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ATI's Romanovich speaks out on Daytime Emmy Telecast content decisions!

By Michael Fairman

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Photo Credit: JPI Studios

Photo Credit: JPI Studios

ATI’s, Jim Romanovich spoke to TV Guide Canada’s, Soapgeist, Nelson Branco,  on this year’s Daytime Emmy Telecast.  And while fans were upset over the lack of airtime for soaps, clips of the nominees, and the ATWT’s tribute, plus the insertion of an commercial for the Las Vegas Hilton inside the telecast itself, Romanovich told Branco why it all had to be done this way.  Many industry insiders apparently offered their kudos f on this show being the best telecast in years.  Here are a few excerpts:

Romanovich on saving the Emmys: “Perhaps what many genuine soap fans don’t realize is that the Daytime Emmys were allowed back on TV in spite of the soaps, not because of them. Had we not had a 20-minute tribute to Bandstand (which according to the ratings on the quarter hour was the spike that won the two-time period and the night for CBS) and the Las Vegas Hilton, we would have never had CBS. It would have been over. Therefore, the Daytime Emmys would have been a dinner at the Beverly Hilton. For the daytime community, that’s not a bad thing. It’s still a good, fun night for them. But what the Daytime Emmys represent by being on television is the strength of the content of daytime television. If the soaps have a chance in hell at being looked at as relevant in mainstream America, it has to be [related with what the general public considers] mainstream.  As a soap fan, I’m telling you the sad facts, which is why I have worked so hard to keep the Daytime Emmys on television. The facts are that networks really have lost interest in their soaps. They are not the financial boons they used to be. What’s sadder is that if you poll most television viewers and ask them who Oprah, Judge Judy and Jerry Springer are, they know. Ask them again who Agnes Nixon, Susan Flannery and Maura West are and they don’t know. The soap opera fan alone cannot sustain the Daytime Emmys. Like all awards shows, you need entertainment as that wide net to capture as many fish as possible. If I can do that with some magic and music, while still maintain about an 80 per cent weight to the soaps, then we all win. What I’m hoping to do with the Emmys is prolong their relevance so that these six remaining shows can have a life beyond daytime TV when the Internet and à la carte television options presented to us in the near future is our only way of watching TV. That’s what I tried to do with Guiding Light.

Romanovich on ATI and CBS’s plan to make the show relevant in 2010: “If we never came forward and produced the Daytime Emmys in ‘09, what message would that have sent to the broadcast networks? Everything we did for the Daytime Emmys had a grand plan and last weekend was it — to make it big, on a top network, and relevant. Was it the same as 20 years ago? No, because the soaps aren’t the same (or as plentiful) as 20 years ago. As one who is doing everything for soaps I can, I will feature Lion Kings, Kabuki dancers and the roster of Motown if that’s what it takes to keep them on TV.”

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Am I the only person out here that feels a disconnect when listening to Mr. Romanovich’s claims of having the greater good of daytime television in mind when producing these past two years of Daytime Emmy telecasts? Really? Is his goal to represent the best in daytime television or is his goal to simply “air” the Daytime Emmys; because to me, he seems more concerned with the latter than with doing anything substanitive to honor those supposedly gathered.

How does he feel his telecasts represent the “strength of the content of daytime television” when a simple element as viewers aren’t even shown clips of why people are nominated leading into the awards presentation? How does he feel he “still maintains about an 80 per cent weight to the soaps” when the fact that three legendary actors (Mitchell, Reid and Wagner) passed away this year and their combined 129 years of service did not warrent a mention, yet somehow America just couldn’t live without a tour of the penthouse of the Las Vegas Hilton or an extended infomercial on Feed the Children? (People tuning-in weren’t expecting a heavy-handed public service announcement, they were expecting to see the daytime celebrated!) How does he feel “Lion Kings, Kabuki dancers and the roster of Motown” are “what it takes to keep them on TV”? If ‘them’ mean the Emmy Telecasts, that’s one thing that he definitely seems focused on … but the man ain’t ‘saving’ daytime or respecting it’s audience by green-lighting a two-minute GL tribute and a one-minute ATWT tribute! While trying to attract your ‘mainstream’ audience, you seem to be alienating your ‘core’ audience; how exactly is that good production business?

When he asks “if we never came forward and produced the Daytime Emmys in ‘09, what message would that have sent to the broadcast networks?”, it would say exactly what he already thinks: that America doesn’t consider soaps mainstream and that the networks have lost interest and it’s time to stop airing the telecasts. I say quit while you’re ahead, stop trying to produce a spectacle and return to a nice dinner/awards ceremony for the people that should be honored, produced by someone that will place a higher importance on daytime rather than trying to be all things to all people, and ending-up disappointing instead of inspiring.

Mr. Romanovich’s claims are a big pile of BS!!! I totally agree with the previous writer that they should quit while they’re ahead and go back to the nice dinner/awards ceremony where the people of DAYTIME can be honored and we’re not forced to watch an infomercial of Vegas and a hotel suite and a bunch of Vegas acts that I couldn’t care less about! Using the title DAYTIME EMMY’S as an excuse to air a Vergas informercial is a joke only it’s not funny at all!!! He has his numbers confused because Vegas took up 80%+ of the time with maybe 20% given over to daytime! And no red carpet, no Emmy reels, rushed and confused presenters, 30 second acceptance speechs, no views of the actors/nominees as their names were called and no MEMORIAL!!! SHAMEFUL AND RIDICULOUS AND A VERY POOR EXCUSE FOR WHAT THEY CALLED THE DAYTIME EMMY’S BUT CLEARLY THESE WERE NOT THE DAYTIME EMMY’S!!! This was the worse Daytime Emmy’s EVER!!!!!!!!!!!!!!!!

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‘General Hospital’ Alum Nicholas Alexander Chavez Lands Role in Action-Thriller ‘Supermax’

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Nicholas Alexander Chavez

Nicholas Alexander Chavez (ex-Spencer Cassadine, General Hospital) has booked another motion picture role, and this time it’s in the upcoming action-thriller Supermax. The Amazon MGM and Miramax feature is currently in production.

According to Deadline, character details for the film which stars Will Smith and AnnaSophia Robb, are being kept under wraps. Production began on Monday, August 24 in New South Wales, Australia, with support from the NSW Government through Screen NSW’s Made in NSW Fund.

In story, Supermax follows two FBI agents (Smith & Robb) who investigate a seemingly impossible murder within the impenetrable walls of a maximum-security prison. Jaafar Jackson and Jason Clarke are also set for roles in the film.

SUPERMAX IS NEXT FEATURE ROLE FOR THE FORMER GH DAYTIME EMMY WINNER

Chavez’s casting announcement came with the addition of the former General Hospital Daytime Emmy winner, and three other actors who joined the production.

David Gordon Green directs the film from script by David Weil and David J. Rosen, with The Picture Company’s Andrew Rona & Alex Heineman producing alongside Smith and Adam Fishbach for Westbrook Studios. The plan is for Supermax to be released on Prime Video in more than 240 countries and territories worldwide.

After departing his role as Spencer Cassadine on General Hospital in early 2024 (in a part part he had played since 2021), Chavez went on to star as Lyle Menendez in Ryan Murphy’s Monsters: The Lyle and Erik Menendez Story. He then reunited with Murphy for the FX horror drama Grotesquerie as father Charlie Mayhew.

Coming up, Nicholas will be seen in The Technique, a psychological thriller, where he stars alongside Emma Roberts, Ben Platt and Noomi Rapace, as well as and the remake of the horror flick, Possession.

So, what do you think of Nicholas Alexander Chavez’s upcoming role in Supermax? Wondering what he will be playing in the action-thriller? Do you miss him on General Hospital? Let us know via the comment section.

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‘One Life to Live’ Alum Tuc Watkins Joins Cast of Brett Goldstein’s Prime Video Series ‘Escorted’

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Tuc Watkins (ex-David Vickers, One Life to Live) continues to be booking role after role, and now comes word that the Llanview soap alum has joined the cast of Escorted, the upcoming comedy series from and starring Ted Lasso and Shrinking star, Brett Goldstein.

According to Deadline, Tuc has signed on for the production of the series, where he will play the role of Neil, who looks like a cowboy. However, here’s the catch! Neil is a trainer at a high-end gym and a male escort to wealthy woman on the side. Shades of Llanview’s David Vickers, for sure!

In the premise of Escorted, a divorced Manhattan dad, played by Goldstein, accidentally becomes a male escort in a romantic comedy about sexual dynamics, keeping secrets, and whether real intimacy can ever be bought.

Brett Goldstein

Photo: JPI

Prime Video ordered the eight-episode, half-hour single-camera romantic comedy from Brett Goldstein last November. Goldstein will star, executive, produce, write, and co-showrun. In a statement, Brett expressed, “I’m so excited to bring a wholesome show about condoms, co-parenting, and cosplay to Amazon.”

As for Watkins, he is currently recurring on Hulu’s Paradise and appeared in the second season of ABC’s Shifting Gears. His other TV credits include: HBO Max’s The Other Two, Showtime’s Black Monday, and series regular roles on ABC’s Desperate Housewives, Showtime’s Beggars and Choosers, and more.

In addition, Tuc has a recurring role in Shemar Moore’s upcoming S.W.A.T. Exiles for Starz which premieres on September 25. Watkins numerous film credits include: The Mummy, The Good Shepherd and Retake. Watkins recently wrapped the indie feature, Cowboy, and in 2025 starred in the feature Exile Interviews.

So, what do you think of Tuc’s new role as a male escort to wealthy woman in Escorted? Looking forward to seeing him S.W.A.T. Exiles? Let us know via the comment section below.

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Y&R’s Victoria and Kyle’s Love Affair to Kick-Off; Amelia Heinle Says EP Sally McDonald Shared Why; ‘You’ve Got Chemistry’ with Michael Mealor

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Victoria and Kyle

A day many fans of The Young and the Restless have been dreading, and others are down for, is here. Beginning with the Thursday, August 27 episode of The Young and the Restless, Kyle (Michael Mealor) and Victoria (Amelia Heinle) will have sex taking their growing attraction to each other to another level.

But why is Y&R heading down the path of an older woman/younger man, Newman/Abbott, former love interest of Victoria’s daughter Claire (Hayley Erin) and all the complications with longtime waring families? Because to the series, it will generate story to come.

Two-time Daytime Emmy winner, Amelia Heinle revealed to TV Insider, how she found out what she suspected that the powers-that-be were setting up a romance between Victoria and Kyle.

Photo: JPI

“At one point a while back, I noticed Kyle was always coming to talk to Victoria or we’d run into each other and I told Michael, ‘I don’t think they would ever put us together, but this is kind of funny because it feels like they’re trying to test our chemistry, which would be really, really odd,” recalled Heinle. ”

“But that memory passed quickly. And then I walked off set one day after finishing a scene with Michael and I got called up to our executive producer, Sally McDonald’s, office and she said, ‘We’re giving you a romance with him.’ And I’m like, ‘Who?’ And she said, ‘Him,’ and she pointed at the monitor because Michael was still on set. I was like, ‘Oh, OK. Are you sure?’ And she was like, ‘Uh-huh. Yup. You’ve got chemistry.’”

Once she learned the news, Heinle talks with Michael Mealor to make sure he was OK with the romantic story turn. “I walked up to him one day on set when I found out and said, ‘Do you know about this yet?’. Hw was like, ‘Yeah,’ and then I said, ‘So, are you OK?’ And he said, ‘Are you OK?’ And I said, ‘I’m good. I think we could make something out of this,’ and he said, ‘I do, too. I plan on leaning into it all.’ So, we were in agreement. Michael and I have always gotten along. We’ve always liked each other.”

Kyle and Victoria

Amelia Heinle, Michael Mealor
“The Young and the Restless” Set
CBS television City
Los Angeles
05/22/26
© Howard Wise/jpistudios.com
310-657-9661
Episode # 13419
U.S. Airdate 07/15/26

The storyline was started by now former Y&R head writer Josh Griffith. So now that Jamey Giddens and Dan O’Connor are in place as the new co-head writers of the top-rated soap, things could change dramatically or go full steam ahead.

Heinle offered up, “It’s not going to be boring, that’s for sure. I feel like right now with the new writers coming in, it’s a work in progress. I feel like we’re seeing how it goes. They’re fully committed to it, but nothing is set in stone in terms of the story yet.”

So, where do you stand? Do you want to see Kyle and Victoria rip the clothes off of each other, have sex and have a torrid affair? Do you think it’s wrong for Victoria to be sleeping with her daughter’s former boyfriend? What side of the fence do you land on with this pairing? Let us know via the comment section below.

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