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ATI's Romanovich speaks out on Daytime Emmy Telecast content decisions!

Photo Credit: JPI Studios

Photo Credit: JPI Studios

ATI’s, Jim Romanovich spoke to TV Guide Canada’s, Soapgeist, Nelson Branco,  on this year’s Daytime Emmy Telecast.  And while fans were upset over the lack of airtime for soaps, clips of the nominees, and the ATWT’s tribute, plus the insertion of an commercial for the Las Vegas Hilton inside the telecast itself, Romanovich told Branco why it all had to be done this way.  Many industry insiders apparently offered their kudos f on this show being the best telecast in years.  Here are a few excerpts:

Romanovich on saving the Emmys: “Perhaps what many genuine soap fans don’t realize is that the Daytime Emmys were allowed back on TV in spite of the soaps, not because of them. Had we not had a 20-minute tribute to Bandstand (which according to the ratings on the quarter hour was the spike that won the two-time period and the night for CBS) and the Las Vegas Hilton, we would have never had CBS. It would have been over. Therefore, the Daytime Emmys would have been a dinner at the Beverly Hilton. For the daytime community, that’s not a bad thing. It’s still a good, fun night for them. But what the Daytime Emmys represent by being on television is the strength of the content of daytime television. If the soaps have a chance in hell at being looked at as relevant in mainstream America, it has to be [related with what the general public considers] mainstream.  As a soap fan, I’m telling you the sad facts, which is why I have worked so hard to keep the Daytime Emmys on television. The facts are that networks really have lost interest in their soaps. They are not the financial boons they used to be. What’s sadder is that if you poll most television viewers and ask them who Oprah, Judge Judy and Jerry Springer are, they know. Ask them again who Agnes Nixon, Susan Flannery and Maura West are and they don’t know. The soap opera fan alone cannot sustain the Daytime Emmys. Like all awards shows, you need entertainment as that wide net to capture as many fish as possible. If I can do that with some magic and music, while still maintain about an 80 per cent weight to the soaps, then we all win. What I’m hoping to do with the Emmys is prolong their relevance so that these six remaining shows can have a life beyond daytime TV when the Internet and à la carte television options presented to us in the near future is our only way of watching TV. That’s what I tried to do with Guiding Light.

Romanovich on ATI and CBS’s plan to make the show relevant in 2010: “If we never came forward and produced the Daytime Emmys in ‘09, what message would that have sent to the broadcast networks? Everything we did for the Daytime Emmys had a grand plan and last weekend was it — to make it big, on a top network, and relevant. Was it the same as 20 years ago? No, because the soaps aren’t the same (or as plentiful) as 20 years ago. As one who is doing everything for soaps I can, I will feature Lion Kings, Kabuki dancers and the roster of Motown if that’s what it takes to keep them on TV.”

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Am I the only person out here that feels a disconnect when listening to Mr. Romanovich’s claims of having the greater good of daytime television in mind when producing these past two years of Daytime Emmy telecasts? Really? Is his goal to represent the best in daytime television or is his goal to simply “air” the Daytime Emmys; because to me, he seems more concerned with the latter than with doing anything substanitive to honor those supposedly gathered.

How does he feel his telecasts represent the “strength of the content of daytime television” when a simple element as viewers aren’t even shown clips of why people are nominated leading into the awards presentation? How does he feel he “still maintains about an 80 per cent weight to the soaps” when the fact that three legendary actors (Mitchell, Reid and Wagner) passed away this year and their combined 129 years of service did not warrent a mention, yet somehow America just couldn’t live without a tour of the penthouse of the Las Vegas Hilton or an extended infomercial on Feed the Children? (People tuning-in weren’t expecting a heavy-handed public service announcement, they were expecting to see the daytime celebrated!) How does he feel “Lion Kings, Kabuki dancers and the roster of Motown” are “what it takes to keep them on TV”? If ‘them’ mean the Emmy Telecasts, that’s one thing that he definitely seems focused on … but the man ain’t ‘saving’ daytime or respecting it’s audience by green-lighting a two-minute GL tribute and a one-minute ATWT tribute! While trying to attract your ‘mainstream’ audience, you seem to be alienating your ‘core’ audience; how exactly is that good production business?

When he asks “if we never came forward and produced the Daytime Emmys in ‘09, what message would that have sent to the broadcast networks?”, it would say exactly what he already thinks: that America doesn’t consider soaps mainstream and that the networks have lost interest and it’s time to stop airing the telecasts. I say quit while you’re ahead, stop trying to produce a spectacle and return to a nice dinner/awards ceremony for the people that should be honored, produced by someone that will place a higher importance on daytime rather than trying to be all things to all people, and ending-up disappointing instead of inspiring.

Mr. Romanovich’s claims are a big pile of BS!!! I totally agree with the previous writer that they should quit while they’re ahead and go back to the nice dinner/awards ceremony where the people of DAYTIME can be honored and we’re not forced to watch an infomercial of Vegas and a hotel suite and a bunch of Vegas acts that I couldn’t care less about! Using the title DAYTIME EMMY’S as an excuse to air a Vergas informercial is a joke only it’s not funny at all!!! He has his numbers confused because Vegas took up 80%+ of the time with maybe 20% given over to daytime! And no red carpet, no Emmy reels, rushed and confused presenters, 30 second acceptance speechs, no views of the actors/nominees as their names were called and no MEMORIAL!!! SHAMEFUL AND RIDICULOUS AND A VERY POOR EXCUSE FOR WHAT THEY CALLED THE DAYTIME EMMY’S BUT CLEARLY THESE WERE NOT THE DAYTIME EMMY’S!!! This was the worse Daytime Emmy’s EVER!!!!!!!!!!!!!!!!

General Hospital

Lane Davies Joins the Cast of General Hospital Setting up a ‘Santa Barbara’ Reunion with Nancy Lee Grahn

Some very intriguing casting news out of General Hospital. The ABC daytime drama has cast former Santa Barbara favorite, Lane Davies (ex-Mason Capwell), in the role of Fergus Byrne, an attorney who crosses paths with Alexis Davis (Nancy Lee Grahn).

According to TV Insider, Davies will make debut the week of May 22nd.  As soap fans know, together with the aforementioned Grahn, they created the Santa Barbara supercouple of Mason and Julia Wainwright. Davies portrayed Mason Capwell family from 1984 through 1989.

Interestingly enough, this isn’t the first time in Port Charles for Lane. From 2002-2004 he played Dr. Cameron Lewis and also shared on-screen story with Grahn.  At that time Davies, played Xander Smith’s father.

Photo: NBC

GH fans are wondering about the last name of Davies new character, “Bryne”. If you recall, Alexis got herself involved with therapist Dr. Neil Bryne, who died when Harmony broke into Alexis‘ house and killed Neil by injecting him with opioids.

Photo:

Taking to her Instagram, Grahn shared her excitement at the upcoming on-screen reunion with Davies, “It never gets old. We do 😂…. but it doesn’t 😍. Lookin’ forward to another romp.”

So, what do you think about Lane Davies returning to GH to play an attorney in Alexis’ orbit? Share your thoughts via the comment section below.

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One Life to Live Alum Jonathan Groff Receives 2024 Tony Award Nomination for Leading Actor in a Musical

Nominations were announced on Tuesday for the 77th annual Tony Awards by previous winners, Renée Elise Goldsberry (ex-Evangeline Williamson, One Life to Live) and Jesse Tyler Ferguson.

When the dust settled it was Stereophonic (which is loosely based on the story of Fleetwood Mac) and Hell’s Kitchen (Alicia Keys musical) that both scored 13 Tony nominations to lead the pack.

However, Stephen Sondheim’s Merrily We Roll Along made quite the comeback and is nominated for several awards including Best Revival of a Musical and for one of its stars, Jonathan Groff (ex-Henry Mackler, One Life to Live).

Courtesy/Playbill

Groff is nominated for Best Performance by a Leading Actor in a Musical and will go up against Brody Grant — The Outsiders, Dorian Harewood —The Notebook, Brian d’Arcy James — Days of Wine and Roses and Eddie Redmayne — Cabaret at the Kit Kat Club.

In addition to his previous Tony nod for his role in Hamilton, Jonathan was nominated for a Lead Actor in a Musical for his role as Melchior Gabor in the original production of  Spring Awakening.

Jonathan co-stars in the revival of Merrily We Roll Along “Harry Potter” star Daniel Radcliffe and previous Tony winner Lindsay Mendez.

Back in 2019, Groff visited Live with Kelly and Ryan and discussed his debut on One Life while working at night on Broadway in Spring Awakening.

He shared on his experience on the soap, “I do remember my first day because I was doing Spring Awakening on Broadway at the time, and One Life to Live was my first time ever being on TV.  So I got this offer, and I was like, ‘Yes, I would love to be in a soap opera,’ and we finished Spring Awakening at 11:00 p.m. and I woke up the next morning at 4:0 a.m. to walk uptown to go to do One Life to Live, and I called my agent and left a message, and I said ‘You have to get me out of this, I can’t wake up at 4 o’clock in the morning!'” You can watch the clip below.

The 77th annual Tony Awards will air live on CBS and stream on Paramount+ on Sunday, June 16, with Tony and Oscar winner Ariana DeBose returning to host for the third time.

So, rooting for Jonathan to take home his long-awaited Tony Award after several decades in the theater? Do you remember him as part of teen scene on OLTL? Comment below.

 

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A post shared by Merrily on Broadway (@merrilyonbway)

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Days Of Our Lives

Peacock Raising Subscription Prices $2 Dollars a Month This Summer; Includes Days of our Lives

As the Paris Summer Olympics are a few months away, the Peacock streaming service has revealed its plan for a two dollar summer price hike on its subscription plans, beginning in July for its content which will include Days of our Lives.

According to Deadline, in July, look for the monthly price for Peacock Premium to increase to $7.99. Premium Plus, which offers limited advertising, download capability and live local programming, will now be $13.99, while  Annual plans will go up to $79.99 for Premium and $139.99 for Premium Plus.

This price hike will effect new customers starting on July 18th, while existing subscribers will notice the price change on their next billing date on or before August 17th.

Photo: JPI

This marks the second price change in two years for the streaming service, the previous one being in 2023, which was the first since the service launched back in 2020.  The Summer Olympics in Paris which will be on NBC and Peacock run from July 26 to August 11.

The bright spot for Days of our Lives fans, is that unlike if the show was still on network television and NBC, the show would be preempted for two weeks, but with it being on Peacock it will continue with all-new episodes without interruption.

Photo: Peacock

At the recent Days of our Lives 15K episode celebration, Michael Sluchan the EVP, Current Scripted Programming & Limited Series for NBC/Peacock shared that the soap opera is doing extremely well for the streaming service, and they were very happy with its performance.

If you want to join Peacock now, there is still some time to get in on the current rates to watch DAYS and all of the programming and series it offers.

So, what do you think about the Peacock streaming service next price hike? Comment below.

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