Connect with us

Interviews

32

The Peter Bergman and Jason Thompson Interview – The Young and the Restless

Photo Credit: HutchinsPhoto/CourtesyCBS

On The Young and the Restless, Billy (Jason Thompson) and Jack Abbott (Peter Bergman), give new meaning to the phrase, “Oh, brother!” for there is a major scandalous affair that is sure to rock this loving and sometime contentious brotherhood.  At the epicenter of it all is Jack’s wife Phyllis (Gina Tognoni), who finds herself drawn into a passionate and deep connection with Billy.  Only, Billy and Phyllis are betraying Jack in the most personal and explosive way.  What will happen to these three central characters when the truth finally comes to light?  On Tuesday’s episode of the CBS daytime drama, viewers witnessed Billy’s mom, Jill (Jess Walton) stumble upon a romp between her son and Phyllis.  You can add Jill to the mix now, and conjure up just how she might leverage her knowledge in her attempt to get Billy away from the woman he protests to love.

On-Air On-Soaps sat down with two of daytime’s finest actors; Peter Bergman and Jason Thompson in their first joint interview together as the Abbott boys of Genoa City.  After his successful run on General Hospital, Thompson has come to the number one soap opera making the pivotal role of Billy Abbott his own.  As for Bergman, this icon is still a class act personified, and able to move audiences no matter what storyline comes his way.  Together their work ethic and on-screen scenes along with the sensational Gina Tognoni continue to deliver to Y&R fans plenty of emotional, suspenseful, and heartfelt drama.

So, what does Peter Bergman think of Jack’s current predicament?  Is Billy truly, deeply, madly in love with Phyllis?  What about his ex-wife Victoria (Amelia Heinle)?  And let’s not forget that Chloe (Elizabeth Hendrickson) is back in town and what that could mean for Billy!  As for Jack, can Phyllis ever love him in the same way after she feels destroyed and victimized by his doppelganger Marco and Victor Newman (Eric Braeden)?  Read on and you will find out the thoughts of two pros at the top of their game that understand their craft, and know the importance and meaning of “teamwork” in a one of a kind genre.

MICHAEL:

Peter, when you found out Jason was going to be the new Billy, what was your immediate reaction?

PETER:

Courtesy/CBS

My immediate reaction was … fantastic!  I have been aware of Jason’s work for years now.  You know, I’m a student of daytime, and so I know what people are doing on other shows.  I have long admired his work.  I was very happy about the news.

MICHAEL:

Jason, you were nominated against Peter at the Daytime Emmys a few times. Obviously, you were aware of who he was, and what he means to the legacy of Y&R, and how big of deal it was to come here to play his brother.  What were your initial thoughts?

JASON:

I was nominated along with Peter Bergman, I prefer to say (Laughs).  I was really excited and nervous, because I know what this role means to this show.  Peter and I have had a few moments over the years where we briefly talked about that it would be great to get to work together some day.  So, I was very, very excited to work with Peter, because the amount of work this man has accomplished over the years is extraordinary.  I was not at all surprised by, not only the level of integrity, but his talent since I got into the ring with him.  It’s been a blast ever since.

MICHAEL:

Courtesy/CBS

Peter, you have seen some great actors play the role of Billy Abbott.  In your opinion, what does Jason bring to the character that is different, and sets him apart?

PETER:

Jason brings a dark brooding color to it.  I think what Jason also brings is a new kind of intelligence to Billy.  He is too smart for his own good, this Billy, and Jason brings that. That is a cool color to have.

MICHAEL:

Jason, you obviously are aware and knew the other actors that have played Billy.  Going in to it, how have you tried to interpret it to perhaps make it different, and illustrate that the role belongs to you now?

JASON:

Photo Credit: HutchinsPhoto.com

I haven’t tried to make it any different, or interpret it a certain way, other than this is my interpretation of the character.  Unlike Peter, I don’t watch that much daytime.  I just try to come in here, and do my job.  On discussing the character over the last several months, I totally understand why Billy does what he does, because I learned a lot from Peter, because of him being a student of daytime.  So saying that, I wasn’t really sure what other people had done.  I did my research.  I talked to the writers for weeks.  I had notes, and notes, and notes.  I had emails from head writers and other people, and from talking with Peter, Amelia Heinle (Victoria) and Gina Tognoni (Phyllis).  Everybody had their own input to what Billy’s relationship would be, or is, to their character.  I kind of looked at where this character was when I took over, and took stock of what happened in the past, and somewhat of where he could be going in the next couple of months.  Further than that, I had no idea.  I just do what I do, and make it personal for myself, and for what I think this character would be going through.

PETER:

I am a replacement, Jason is a replacement, Gina is a replacement, and Jess Walton (Jill) is replacement.  I would work with these people any day of the week, and if there is a champion for replacements, his name is Peter Bergman.  I believe in that.  What Jason very humbly didn’t mention is: ‘that after you do all your studying, and find out where everybody has been – then you throw it out.’  Then you decide what story you want to tell.  It’s only actor’s of his stature that can do that.  They can say, “That Billy was this and that.  Now I’m here, and we’re going to go with a slightly different Billy.”  It’s been lovely to watch.

MICHAEL:

Courtesy/CBS

Jason, I have to echo Peter here.  It has been lovely to watch your work as Billy, and to watch you take the character on this path.  He is now your Billy.   Big kudos to you for that.

JASON:

I appreciate that.  I am sure everyone has their opinion which Billy they prefer along the way, but it doesn’t necessarily matter, because there is a bigger picture here, and that is the overall show.   I am just a small little spoke in the wheel.  My job is to come in here, and put my head down and tell the story, and have the show and the story evolve.  That’s the fun part.  If a new person coming in brings a different energy to the character that does change the story a little bit.  For me, it’s been really fun to come in, and mix it up with everybody and watch it happen, let alone in front of my own eyes, but for the audience.  I hope it’s enjoyable for them.

MICHAEL:

At what point did the two of you know that Billy would be having an affair with Phyllis?  Clearly, the audience could see it was heading in that direction for months.

PETER:

It wasn’t for a couple months after Jason joined the show.  Certainly there were some signs there.  I thought, “What a great idea!”  I think for Gina, I was so accepting of it.  She was a bit concerned. (Laughs)  That’s because it’s great story for all three of us!  Story is everything.  Gina just thought, “Uh, could you fight it a little bit?” (Laughs)  My investment thus far is that this will throw my relationship with Billy, and my relationship with Phyllis into a whole new thing, and that’s exciting as an actor.   You know, I have been around a long time.  I love it when I get to do something completely new.  Something that’s uncharted waters: Your own brother!  That’s wild stuff!

Courtesy/CBS

JASON:

Obviously, we could feel it happening in a way, but it wasn’t anything that was brought up to me when talking to the writers that this was the plan.

MICHAEL:

Jason, you have to play these hot passionate love scenes; and Billy is having a full on affair with his brother’s wife.  He says he loves Phyllis, but does he truly?

JASON:

Yes!   Flat out.  Billy is deep.  When it’s real for him, it’s deep.  But it’s hard for him to trust that depth because he’s been hurt; which gives the relationship with his mother so much energy.  The point is … Billy loves hard.  What I have learned, and enjoyed so much about this storyline is along the lines of what Peter said: ‘The personal relationships that are going to crumble, or whatever is going to happen, when the truth comes out.’  I have developed a fun relationship now with Ashley, played by Eileen Davidson.  There is Billy’s ex-wife Victoria, and the kids, his brother Jack, obviously, and Phyllis.

MICHAEL:

Courtesy/CBS

But Billy is pushing this with Phyllis A LOT.  He keeps saying, “I know you love me! I know it!” (Laughs)

JASON:

Oh, yeah! (Laughs)  He is.  I think Billy is a guy who wants to win.  At the same time, I think he has a big heart inside of him, and that had been the interesting part for me, which is to try and expose that in a way.  Billy doesn’t obviously always make the right decisions when he leads from his heart, or from his groin (laughs), or wherever he is leaning from.  He goes for it.  I think that’s interesting as an actor to go there, and not know where the pieces are going to fall all of the time.  Then come up for air and be like, “Holy cow! What just happened?”

MICHAEL:

Does Jack have blinders on and not seeing the signs here?  There were a few clues, and a few times that he sort of dismissed when Phyllis was able to talk herself around his questioning.

PETER:

Courtesy/CBS

Blinders, no.  Nothing had been done right in front of him.  I am a very careful actor.  So if there are any glances going on in a room then I don’t see them.  Jack doesn’t see them, not because he has blinders on, but because he has a busy life, and he absolutely trusts his wife, and he loves and trusts his brother.  He has no reason not to.  They’re the two closest people to him, and you can add Ashley in there, too.  They are part of his inner circle, so there is no reason to mistrust them.  One of the things Jason elaborated on is these are two people that the world wanted to get on with it.  Yeah, you lost your daughter, get on with it.  We all feel bad for you; now let’s get back to life.  Phyllis had this God-awful experience with Marco, which went darker than dark.  She comes out of that, and finds out the entire town knows about it.  For the first time in her life she is a victim.  Phyllis?   Now she hates that.  Billy has been beaten up by life, and Phyllis has been beaten up by life.  When she is in Billy’s arms she doesn’t feel like a victim.  It’s really that simple, and for Billy she is the answer to everybody telling him, “You’re with Victoria.  Get over the loss; get on with your life.”  Phyllis doesn’t expect that of him at all, and so there has to be a giant comfort there.

MICHAEL:

It was interesting that viewers recently saw Billy in scenes with Victoria and their kids when they came to help paint his house.  There is a connection between the two of them still that is very apparent.  Does Billy still feel drawn to Victoria?

JASON:

Courtesy/CBS

It’s obviously there and they have history together and children.  But at the same time that was a moment, where there is a part of Billy that is really happy about spending this time with Phyllis.  She makes him feel really good.  There’s a lot that goes into that.  There’s a lot of deceit.  There’s a lot of lying, and a lot of planning that doesn’t necessarily feel good, but in those moments when they find themselves there, Billy cannot deny that he loves Phyllis.  It is the most freeing that he feels.  So, when he sees Victoria there is a certain amount of guilt there, but he is willing to risk all of that to continue to have that feeling that he has with Phyllis.  I think Billy and Victoria is a couple within the soap world that you never really say “no” to.   They will always be “Billy and Victoria” in a way, just like it will always be “Jack and Phyllis”.  But as for what is going to happen, and where it’s going to go, who knows?  That’s the exciting thing for me too, and for us. We don’t know where we are going with it, or how it’s going to explode, or fall apart, or how it’s going to be put back together again.

PETER:

Here’s the cool thing: you have three seasoned actors so we know the points we need to hit.  It is such fun playing scenes with Billy, where Jack tells him how grateful he is that he’s his brother, and that he has his back, and that he supports him, and he supports Phyllis, and that he is such a good friend to her.  Those scenes are a joy to play, because they set the stage.  I have such fun in scenes with Phyllis (Gina) where I say, “Keep an eye on my brother.  I worry about him all the time.  He doesn’t seem himself.   He seems weird with me.  There are lot of things that just seem off right now, so can you just keep an eye on him?”. “Make that work” is my credo at the top of any of those scenes, but that’s a fun challenge.

JASON:

Courtesy/CBS

Yes, and it’s not only the scenes, but I am kind of blown away by this relationship that we have been able to build, too.  It’s so fun.  I didn’t know that much about Peter and Gina.  But coming into it, they love the craft, and they love what they do.  So for me, and you have known me long enough that I enjoy getting in there and talking about the scenes.  I mean, I will talk about this stuff for hours for a two-page scene! (Laughs)  Peter and Gina are the same way.  We will talk about it, and intellectualize it, and get personal with it, so that when you go to do the work you just let it all go.  You just let the relationship tell the story, and you open your mouth and let the words come out.  You don’t have to do anything else.  That is such a huge, huge relief in a way.  That you can trust the people you are working with, and it’s a giant comfort.  You come back from doing a scene, and I will get a text message from Peter going, “I was just thinking about what we did today, and I had so much fun.  I’m having a blast.”  With Gina, the three of us will text back and forth!  We will be like, “Man, that stuff was so fun today.  Can’t wait to see what happens.”  I get home and I’m telling my wife the same thing, “What a great time it is right now at work.”

MICHAEL:

Peter, are you telling your wife Mariellen the same thing? 

PETER:

Photo Credit: HutchinsPhoto.com

Yes!  Same thing.  She has seen me through happy times, and not so happy times, and this is a really happy time, Michael.

MICHAEL:

Have you guys thought of what that scene would be like when the reveal happens?

PETER:

I am in the process of opening every script that comes to my room as soon as I get it!  I thought the reveal of the affair was going to happen in a script that was in my room the other day … and it did not.

MICHAEL:

Does Billy want the truth of his affair, and love for Phyllis to come out?  He has intimated that a few times.  We saw today that Jill now knows the secret, and has the ammo to blow the whole thing wide open!

JASON:

Courtesy/CBS

There have been moments where Billy has said he wants it to come out.  But we are at the point now where it’s changed – the affair has totally changed for reasons that Billy has been told, but that he doesn’t necessarily believe, and that obviously isn’t true.  We know it’s going to come out at some point.  How it will?  I don’t know.

PETER:

We can’t wait to find out! There are all kinds of possibilities.

JASON:

In regards to what Peter was saying about how Jack is in the dark … it’s not like anyone else is thinking, “What is going on with those two?”  Up to now it’s been just Billy and Phyllis. Victoria doesn’t know, and Cane (Daniel Goddard) doesn’t know, either.

MICHAEL:

What does Jack think about how Phyllis is transfixed on bringing Victor down, and now she can’t stop her thirst for revenge where the moustache is concerned?

PETER:

Courtesy/CBS

In the time I have played Jack, he has changed and grown a lot.  He was quite a cad when I first got here.  He pretty much didn’t give a shit about anyone else.  Being the kind of defacto patriarch of the family is something he didn’t ask for.  His dad died.  So the job fell upon him.  There is a whole new kind of empathy in Jack that wasn’t there before, but more than that, Jack realizes now that hate and revenge ruled his life for decades.  He knows that’s a dead end, and he doesn’t want to see people he loves go down that road.  You never get even.   Does Jack think Victor is a swell guy?   No.  Does Jack want to go on a fishing trip with Victor?   Probably not.   But Jack doesn’t want the center of his life – his wife, his brother, or anyone deciding the center of their life is getting back at Victor. This was such a part of Jack’s life for decades!  He doesn’t want to do it.  At this moment, Jack is not planning on getting back at Victor anymore.  He doesn’t want that, doesn’t need that.  Jack thinks: let Victor bore everyone else to death.

MICHAEL:

Now in the business side of things, there is drama galore being set-up.  We see the Cane/Billy feud being sparked up again, thanks to Jill’s business decisions, and now Jack wants Billy to work with him and Phyllis at Jabot.  What does Billy want in all of this?  What a mess! (Laughs)

JASON:

I think he is going to play along with his mom a little bit, and see what’s going on here.  I don’t think he 100% trusts her.  That is another relationship I am just floored by, and that is mine with Jess Walton.  She has just been so magical.

PETER:

Courtesy/CBS

The Billy and Jill relationship is one that is a very complex.

JASON:

Yes, it is very complex.   I am so fond of Jess.  I have never been able to play a mother and son relationship on the soaps before.  Jess has said a few times about how I kind of look like her, and how she loves looking at me, because it feels different for her, and that is exciting for her, too.  It’s been an exciting relationship to unravel.  Billy does not trust a lot of people right now.  I think the only person he trusts is Jack at this moment, and he knows he is pulling the wool over his brother’s eye, very far down, too.  Billy knows it’s going to be devasting for his brother.  So when Billy talks about going back to work for Brash & Sassy, he is like “Let’s see what happens here.”  In terms of Jack asking Billy to come back to Jabot, it’s way too close for comfort.

PETER:

Yes.  Jack would like Billy to work with Phyllis.  He thinks they are a great team.  They were a great team before, so why shouldn’t they be a great team again?

MICHAEL:

And Billy is protesting this move!

JASON:

Courtesy/CBS

I just think we are playing on different teams right now! (Laughs)  I do think Jack, Phyllis, and Billy would be a great team, but not that team.   It is one of those things. Billy and Phyllis are good together.  Everybody says that, so in Billy’s mind let’s trust it and run off into the sunset!  The business angle is new for me to play, but it is such a great catalyst to spark story where you walk into a boardroom and an office and there is stuff going down all of the time.  At the end of the day, it’s really the emotional world that these characters live in, and the business is another setting for that to play out.  It’s constant!  You can’t walk into a room without something going down with everybody.

MICHAEL:

Elizabeth Hendrickson is back on Y&R as Chloe, and she may have had Billy’s child off-screen, which will provide plenty of story ahead, too!

JASON:

I have known Elizabeth for years.  I didn’t know if Chloe was ever going to come back on to the canvas, but that is exciting.  So now I get to explore: “What do we mean to each other?  What is going on here?”  Elizabeth is a lovely person, and we have had a few scenes together thus far, and they were great.  I mean, I felt good about them. (Laughs) We will see how they turned out on-air!

MICHAEL:

What can you guys say about working with Gina Tognoni?

PETER:

Courtesy/CBS

Here is my favorite thing about Gina:  She comes to work very prepared.  She knows her lines, and she is ready to go, but she hasn’t made any firm decisions yet on where she is going with them.  So we run the lines together, and then we do a run-through together.  She’s free to say something like, “If you play it that way, I can’t do this.”  I can do the same thing with her, but I will be in a run-through with her thinking going, “Oh!  So she’s not going to play that.”  We get to taping as they countdown, “Five-four-three-two …” and I don’t know what is going to come out.  It’s fantastic!  She is grounded, and she can’t fake it.  Gina won’t push.  What comes out is going to be honest, true, and I am challenged by that, because I have to watch her and listen, because I have not seen this today.  Now, not all of it is a surprise, because we rehearse, but she adds something while we are taping that always gets me more alert, and more in the scene, and more alive.

JASON:

You can’t say it any better than how Peter did.  Gina is just very professional, and knows the genre, and knows and trusts herself.   She knows when push comes to shove it’s going to be there and work.  To be in that situation, to not know what is going to happen, is actually the most exciting thing as an actor, because it not only makes you work harder and be prepared for it, so again you can just let go of everything, and just say the words and let the emotional life to the work.  When you have a partner that works similarly in the same way, you can trust it.  Trust does not mean complacent.  It means let’s see where this goes.  Afterwards it’s like: “Whoa!  That was different!  I didn’t expect that to happen!”   I don’t know how many times we have said that.  It’s then like, “Great! Moving on!”   When you get one take in a bunch of scenes, what you hope for is a bunch of moments that carry you through.  Being new here, there are a lot of people on that set you can trust and do that with, and that is very comforting to know.

MICHAEL:

Photo: DanielGoddardTwitter

Mal Young is the new executive producer of The Young and the Restless, what do you think he brings to the table?

PETER:

So often the producer job in the past has been about not upsetting the apple cart.  This has been a successful franchise for a very long time; let’s not try to do anything new.  Let’s just try to keep this baby, and keep the people who are watching continuing to tune-in.  That is not Mal’s thing.  Mal is looking to reinvent, revigorate, and to re-energize a medium he respects a lot, but he wants to try new things.  He wants to see if there’s another way we can push the envelope a little bit, and try something different.  He has a different future in mind than keeping just what we have.

MICHAEL:

Jason, obviously it is widely-known that one of the reasons you came to the show is your relationship with former EP Jill Farren Phelps.  How is it for you now working under Mal?

JASON:

Courtesy/CBS

Yes.  Jill was the executive producer when I got here, and that was a pretty big reason why I came here.  But at the same time, we are all grown-ups.  We know this is a part of the business.  At the same time, you just don’t know always know how solid you are.  There was a moment where I went home and talked to my wife and said, “Jill got let-go today.  I don’t know what that means for me, exactly.”  However, you just go do the work.  Mal and I started here rather closely at the same time.  I started in December of last year, and Mal started in January of this time.  We were able to build a little bit of a relationship from the start.  He was very supportive of us from the get-go.  He would come down from the booth, and he would say, “I love what you guys are doing.”  Mal was able to slowly integrate himself into our set life.  I think it goes without saying that he is very enthusiastic, and he sees a ton of potential.  I have confidence in Mal. Slowly, but surely there are some differences happening within the show.   We are taking a bit more time for our scenes, and there is some interesting stuff coming up we haven’t done before.

MICHAEL:

Peter, one of the classic quotes I recall you giving to me, and other reporters and journalists, is that you never want to presume that you have your job and your role even after all of these years on Y&R.   Does that still hold true?

PETER:

Courtesy/CBS

I never assume it’s all going to work out.   I know how quickly it can fall apart.  I know how quickly it all just doesn’t add up.  My mettle is not what it was last week.  So, I am constantly having to prove myself.

JASON:

That doesn’t go away, but that is also the thing that keeps you young, enthusiastic, excited and wanting to work hard.  It spreads that kind of energy.

PETER:

The last part of this is; if people like Jason and Gina keep going to the set and you are watching the monitor in your dressing room, and these people in one take are doing such amazing things, it gets everybody wanting to work like that.  And if everybody here works like that, wow!  We have a good thing.

JASON:

Courtesy/CBS

I could not be happier here at Y&R, across the board, from top to bottom.

PETER:

This is a guy who walked away from a really good thing.  So, I love hearing that!

So, what did you think of what Peter and Jason shared in this interview? How do you think Billy’s affair with Phyllis will finally come to the attention of Jack? Are you rooting for Jack and Phyllis or Billy and Phyllis to end up together? What have been your favorite scenes thus far between Peter and Jason? Share your thoughts in the comment section. (Note:  To make a comment, go to the top left side of the interview and click on “Leave a Comment”)

 

 

Leave a comment | 32 Comments
Advertisement

32
Leave a Reply

avatar
16 Comment threads
16 Thread replies
0 Followers
 
Most reacted comment
Hottest comment thread
17 Comment authors
JaimeBartdmrFaithypadange Recent comment authors
newest oldest
Caitlin
Caitlin

This disgusting storyline has completely taken over the show and crashed Y&R’s ratings. I cannot wait until it’s over.

Jeanne
Jeanne

What about the Newman show propping rape?

Harry
Harry

It’s so disgusting, revolting and grotesque that must replay Phyllis and Billy’s love scenes over and over just to make sure I am right to feel that way.
All kidding aside, it’s not just about sex, it’s about how this affair is going to bring up all these feelings between two brothers and between a husband and his wife.
It’s going afford us viewers some good old fashioned soapy fun.

Meaghan
Meaghan

I never post but I have to say that Billy and Phyllis have the best chemistry I have seen in any soap pairing in years. This is the only storyline that I am currently enjoying. I can’t wait to see how it plays out.

Soaphound
Soaphound

I agree, Caitlin. Some plots are just soapy fun and we accept the terrible behavior. But, for me, when characters cross a line and deliberately hurt someone who has done nothing but love and support them, I tune out and grow to hate their conduct so much that I no longer care about them AT ALL. That’s where I’m at with Billy. I realize that he’s being written “darker” because Jason Thompson doesn’t have Billy Miller’s range or even Burgess Jenkins’ “aw-shucks” frat boy charm. But why does dark have to be mean and spiteful? To me, that’s lazy writing. The only bright spot will be watching the sublime Peter Bergman square off with powerhouse Gina Tognoni. Guess I’ll have to be happy with that.

Trudy
Trudy

I think that Jason Thompson is great as Billy and has been since day 1. Billy M’s range as an actor is mostly about charm and rom com, and he’s good at it, but not so much at drama. He’s really struggling on GH as Jason Morgan. JT can do everything that Billy M can do and drama, too. I’m loving JT as Billy A. Imo, JT owns the role now.

meg
meg

great interview Michael , I really hope MAL GIVES THEM BOTH GREAT S/LS

meg
meg

LUV WHAT PETER SAID ABOUT JACK WANTING TO LET VICTOR BORE OTHERS TO DEATH .LOL.

Harry
Harry

HA!!! Hilarious.

su0000
su0000

WHOOPIE!!
I am going to love it !
Hopefully he’ll bring us into the 21st century era of modern media!

Something new and exciting is always a good thing..
I hope Mal will send my screen into the WOW mode..

GO MAL !!! ….. Shake it up! Please, rock me baby !

elm1951
elm1951

fabulous interview michael………peter, gina & jason are all phenomenal actors!!

padange
padange

First of all, this triangle/affair storyline is one of the best (if not the very best) soap storylines in a very very long time (and I mean not only Y&R).
It’s pretty remarkable that even these days when everything on soaps happens in lightning speed, the show has managed to write a story with slow and suggestive buildup. When you now re-watch the scenes from January (or even last year) to July you can clearly see how carefully it was written and executed on-screen. It has so much depth to it and so many beats. The characters aren’t black or white. you van easily understand what everyone in this story is coming from and why they are acting like they are acting. I just hope they don’t destroy what they’ve so carefully build.
I’m a Phyllis/Billy (Philly) fan, and I became one because of the story, incredible chemistry and heartfelt performances. They’re such a joy to watch.

padange
padange

Can, not van, and built, not build.
I wish we had an edit feature here.

Jeanne
Jeanne

Team Philly!

I love Jason’s words about them.

Faithy
Faithy

The love triangle is over and done with. They have a tiny small fan base and no one is crawling over pews to see this foolishness.

Jeanne
Jeanne

A tiny small fan base? Just check Twitter.

Faithy
Faithy

All 10 people on Twitter only proves my point.

Jeanne
Jeanne

LMAO. You are delusional. Philly have a strong fan base on Twitter. Face it.

Faithy
Faithy

I’m delusional because I can use basic math to count… I was thank you for the compliment of being delusional.

padange
padange

Without representative research nobody can know how big/small the fan base (or any fan base, for that matter) is. All we can do, is express our opinion, so the use of words like “all”, “no one” is absolutely meaningless.

Faithy
Faithy

And as I said before, all 10 fans on Twitter.

padange
padange

I get that. You know 10 Philly fans on Twitter. Good for you, I guess. I know 2 who are strongly opposed. Does it say anything about the fan bases? No, it doesn’t.

Faithy
Faithy

So I take it and so you are one of those 10 fans… which is why you continue to reply covered something that is meaningless aa wasted oxygen.

Harry
Harry

Thank you, Mr Fairman, for asking the good and pointed questions which gets to the heart of the brothers’ story.
Peter Bergman is such a class act. For as long as I remember he’s been singing the praises of his co worker without showing even a glimmer of arrogance. He’s very generous in that way. I appreciated how he said Jason is bringing darker nuances to the characterization of Billy. He’s exactly right.
That was a fun and interesting interview.

omari
omari

jill has to tell jack about the affair if phyllis or billy doesn’t

Timmm
Timmm

Michael always does a fine job. You can tell by his questions he loves his job! I just wish he would have asked a little more about Mal’s vision with the show from the two actors. I love Peter Bergman. He IS Jack Abbott! Jason, well he was so good on GH, I’m not buying Billy Abbott yet! But with all the turmoil with trying to find the right Billy, I’m willing to wait it out a bit. He and Jess Walton do seem to click. Maybe this is a positive start?

Soaphound
Soaphound

I may not be happy about the story, but am grateful for this in-depth interview. I love the dedication of daytime actors and have said for decades that their concentration and professionalism is the best in the business. I’d put some of the work I’ve seen over the years from Jeanne Cooper, Billy Miller, Michelle Stafford, Peter Bergman, Sharon Case, Adrienne Frantz, and now Gina Tognoni as equal or superior to nighttime or feature film acting. It’s always fun to hear these actors’ thoughts on their craft and characters. THANKS!

Trudy
Trudy

Nice interview, Michael. Thanks. Seems like they are loving working together and I think that it shows on the screen.

Zandra
Zandra

I despise the Billy and Phylllis affair storyline. Billy should love his brother enough to tell him the truth. Everyday he is lying to his big brother. Phyllis is worried about what she might lose by leaving Jack. It is time she left Jack. She has abused his love for her and for Billy. Her affair with Billy is unforgivable. All three are on my favorite actor list.–GH, OLTL. I am just too tired of watching them in this story. And I must say Jack seems pathetically clueless. End this storyline now.

dmr
dmr

I don’t even watch the show; but, I do DVR it when I know Phyllis and Billy are on that day. I love this storyline. It’s what I remember daytime television to be-a tad scandalous, but believable. It reminds me of the storyline on All My Children, when Erica was having an affair with Jack, her husband Travis’ brother. The actors are doing a great job with the storyline. I agree with Peter, that his character is closest with Phyllis, Billy, and Ashley-I like Jack’s relationship with his sister, Ashley (and I love Eileen Davidson)!

Bart
Bart

The Jack Abbott character has become a wuss-puss under Chuck Pratt’s so-called writing – an emotionally castrated eunuch! Perhaps under a new writer, he’ll grow a pair, man up and be the Jack Abbott character the viewers USED to love!!

I don’t think much of Jason Thompson as Billy Abbott – all he does is brood and look down – that’s acting???

Jaime
Jaime

Im not a fan of the changes to billy.
And worse the hypocrisy of the cheater running to Victoria to denounce someone who slept with someone else. Does Billy think he deserves applause or a medal or even consideration?

Interviews

Executive Producers David Michaels & David Parks Chat On The Moments That Made The 46th Annual Daytime Emmy Awards Ceremony

The 46th annual Daytime Emmy Awards are in the record books, and with it came surprising victories, emotional tearjerker moments, and a show that ended up with more heart than the fluff we often see within many entertainment award shows.

Michael Fairman TV chatted with Daytime Emmy show executive producers, David Michaels (who also serves as the SR. VP Daytime Emmy Awards for NATAS) and David Parks to gain some insight on how they pulled off some of the major moments of the evening including: a surprise appearance by Amy Poehler, Kathie Lee Gifford’s daytime TV send-off, Shemar Moore’s touching tribute to the late Kristoff St. John, and of course, that Emmy-winning acceptance speech from Jeopardy’s Alex Trebek, who is currently battling stage four pancreatic cancer.

On the soap opera side, there was the long overdue win by GH’s Maurice Benard (Sonny), former GH star Hayley Erin (Ex-Kiki) receiving her Younger Actress award from her idol, none other than Alex Trebek, and B&B’s Jacqueline MacInnes Wood (Steffy) receiving the Lead Actress trophy in a tough category of industry heavyweights.

In a year that was tumultuous for the producers and for NATAS with a threatened boycott by the network soaps, requests for more rule regulations and transparency, and the ongoing situation where the Daytime Emmys have not returned to be televised on cable or network TV, but have found success on streaming and social media platforms, we checked-in with Michaels and Parks for a Daytime Emmy post-mortem, and to get the lowdown of their thoughts on daytime’s biggest night of the year. Here’s what they shared.

Photo: NATAS/Getty

Let’s talk about some of the big moments that happened throughout the Emmy ceremony and how you pulled them off.  One, of course, is the Amy Poehler surprise as the presenter of the Lifetime Achievement Award to Judge Judy that nobody knew about.  How did you find out that Amy was a Judge Judy fan, and how did you keep her appearance a secret?

DAVID MICHAELS:  I want to just say that what a great job our co-host, Sheryl Underwood did in announcing it, because she saw the name on the teleprompter for the first time during the live show.  I was going to tell her that morning, but as she said, “If I was a bucket, I couldn’t hold water.”   So, very, very, very few people knew.   All through the scripts in the rundown, Amy was listed as “Presenter X.”   What happened was, the day after the press release about Judge Judy came out, Harlan Boll (NATAS publicist) forwarded me an email from a publicist that I didn’t know saying that he wanted to talk about his client presenting on the Emmys.   I called him, and he claimed to be Amy Poehler’s publicist, and I didn’t know him.  He said, “Amy Poehler is Judge Judy’s biggest fan.  She wants to present the award.”  The only stipulation is that it has to be a surprise.  Then, I went on IMDB-Pro, and checked him out, and he was indeed Amy’s publicist and for a lot of other celebrities, as well.   I called Judy’s people, and I said, “You’re not going to believe this,” and they went to Judy, and she just loved it.  I don’t even know why Amy wanted it to be a surprise, but we had to honor it.  It obviously would have done us more good pre-publicity-wise if it wasn’t a surprise, but we honored it.   We actually kept a secret in Hollywood!  I mean, David Parks knew, and maybe four other people.  I think that maybe what I am proudest of … keeping the secret.

Photo: NATAS

David Parks, did you think it would really happen?

DAVID PARKS:  You know, I am often a naysayer about things, but I actually did.  There was something legitimate about it once David vetted the manager.  There was really never any scare or anything that was like, “Oh, all of the sudden she’s busy.  All of the sudden she’s been offered this other thing.”   It was kind of like, it got arranged, and we didn’t have to do anything until that week, and then, we had to figure out the best place to drop her off and how to get Amy inside the venue with as few people as possible seeing her.   She could not have been nicer about it all too.  I mean, we got her to the closest spot, and nobody on my team knew.  Like David said, it was “Presenter X.”  Everybody kept asking.   I was like, “Not going to tell you.  Then, you don’t have to worry about keeping the secret.”

DAVID MICHAELS:  I was just very taken with how gentle and kind Amy was.  She looked me in the eye and actually thanked me for letting her do this.  She was so gracious and sweet.  The whole thing was just a great experience.

Courtesy/NATAS/Getty

Another memorable moment occurred at the end of the night, when Shemar Moore (Ex-Malcolm, Y&R and now S.W.A.T.) honored his dear friend and former on-screen Y&R brother, the late Kristoff St. John (Ex-Neil Winters) before announcing the winner in the Outstanding Drama Series category. Were you aware that Shemar was going to go off-script and talk about his love and respect for St. John?

DAVID MICHAELS:  Obviously, to this daytime community, Kristoff was very special.   I made him last in the In-Memoriam segment, which obviously was the most I could do as a producer, because there were over 30 other people who passed as well. Before he took the stage, Shemar came to the producers table and he said, “Are you sure?”  This was in regard to him saying a few words about Kristoff.  I said, “Shemar, as long as you say that you’re going off the script,” because he was.  There was nothing in the script.  I just said, “If you go out there and speak from the heart, I will have no problem with it, and I think that everybody will have no problem with it.”  He went out there, and he just killed it.  He was brilliant. I was sitting there at the producer’s table crying.  He destroyed me.  I think everybody really appreciated it, and I thought it was the perfect way to go into the final award.

DAVID PARKS:  I thought it was very genuine.  You can still feel his pain.

Photo Credit: JPI Studios

Next, you were able to get Kathie Lee Gifford to attend the Daytime Emmys to honor her.  How did that come together?  I assume she did not have a speech written when she addressed the crowd.  Kathie Lee is all about being “authentic”.

DAVID MICHAELS:  Correct, she actually had no speech written.  I saw her right before she went on, and she said, “Well, I’m not sure what I’m supposed to do.”  I said, “You’re supposed to go out there and be Kathie Lee.  You’re supposed to tell the community what you think of them.”  I also added, “I doubt this is the first time you’ve improvised,” and she laughed.  The result is what you saw, because she had not seen the tribute video before we played it, and the ladies of The Talk had actually asked to introduce Kathie Lee, because they adore her.

DAVID PARKS:  It really did come off well, because there was this concern about it not being a Lifetime Achievement Award(Not that she doesn’t deserve one, but that just wasn’t what it was this year.)  We were figuring out, how do you make this moment that is special without overshadowing the Lifetime Achievement Awards?  Kathie managed to do that.  I think it was her then winning in the Outstanding Informative Talk Show host category along with Hoda Kotb that really made it one of the most talked about moments of the show.

That award was positioned after Kathie Lee’s tribute, correct?

DAVID PARKS:  Yes, and on purpose, because in the case that she doesn’t win, you don’t want her out there kind of bumming out about it.  In all of these moments you have mentioned, the serendipity of it worked out really nicely for us.  Judy got honored, and unfortunately for her she didn’t win, but it didn’t destroy the moment.  In Kathie Lee’s case, it elevated the moment.

Courtesy/NATAS

Talking about serendipity, with Amy, Kathie Lee, Shemar, and Alex, it was almost like an organic perfect storm, and the next day people were talking about the Daytime Emmys in the mainstream press more than they had in recent years.

DAVID PARKS:  You picked up on this inclination that you have to fight sometimes to entertain, entertain, and entertain.  I think this year kind of proved that you don’t have to throw out the dog and pony show. It kind of works that you honor people, and they come out and they give these heartfelt speeches, and those mean more than those extra segments – whether it’s song or dance, or jokes, and you can tell the things that we cut out this year.  I think what it’s all about is …  getting awards, giving awards, and honoring people for their achievements.

How do you feel your co-hosts, Sheryl Underwood (The Talk) and Mario Lopez (EXTRA) did this year?  You seem to like this pairing as you have had them back multiple times now.

DAVID MICHAELS:  I thought it was Sheryl’s best year.  We didn’t give Sheryl big comedy moments, but everything she did felt so heartfelt and right.  They were there throughout the show.  They got their moments.  They got their beginning, middle, and they got their end.

DAVID PARKS:  I think as producers there was a little bit of a gift in watching what happened with the Oscars this year because it actually showed, (I mean, I’m sure it’s not what they wanted initially) not having a host kind of stream-lined that show.  People were like, “Yeah, the Oscars were pretty good this year.”  We talked about that a lot.  We don’t need to over think this.  It’s already been proven what happens if we don’t give as much to our hosts.

Photo: NATAS

Let’s talk about Alex Trebek.  That was such a huge moment when he accepted his award; winning Outstanding Game Show Host, and when he took the stage to present the Outstanding Younger Actress in a Drama Series award.  I heard he wasn’t not feeling well at all at the ceremonies, as we all knew he is battling stage four pancreatic cancer.

DAVID MICHAELS:  I know Alex pretty well.  So, I could tell he wasn’t feeling well; even though that wasn’t what he was putting forth.  It’s interesting though because Alex originally told us he wanted to stay backstage the whole time, but once he got to the ceremony that was not what he wanted to do.  So, Alex was in the audience, and he actually surprised me.  In a similar way to what I said to Shemar.  I said, “When Alex gets out there, he’s going to get a standing ovation,” which he did, and that was the moment when I said, “Alex, if you want to say something, go ahead,” and he didn’t.  I was shocked.  He just came out and presented the Younger Actress award.  So, if Alex had not won, he never would have said anything because that’s when he got the emotion in and all of that.  He definitely took a chance.

So, Alex presents ‘Younger Actress’ and made Hayley Erin’s (Ex-GH) life, because when I did my interview with her backstage, all she talked about is what this meant to have her idol, Alex Trebek hand her the award.  Talk about serendipity!  Now, when Alex accepted his award for Outstanding Game Show Host, did you have any idea what he was going to say, because coming out of the Emmys, people were buzzing about what he shared on-stage.

DAVID MICHAELS:  No, and quite honestly, I got scared when he started that speech when he was saying he didn’t want a sympathy vote, but that’s Alex.  He will totally bring it, and then turn it around.

Photo: NATAS

DAVID PARKS:  There was a side thing that you probably didn’t know about.  We got approached by a guy looking to buy fan tickets, but they had a group who needed ADA (Americans with Disabilities) seating.   It turned out be a group of cancer patients who were terminal.  The group was SayYEStoHOPE.org.  They weren’t asking for anything.  They just wanted to be able to sit together. So, we comped them all.  I’m at the red carpet, and this group is coming up the stairs, and one of the guys from the venue says to me, “This is the ‘Say Yes to Life’ group.”  So, I start talking to them, and one of the women just had chemo that day, and they were so excited to be at the Daytime Emmys, but what they were really excited about was to see Alex Trebek.  I wish there had been a way to either acknowledge them, or to let Alex know,  because they are big Daytime television fans,  but Alex meant so much to them in terms of being a cancer survivor, and a cancer patient, just like them.

Were you worried about Alex on Emmy night?

DAVID PARKS:  I thought he looked pretty good considering what I knew he had been going through.  It was actually this past week when I read about how on Jeopardy, he was doubled over in pain on the floor.

DAVID MICHAELS:  Yeah, if you saw that CBS Sunday Morning interview, it was pretty extreme, and they showed a clip from our show, by the way.  Similar to what David described with Judge Judy and Amy, Alex stood by the monitor to see if Jeopardy was going to win, which it didn’t, and Alex was just like, “Okay,” and off he went, and I got a big hug.  Just knowing him, I think he put out a lot of energy to be there, but I think he was glad to do it.

Courtesy/NATAS

Let’s move on to another amazing moment which was General Hospital’s Maurice Benard (Sonny) finally winning his second Daytime Emmy for Outstanding Lead Actor.  The crowd went crazy!  What did you think about how that happened . … and the fact that Maurice didn’t have a speech prepared?

DAVID MICHAELS:  I honestly believe Maurice that he didn’t think he was going to win.  It’s been many years since he had, and I also didn’t think that any of the other nominees could complain about losing an award to Maurice, because he’s the king.  He kept saying he couldn’t cry up there, and then, he cried up on-stage.  It really was about doing the Alzheimer’s storyline with Max Gail (Mike, GH) who totally reminds Maurice of his real father, and then, to have Max win as well, I just think it was a very emotional moment for him, and it was beautiful.

DAVID PARKS:  What impressed me is that often times you think actors should be so good at giving speeches, and they’re horrible at it because it’s not scripted.  So, when somebody does give one, and it’s really heartfelt and all of that, it’s really refreshing.  It’s kind of nice, especially on such a big award.

Photo: NATAS

DAVID MICHAELS:  In addition, Kyler Pettis (Ex-Theo, Days) win for Younger Actor in a Drama Series, was one of the most emotional things I have ever seen.  For years, I have been impressed with his portrayal of the high-functioning autistic young man.  It was always very moving to me.  If you watched the show and the close-up on him when they called his name, Kyler immediately was crying.  It really moved me.  I spoke to him the next day at The Talk, and he was completely blown away.  I just don’t think he thought this was going to happen.

What went into the decision to make the opening number “Sing!”?  Obviously, a big part of that was you were celebrating the 50th anniversary of Sesame Street.  And, I hear Mario Lopez’s son got to see the Muppets backstage, up close and personal?

DAVID MICHAELS: They always say don’t work with children and animals – but we did it – children – a dog – and two Muppets!  The dog – of course was Q-Tip – the shelter dog who came on with Lucky Dog’s Brandon McMillan. The kids were mostly from a community theatre production of MATILDA – and Joely Fisher connected us.  They included one of Joely’s daughters, Rebecca Romijn’s twins and Gary Busey’s son!  It was my concept and our musical director’s arrangement.  I thought it would be a great, positive way to start the evening.  It is always a joy to work with the Muppets – and Ryan and Leslie who do Elmo and Abby are amazing.  When Mario’s son, Nico, came in, I wanted to be careful to not shatter any illusions – so I took him over to the Muppets and he stared at them and he whispered to me: “Are they real”?  I said “Of course they are – just like you see them on TV.”  Nico says, “Can they talk?” I  say, “Of course they can.”  Then, Nico says, “Does someone have to help them talk?”  Now I am nervous and I pause, “Well … what do you think?”  He says, “I think they have some help”  Then,  he walked around back and saw the puppeteers.  The most adorable sweet child on the planet!

Photo: NATAS

There was a lot of behind the scenes drama and difficulties in the months prior to the Emmys; including the independent investigation, requests for more transparency in the awards system, the four soaps potentially boycotting, etc.  When you look back at what it took to get here, how do you feel about the outcome?

DAVID PARKS:  I’ve used this analogy a couple of times already, and I’m not a woman, but I think this is kind of what childbirth must be like.  The pain of it is so great that you think, “We can’t get through this,” and “Never again,” and afterwards, you see the baby, and all of the pain goes away.  You’re like, “Hey, we did it, and it worked.  It was really good.  It was enjoyable.”  I think, as a producer, you don’t really want people to know the difficulties.  If people understand the difficulties of getting to that night, you’ve probably done something wrong.  At the same time, I’m the last guy to crave attention, but for the people who were aware of the challenges that we had this year to see what we’ve pulled off, and when they say, “Holy cow.  Your set, your show, the smoothness…”  that is gratifying. You know, the stuff people are experiencing in the audience or the stuff that they see on the screen is what ultimately matters.  You learn from the mistakes, but at the end of the day, as long as that experience is good for the nominees, the winners, and the fans, that is what really counts.

People always want to know how it goes backstage with the handling of the envelopes.  Do you have it plotted out so that nobody except the accountants knows the winners until the big moment on-stage?  How does that work?

DAVID PARKS:  So, this year we actually had two accountants backstage.  The envelope went from the hand of the accountant to the hand of the stage manager, who then gave it to our trophy people, who give it to the presenter.  We had our fancy, new envelopes which everybody seemed to like, but literally, nobody on the staff even touched the envelopes this year.

Photo: NATAS

It seems like you have built-in a failsafe to minimize any potential complaints.

DAVID PARKS:  People always can, I guess.  It’s always been completely above board, but this year it was just even another step.  It’s important because the integrity of the awards is important.  I laugh a little bit, when somebody thinks they know if they are going to win or not because they’re trying to read something into the position of a camera in the audience.  We even added steps with how we shot it.  We told our cameramen, “Hold your shot for like 5 seconds after the announcement has been made.  So, even though your person isn’t getting up, we don’t want you to relax.”  We don’t want the person to think they’re not going to win.  The worst thing that will happen is somebody thinks they’re not going to win like a half a second before the announcement, it’s not a life-altering thing, but we still want to make the experience perfect for all nominees.

DAVID MICHAELS:  Our director Greg Gelfand, I think is the best in the business.  This is all a big pain in the butt for him.  He’s just trying to direct a show, but he was totally with us.  Greg said, “Okay, you’ve got it.”  The cameramen were great, and Greg was great.   Again, I’ll say for the 8 millionth time, I don’t know who is going to win.  It was very exciting and it was very surprising.

DAVID PARKS:  I always tell people that if anybody wanted to have proof that we don’t know in advance, all they have to do is watch David’s reaction at the producer’s table.  We find out at the same time as everybody else, and he’s like, “Oh, my God!  They won!?  That is an upset.  You don’t understand, Dave.  That is like an upset.”

Courtesy/NATAS

DAVID MICHAELS:  I know the soaps more than David does, but I’m like a little boy back there when I see who is winning.  I’m like, “Are you kidding me?” (Laughs)  The accountants sometimes will look at me like, “Did I do something wrong? (Laughs)  Look, there’s not much more we can do.  I was very proud.  I was very proud of the presenters, and I thought it was a great mix of all of the genres and the whole industry, and everybody was great in their own unique way.  There was some new blood at the show presenting and with the winners.

DAVID PARKS:  I have to interject my half into the little bit of love fest for David, because if there is one thing I think I hammered on David more than anything else this year was that we have to shorten the show.  The difference between three hours and three and a half hours or three hours and twenty minutes, is a huge difference.  I kept pushing David to simplify, to come up with simpler ways, or less verbose ways to do presentations, and he rose to the occasion, and before the show, he was like, “I’ve got to tell you, I don’t think I could have made this any shorter,” and I went through the script and there really was so little that could have been trimmed.  David really did a great job of answering the call and writing something that got us through a lot faster than last year.  We got a lot of comments after that said it didn’t feel like three hours.  Part of that was that it wasn’t three hours and thirty minutes.  It was actually three hours.

DAVID MICHAELS:   David Parks is the perfect foil for me and me for him.  Because we are so different, we don’t fight, but we will have words sometimes, and one of us will win, but it’s always the right decision.  One of the reasons I love working with him so much is that if he is giving me a hard time about something, there is a reason for it, and I have to really consider what he is saying.  I think that is a really healthy way to work.

Photo: JPI Studios

What would you like to see happen for the next Daytime Emmy Awards presentation?

DAVID MICHAELS:  I’d love for somebody to give us a million dollars so that we can do the most lavish show in the world.  I’d love to keep the heart going.   The one bad thing about finishing a good show is that you always take a breath and say, “Now … what do we do next time?”

DAVID PARKS:  For me, it’s that you always want to keep shows like this fresh.  It doesn’t always mean completely reinventing the wheel, but sometimes, you step back, and you think, “What can we do to freshen this up so that it’s not just a repeat?”  That can have to do with the set.   You just have to look at everything and also recognize that the best moments, as we learned this year, you can’t manufacture those.  They’re just going to happen organically.  So, you just have to create a show that allows those moments to happen, and like David said, money solves problems.  We will certainly be looking for additional sponsorship, and to build on the great ratings that we’ve had this year, and the fact that we have continued to build this event up over the years.

Courtesy/NATAS

Would you ever consider, or continue to try to get the ceremony back on TV, perhaps even on daytime television, if some network would offer you a spot to do it in?

DAVID MICHAELS:  There is nothing we wouldn’t consider.   Although I will say; that if the numbers are what we think they were this year, there were probably more than three times as many viewers as the last time we were on television.

DAVID PARKS:  I’ve always said that if they were to be on TV again, if they were to be on during the day, which is when our fans are watching TV anyway, it would make sense,  However, I have to say that I think the Daytime Emmys being at sort of the forefront of digital television puts us way out in front.  Eventually, this is how everybody is going to be watching TV.  It’s not going to be like, “Oh, we’re not on basic, terrestrial TV.”  It doesn’t matter.

DAVID MICHAELS:  You’ve got to realize that this audience is worldwide.  Being on television is not.  So, when you see that people are watching all over the world, that’s pretty amazing.

So, what did you think about what David & David shared about decisions made for the Emmy ceremony and the backstage tidbits?  How would you score this year’s Daytime Emmys? What was your favorite moment within it? Comment below.

Continue Reading

General Hospital

Steve Burton Interview – General Hospital – 46th Annual Daytime Emmys Red Carpet

On the red carpet at the 46th Annual Daytime Emmy Awards, General Hospital’s Steve Burton (Jason Morgan) chats with Michael Fairman.

During their conversation, Steve weighs-in on the nominated scenes of Laura Wright’s which also featured him, and the friendship of Jason and Carly, plus how he told Maurice Benard (Sonny) that he had to submit himself in the Lead Actor category; an award in which Maurice won that night.

Later, Burton laughs as Michael reveals that in his recent interview with Coby Ryan McLaughlin (Shiloh), the actor said that he can and wants to take down the character of Jason; to which Steve rebutted here that it ain’t going to happen.

Finally. Steve talks on the success of his road show and podcast with buddy and castmate, Bradford Anderson (Spinelli)

Watch the interview below. Then let us know, do you like the scenes between  Jason and Carly? Do you want Shiloh or Jason to have the upper hand in their rivalry? Comment below.

For more red carpet and backstage interviews from the 46th annual Daytime Emmy Awards visit the Michael Fairman Channel here.

Continue Reading

Days Of Our Lives

Ron Carlivati Interview – Days of our Lives – 46th Annual Daytime Emmys Red Carpet

Days of our Lives head writer, Ron Carlivati chats with Michael Fairman on the red carpet at the 46th annual Daytime Emmy Awards.  Carlivati and his writing team were nominated for Outstanding Writing in a Drama Series; an award they won last year.

Ron reveals to Michael that the reels submitted in the writing category were different than those submitted for Outstanding Drama Series; with the writing submissions centering around Marlena (Deidre Hall) and John’s (Drake Hogestyn) wedding and her shooting … and then the aftermath in the hospital where Marlena’s children and John have to say goodbye to her fearing she will not pull through her medical crisis.

Later, Carlivati discusses how he has become more firmly entrenched in the land of Salem after being an ABC Daytime guy for most of his life; following writing for One Life to Live and General Hospital.

Watch the interview below.  Then let us know, what did you think of Ron’s choice for the writing award? Should DAYS have toppled Y&R on the strength of those reels? Comment below.

For more 46th annual Daytime Emmy Red Carpet and backstage interviews visit the Michael Fairman Channel here.

Continue Reading
Advertisement
Advertisement

Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

The Michael Channel

Recent Comments

  • Lew S.: “I totally agree!
  • Patrick: “I LOVed right' along w/ Robert Newman drives Joshua Lewis' "yum"
  • Patrick: “GOD - ALL it took was one pic... and heart splatters everywhere Jax AND niNA !…
  • aria: “omg why o why did they put Nina and Jax in scenes together knowing full well that they are changing…
  • Marianne: “Love Robert Scorpio always! I hope he’s not the baddie in this story. Love Michael Easton as well, just not…
Advertisement

Power Performance

Kin Shriner as Scott

General Hospital

Airdate: 4-2-2019

Advertisement

Popular