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Y&R’s Peter Bergman Talks On: Jack Finding His True Biological Father, His Co-Stars, And If He Would Like A New Love Interest

Courtesy/CBS

On The Young and the Restless turns out Ashley (Eileen Davidson) is not the only child raised as an Abbott; whose father is not John.  As viewers learned back at the end of March, Jack Abbott (Peter Bergman) is not the biological son of the Abbott patriarch, either!  This has sent Jack on a pursuit to find out who he truly is, and who he truly belongs to, because being John Abbott’s (Jerry Douglas) son meant everything to him.

Once again, this story has given multi-Daytime Emmy winner, Peter Bergman an opportunity to play the complex layers of one of daytime’s best characters.  Recently, Jack had gone through his mother Dina’s (Marla Adams) old diary, where there was a key page missing out of it.  He then located a photo, which led him to believe that none other than late Phillip Chancellor II (played by the late Donnelly Rhodes) is his real father.  Is Jack a Chancellor?

Hell-bent on exhuming the body for DNA proof, Jack is getting massive pushback from just about everyone on Genoa City.  It is not helping the situation that Dina is suffering from Alzheimer’s disease and her recollections of what transpired years ago when she had an affair, may not be accurate.  Now this week, Jack has a plan that may backfire and ends up involving his son, Kyle (Michael Mealor) in the process.  Will these two work together to get the proof of the truth?

Michael Fairman TV chatted with the actor’s actor, Peter Bergman to get his take on: the surprise story twist he never saw coming, if Jack has the purest of intentions, or if he is just chomping at the bit get his hands on Chancellor Industries, if he would like to see Jack have a new love interest, and more.  It’s always a treat to speak with Peter.  Here is what he had to say about Jack’s latest inner-turmoil.

Jack is not John’s Abbott’s son.  He is searching for the answer of who is his biological father.  Now, Jack believes he has found the answer in the photo he found that included Phillip Chancellor II, and then went to Dina to confirm the answer, even knowing his mother is battling Alzheimer’s disease.  Don’t you think he jumped on this notion of Phillip being his dad all too son?

PETER:  Jack has stumbled upon evidence that this is for real with the photo he found.  He went to Dina on what was a very lucid day for her, and she was pretty damn clear.  So, therefore it wasn’t just the ramblings of a lost woman.  Jack is very eager for an answer.  Could it be argued that he jumped on this as a possibility? Yes, and for a number of reasons.  First, he feels somewhat utter-less and needs to be connected to something, but he also knows his family, and the history of this family, and “Oh, my God” could that be a way out of this untethered feeling that he had.  So he is really grabbing on to this pretty quickly.  Second, it is not lost on Jack that part of inheriting all of Phillip’s traits might also bring him part of the Chancellor estate, which would belong to Jack and perhaps he could pick-up at the corporate level where he left off.  So that is exciting, but certainly not central to his thinking.

Photo Credit: JPI Studios

Everyone thinks from Cane (Daniel Goddard) to Jill (Jess Walton), to Billy (Jason Thompson) , that all Jack truly wants is to stake claim as an heir and to try to take control of Chancellor Industries.  Are they that far off from the truth?

PETER:  How honest is Jack being with himself?  We will find out!  He would want to stake his claim … and maybe a little bit more!

What was your reaction when you learned that Jack would be revealed to be the son of Phillip Chancellor II, when for decades you have been playing so much of what drives your character that he is the son of John Abbott?  Were you like, “What!??” (Laughs)

PETER:  I have been doing this much too long, to go “Why?”  I, quite frankly ask, “Where do you want to go with this?  Where do you want to take me?” The things that I have done in the past that I have fought the most have usually been the things that really led me somewhere.  I tell the story all the time of John Abbott dying.  They decided to bring him back as Jack’s conscious, and he would appear in scenes with Jack and talk to him.  I thought “C’mon. This is The Young and the Restless, and I am doing a ‘ghost’ storyline?”  I fought it and I didn’t like it, and I was wrong.  It was fantastic, and it worked great, and the audience liked it.  I learned from it.   I don’t go, “Whaaat?” that much anymore.  There have been a few of those including: the whole doppelganger story, while it confused me at times, and I thought this had gone a few steps too far, but it led us to Billy/Phyllis/Jack story. It was a direct line to that, and one of the most dynamic storylines I have ever been in.  So, I see this current story, and I go, “That is an interesting turn.”  Then, as an actor, I dig into it.

Photo Credit: JPI Studios

Jack wants to exhume Phillip’s body and everybody from Jill to Cane is objecting.  Esther (Kate Linder) is worried Mrs. C. will roll over in her grave if he does this move.  As we will see, Jack does not take “no” for answer.

PETER:  Jack eventually all but gives up, but then a door opens slightly for him to look at this a different way   Jack reluctantly walks through that door.

Do you think Jack has ever thought of the possibility of: “What if I am the son of someone from the circus … or the former pool boy at the country club?”

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PETER:  I have thought it’s amusing when I have met people who have explored their past lives. They have always been a prince or a princess. They were never menial laborers.  I think he looks back and is kind of curious.  I think Jill points it out to him that he is not at all suspicious that he is the pool boy, or the golf pro’s offspring?  He knows the tryst happened at the country club, and so the first person you think of is one of the elite of the country club. 

Courtesy/CBS

It would be such a huge devastating fall for Jack if something like that turned out to be true!  Jack so wants to belong to a family that has wealth and prestige that goes along with their name.  I wonder what it would be like if he had to say, “Yes. It’s true.  I am the pool boy’s son!” (Laughs)

PETER:  I don’t know how that would fit Jack.

How is working with the latest Kyle, you’re on-screen son, played by Michael Mealor? The part had been recast multiple times and the actor didn’t stick.

PETER:  I cannot say enough good things about Michael.  This is an extremely disciplined, very talented, and very professional guy.  I have thoroughly enjoyed getting to know him.  I think he is doing a great job.  Michael gets looser every show.  He likes to take big chances and try a lot of things.  We have had a lot of young actors on the show and what they do is try to project that they are cool.  They don’t go outside of the, “I’m going to be cool, and honest, and real.”  They say, “I am going to be solid, and make simple choices.”  Michael takes big chances doing large stuff, and going overboard  That’s scary do to as an actor, but I watch him in scenes with Hunter King (Summer) where he is trying to appear cool, but just her physical prescience gets to him.  You can see it in his performances and it’s wonderful to watch.   It’s lovely to see in a 26-year-old and it’s fantastic.  I have high hopes for Michael.

Photo Credit: JPI Studios

This version of Kyle seems to be a bit of a chip-off-the-old-block.  He can play dirty just like his dad!

PETER:  As far as where Kyle is at … he is like Jack Abbott.  He is not a good guy, nor a bad guy.  Kyle is a bit of an opportunist with a heart, who wants to feel a part of things, but he also takes advantage of the situation, in a way that sometimes works against that. 

We saw Jack stumble and drink again as he fights his addiction when learning the news that John is not is biological father.  Do you see him stumbling again, and going back to popping pills and booze, if Phillip Chancellor II were not to wind up being his dad?

PETER:  I don’t know if he will see him spiraling, but it is worth saying for someone who is a constant and has a had guiding light of  ‘what’s right, and what’s wrong” and that now has been taken away from him essentially when John Abbot goes “Jack!”, that is a game-changer.  What we can expect from Jack now may change.  Jack isn’t as bound by “what would dad do” as he once was.

Photo Credit: JPI Studios

So, we may be surprised with a turn in attitude from Jack?

PETER:  You may be surprised.  So much of his life, and certainly so much of what I play is that Jack has spent his whole life trying to be like John Abbott, because John Abbott is his father.   Now that is not so. So, how much effort should Jack be putting in to being like John Abbott?

Good point!

PETER:  It will be interesting to see where that goes!

We have seen many actors in the soaps portray drug and alcohol addiction. When Jack’s played itself out originally, it was one of the most harrowing to watch.

PETER:  He got to a dark place very fast.  It was out of control.  It was an important part of the Phyllis (Gina Tognoni) and Jack story, because he honestly did not have the strength to do it by himself, and he had somebody to help him through it   As it turned out, it was a formative experience for Jack and for Phyllis; one that they carry with them for the rest of their lives. They know things about each other that the rest of the world does not know.

Photo Credit: JPI Studios

Billy recently read Jack the riot act, when Jack told his brother about being Phillip Chancellor’s son.  Having had it with Jack, Billy threw him out of his office.  Where do you think the relationship stands between the brothers at this point?

PETER:  It’s really hard for Jack.  He is still on the board at Jabot.  He has family ties there, and he still gets the checks, but it feels so weird for him, it really does.  He is trying to be a bigger man and let Billy do what Billy is going to do.  Deep down inside Jack has known Billy for a really long time, and when Billy sort of combusts, boy, does he go! Jack hates that Billy is holding the reins of Jabot, if things fall apart for Billy.

Viewers are seeing Billy turning to gambling again.  What would Jack do if he finds out what is happening to his brother?

PETER:  I don’t know what he could do.  I am not sure what he could do to stop the CEO of the company as things currently stand.  It’s hard for Jack to relax around Billy. It’s not a promising situation.

Photo Credit: JPI Studios

Do you think the Jack and Bill will ultimately be there for each other when the chips are down moving forward?

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PETER:  Jack has a soft place in his heart for addicts for reasons we both know, and a soft spot for family.  It will be interesting to see how well Jack’s patience holds up, if Billy should go down that particular rabbit hole.

Do you think Jack might visit Chancellor Park and have a chat with the late Katherine about the revelation about Phillip and Dina?

PETER:  I think Jack is really trying to be realistic about all of this.  It could clearly be proven, but he is impatient.  He could wait for Chance and Phillip III to come back from their Himalayan trip, but he does not want to wait.  It’s just so easy if everyone would be practical about this, and get some fragment of Phillip’s remains, and there would be a DNA test.

Photo Credit: JPI Studios

Jack’s nemesis, Victor Newman (Eric Braeden) is having a lot of issues, too.  This includes his mysterious health diagnosis …

PETER:  Oh, damn! (Laughs)

How does Jack feel about Victor these days and the plight that he is in?

PETER:  Jack has such contempt for Victor.  However, Jack can occasionally see that Victor is important to some people, but Victor to Jack is everything that is wrong in the world.  As to the fact that he is struggling right now, does Jack wish bad physical health on him, or anybody?  No. However, if things didn’t go easily for Victor, Jack would not lose any sleep over it.

Photo Credit: JPI Studios

Don’t you think it’s time for Jack to have a real, honest-to-goodness, love interest?

PETER:  Jack should have a new love interest.  I think the writers and the producers of The Young and the Restless are paying me a lot for half of what I do.

Jack should find true love.  Someone who will be with him and whom he loves with all his heart, and someone who loves him back, flaws and all.  A romance where he is not manipulating her, or she is not manipulating him, for financial or corporate gain.   Do you think at this point that is even possible?

PETER:  I think that would be a swell thing, but that would be a daytime show investing in an actress that is over 40-years-old.  They have done it, but it’s a rare thing.  But yes, I do feel like we are seeing two-thirds of Jack.  There is another third of him that is completely unexplored and that’s a shame.

Photo Credit: JPI Studios

We saw those heartbreaking scenes that aired last year where Jack had to admit to Ashley that his mother has Alzheimer’s.  How is he going to continue in his relationship with Dina knowing she has had multiple affairs throughout her life, and when married to John?

PETER:  This is a real difficult place for Jack.  Obviously, he has his mother back in his life in one sense, but his mother has been responsible for pretty much everything that has gone wrong in his life over the last two years.  It’s just one thing after another.  Had his mother been faithful to John, Jack would not be in this situation.  Had his mother not returned, we could have gone on with life as it was, and now all this mess is in part Dina’s doing.  Now, Jack has moved out of the house and so his mother is slipping away by the minute, and Jack is not around for it.  He keeps visiting, and he keeps stopping by, but it just doesn’t feel like it’s enough.  Jack struggles with that a lot.  He should be more in Dina’s life and be around for that, but being around for that means being in the Abbott house.  Everywhere he looks are reminders that he is not who he told himself he is for his entire life.

One of the more endearing moments came at this year’s Daytime Emmys, after Eileen Davidson (Ashley, Y&R) took to the stage to accept her award for Outstanding Lead Actress.  She thanked you while you were in the audience.

PETER:  This is in keeping with my new plan for the Emmys each year,  What I do is: I try to get a nomination so that I can sit in the audience after I have lost and hear the winner for Lead Actress thank me personally. (Laughs)  I am two for two in the last two years! (Laughs) Gina Tognoni had won that category the year prior.  Eileen Davidson is the greatest, and she has been for all intent and purposes my leading lady on Y&R.

Photo Credit: JPI Studios

Now, Eileen Davidson has announced, and made the decision to leave her role as Ashley.

PETER:   I can’t say enough things about her.  I adore her … I adored working with her. She is every bit as good as everybody thinks she is.  She comes to work prepared   She never needs hand- holding or spoon-feeding.  Eileen is the real deal; had she been one of Jack’s lovers that would have been over a long time ago.  The fact that she is his sister is fantastic.  Now with her exiting the show, I will miss her terribly.

In closing, viewers should watch for Jack’s next move?

PETER:  Jack is not leaving any stone unturned.  He has to figure out who he is, and desperate times call for desperate measures.

So, do you think Phillip Chancellor II is truly Jack’s biological father?  If not, who do you think is?  What have you thought of Peter Bergman’s performance in the storyline? Would you like to see Jack have a new love interest?  If so, who would you like to see the series bring onto the show to play opposite him? Share your thoughts via the comment section below.

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Karen
Karen

I think Phillip is too easy an answer. I think it’s Stuart Brooks. He was rich, went to Walnut Grove with Dina and John and is connected to Jill.

Ray
Ray

Agree. Stuart Brooks would be best. That way, Jack would have a tie in to the Original main family from very first day of y and r. Also he would have many new sisters. Would be perfect way for Leslie, LauraLee (Lori),Christine,Peggy to make frequent home visits to Genoa City. Could also re-enter the entire Foster Family along with all new stories giving us all a feeling of the early Bill Bell years of Y and R. Give us the setting of the Brooks Family Home, along with the Genoa City Chroncle NewsPaper as well as the Foster Family home. Jack, Dina and Kyle could set up house in Brooks home. Just my thoughts. Would be a warm feeling and great way to use the early years of show history to create AMAZING new stories

Ron
Ron

I am 100% in favor of this scenario, Ray!

Nia
Nia

That would be a great story line. I hope the writers read this.

Kevin C
Kevin C

Ray I agree and also thought it might be Stuart Brooks, would love for this to happen…I remember though when Jaime Lyn Bauer came back for a short visit in 2002, Lorie went to see Jack in his office and Jack said to Lorie, I am upset with you and Lorie said, why for I didn’t go to the homecoming with you and Jack said, the homecoming and the prom….so since Jack and Lorie were never an item this would be a wonderful story…I don’t know if you all know, you can go to Jaimielynbauer.com and watch a few clips of her on Y&R and the 1st one is the clip that I just mentioned with Jack…also listen to the beautiful background music…OH how I miss the CLASSIC Y&R of yesteryear…

Toni
Toni

I think the best choice would Victor Newman & be Brothers, that would make ,Y&R more exciting, also a love interest for Jack ,

GramS
GramS

It would ruin the show entirely.

Vanessa
Vanessa

I believe it stuart brooks too

Soaphound
Soaphound

I’m glad Peter Bergman has a story that is challenging him; he’s a wonderful, generous actor. While I don’t like that Jack isn’t an Abbott, I’m trying to keep an open mind. It’s certainly given Michael Mealor a chance to shine by showing an appealing and softer side of Kyle. It’s also revealed a selfish, paranoid side of Cane which I find repulsive. Who does he think he is? Oh wait, he’s changed his life story so many times who can tell? Insecure, are we? I hope Jack follows through all the way and, if he’s Philip’s son, boots Cane into the mail room at Chancellor.

Violet Lemm
Violet Lemm

Love my Jackie!

Violet Lemm
Violet Lemm

Can’t stand Cane, and among other things, is a pompous ass! Thinks he’s God’s gift to women, and I wish I could go through the TV and slap that eternal smirk off his face. Sorry to the Cane lovers!

Judith
Judith

I think Victor Newman is Jack’s biological father, wouldn’t that shake things up!? Please don’t send me any emails, Thanks!

Eliza
Eliza

If its for sure not John
Then its Victor. Victors health will get worse and Jack will donate bone marrow or something. And then it will be found they are father and son. Sounds good??

Judith
Judith

Victor Newman, could be biological father, that would shake things up

GramS
GramS

With 7 years between them an Jack born long before Victor ever landed in GC. Check your history

Kim
Kim

Jack is my favorite character on Y&R. Yes, I want to see Jack have a love interest who is not crazy. Jack deserves to fall in love.
I hate Victor and what he does to Jack.
Yes, Phillip Chancellor ll should be Jack’s father. Jack should take over the company Chancellor. Cane has no right.

I wanted Jack to stay an Abbott.

Love you Jack! Stay strong

Marcelle
Marcelle

Jack is my favorite character on Y&R, too. Peter Bergman is a phenomenal actor. Love him! Agree % with your comment.

Kim
Kim

Victor should not be Jack’s father. That would ruin the show. Doesn’t make sense to me

su000
su000

Great interview, Michael..
You are an awesome interviewer!!
No worries!
Jack is 100% Johns son.
But- It’ taking too long to have that fact reviled and it’s becoming sorta stupid the longer it plays out.

Harry
Harry

I like your response SUOO. I miss the like/dislike feature because it saved time just clicking the like button. I understand why Mr Fairman had to do away with the dislike button as it might breed hurt feelings (although I got a chuckle every time someone clicked the dislike button on my comment). But maybe we could just keep the like button?
In any case, hope you’re right about Jack really being John’s son.

Alan
Alan

Jack is really John Abbott’s son. He tested his DNA against Billy’s and it will be revealed that Billy is not John’s son (Jill picked up a guy in a diner back in the day when she was trying to get pregnant to hold onto John). For somebody so smart in business Jack sure is dumb — he should’ve tested himself against both Tracy and Billy. Once this is revealed Billy will be out at Jabot and Jack will be back in because of that blood Abbott clause that everybody says they are going to get rid of but never seem to do…

Lil' Angel
Lil' Angel

I agree. And once Jack is back at Jabot the first order of business is to light a torch to… JaBoat!

alex
alex

they did do a dna test on tracey too, remember? but it could be that both tracey and billy are not real abbots, jill was crazy and slutty back then, even slept with jack. and dina, well u already know…

Maria Eva Rodriguez
Maria Eva Rodriguez

Jack and Victor’s to be Brothers that would be the Young and the Brothers so we could be more interesting to wash again

Violet Lemm
Violet Lemm

I have never really cared about who his “real” father might be. To me , it will always be John Abbott.I think wanting to put poor Dina through this court thing is cruel and selfish.
I will miss Ashley going toe to toe with Jack, and always reigning him in, when necessary.

ann higginbotham
ann higginbotham

Jack is John’s son which will be told soon enough. He needs a girlfriend. He needs to shut Billy down while the business is still there.

Kim
Kim

Love Peter Bergman / aka Jack Abbot. Great actor and incredibly HANDSOME to boot. Lucky Mary Ellen.

Resa Johnson
Resa Johnson

I agree that it would make Y&R more interesting if Jack DNA turn out to be Stuart Brooks son. In that way, more of the original casts could come back, so that Y&R won’t be so boring, because many viewers are tired of seeing mayhems happening with the same people over and over.
Boring!!

Tucker
Tucker

While I love Peter Bergman as Jack, this entire story-line is just awful!

Why do new EPs & writers think that they need to re-write and retcon almost everything the great Bill Bell created years ago? The Maria Arena Bell years saw Jill finding out she was not a Foster but Neil Fenmore’s illegitimate daughter with Liz Foster. The Jill Farren Phelps era had Sharon screwing around with Summer’s paternity. Now we have Mal Young doing further damage…

I hope the ratings continue to nose-dive under Mr. Young – CBS/SONY needs to get some talented & creative people to undo all of this madness!!!

Debbie
Debbie

Victor as the father and Erica Jayne as the love interest…

Dianna Lynn
Dianna Lynn

I Love Love Love having Jack’s mom Dina on the show. Having this character adds depth and dimension to the show which I have been watching since the very first airing in March 1973. Having a love interest for Jack a woman of appropriate age would not only make a social statement but also give added dimension to his character. It would give an opportunity for storylines for women in their 40’s and 50’s to relate to.
Kyles Character played by Michael is one of the best additions and reconnecting with summers character brings youth and vitality to the “young and the restless”.

Dianna Lynn
Dianna Lynn

What about “Victor” as Jacks father. Better once again keep it clean between Summer and Kyle!

Timmm
Timmm

I think Jack will end up staying an Abbott. As far as a love interest, he and Avery had some minor scenes together but showed immediate chemistry.

Maryke
Maryke

I truly believe Victor Newman is Jack’s father

Maryke
Maryke

Just think about this. They are always competing and have the same personality.. remember Victor Newman danced with her at ashleys award presentation. I am sure it’s Victor Newman who is Jack’s father

Marcelle
Marcelle

Great interview! Peter Bergman is a talented, versatile actor. I have always loved his portrayal of the legendary character of Jack Abbott.

I was extremely upset when the writers rewrote history by making Jack not an Abbott. I still hold out hope that it will eventually be revealed that he is indeed John’s biological son. But if Jack isn’t an Abbott , then I would love for him to be Chancellor’s son & CEO of Chancellor Industries. I look forward to Jack and Jill engaging in a power struggle reminiscent of their past. Peter & Jess are about to light up the screen with their phenomenal chemistry, and I can’t wait.

Jack definitely deserves a love interest…a true love! Y&R should ALWAYS be open to investing in & KEEPING talented actors/actresses (age should be irrelevant), legendary & new characters, and promising storylines. I would love for the show to seriously explore a romance between Jack & Gloria. I also thought Peter had great chemistry with Genie Francis (Genevieve). IMO, that romance ended way too soon. I have always wanted to see him work with Colleen Zenk or Rena Sofa (but she isn’t available & is awesome on B&B with Eric). Bottom line: Peter Bergman is a handsome man who has had & would have explosive chemistry with a lot of leading ladies. Invest in a romance for Jack!!!!!!

Harry
Harry

I enjoyed the interview very much. Great questions yielding forth to insightful answers afforded a very enjoyable read. I love Peter Bergman, always have since he showed up in Pine Valley as Nina’s romantic, Shakespearean lover, aka, DR Cliff Warner. Not only is he a talented, handsome man with the most beautiful piercing blue eyes, he’s arguably the nicest, kindest man in the business.
I don’t care for the storyline and hope to goodness that he turns out to really be John’s son. However, Jack’s existentialist crisis is very interesting to me because Bergman is such a compelling actor.
I do want him to have a love interest and it never occurred to me to that the reason Jack doesn’t have a love interest is that TPTB do not want to invest in an actress over forty. That’s sad to me but explains why they paired him with Nikki recently. It also explains why Ashely’s only love interest in the last ten years (aside from her brief flirtation with Dr Neville played by the wonderful Michael Knight) was the twenty-something Ravi.
I often thought Kassie Depaiva (formerly Blair of OLTL) would make an ideal match with Jack.
Jack deserves a love interest who doesn’t treat him like last night’s left overs by choosing either Victor or Billy over him.
PS. I detest Phyllis and Billy as a couple. Can those two tone it down with their sexual exhibitionism? If they’re not having sex in the Jabot elevator,or on Billy’s desk, they are putting on a show for their neighbors in the back patio of Summer’s apartment.
I am no pearl clutcher by any stretch of the imagination but come on, we get it, we get it. These two like having sex with each other–we don’t need to see that anymore.

dmr
dmr

As much as I love Peter Bergman as an actor, and as Jack ABBOTT, I don’t love this storyline. It’s just dumb. Jack’s theory is based on a photograph and the memory of a woman struggling with Alzheimer’s Disease. Honestly, I can see why Eileen Davidson decided to leave her post as Ashley Abbott. The writers never gave her a love story or a story of her own. & I hated the storyline with Graham. Instead, we get the “post teen scene” with Summer and Kyle-no thanks.

Margherita
Margherita

I’m good with either a Chancellor or Brooks connection. Or if they go the Newman direction, then have Victor be Jacks older brother, not father, especially since they are only a decade apart in age at best.

Would love to see Beth Chamberlain, the actress who played Beth Raines Spaulding on GUIDING LIGHT. She could enter as a mysterious connection to this paternity story, and with Eileen Davidson departing as Ashley, we could get some magic on air.

Just a thought… Classic Y and R meets Modern Y and R

Carlos
Carlos

There is no better actor on the tube than Peter Bergman. Since planting Cliff on AMC he held his own with Palmer Cortland……he can do more acting with just his facial expressions that have been Emmy worth performances, Emmy judges take note, he has been doing this for more than 20 years. He is the only other actor on the show that brings me to tears when he loses something on the show that he cares about, his family, his career and winning in business. BRAVO, BRAVO!!

Chris
Chris

It truly would be a stroke of genius to have Jack discover he is Stuart Brooks’ son. There is so much untapped Y&R history from the show’s first decade, and connecting Jack to one of Y&R original families would open up soooooo much story. It almost feels as if Mal Young was setting the stage for such a reveal with Lorie and Leslie’s appearance in March. (Another clue, perhaps: Janice Lynde, on her Facebook page, revealed that she asked if Leslie would be playing the piano in her spring 2018 return. “Not yet,” she indicated she was told.) Couple the Jack-Lorie-Leslie storyline possibilities with Jill’s contentious relationship with the sisters, and we would see a riveting rebirth of the Brooks-Foster legacy drama. (And given Victor’s and Nikki’s histories with Lorie, her return to Genoa City — to deal with news about her new step-brother [Stuart, of course, was not her biological father] — would give the Newman family fresh conflict as well.)

ALEXA
ALEXA

I really hope that it will be confirmed that John Abbott is the bio father of Jack afterall… I think it would be interesting if Jack and Victoria become an item!!

Mo Blake
Mo Blake

I think John Abbott should be Jacks father because the DNA test were messed with by Victor!!!! Jack is and will always be an Abbott!!!! Don’t ruin it for all of us that have been watching for the last 45 years!!!!

val
val

I am usually a fan of a soap mining its past but I really-really hate this story line. I think its very disrespectful to Bill Bell and to the great Jerry Douglas. Jack is John’s son and to mess this up with a cheap who the daddy plot line destroys years of wonderful family memories that long time fans cherish to this day. Stuart Brooks and Phillip Chancellor never captured our hearts the way John Abbott did. John was a great father and a great man who until recently Jack spent every day of his life trying to live up to. Now under this head writer John is a clueless idiot married the town tramp. A weakling and a fool raising other men’s children as his own. Jack is supposedly searching for his real daddy as if John and the Abbott name was nothing more to him than a cheap watch. John will always be his real daddy and Jack is a damn fool if he doesn’t realize it. Dina when she sees Jack frequently confuses him with John, that should tell you something right there.

Lois Valentino
Lois Valentino

I am hoping Dina and John had some kind of pretend love affair- pretending to be other people to spice up their love life again. This way Dina doesn’t remember it was John all along. I think Jack needs to be John’s son. Please writers make that happen.

Meg. Reddekopp
Meg. Reddekopp

Jack is a Abbott ,Ashley did this to him.

General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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DAYS Head Writer Ron Carlivati Talks On: Ben Weston, Soap Amnesia, Doppelgängers, and the Time Jump

So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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Days Of Our Lives

DAYS Head Writer Ron Carlivati Talks On: Ben Weston, Soap Amnesia, Doppelgängers, and the Time Jump

Days of our Lives viewers have been going through some changes over the past month since the launch of the innovative time jump from the creative mind of the series and Daytime Emmy-winning head writer, Ron Carlivati.  As episode after episode unfolds, the audience has been finding out just where their favorite Salem residents have landed and with whom, in the one year flash-forward.  There have been shocking deaths revealed, longtime couples facing different kinds of obstacles that could change their relationships forever, and some characters brought back on the canvas, in one form or the other, to shake things up.

On the series finale of the Inside Salem: Days of our Lives Podcast,  Ron Carlivati was the very special guest and addressed many of the decisions that went into making the flash- forward happen starting with when Jennifer (Melissa Reeves) wakes up from her coma after her fall, thanks to Princess Gina (Kristian Alfonso), and how it impacts the canvas.  You can listen to the can’t-miss interview here via iTunes or at NBC.com/Inside Salem.

Due to the length of our conversation with the talented head scribe, some of the questions and answers did not make it into the podcast finale due to time constraints.  So, we have brought you the rest the interview here as Ron discusses: the popularity of  #Cin, back-from-the-dead storylines, writing for the original series on the DOOL app and further creative decisions that went into crafting the one-year time jump.  Check out what Ron had to say below.

Photo: JPI

You have been able to make #Cin, the hottest duo on daytime by taking a now reformed serial killer, Ben Weston (Rob Scott Wilson) and pairing him with the daughter of one of DAYS all-time supercouples, Bo and Hope in Ciara Brady (Victoria Konefal).  Were you ever  concerned as to how this story/romance would play to the audience at home, because in reality no parent would ever just stand by and let their child get involved with a man who strangled and killed women, previously? 

Ron:  To sort of try to glorify a guy who strangled women and make him into a romantic lead, we don’t do that lightly.  Not unlike, Todd Manning (Roger Howarth) on One Life to Live who was a rapist, and who became sort of an anti-hero, but also a romantic lea.  And in this day and age, it’s even a bigger decision to do something like that, I think.  So, that said, it is a soap opera and there are certain things where we know we are pushing the envelope.  We know in the real world that no mother would ever get past her daughter being with a guy who murdered, killed, and strangled three women or strangled and shot one, but the pairing worked so well.

Photo: JPI

In the time jump, you gave Ben an intriguing prison cell mate in Will Horton, given that Ben had “killed” him previously.  Add to that you brought back Ben’s criminal father, Clyde back into the mix.  There’s lots of prison orange these days on the screen.

Ron:  When we knew we were sending Ben to prison, then obviously father and son have to cross path. It just added another element, so it wasn’t just going to be Ben and Will (Chandler Massey) talking to each other, and making a shawl together like Martha Stewart. (Laughs). Ben’s relationship with Clyde was interesting to me.  As horrible as Clyde was and is – there does seem to be some sort of love that he has for Ben.

Photo: JPI

On the soaps, and as has been part of DAYS enduring legacy, characters are killed off, only to be brought back to life somewhere down the road. Many return with classic soap amnesia as a vehicle to drive story.  Is there ever a time when as a writer, or as a soap fan, you think “enough is enough”, and characters should just stay dead?  Many fans who watch daytime dramas get very invested in tragic death stories, where characters have these shocking or sudden, or long goodbyes, and the viewers goes through the grieving process; along with the other characters, for what then seems like a waste of an emotional investment when said character turns back up alive.

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Ron:  We were talking about bringing Jack (Matthew Ashford) back right around that same time we had the Will story.  We couldn’t bring two people back from the dead at the same time, and that’s why Jack’s return kind of got put on the back-burner, so we could do the ‘Will is alive’ story arc.  Look, the audience will go with you, especially if they want somebody back desperately.  They will overlook how did it happen, and how could they be alive.  They will accept almost any explanation, but I think you’re right, if you do it too much, you tend to water down the permanence of death … especially deaths that you saw on-camera.

Photo: JPI

Viewers know you love doppelgänger storylines.  And, in the time jump you brought back none other than Hattie Adams (Deidre Hall).  Why the decision to bring Hattie back at this time?  I know Deidre loves playing her.

Ron:  I think Deidre likes playing something different than Marlena, because she played Marlena for many, many years, and she knows her like the back of her hand.  Hattie is an escape and something fun, and the chance to do and say outrageous things that Marlena would never do.  So, we bring her back whenever we can to have fun with, and again, it seemed to work because  she was in prison, and we set Eve in prison when we started the time jump off, and we’re like, “Who’s Eve (Kassie DePaiva) going to be talking to?” and we’re like, “Oh, well of course.  It has to be Hattie.” (Laughs)

When do you first see the fruits of your labor?  Do you see a feed from the set as the show is taping? Do you receive episodes where you see how what was written has come to life? 

Ron:  In prior shows, One Life to Live and on GH, I saw it when it aired. At One Life, I was in the studio, so I often saw production shooting scenes.  Here, they send me the completed shows once it has been completely edited, the music has been put into it, and it’s all ready to roll, and they email me the link to 5 or 6 shows.  So, I could in theory watch a couple of weeks ahead of the audience, but I tend to (unless I’m so, so curious about how a certain thing turned out) watch it when it’s on TV.

Photo: JPI

The “Lani (Sal Stowers) and Kristen (Stacy Haiduk) joining a convent” storyline is at a critical point in story.  How did you come up with the decision to put Lani, and of all people, Kristen together and about to take their vows as nuns, and kind of becoming bff’s?

Ron:  I mean, you can’t imagine sort of two more unlikely friends as Kristen and Lani.  We grew to really love the relationship that developed between the two of them.  I think we sat down and said about the time jump, “There have to be enough big changes that you do the double-take.”  Like, Will is Ben’s cell mate, Adrienne is dead, and Justin and Kayla are together now.  You had to have enough of those WTF moments to justify passing a year of time.

You have also been writing series for the DOOL app.  What did you think of Chad and Abby in Paris with that being the initial one and how it all came to pass?

Ron:   It was fun.  I had no time.  I was writing six episodes a week of DAYS, and I was asked “By the way, can you write two seasons of a web/app show for us?” (Laughs) Greg Meng (Co-executive producer, Days of our Lives) has really been the mastermind behind this app and developing this app into something.  I love all of the stuff you guys came up with for all the behind the scenes content, but I know that Greg really wanted original series content on it, too.  Chad (Billy Flynn) and Abigail (Kate Mansi) just seemed like the logical couple to do that with.  You wanted somebody tied to Salem that wasn’t currently on the campus, but you know the audience cares about what their up to, and Chad and Abby just seemed perfect.  The process was totally different because I’m used to writing six outlines a week that are 15 pages long, and all of the sudden, I’m like, “She comes in, this happens, and this happens.” .  That’s like a whole episode of an app series right there.  Corday Productions produced it while they were producing the regular show, and they made a special set into Chad and Abigail’s apartment, which I thought looked incredible.

Photo: JPI

Chad & Abby in Paris had a bit of a different look and feel then the regular airshows, which I think made it enticing.

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Ron:  I loved the look of it.  I felt it was just a little bit different than Salem.  We had the establishing shots of the Eiffel Tower and all of that stuff, and look, we had to keep it simple, but we added in Austin (Austin Peck).  We had Tony (Thaao Penghlis) come in season 2.  We had the new characters of Juliette (Rachele Schank) and Sylvie (Shawna Della-Ricca).  So, it was fun, and it weirdly just timed out so perfectly because we did 8, took like a week off, did another 8, and that last episode was posted right when Jennifer fell.

Right, so it timed perfect to get Chad & Abby back on the airshows.

Ron:  It timed out perfectly so that we could have Abigail get a call: “Something has happened to my mother.  We have to go back to Salem.”  So, you last saw Chad and Abby in Paris, and then the following week they were back in Salem.

Photo: JPI

Now, with the kind of massive move for DAYS with the time jump, you have to figure out: “Who are the casualties?  Who am I going to lose?” Viewers learned in short order that: Adrienne (Judi Evans) isn’t alive, Haley (Thia Megia) isn’t alive, and Jordan (Chrishell Stause) isn’t alive.  What went into the decision-making process to kill those characters?  I’m assuming it was to further the story of others on the canvas.

Ron:  Yes.  Anytime we kill somebody, it breaks my heart every time, because these are like my babies.  You fall in love with these characters, and you care about them a lot, and you care about the people who play them.  So, it’s a big decision to say, “Let’s kill them.”  It may be a great story, like, “I’m going to get this amazing story if I kill X,” but that’s a person and a job, and it’s not something we ever do lightly.  That said, in a year of passage of time, you know that life and death is going to happen, and to us, it felt like to really signify the passage of time, there had to be at least one or two people who are no longer alive, and then show how that affects our story.

Photo: JPI

Did you ever think that instead of 1 year that you’d do a bigger jump?  Like, “What if I did 5 years?”  Because it’s interesting, I was reading some comments on social media from fans who are like, “What year is it?  Is it just 1 year?  Why didn’t they do 5?” (Laughs)

Ron:  5 seemed like a lot.  I think people change physically a lot in 5 years. I wasn’t prepared to cast little children as teenagers… that would be a lot. (Laughs)  I think you run the risk of it being almost too disorienting for the audience.  Also, then it would be me having to figure out what happened over 5 years instead of just 1. (Laughs)  So, 1 year just kind of seemed perfect, and it had to be an even year so that even though it’s a crazy coincidence that Jennifer woke up 1 year to the day she fell into the coma, you needed Thanksgiving to still be Thanksgiving, and Christmas to still fall on Christmas, and that kind of thing.  So, it had to be an even year.  I think it worked out great and I hope the audience continues to go on the journey with us, because there is a lot more to come!

So, have you been enjoying the DAYS time jump thus far? Which storyline has piqued your interest most? Let us know via the comment section below.

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DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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