning in Oscar and giving an acceptance speech.  Did you ever do that?

MELISSA: I will say the cool thing about the Emmy is … two years ago, we all got to ‘pretend’ win, and walk on that stage and a hold an Emmy and thank our parents, and then of course, four out of five of us did not win.  However, you got to experience what it would kind of feel like.  I’ll always have that in my back pocket if I continue to be the “SuLu” of my generation.

Photo: NATAS

If for some reason you continue to be the ‘Sulu,’ you’ll have to call Susan Lucci for advice!

MELISSA:  The next time I see her, I will definitely tell her. I mean, I can’t compare it to the ‘Queen’, but, you know, I’ll take any kind of comparison, for sure!

Photo: ABC

Will you be rooting for Melissa Claire Egan to win this year’s Daytime Emmy for Outstanding Lead Actress in a Drama Series? Were you affected and touched by Y&R’s suicide prevention storyline which featured Melissa’s performances as Chelsea, front and center? Share your thoughts in the comment section below.

Related Topics:
2 Comments

2 Comments
oldest
newest

I will be rooting for Melissa all the way until Emmy night. Her performance was so emotionally raw, so real and vulnerable. I can’t imagine her not winning. But as she said, no award is more important than what impact her performance had on the viewers. As someone who lost one family member and almost lost a second one to suicide, this is personal for me. There is nothing more important as an actor to give their all to a story. And Melissa certainly did. We need more stories about the importance of mental health and reaching out for help. Because it’s there for everyone, no matter what the circumstances are. Thank you Melissa and break a leg on Emmy night!!

Reply

Melissa definitely deserves to win this year!

Reply

Interviews

‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

Published

3 days ago

on

September 11, 2026

By

Heather Tom

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!

Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.

Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI

Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis). 

This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.

During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI

HEATHER TOM’S DAYTIME EMMY SUBMISSION

In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).

“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”

Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”

In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI

DYLAN BROKE THE ‘GIRLFRIEND CODE’

There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.

“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”

Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”

KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND

Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.

She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird.  She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”

In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”

You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.

Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.

Continue Reading

Interviews

‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Published

7 days ago

on

September 7, 2026

By

Kelly Sullivan

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).

In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.

Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI

As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”

THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN

However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”

Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.

Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”

From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI

SHARING SCENES WITH HEATHER TOM

Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.

Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”

There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.

“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI

DARCY DYLAN AND WYATT SPENCER PAIRING?

As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a  comedic sensibility, comedic chops as they said it.”

Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun.  You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”

Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.

So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.

Continue Reading

General Hospital

GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

Published

3 weeks ago

on

August 21, 2026

By

Patrick J. Gibbons

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.

However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.

Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC

FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG

Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!

Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”

MAKING MUSIC FOR GENERAL HOSPITAL

Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).

Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI

PATRICK’S ONE LIFE TO LIVE FAMILY

Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”

It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”

A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons

IT’S ALL IN THE NUMBERS

As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”

He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”

Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”

So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.

Continue Reading

Video Du Jour

Jonathan Bennett joins the cast of GH as Joe Fitzpatrick. Catch the latest promo! Leave a comment.Leave A Comment

Recent Comments

Power Performance

Heather

Heather Tom

The Bold and the Beautiful

Airdate: 7-24-2026

Popular

2
0
Would love your thoughts, please comment.x
()
x