Connect with us

Interviews

2

Y&R’s Melissa Claire Egan Chats On Tackling Chelsea’s Depression Storyline, and Being the “SuLu” of The Daytime Emmy Nominations

Photo: CBS

While the 50th annual Daytime Emmy Awards have currently been put on hold until there is a resolution of the WGA Writers Strike, that doesn’t mean we can’t continue our series of spotlighting the nominees who will be going for gold when the ceremonies are rescheduled.

The Young and the Restless’ Melissa Claire Egan (Chelsea) delivered what was one of the most gut-wrenching performances in recent memory, when Chelsea attempted to end her life via suicide, only to be saved at the last minute by an astute Billy (played by Lead Actor Daytime Emmy nominee, Jason Thompson). The conversations and intensity of that moment, and the scenes that followed, had an impact on so many viewers and shed a light on mental illness and people battling with depression. Clearly, something that many in this country have been grappling with, especially during and coming out of the Covid-19 pandemic.

For Egan, this marks her seventh Daytime Emmy nomination, and her second in the Lead Actress in a Drama Series category, in a soap career that started in Pine Valley as All My Children’s troubled Annie Lavery, before coming to Genoa City as grifter, Chelsea Lawson.

Michael Fairman TV caught up with Missy, who is an expectant mom-to-be with her second child, to discuss portraying her harrowing nominated scenes, and being the current ‘Susan Lucci’ of the Daytime Emmy Nominations. However, for Susan, it was 19 tries before her iconic Emmy victory in 1999. Let’s hope it doesn’t have to last that long for the talented Egan!

Courtesy/CBS

Congratulations. I knew this nomination was in the cards for you. What scenes did you end up deciding to go with on your reel? I assume, it would be from Chelsea’s suicide attempt and her battle with depression?

MELISSA: I did. I put in two episodes worth of everything that happened: on the ledge, and the aftermath, the next episode that followed. It was when Chelsea and Billy are in the hotel room and she’s still going through the stages and she’s angry at him for stopping her. She’s like, “You had no right to stop me on that ledge. That was my choice. You had no right. You don’t get to tell me what to do in my life.”  I like that those scenes showed kind of the levels of it. I talked to Dr. Dan Reidenberg (Managing Director at National Council for Suicide Prevention) a lot in preparing for the scenes about what happens after. i.e., “You’re in shock, and then in anger if you get stuck. You had emotionally planned to die and come to terms with that, and then what happens after that, if it doesn’t happen.” So, I really liked that episode as well, so I put in both of those.

Is it hard for you to watch your work, or are you good with it?

MELISSA: You know, it depends. I don’t watch my work all the time. I did watch these episodes because I wanted to see how they turned out. They were so important to the story, and it’s definitely hard to watch yourself with a critical eye. I don’t always watch, but I did watch these.

Courtesy/CBS

You know, this story resonated with so many people. I follow how and what people are reacting to, as part of being a journalist. This was one of those transcendent performances of the nominations. It felt so real, as I’ve told you before. It was really hard to watch, which I think was good. It put people in an uncomfortable place they don’t like to be. Jason Thompson plays the other part of it with the, “Oh, my God” of it all, and the, “What do you do when you’re faced with somebody that’s about to try to end their life?” What reaction did you get from viewers, or people that reached out to you after these performances aired?

MELISSA: Oh, gosh. It was so profound. It was so beyond words. The fans are always supportive, but I couldn’t believe the reaction of just people sharing on Instagram, on Twitter DM’ing me saying, “This was me, ” or saying, “This was my daughter, this was my aunt, this was my mom, this is my son. This was my cousin.”  Some people shared things like, “This happened to my cousin two weeks ago.” I just couldn’t believe how much it resonated with people.  I was so moved and so touched that people were willing to share and that it got a conversation started. It truly meant the world to me. I know for all of us at the show, it’s all you can hope for, is to hopefully help people feel less alone, and feel seen, and feel that it’s hopefully done properly. Like you said, that it is maybe uncomfortable to watch, but maybe in a good way.  It was pretty profound, and I will forever be grateful for that.

Courtesy/CBS

I had talked with Jason Thompson about how the two of you approached the emotional scenes together. What happened to get the two of you to the place you were able to deliver these performances? Did you prepare together before hitting the soundstage to tape?

MELISSA: We didn’t really, Obviously, Jason is such an amazing actor. We rehearsed it the way we always do. You know, we ran the lines and then we did each scene in one take, which is the norm there, too. If in the booth and the director, and Josh Griffith (EP and Head Writer, Y&R) who was watching, weren’t happy, obviously, we would’ve done it again. We did every single one of those scenes one time. We ran lines before and then did it. Actually, because of the director’s schedule, we had to shoot out of order. We shot the scenes in the hotel the day before we shot the ones on the ledge. There were definitely challenges involved.  At first, I remember thinking, “Oh gosh, we can’t do this. We have to shoot it in order.” But then, I was like, “You know what? We can, we can do this.” It just becomes a different challenge. We shot the scene in the hotel on a Thursday. We shot the scenes on the ledge late on a Friday night.  Jason did his research on his own. I did mine, but we came together. Obviously, we talked a lot about the scenes leading up to it for week.

Photo: ABC

Now, I remember when you and I have talked in the past and would kid, that you are the “SuLu” of the Daytime Emmy Nominations. Currently, this is your seventh Daytime Emmy nominations, with yet, a win.

MELISSA: I’m the Sulu!  I’ll take it anytime I can be compared to Susan Lucci. I know it’s wild, right? Number seven.

It is wild. However, I feel like this is the strongest reel you have had to enter into the Emmys.  It’s a game.  It’s being judged by people. It’s a competition. And unfortunately, you have to play the game, which is usually about the strategy of, “How does this reel connect to people, and how can people understand what’s going on it if they don’t know the show?” How do you feel about how this submission stacks up with the six previous ones for you?

MELISSA: I’ve always been proud of my reels and I’m so proud of the seven nominations in 17 years of doing soaps. However, because the material is so important and the material is so relevant, and it’s touched people in such a different way, it’s become the work I’m most proud of, for sure. The truth is: I’m so excited to be nominated again, but the real reward has been being able to affect people and touch people and help people. There’s nothing that can compare or compete with that. So, I feel like no matter what happens, I feel like the real reward is being able to tell the story and help people feel less alone. It really is.

Photos: ABC, CBS,

What a “Lead Actress” group to be nominated with.  Two of your castmates, Michelle Stafford (Phyllis, Y&R) and Sharon Case, (Sharon, Y&R) along with Finola Hughes (Anna, GH) and Jacqueline MacInnes Wood (Steffy, B&B), are all in the category with you.

MELISSA: I know! It’s so exciting. It’s such a great group of women and great group of actors. And of course, having Michelle and Sharon on there is just icing on the cake. It’s so cool and so special.

You know, Finola Hughes, right?

MELISSA: Yes. I got to know Finola for our girl’s nominee luncheon, two years ago. We were both nominated together two years ago along with Jacqueline MacInnes Wood, too.  She won that year. So, three of us were in this together two years ago, which is weird and fun. I was pregnant then, too. There’s like a lot of similarities. It’s all been these very ‘pinch me’ moments. I’m just so excited and so grateful no matter what happens.

Photo: JPI

If you get the opportunity to give an acceptance speech, will you have something written down if your name is called, or will you just wing?

MELISSA: No. I’ve never written anything down. But again, I haven’t had to. I always kind of think about it in my brain, in my thoughts, of what I would say, but I’ve never put a pen to paper, ever, which is probably not smart. I’m sure I would end up forgetting somebody very important. I just never have written it down. It’s just not my way.

Jason Thompson made a comment to me when he was a special guest on my Daytime Emmy nomination special.  He mentioned, like so many actors have to me in the past, that even as a kid, he would practice in the mirror, winning in Oscar and giving an acceptance speech.  Did you ever do that?

MELISSA: I will say the cool thing about the Emmy is … two years ago, we all got to ‘pretend’ win, and walk on that stage and a hold an Emmy and thank our parents, and then of course, four out of five of us did not win.  However, you got to experience what it would kind of feel like.  I’ll always have that in my back pocket if I continue to be the “SuLu” of my generation.

Photo: NATAS

If for some reason you continue to be the ‘Sulu,’ you’ll have to call Susan Lucci for advice!

MELISSA:  The next time I see her, I will definitely tell her. I mean, I can’t compare it to the ‘Queen’, but, you know, I’ll take any kind of comparison, for sure!

Photo: ABC

Will you be rooting for Melissa Claire Egan to win this year’s Daytime Emmy for Outstanding Lead Actress in a Drama Series? Were you affected and touched by Y&R’s suicide prevention storyline which featured Melissa’s performances as Chelsea, front and center? Share your thoughts in the comment section below.

Leave a comment | 2 Comments

2 Comments
oldest
newest
Inline Feedbacks
View all comments

I will be rooting for Melissa all the way until Emmy night. Her performance was so emotionally raw, so real and vulnerable. I can’t imagine her not winning. But as she said, no award is more important than what impact her performance had on the viewers. As someone who lost one family member and almost lost a second one to suicide, this is personal for me. There is nothing more important as an actor to give their all to a story. And Melissa certainly did. We need more stories about the importance of mental health and reaching out for help. Because it’s there for everyone, no matter what the circumstances are. Thank you Melissa and break a leg on Emmy night!!

Melissa definitely deserves to win this year!

Interviews

OLTL’s Erika Slezak Recalls Viki’s Breast Cancer Battle, Pays Tribute to Andrea Evans, and Shares Heartfelt ‘Thank You’ to Those Who Reached Out on the Passing of Her Daughter, Amanda

One of the all-time classic breast cancer storylines of the soaps was that of Viki’s on One Life to Live. Back in 2000 and into 2001, the character went through many trials and tribulations trying to face the disease, which again afforded the iconic Erika Slezak to be featured in another dramatic storyline, which at the same time helped so many female viewers.

As part of last week’s virtual event, Daytime Stands Up – A Benefit for Stand Up To Cancer – We All Have a Story, Slezak chatted with co-host Michael Fairman about her remembrances of the important storyline, the passing of her co-star, Andrea Evans (ex-Tina) to breast cancer, and took a moment to address the fans and those who reached out to her following the sudden death of her daughter, Amanda Davieback at the end of January of this year.

While Erika has still been in mourning, she took the time to be a part of the night and wanted to contribute her voice to the benefit, and we cannot thank her enough.

Photo: ABC

Speaking on how Viki dealt with her diagnosis of breast cancer, and at the time being in a relationship with a younger man, Ben (played by Mark Derwin), Erika shared, “It was a very good story to tell because Viki, who had always been strong and by herself and tough and ‘I can deal with anything’, suddenly couldn’t deal with it. She was afraid. There was the whole relationship with Ben that was going on, and she didn’t want him to be a part of it. So that was separate, and the day that Vicki checked into the hospital, the last shot was me sitting on the end of the bed, sort of my dangling my feet over it, completely alone because she didn’t want anybody else to know.”

“Ben was around in the hospital and eventually found out that she was there and wanted to be a part of her life. But she didn’t want it,” Erika added. “She couldn’t deal with it. It was a frightening thing for her because it had been caught too late to treat. She had to have a mastectomy and a reconstruction and she had never been faced with such a very personal trauma. I mean, yes, she had Niki and all the others (Viki’s alters), but this was a physical thing that she could not control. It was a very powerful story, I think.”

Photo: ABC

One of the memorable moments from the story was when Viki sang the Gloria Gaynor hit, I Will Survive. Slezak remembers, “That was at Crossroads. She was singing to herself, I Will Survive, and she was desperately trying to believe it, as we all do when we deal with something horrible.”

In tribute to her former co-star, Andrea Evans, who started on One Life to Live as a teenager in 1978 and who died in July of 2023 at 66-years-old, Erika expressed, “Andrea grew up so beautifully and she was so talented that the person that she really was, who was a a kind and loving woman, could play so many different levels of Tina. I had such admiration for her for that. It wasn’t in her nature to be Tina, but she played the hell out of it. She really did. Her first day on the show, her hair was down to the back of her knees. She was just a kid, and she grew up to be a wonderful woman.”

Courtesy/SRodriguez

Speaking emotionally about Andrea’s personal life, Erika recalled, “I think one of the proudest moments of her life is when she got her daughter Kylie, she was so happy. Audrey, Andrea’s mother, used to bring Kylie to the studio, all the way from California she would fly in. I first met Kylie when she was a year old.  I watched her slowly grow up and it was wonderful. Andrea was a fabulous mother. I never met her husband Steve. I wrote to him after she passed, and he wrote me back a very, very sweet letter. But when Andrea met Steve, it was like her life was almost complete, and then she had Kylie, and that was complete. And it is so, so sad that she died so young.”

Photo: JPI

During the conversation, Erika took a second to acknowledge all those who contacted her with their condolences, thoughts and prayers on the passing of her daughter, Amanda, sharing, “I thank all the fans and the people who have written to me. I’ve saved every single card. I’ve responded to every single person because the amount of people who reached out to me is just astonishing. I have a pile that it’s two feet high of cards and letters that people wrote to me. And I’m very, very grateful because this is the hardest thing that’s ever happened to me in my life.”

You can watch the conversation with Erika below on the replay of Daytime Stands Up – A Benefit for Stand Up to Cancer. The six-time Daytime Emmy-winner appears at the 34:17 mark in the show. Below that is a playlist of scenes from Viki’s breast cancer storyline on One Life to Live.

Now let us know, what did you think of Viki’s breast cancer storyline? Erika’s words on the late Andrea Evans and her “thank you” to all for sending their condolences to her and her family during their difficult time? Share your thoughts in the comment section.

 

Continue Reading

Interviews

Y&R’s Eileen Davidson Talks on Ashley’s DID Storyline, the Challenges of the Alters, and Working with Trevor St. John

The Young and the Restless two-time Daytime Emmy-winning actress, Eileen Davidson, has recently been given the ball by series executive producer and head writer, Josh Griffith to tell the ltin the latest of Ashley Abbott’s emotional struggles. This time, Ashley has splintered into multiple personalities: Ash, Mrs. Abbott, and Belle.

Given Ashley’s history (which has included several mental breakdowns), Y&R has chosen to revisit her psyche in a brand new twist in 2024 by launching a Dissociative Identify Disorder storyline. When things spiraled downward to her marriage to Tucker (Trevor St. John), and a flashback to a car crash which took her unborn baby in 2003, Ashley began to hear voices in her head and her alters began to emerge.

Speaking live on a virtual appearance on Tuesday on You Tube’s Michael Fairman Channel, Davidson shared her thoughts on the storyline, how she crafted Ashley’s various alters and what she thinks of her co-star, Trevor St. John.  Here’s a few key remarks from the chat below.

Photo: JPI

Eileen talked about Ashley’s overall emotional make-up, explaining, “Everybody always talks about her being so strong and so together, and they don’t like seeing her weak. I’m like, ‘Ashley’s never been as strong and together. She’s had issues from the gate out of the gate … years … forever.’  She had amnesia. She had all sorts of issues. I love her fallibility and her vulnerability.”

Taking on the different personalities is a challenge, but Davidson pointed to one, in particular, that she feels is the hardest to play, “Ash has been the most difficult one,” explained the actress. “Because I didn’t want to do anything too broad and too ‘teenagery.’  So it was just trying to be honest about somebody who’s kind of young and sees the world in a certain way and is perhaps defensive and is an angry teen.”

Photo: JPI

However, embodying Ms. Abbott was a lot easier for Davidson. “It wasn’t hard for me to figure her out,” she expressed. “It was the very first time she was introduced on paper. She’s in Tucker’s hotel room. She’s breaks in. I’m like, ‘Okay. she’s sitting in the chair and it, it says kind of like a ‘Sharon Stone-type moment.’  I felt pretty comfortable embodying that in control, kind of toying with a man. She knows how to put on vulnerability and softness to get what she wants, but is always in control. And her ugly side shows more and more as the story has been coming out.”

The newest alter to emerge was Belle. Davidson shared how much she knew of the alter before she began playing her, stating, “They gave me southern, flirtatious, likes tequila, and always looking for a guy’ and I was off to the races. It’s been really, really fun for me. I didn’t want her to sound like she’s from the South completely, because Ashley is not from the South. It’s just a persona of how Ashley thinks a southern person sounds. So, she’s not playing a southern character. She’s playing a personality that thinks she’s southern. It’s very different.”

Photo: JPI

Currently, it looks like Tucker’s life may be on the line as Ashley’s alters want to get rid of him once and for all.  Eileen explained why, revealing, “The most fascinating thing about DID and what I kept trying to inject into the performance is these alters are created to protect somebody. They all believe they’re protecting Ashley. Ms, Abbott thinks the way to protect Ashley is to kill Tucker because Tucker’s caused Ashley so much pain. So I mean, from that aspect, it’s good daytime drama.”

A lot of times in DID storylines, a very traumatic event from the childhood is revealed which caused a person to fracture into a multiple personalties. When Davidson was asked if she thinks something will come to light that the audience never knew happened to Ashley, she responded, “You would think so, right?  I mean, why not? The one thing that’s true about Ashley is that she had a traumatic childhood. Her mother abandoned her when she was very young, and then found out in her early twenties that her father wasn’t her biological father. So, who knows what happened. Whether or not they choose to explore that, I’m not sure. You have to kind of keep reinventing things to keep them interesting. I think like that stands true for characters (on a soap) as well.”

Photo: JPI

Over the years, Eileen has worked with several leading men. When asked how she feels the dynamic is working with Trevor St. John, she enthused, “I love working with Trevor. I just told him you breathe fresh air into the scenes. We work well together. We don’t really know what the other one’s going to do (in a scene), but we play off of each other. There’s a huge trust factor and that has been there from the get-go. When I first started working with Treb, I told him, ‘We got lucky.’ When you meet somebody out of the the blue and you start working together, we just had something and it just worked beautifully. I always know that when I work with Trevor, it’s going to be a terrific experience.”

Photo: JPI

Watch the full conversation with Eileen below.

Now let us know, which of Ashely’s alters do you enjoy seeing the most? Do you think something happened to Ashley as a child that we never knew about that is causing her DID? Share your theories via the comment section below.

Continue Reading

General Hospital

(INTERVIEW) William deVry Talks on His Roles in Hallmark’s ‘A Whitewater Romance’, New Film ‘Pocket of Hope’ and His Time on the Soaps

For soap favorite, William deVry life-after-daytime has been reinvigorating, filled with new projects and new directions. This Saturday, May 11th he can be seen in the latest rom-com from Hallmark, A Whitewater Romance (8pm ET/PT) starring Cindy Busby as Maya and Ben Hollingsworth as Matt who play intense business rivals, and featuring Will as Jim Burdett, set against the backdrop of the outdoors and Canada.

In addition, Wil has been busy prepping other projects in which he is executive producing and starring including: Colt & McQueen and Christmas in Bordeaux, and producing and starring in a very dramatic departure for deVry, as the lead in the new true-life story feature film, Pocket of Hope.

Michael Fairman TV chatted with Wil to get the lowdown on his latest and upcoming roles, his expanding career aspirations, and to get his reflections on his three main soap roles: Julian Jerome on General Hospital, Storm Logan on The Bold and the Beautiful and Michael Cambias on All My Children. Read on for what deVry has been up to of late and his reflections of the past.

Courtesy/Hallmark

In A Whitewater Romance, you play the character of Jim Burdett, tell me about him?

WIL: My character runs this whitewater rafting company and the deal is that there’s a corporate retreat that is organized at my company. Jim is sort of old school. He’s been running the company for quite a lot of years. Jim’s not social media savvy. In the story, Maya and Matt get there, and they end up obviously enjoying themselves at this corporate bonding retreat. They discover that Jim was going to close down the company. He stayed open specifically to accommodate this corporate retreat. And then, of course, Cindy Busby’s character, and Ben Hollingsworth character do this little online thing for Jim and get business booming. Before he knows it, the entire summer is booked with clients and they basically saved his company. It’s a feel-good movie with beautiful, stunning locations.

And, are you a good guy in this?

WIL: It’s almost like, wait!  Will is playing good guy? It’s funny because our director, Jason Bourque knows I’ve been playing bad guys for so long. Even the Christmas movie that I did with Terry Hatcher, Christmas at the Chalet, I went through such an arc. My character was so focused in his business and kind of unhappy because he was living his life for other people, and you don’t really realize that you might be slightly unhappy because you don’t take time to do inventory for yourself. In A Whitewater Romance, Jason had this idea that I was this really kind of ‘happy-go-lucky’ guy. And by the second day of shooting, he goes, “I think maybe Jim is a former military …” We both laughed because it was a subtle joke, because you know, I can be a little bit serious.

Photo: Willdevry

How was it to work with Ben and Cindy?

WIL: Great. Cindy being a lead, they set an example for everybody. Cindy is so low key and very friendly, and basically the trailer door is open if you want to discuss anything. Ben was also a producer on this. He might have had a little more stress on him than just sort of acting. But honestly, you couldn’t tell. Both of them had a good sense of humor. I would work with either one of them in a heartbeat again.

You have some exciting news to share; as you are about to be the lead in a new film?

WIL: Yes, I’m the lead in a new film called Pocket of Hope. It’s based on the true story of Chad Gaines, and I am playing Chad. It’s a beautiful movie. It’s in the present day with Chad talking with his daughter. He’s always been reluctant to share his past with her, and because there was a lot of trauma involved, he didn’t really want to put her through that. She’s no longer a young lady and so he feels now is the time to share that. There are a lot of strong flashbacks in the movie. It goes back between the past and the present, which I think is really engaging. The budget is well over a million dollars. We start filming at the end of May in Los Angeles, and then we will go on location in August to shoot the remaining scenes.

Courtesy/Willdevry

How do you feel about tackling a dramatic role such as this with tough subject matter?

WIL: It’s a heavy-duty role. There’s a lot of responsibility. I’ve prepared my whole life for these kinds of roles. It’s really exciting to play a true life individual, who has a story to tell. I think it’s a great honor for me and for the director/producer David Kohner Zuckerman, as well. David is wanting to do Chad’s story justice. We’ve got a good team for this. Robert Altman Jr’s, Cora Atlman, is playing my daughter. When you find a troupe that you like to work with and you can collaborate with, you stick together. So, we have David, as I mentioned and also Deran Sarafian, who is consulting on the project. Deran and I have been working on my other project together, Colt & McQueen. We are the luckiest people in the business right now to be working with Deran. He has had a lot of successful pilots that he’s done for Fox, ABC, and NBC and also Marvel and Netflix shows. He was also a producer on House for Fox.

Photo: Willdevry

In Colt & McQueen, you play a former LAPD detective, right?

WIL: Correct. He was basically dishonorably discharged for something that he didn’t do. He is going be trying to clear his name of any wrongdoings. However, in order to make a living, he sort of does these unsanctioned assignments for the captain of the LAPD, who is also on his way out. He’s a good guy. Kin Shriner (Scott, GH) is in it and he kind of plays a man of the streets who goes by “The Professor.” Rebecca Staab (Elizabeth, Port Charles, et al) is in it, and she plays the character with the code name “Leather Jacket” within the LAPD system. We go into production on it in July.

You’re doing your own projects now. That must be liberating in some ways and harder in others.

WIL: I just said, “Look, if I’m going to stay in this business, I have to have some control over my career now as opposed to just auditioning blindly.” That can be a frustrating process. I am learning a lot because I’ve never produced before or executive produced, but the effort is there, and the will to do so is there.

Photo: RStaabIG

Speaking of projects, you have another one you are working on, a romantic comedy called Christmas in Bordeaux. What is the theme of that one?

WIL: It’s a tale of family traditions, renewed passions, for love and life and spiritual and cultural awakenings. Finding value in the time we have left. And of course, a happy ending for all involved.

As an actor, when you finally get to the point where you get to act you probably really enjoy that. It’s just the challenges of all the things it takes to get there that can be daunting for a performer.

WIL: As an actor, you have to be so good and so comfortable and embrace the rejection. The rejection has to feed you. It can’t defeat you. However, I kind of do take everything personally. If a casting director doesn’t want to bring me in for something that’s their prerogative. I don’t really get angry about it, but I take it personally because I kind of feel like, they should bring me. I can’t just sit back and accept my fate based on other people’s ideas of what I’m capable of or not capable of. Sometimes my resume is a benefit, and sometimes it’s a detriment. It’s up to me to change the narrative.

Photo: JPI

What would you want to say to the GH fans who had been so supportive of you through the years?

WIL: It blows me away how loyal they are, and their passion. I want them to be of aware that. I’m excited to work for myself, and if that doesn’t work out, I am very comfortable going on to do something else with my life. Nancy Lee Grahn (Alexis, GH) and I had talked about it at one point, and how she absolutely loves the business. I have other things that interest me and move me. I hope every single fan of Julian Jerome comes along on this journey with me.

Photo: JPI

Looking back, do you think your best role on the soaps was Michael Cambias on All My Children?

WIL: I think with Michael Cambias that All My Children destroyed the character. I sat down with the executive producer at the time, Jean Dadario Burke, and she said, “You’ll be here as long as you want. We did a focus group and you’ve got a 96% approval rating. That’s through the roof.” Two days later, I was called back into her office as they had fired the head writer. I was told Megan McTavish was coming back and they were going to make my character irredeemable, which as everybody knows, Michael Cambias went on to do horrible things to Erica Kane’s (Susan Lucci) family and then he was off the show.

Photo: JPI

Then, you went on to portray Storm Logan on The Bold and the Beautiful and the heartbreaking suicide storyline which saved Katie’s (Heather Tom) life, but cost Storm his.

WIL: Storm had a lot of potential. When you’re going through such a beautiful, heart-wrenching, horrific story like that, I wanted to give the audience a lot of credit. Soaps have a smart audience. I wanted them to go on the journey with me. I didn’t want to ruin it for them by playing the problem. I didn’t want to create the drama before it was time to pay the price, if you know what I mean. I allowed it to play out on-screen without any foreshadowing. I think that’s why it worked and that’s why it broke everybody’s heart, and I think that’s why it won a Daytime Emmy for Best Drama Series. Brad Bell (executive producer and head writer, B&B) trusted me with a vehicle that ended up being the Ferrari for that year. I’m eternally grateful to him.

Photo: JPI

Do you ever check out General Hospital nowadays to see how your old castmates are doing and what is happening in Port Charles?

WIL:  I like to check in. I like to see what Kin Shriner (Scott) is up to, and I like to see who’s showing up and who’s going. I like to see Maura West (Ava) who is such a terrific actress and who played my on-screen sister. We had such a good working relationship and I hope she is on the show forever.  I was happy with my eight years on the show. I knew for 18 months it was time for me to leave. I knew in my heart the character was done. Frank Valentini (executive producer, GH) was thrilled with how I left the show. Those six and a half years on General Hospital were a lot of fun. I really loved going to work.

So, will you be watching William deVry in ‘A Whitewater Romance’ this weekend on Hallmark? What do you think about his upcoming projects and roles? Miss him on daytime? Comment below.

 

Continue Reading

Video Du Jour

Peter Reckell returns for a second visit with Michael Fairman following the wrap-up of his recent run as Bo Brady on Days of our Lives.Leave A Comment

Recent Comments

Power Performance

Michael Easton as Finn

General Hospital

Airdates: 5-20/24-2024

Popular